It was like a sickness—the chronic type, rather than the acute, in the way that the feeling never left him. He woke up with it aching in him, and carried it, simmering, throughout the day—to council meetings and training sessions and all through dinner. It itched under his skin. Sometimes, when the feeling of it grew too great, he would pull Merlin into a quiet alcove and put his mouth on him until Merlin came, biting on his fist, and only after that did Arthur feel he could go on again.
Usually, however, the relief came late at night, once all the candles had burned low, in the form of Merlin’s body sinking slowly into his, holding him down, stretching him open. Merlin’s tongue on his throat was like a tonic for the fever that had raged in him all that long, long day, and when Merlin’s teeth scraped against him, Arthur could feel the smile against his skin. He couldn’t help but smile, too.
They lay together after, their bodies sweaty and tangled, and stayed like that until morning, until Merlin slipped, naked and proud, out of the bed which had become their bed, to dress and begin the day. And so the sickness took him again.
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Robert Frost // Hunger, Florence Welch // The Night There, translated Palestinian poem by Mahmoud Darwish // Olivia, Dorothy Bussy // unknown // Let Dead Dogs Lie, Silas Denver Melvin // Gnaw at the Heartbeat, Wenyi Xue // War of the Foxes, Richard Siken // Поэма Конца (Poem of the End), Марина Цветаева // Wild Geese, Mary Oliver // Tribute to Catherine O’Hara, Macaulay Culkin
« cage - 565 words - @morgwenmicrofic - @merlinbingo square for writing format: diary entry »
READ ME:
This is a cage. It is a beautiful cage, in the realm of the Sidhe—but a cage is a cage. Trust Sophia. Do not trust Grunhilda. And you recognise your writing, Elena, so most importantly: trust yourself.
READ ME:
This is a cage. It is a beautiful cage, in the realm of the Sidhe—but a cage is a cage. Trust Sophia. Do not trust Grunhilda. And you recognise your writing, Elena, so most importantly: trust yourself.
P.S. You can also trust in the Lord.
I have hidden these pages in my book of hours, which Grunhilda insists I read from every day. She won’t think there is anything amiss if, for some reason, she decides to stay and watch my studies and prayers. I assume I am the one reading this, and that I understood my own coded message. If not, then…God help me, I suppose.
I am a prisoner of the Sidhe. I didn’t realise at first—I didn’t even realise I was in their realm; layers of enchantment have been worked upon me ever since I left father in Gawant, so that every morning I wake up and believe I am visiting an old family friend. I have no cause to question this belief, until I find the note I hid in my dressing table.
Grunhilda cannot be trusted. This is painful to learn (every day, when Sophia reminds me, this is the part that hurts the most).
Ah, Lady Sophia! She is, I believe, a friend. At least—helping me out of my predicament is in alignment with her own motives, whatever they may be. She wants to be free of this beautiful prison too, I suppose.
She visits every day, clasps my hands in hers, then her eyes flash a fiery red and she reminds me:
‘You’re in a cage, Elena; a beautiful cage, in the realm of the Sidhe, and you are not safe. Remember. Remember...’
And the truth washes over me with a sickening crash, and Sophia holds me as I sob like a child, and she kisses the tears from my cheeks. And she tells me we do this every day—that we have been repeating this for weeks, because she wants to help me. I wrote a short reminder, which I hid in my dressing table to read every morning, to try and soften the blow of this revelation—I don’t know if it works or not, as I cannot remember from one day to the next how I take the news.
But today, Sophia told me to write all of this down so that I can read it and remember tomorrow morning, once Grunhilda leaves me to study—so that I will be ready when the warning bells start to ring, and she comes to collect me from my rooms. She will help me clear the enchantment when we are safely away, but there will be no time when she arrives. She wants me to be ready to escape together, back to the lake, and then onwards into the mortal world.
The Sidhe are planning something truly awful. She has explained it—but it is too terrible and unbelievable to commit to pages that I will have to read alone, or worse, with Grunhilda nearby. Sophia will tell me, yet again, when we are away.
So. Good morning, Elena.
You have a dangerous day ahead of you. Best get ready.
Merlin can feel destiny breathing down his neck, down all their necks. His skin is screaming with it—every muscle, tendon and fingernail tense. Everything is going wrong, and he is utterly powerless to stop it.
Arthur is quiet for a long moment, beside him, before he answers Mordred. "I wish I knew."
He turns from the cell.
Merlin follows.
He has to do something. He has to try and fix this, before—
But it's like trying to talk underwater, asking Arthur to listen. He can't hear Merlin, because for all this time he's been kept in the dark, and now Merlin's standing in front of him, choking to death on the panic, the dread that's settling like silt in his veins and slowly filling his lungs.
"Arthur—"
"It's my decision. Mine alone, Merlin." Arthur is troubled too, he can tell. Exhausted. Grieving, blind-sided by Mordred's betrayal. But he doesn't know. He doesn't know what Merlin knows, that this is the beginning of the end: that if Kara is executed, and Mordred turns against Arthur, his fate—their fate, together—is all but decided.
Blood pounds in his ears, hot and wild with fright. "Please."
"What would you have me do?" Arthur demands, whirling to face him, voice sharp with frustration, desperation. "I have to uphold the laws of Camelot!"
Merlin swallows. It's all rising up in him, a decade-long bile of secrets and sacrifices, and hope, and horror—
"Exile her. Exile them both."
"Merlin, I can't just—"
Something in Merlin snaps, or breaks loose, because he just—he can't fucking do this. He can't watch Arthur die. He can't. "Arthur. There's more, alright, there's so much more to this than you know. I can—I'll tell you about it. I'll tell you everything—"
Arthur's gaze locks on him, eyes wide, and he looks—frightened, or lost. Merlin is shaking.
"Please," he repeats, choking on it; realises suddenly he's crying. "Please, Arthur."
"Alright." It's a murmur, low in the dwindling space between them, as Arthur steps away from the window, towards him, hand hesitant but reaching. "Alright, tell me."
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I’m soooooo embarrassed. My lord told me “good night,” but I thought he was calling me a good knight, and, well, you could hear it clink against my codpiece.
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It wasn't surprising that Merlin's attire hadn't come up as of yet. Merlin's life had been thrown so upside down recently that for a while he could scarcely acknowledge what his own name was, let alone give space for aesthetic concerns. From the moment his crew had been called out to check in on a man passed out along the riverbanks, expecting a drunk, and finding instead a very familiar blonde head and aquiline nose, Merlin's heart had both frozen and exploded, caught high in his throat and never settling back down.
There was Arthur's confusion, and Merlin's joy, but there was also grief and anger and panic and a change that Merlin had spent his centuries praying for and now that he was here, entirely did not know what to do with. He hated the fear in Arthur's eyes when a car drove by on the road, the sorrow when he read through Merlin's history books, the insecurity when he quietly asked Merlin what he was to do in a world that no longer needed kings.
So Merlin's mind is understandably distracted as he dresses, pulling on an oversize sweater that was a gift from a coworker, his favorite flowy maxi skirt, a loose scarf for the early fall chill. And really, it was Arthur's fault too, for he had something to say about the ring in Merlin's lip and the length of his hair and the size of his platform boots, and yet nothing about his dress. But when they left Merlin's terrace house with Arthur charging out the front door and insisting that Merlin was lagging behind, as always, Merlin thought no more of his clothes than what he always wore off-duty.
And how could he, when it felt like the sun had finally returned after an endless winter? He knew the terror of being a man out of time, he saw it reflected so clearly in Arthur's eyes. He was prepared to protect Arthur against it all, to feed him the world in bits and pieces, morsels he could swallow.
Arthur didn't want a morsel. He was wide-eyed at indoor plumbing and email and matcha lattes and antibiotics and travel documentaries and Duolingo and breadmakers. He insisted Merlin take him to the local cafe, the thrift stores, the library, the high-end shops, the parks. He was ravenous (at times literally, when anything containing the taste of vanilla or citrus was involved) to take in the world that fate had thrust him back into.
Merlin could never deny his king anything. Every time Arthur smiled at some new flavor or appliance or disease now neutralized, Merlin felt the sun reflect its warmth on him, too. And it was impossible not to smile back.
Even when he was being a brat.
"Get the one with pine-apple," Arthur orders, looking over Merlin's shoulder at the pastry display. While Merlin's spell smoothed Arthur's Brittonic into modern english, words that didn't exist in his time sometimes came out a bit misshapen. "And three mack-a-rooms."
"Macaroons. And you didn't even eat the ones I bought last time."
"Those tasted odd. Like chewing on a sprig of wheat."
"I told you you wouldn't like pistachio. It's not my fault you couldn't resist the fact that they were bright green—"
Merlin had first managed to coax Arthur out of his house and into a public place with the promise of food finer than even the most extravagant feasts in Camelot. Ever since then, he hadn't had a single weekend without Arthur demanding some sort of confectionary. And while that certainly had its upsides (Arthur's delight at the taste of passion fruit and the sugary crumbs on his fingers when he insisted Merlin try a piece and the tranquil mornings as they sat the park and every so often Merlin would turn his head and Arthur would already be looking at him, and how long had he been—?), Merlin wasn't looking forward to seeing how Arthur would handle the dentist in the event of a cavity.
But he categorizes all of that as problems for Future Merlin, who's doing better than he has in quite some time, and right now Present Merlin is only concerned about enjoying his fruit tart. There's a peaceful silence as they leave the bakery, walking over to the park they often visit.
A pair of young men approach them, and Merlin barely notices before one steps in front of him, deliberately, and knocks his shoulder into Merlin's chest.
The tart splats against Merlin's favorite sweater, smearing custard and whipped cream.
"What the fu—" Merlin whirls, expecting to see a pair of sniggering teenage boys. But no, these are men in their mid-twenties, looking at Merlin not with juvenile amusement, but with disgust.
"It's no more of an embarrassment than you already were," one of them spits. "Either dress like a man, or take your freak ass home—"
He stops talking. Arthur's stepped forward, closer than most people are socially comfortable with. "What is the meaning of this?"
It's not a question. The other man is taller than Arthur, and clearly thinks that gives him an advantage. "What are you, his boyfriend? You into that, you sick fuck?"
Merlin's seen enough of Arthur's body language to know that he's about to throw a punch. He doesn't stop it.
Arthur hits hard, not just with his arm muscle, but with his body weight too, the way a boxer would. The man's head whips to the side, momentum nearly knocking him off his feet. Arthur aimed for the jaw, not the nose— which means the man instead goes down, out cold.
The other man for half a second looks stupid enough to charge at Arthur, but then his pants fall down around his ankles. He tries to take a step forward, and instantly falls down, not quite catching himself fast enough to avoid smacking his face against the cobblestone.
Arthur's got the look in his eye that indicates he'd like to deliver them to the police station himself, but people are already starting to give curious looks from a distance, and memory spells always leave Merlin with a migraine. "Come on," he hisses, grabbing Arthur's wrist and quickly dragging him away.
Arthur waits until they've ducked into a little grove at the park to gently pry his wrist free, although his face is all thunder. "They should be arrested. They assaulted you—"
"Technically, you're the one that assaulted them," Merlin points out. Arthur still didn't quite grasp that dueling wasn't an acceptable practice to resolve disputes. "It's not worth the trouble."
"They were worse than Saxons," Arthur retorts, aghast. "Utterly barbaric—" And then he quiets, jaw working in the way such that Merlin knows something more is coming, something uncomfortable. "I… I don't understand. What was it that made them target you?" Then, before Merlin can try to distract him from the crucial detail, "They said you didn't… dress like a man?"
Merlin goes to cross his arms over his chest, until he realizes his sweater is still covered in custard. "They're just knobheads. They…." Merlin chews his lip, catching the cool metal of his ring. Thinking about what words he can say that wouldn't reveal more than he was ready for. "They think of dresses and skirts as woman's clothes, and don't think men should wear them."
"I see."
Merlin can't read anything in Arthur's face, and it's making his pulse quicken. "Did you… did you not wonder, before now? About what, what I wear?"
"I've seen plenty a wizened elder in a tunic. At first I assumed you were merely dressing your age."
Merlin rolls his eyes, but his hands still uneasily fidget by his side. He knows Arthur's deflecting. "But then?"
"I assumed things were different now." Now it's Arthur's turn to avoid Merlin's eyes, putting his hands over his pockets and looking out over the park. With the soft breeze, the background shrieks of children laughing, the melody of quiet conversation, Merlin could almost close his eyes and imagine himself back home. Almost. "Many things are."
"Things are different," Merlin says. "Most people used to think like those two men. Now there are a lot fewer of them."
Arthur nods, still looking over the park. Merlin watches the clench in his jaw, and waits. "You… you never wore women's clothes in Camelot. Did you want to?"
"Never occurred to me. It didn't until—" He swallows down the word hundreds, doesn't want the reminder of how much time there is between himself and everyone he's ever loved. "—quite some time had passed. And then I started, and," he shrugs, aiming for casual, "'s comfortable."
"As in more convenient?"
1500 years, and Merlin's still never braced for when Arthur's gaze zeros in, all of the attention of a hunter finding the weak spot. Like he can see where the edges of Merlin's defenses don't quite line up. Merlin takes a deep breath. "I can change my body however I wish. I can be a man. I can be a woman. I can be a bird, a cat, a snake, I once spent two decades as an oak tree. Trying to make myself match those around me only made me more aware of how different I was. So eventually I just… did as I pleased."
He's watching Arthur so carefully, looking for a twitch, a frown, anything that indicates he's stumbled too far, where not even Arthur's innate compassion can understand him. He wouldn't be upset, as long as Arthur wasn't cruel about it. He's long since learned to take whatever scraps he can salvage.
But after a moment Arthur just nods, looking back at Merlin. "I'm sorry about your sweater." He takes a step to Merlin, gingerly grabbing the hem to inspect the fabric. "Do you think it can be cleaned?"
Merlin's gaze darts around to make sure no one's looking their way, and then his eyes flash gold as the stain on the sweater disappears. "Good as new."
"I used to wonder how you always got even the worst stains out of my clothes," Arthur grumbles. "Do you want to head home? We don't have to…."
Merlin rolls his eyes. "I may not be a man, but I'm not a damsel. I don't need coddling after losing my tart."
"Well," says Arthur. He lets go of the sweater, but he doesn't step back. His hand moves slowly, courageously, to Merlin's hand hanging by his side. Their knuckles brush. "If you ask nicely I might be persuaded to split my pastry with you."
Merlin slowly curls his hand around Arthur's own, and watches as Arthur's cheeks turn pink. His gaze doesn't stray from Merlin's however, and Merlin thinks he'll never meet a braver man. "Even the macaroons?"
"Don't get greedy," Arthur retorts, and pulls Merlin along into the light of day.
gwen holding her dying brother in her arms but her brain was already warped and twisted against him. did she know? was the real gwen in there watching, screaming, wailing - did her tears come from a very real place within her, that morgana's lies couldn't drown out? how much grief did she need to fake? was it all pretend - or did it burn up inside of her, real, raw, unable to be kept below the surface. did she notice how it badly it hurt seeing her only remaining family slain in front of her. did she feel frustrated at her old self, or confused at her new self, when those tears came far too easily?
i can't work out if it's worse if she never knew. what if it only hit later - standing in that lake, in the arms of her husband, only then did the true loss of elyan sink in, her knees buckling, clinging onto arthur like she would keel over otherwise, let the water take her. her grief was stolen from her, her last moments with her brother lost forever to someone else's memory, a part of her that was never real
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