Made these to hand out at Dragoncon! Who else is going?
Cosmic Funnies

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Fai_Ryy
cherry valley forever
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Show & Tell

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let's talk about Bridgerton tea, my ask is open

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shark vs the universe

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he wasn't even looking at me and he found me

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if i look back, i am lost

#extradirty
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@athena1919
Made these to hand out at Dragoncon! Who else is going?

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sometimes looking at the juxtaposition of pay vs the job title on indeed makes me feel the dystopia in the air around me even more than i already do
i showed this to my mom and she said “they’re probably both fake listings” and i think now, altogether, this post encapsulates the complete experience of job searching in 2026
"Explaining binary search to a cop" should've caught on as a saying tbh.
I forgot about the context to this. God this is so funny
Image description: screenshot of two paragraphs that read, "Afterward I found a chat room thread among Cambridge computer scientists, one of whom had also been told that unless he could pin down the moment of the theft no one would look at the footage. He said he tried to explain sorting algorithms to police - he was a computer scientist, after all.
"You don't search the whole thing, he said. You use a binary search. You fast forward to halfway, see if the bike is there and, if it is, zoom to three quarters of the way through. But if it isn't there at the halfway mark, you rewind to a quarter of the way through. It's very quick. In fact, he had pointed out, if the CCTV footage stretched back to the dawn of humanity it would still probably have only taken an hour to find the moment of the theft. This argument didn't go down well."
teaching an old dog new tricks: trite cause dog likes you and wants to help but maybe is getting a bit hard for them
teaching a cop binary search: real cause even if they were smart enough to understand and use it they wouldnt because fuck you they dont care
eridians are radially symmetrical and have no eyes, which means that it's normal and expected not to "face" someone to acknowledge them, and even engage in other activities while doing so, effectively dividing your attention between multiple points, so i wonder how long it took rocky to realise how frequently grace would just. look at him. direct his complete and entire ability to focus or protect himself towards unnecessarily fondly gazing at rocky, acknowledging him or just reminding himself that he's there and taking comfort from that. probably not very long, he's not stupid, but i'm willing to bet it never stopped feeling like something special, no matter how often grace did it - because of how often he was the focal point of grace's entire universe, even.
+ because there is no joy without suffering to define it i wonder how long it took rocky to stop wondering why won't you look at me when you're talking to me? about his fellow eridians after he returned. to stop feeling like a ghost in the life he once inhabited and can never return to. i think that one might have taken a while.

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spill for me, Muse, the wine-dark tea on a problematic man
Fascinating how what's considered feminine and what's considered masculine can change over time. The rebranding of being a horse girl into being a stereotypical feminine girly trait needs to be studied.
Look at classic children's novels. As recently as the 50s and early 60s, being obsessed with horses as a girl was depicted as strange and tomboyish, and the very concept of being obsessed with horses from early childhood and loving toy horses and desperately wanting your own horse being a "little girl thing" and not a "little boy thing" would send someone from the 1800s and earlier into a coma.
There's maybe a point to be made here somewhere about how when keeping and riding horses stopped being necessary to the functioning of society and became a more "frivolous" thing, it was rapidly rebranded as silly and girly and for women, but what do I know.
i wrote a paper in my masculinity studies class in college about this exact phenomenon, specifically about how high heeled shoes started as a practical way for Persian cavalry to keep their feet on their stirrups, then likely due to that association, became a popular fashion item and status symbol among the upper classes of Europe, before the Great Male Renunciation of the 18th-19th centuries, when men started shunning opulence in favor of utility, leaving them as a fashion item for women instead.
I've joked that the two genders are Aesthetic and Utility before but thats just kinda the case
I always gotta mention knitting when this thing comes up. Far as i've learned anyway, it was a masculine/utilitarian (if not unisex) activity up until the mid 20th century after the world wars. A whole generation of kids at home only ever saw their mothers and sisters knitting socks, gloves, sweaters, and so on for men away at war. So it became associated exclusively with femininity/subservience, and then frivolous during peacetime and even more frivolous by the time clothing companies really stepped into mass production because at that point knitting wasn't only seen as just for women but for OLD women (so age comes into play now).
With all this discussion about the Hadestown pro shot I wanted to share my potentially controversial opinion, which is that Reeve Carney is actually a great Orpheus. I know that a lot of people don’t like his voice, or feel that his voice feels jarring or out of place next to his costars on the Hadestown OBC album and in the pro shot, but that’s actually why I think he’s so impactful as Orpheus.
For starters, the entire Original Broadway cast of Hadestown is incredibly talented, and they all have very distinct voices that add so much personality and depth to their characters, but you can tell with the entirety of the main cast that they all still have that Broadway sound. While their voices are unique, they still feel very musical theatre. But Reeve Carney’s voice doesn’t feel like something I would expect to hear in a Broadway musical, it’s sits more in that folk-rock timbre. And while I don’t think it would work for other roles on Broadway (see his run in Great Gatsby — that I was admittedly not a fan of) I think it actually works really well for Orpheus. Orpheus is the son of a muse. His voice has been blessed by the Gods themselves, and in a cast of incredibly talented people, Orpheus should stand out vocally. The colour and timbre of Reeve Carney’s voice is very distinct from the rest of his cast, and provides such a stark contrast to the rest of the world around them, which sits at this intersection between your typical Broadway sound and jazz.
While I love many of the other (Orpheuses? Orphei? Whats the plural of Orpheus?) I feel that when Orpheus is singing with that typical Broadway or BFA sound, as beautiful as it might sound, that contrast that makes Orpheus stand out so much from the rest of the world around him is lost. Vocally and technically it’s a beautiful performance, yes, but I personally feel like the impact of Orpheus is lost when he sounds like the rest of his cast. Again, not a dig on anyone who’s played Orpheus, they’re all very talented. This is just my opinion.
I’m not saying that you have to love Reeve Carney’s voice. After all, art is subjective, everyone has different tastes, and Reeve Carney’s voice does have a very unique sound to it that might not sit well with everyone, especially musical theatre fans who are more familiar to a certain kind of sound. But there’s a difference between not caring for someone’s voice and actively putting them down every time you get the chance to. Reeve Carney’s portrayal as Orpheus had a huge impact on the show, whether you like it or not.
Anyways, I want more unique voices on Broadway and the Hadestown proshot was amazing to see in theatres.
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I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?

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I saw the Hadestown proshot yesterday and I love the way every single Orpheus almost knows what’s going to happen and he’s just as powerless to stop it each time but I specifically love Reeve’s version where he just freezes up at the end
No howling grief, no shaking and sobbing or trying to reach down after her. He just freezes because the story’s over. Orpheus is no longer apart of the story anymore. He is now just a stage actor like the rest of them. He doesn’t even get a single line in the the finale because he can’t sing without his Eurydice
what they don't tell you about hadestown is that orpheus and eurydice are not the main characters. neither are persephone and hades. or hermes. or the fates. the main character is whoever in the band is playing the trombone because holy fuck
God sometimes I'm writing smut and I'll like, delete a sentence because I'm like, no, I can't write that. It's too indulgent. And then it's like. Girl, what the fuck are you even going to the candy store for if you're just going to buy raisins. Get real.
"what the fuck are you even going to the candy store for if you're just going to buy raisins" is honestly the thing I needed to hear today
this was my first time seeing or even listening to hadestown today seeing the pro shot in theaters. and i’m just in awe at the fact that they made the stage itself into a literal representation of the holes that were left when certain events happened.
like when persephone was first called back into the underworld. there’s almost 10 minutes before the innermost circle comes back up. so there is both the metaphorical and literal representation of the loss of her presence. the actors cannot walk there. the Foundation Is Missing. much like how the characters are starving. they can’t take care of their base needs without the prosperity persephone brings.
later when eurydice takes hades deal to go to the underworld. she leaves by the same inner circle descending. it does not return until after orpheus has his scene where he realizes what happened. the hole is his heart left my eurydice literally represented by where he cannot walk.
i’m sure someone’s brought this up before and in more detail but as my first time watching this i was just in awe of all the meticulous details like this
things i am raving about regarding hadestown now having seen the proshoot twice.
the candle being representative of eurydice's livelihood
the look of pure fear and terror on persephone's face during the end of chant when hades is talking about basically cheating on her. imo you can see in her expression that the worry is so much more for eurydice than it is for herself. amber gray is a legend ugh she conveys these little things so wellllll.
orpheus jumping between hades and eurydice during the end of chant.
all the subtext during hey little songbird & flowers. augh eurydice i mourn you
our lady of the underground. that's it. the whole number.
expanding upon that, amber gray in general. she is a phenomenal actor and she just fucking kills it every time she's on stage.
the way we can see all of their facial expressionssss ughhh i love seeing all the little acting choices
being able to see orpheus just off to the side during hey little songbird. like he could almost step in if he could just look up.
why we build the wall. and both times the fourth wall is broken to drive home the message about the state of the world
the obvious metaphor for global warming
the way patrick page worked his injury into hades' character. it's so fucking cool of him to be able to utilize it. seeing hades slink around with that cane in a sort of crouch was soso good.
ON THAT NOTE, HIM BEING AT THE TOP OF THE BALCONY DURING "i conduct the electric city!!!" AND THEN BEING BACK ON THE STAGE AFTER THE BLACKOUT. THAT WAS SOOOO COOL
okay thats all i have off the top of my head might reblog with more later

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