fantasy: the kingdom has been ruled by one family for 10,000 years
science fiction: a new species evolved in 30 years
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fantasy: the kingdom has been ruled by one family for 10,000 years
science fiction: a new species evolved in 30 years

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i'm not really into blondes but this is an objectively absurd connection to make
In order to be properly non-pedophilic you have to want to fuck somebody old but not with gray or white hair because that's too close to blonde which as we've established is the hair color of children. So ideally somebody old as fuck but bald. And obviously wanting to have sex with a man is misogynistic so it has to be a woman. And it can't be a white woman because that would be racist and it can't be a woman of color because that would be fetishistic, so ideally a woman with some unnatural skin color, oh let's say, purple. But it can't be an alien, because we don't know anything about alien life cycles so it could be an alien child or an alien that looks like a child. So it has to be an animal from Earth, but obviously one of human level intelligence that can communicate is otherwise that would be bestiality. So an old purple female animal that can speak English. I think the only creature you can be hot for is the Ant Queen from A Bug's Life.
"theyll hate you for this" "but theyll be alive" is THE juiciest thing to me
i will ensure you stay alive above all else. even if what i do to make it happen is horrendous. even if it violates all your wishes or moral principles. even if you can never look at me the same way again, even if you hate me for it. because at least if you hate me it means youre alive
Hot take but Rhaenyra and Alicent’s dynamic in 1x06 and 1x07 was kind of iconic. It lowkey felt like true asoiaf with them as political rivals and friends turned enemies. Both women were on the council and actually competent, Rhaenyra’s power move making sure EVERYONE saw her bleeding through the castle when Alicent insisted the baby be presented to her and Alicent’s lines being closer to her book counterpart, Alicent feeling like she’s going insane as viserys continues to deny the reality of his grandsons parentage which we are also shown that this isn’t just frustrating over Rhaenyra “getting to do what she wants” but also her genuine fear that this could increase the chances of her legitimate children’s demise. That whole scene after Aemond loses an eye in 1x07 will always be Olivia and Emma’s best acted moment together. Alicent breaking down in front of everybody and almost stabbing a child after years of portraying herself as the perfect, devout queen consort? Rhaenyra’s smug “thank you father” while looking at Alicent? “Where is duty? Where is sacrifice?” “Exhausting isn’t it? Hiding behind a cloak of your own righteousness” The whole thing being portrayed as nuanced with neither side being entirely in the right and neither woman being portrayed as the villain. Viserys’ blatant favouritism and neglect shown across these two episodes being catalyst for this whole situation. There was no going back for Rhaenyra and Alicent after the poison drips through to their kids.
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.
Absolutely no way whatsoever at all. And not just the books, but also the entire franchise.
Big corporate IP owners monitor piracy, and they collect profitable data from this.
Fanworks keep the IP culturally relevant, and therefore profitable. Yes, that includes Marauders-era works.
And the books are not fundamentally good. They may have elements you find compelling, but most of the compelling elements are fairly generic genre tropes. And once you look past them, there's an awful lot of racism, antisemitism, misogyny, ableism, fatphobia, colonialism, animal cruelty, slavery apologia, and twisted morality in general.
Find literally any other hobby. Stop helping the author who called Lolita a "great and tragic love story" hurt trans people.

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The beautiful thing as you get older is that you realize so many “rules” are made up and you can just do whatever. Posters can go anywhere in the house not just my room. I can sit down while cooking a meal or taking a shower. I can make the same thing for breakfast lunch dinner for a week straight. I can roam around the house shirtless. I can wear a dress with jeans. The world is my oyster key word my and I can live as I please embracing little things such as this
OBSESSION (2026) dir. Curry Barker
Yahhh I have to build Rome. Yup it’s due tomorrow.. noo I haven’t started yet haha is that bad?
To be quite honest with you all I do think that aro/ace-spectrum fans in fandoms where people are desperately inventing crossover ships and humanizing non-human characters in order to have a conventionally attractive guy to ship the main character with, instead of possibly having to enjoy a story with no romance in it, have the right to refer to everyone else as cowards.

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My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.
Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?
What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?
Worry less about whether a character would do something, and more about how they'd sound while doing it.
I don't remember where I saw this piece of advice so I can't credit it, unfortunately
But it was along the lines of "instead of asking whether something is out of character, ask 'what would it take for this character to do this'"
Which I think fits really nicely with this advice of making the actual action itself also feel in character
I took my little brother (autistic, mostly non verbal) out and he was using his voice keyboard to tell me something, and this little boy (maybe 4 or 5?) heard him and asked me "Is he a robot??" I tried to explain to him that no, he isn't a robot, he just communicates differently, but my darling brother was in the background max volume "I am robot I am robot I am robot I am robot"
My little brother insisted if I was going to post about him, he wanted a cut of the "profits". When I explained to him that Tumblr isn't monetized, and is pretty pointless, he and my older brother pointed out that he'd still be bringing me "fame and notoriety" if the post got "big". So we agreed, if the post hit 10k notes, which seemed extremely farfetched and silly at the time, I'd take my little brother out for sushi (his favorite food) and let him eat as much as he wants.
I guess God wanted the little robot to enjoy some sushi 🍣 🥲
The assault scene revolving around Alicent reminds me of the way many war or disaster films depict catastrophe. They present genuinely horrific events, but frame them as exhilarating spectacles, inviting the audience to enjoy the adrenaline of survival rather than sit with the horror itself.
That's what this scene feels like. Theyve made a spectacle of it. The audience is encouraged to root for Alicent as she fights her way through danger, creating excitement and suspense. The horror becomes secondary to the thrill under the guise of "realism."
I'm gonna be honest, I hate the dragons in HOTD. Because what did they call them 'the last magic of Old Valyria' or something....okay? where is the magic then? Why are their colours so dull, like are they not supposed to be the Targaryen's pride and show their power ?
Plus some of them look ugly as hell, i was so disappointed bcs i thought...well if the show is trash i can at least power through for the dragons bcs i love dragons but these ones are just...so disappointing
Yeah, I’ve talked about HOTD dragons a few times already, and I don’t like them either, anon. 😅
The longer I look at them, the more cartoonish and badly designed they seem. Some of them barely look like functional animals, let alone ancient magical weapons of Old Valyria. The “magic” must be working overtime just to keep half of them alive and airborne, because those body plans do not make sense.
And even if I ignore the designs, the show logic is a fucking mess. Some dragons grow too fast, some barely grow at all, and others seem to shrink or expand depending on the scene. It doesn’t always look like perspective either. Sometimes the CGI scale just feels botched.
In some shots they look decent. In others, they look like they escaped from an early 2000s PC game. For a show built around dragons, that is kind of embarrassing. 🤣
This is the kind of dragon design we could have had instead:
We got this:
in 2026 let’s start actually noticing and taking seriously the true scale and impact of jkrs transmisogyny and how she’s been funneling decades of royalties and ip owner cash directly into anti trans lobbying thats been making the uk hell while gradually worsening conditions elsewhere through impacting the zeitgeist
[ID: tumblr tags reading #she effectively venmo'd a known hate group 70000 usd equivalent on a whim #she personally bankrolled the political campaign to keep Scotland from gaining independence over their intention to legalize(?) trans people #she started HER OWN hate group last year which intends to "protect" women and girls from having their "autism exploited" by trans activists #she used to slip off Forbes' richest person list bc she gave so much money away #she hasn't slid position in YEARS because she has started entrenching herself in transphobic investment funds effectively #she's worth some shit like 1.2B now because of that #she has explicitly stated that engaging with - even on a fandom only level - her works makes her money that she then uses to do all of this #we cannot just let people remain ignorant to the damage she is intentionally doing #and we cannot let people forget that she got her bc she befriended an echo chamber of radfems who never criticized her in order to do this #do not let that shit slide. End ID.]

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*Sighs*
There was no need for Rhaenyra to botch a beheading, let alone execute someone herself, just to make her look regal and powerful. She could have simply sent Daemon to do it. There is nothing regal about a botched execution
Daenerys never executed anyone herself. Sansa delegated Littlefinger's execution to Arya. Were they any less in control as a result? No. The show completely misunderstands how authority is projected when a ruler isn't a trained combatant.
how many times must olivia cooke endure this? and i don't simply mean alicent as a character but olivia as an actress. why are the writers so intent on using her body to simulate so many instances of sexual violation and humiliation for not only her character but she herself as well? lord jasper is executed for an entirely different reason so why was it necessary to have that scene? truly what purpose does this serve narratively? i am already so sick and tired of sexual assault being used as a plot device because i think it's lazy and ends up fetishising and perverting women's pain to the benefit of a male audience, but especially in this scenario because it is literally to no end. nothing comes of this! who and what the fuck was that scene for? free my girl!
secondly, i don't know that i've ever made this clear but i quite despise rhaenyra's character. and yes, i've read the books. i understand she's worse there. and what if i told you i don't care? her characterization in this show is fucking pathetic. why is she more sympathetic to the people that started this entire war than to her own allies? why is she not allowed to be vengeful? to be mad? to be cruel to the people that have taken so much from her? why does she somehow have more venom for the people trying to protect her and fight for her cause? why must every other character be stripped of everything that makes them who they are in order to make her look more magnanimous and sympathetic? when in the end, she justifies every reason as to why there is belief that she should not rule.
it's already bad enough that the effects of rhaenyra's mistakes are pawned off to other characters to sanitise her while the mechanics behind the most critical, pivotal moments of the plot have all been resigned to mishaps and misunderstandings of those other characters because now can anyone point to a single fucking person in this show and tell me, with conviction, what is their motive to do any of the things they do?
i'm supposed to believe alicent, who we've seen slash rhaenyra's arm for the injustice aemond suffers, who has told aegon "living or breathing, you are the challenge", who shields him with her own body when meleys emerges from the dragon pit, who answers "you idiot" to aegon questioning whether or not she loves him because it's so obvious and inevitable as the knowledge that the sun rises in the east—this is who i'm supposed to believe is selling out both sons to die by the hands of the woman she has spent decades detesting? she is suddenly so frightened and horrified at the reality of war only WEEKS IN that she forfeits her own children's lives? if anything, why does that not make her more intent on ensuring their survival?
alicent is nothing if not dutiful. she was once ambitious and righteous but #that man stripped her of that, set fire to her agency and cunning and then called it feminism and we all mourned. she may not be the most emotionally intelligent mother. she may not know how to show them she cares but she bleeds as they bleed. she cries for helaena because of what they've done to her girl. she sees aegon burned and broken and she asks if her son is going to die with so much fear and despair in her voice. why is rhaenyra the only mother on this show allowed to consider her children? allowed to fester in her own grief? although i have to admit that even then, they won't allow her to let that ebbing harden and be honed, as is of characteristic of grief, because the writers ,for some reason or the other, think angry, rageful women are impossible to sympathise with and this episode proved it.
helaena, most egregiously, is largely unaffected by jaehaerys' death. unlike her book counterpart, she does not desire to be queen nor she does not sink into such debilitating despair after b&c that she loses grasp of reality. but what then is left of her? and the answer is absolutely nothing. there is no grief, there is no urgency, there is no rage. there is quite literally nothing at all. the writers want me to believe this is innocence but frankly, i think it's cruelty. this just makes it seem like she had no regard for her son at all.
and in all of this, rhaena, baela and house velaryon are still who i grieve for most. i do not understand how any of them are still on rhaenyra's side and why the writers seem to hold their black characters in such contempt if not complete disregard. baela doesn't even really mourn jace and we're already setting her up with that loser ass baldie??? she brought jace back five minutes ago. why is she just #fine?
rhaena, by definition, was the only truly innocent targaryen in the dance. and it's not simply because she didn't have a dragon. book helaena took dreamfyre to the skies on her coronation day and wrote to rhaenyra asking her to swear fealty to aegon. she did not object to her half-sister's usurpation. but they're setting up rhaena of all people as the one who is to blame for jace's death (book rhaenyra ordered jace to fight in the gullet btw). they're using rhaena as a scapegoat for what was originally rhaenyra's orders and whitewashing helaena of her allegiance to rhaenyra's usurper at the cost of rhaena's innocence. i think this is the most upsetting thing to me because why can they not let a black female character exist as a beacon of feminity and gentleness as she was in the written material? even nettles, who was fierce and loud and brave, was not foolish or even morally grey. they've taken two beautiful and capable female characters, despite being nothing alike, merged them, and then turned the audience against her when neither of those characters were even remotely unlikeable to begin with!
they've also robbed rhaena of lady arryn's genuine care and consideration when contrary to the bullshit they put on my screen, even show lady arryn would have more reason to take rhaena in, after rhaenyra was incredibly disrespectful and did not uphold her side of the deal with the vale. rhaena is the king consort's daughter. who genuinely believes she's at any real risk of death?
this episode annoyed me more than any other in the whole show, i think. it was so anticlimactic and cheap for how fucking long they've been building up to this.