for @merthurmicrofic ︱"flowers" ︱377 words ︱"fantasy" for microfic bingo
The clematis blooms had nearly consumed Merlin's throat when he returned to Arthur's chambers. Petals soft like velvet, purple-red when Merlin coughed them into his scarf. He didn't speak when he entered, but Arthur was long used to Merlin not formally announcing his presence.
Arthur's shoulders were hunched at his desk where he sat veritably buried in parchment. "Is all ready for Princess Lynette's arrival?" His eyes flickered up, satisfied by Merlin's shaky nod. "Good. It's important our kingdom be presented well. Her support as an ally is the stability Camelot needs. Especially…"
Arthur didn't finish the sentence, but Merlin did in his mind. Especially after Camelot was thrown upside down in the effort to legalize magic. An effort Arthur was forced to undertake to save Merlin from the axe.
Everything that was happening was Merlin's fault, and he could never forget it.
Arthur stood and began pacing around the room. "I don't want to show her the armory first. Sends a bad sign. Perhaps the gardens? No, that's too leisurely, she'll think me idle. What about…."
The heady fragrance of flowers was all Merlin could sense, in his nose, in his lips, in his throat. Twinning vines that curled their way up his diaphragm, growing taller every time the princess' arrival was discussed.
"Merlin?"
Merlin startled. Arthur looked at him, but trying to guess at the expression on his face was like peering through stained glass. “Are you alright?”
Merlin forced a reed-thin voice out through the petals. “Fine.”
The furrow in Arthur’s brow carved deeper. “I… I know things have been changing. But you’ve seemed amiss ever since we began preparing for Lynette’s arrival.” Arthur hesitated. “Is… is there something you wish to tell me?”
Want me. Choose me. Love me.
But in the end the flowers did not choke Merlin, his own cowardice did. He shook his head. “Nothing, sire.”
Arthur’s face dropped like a stone cast in the water, but he turned away before Merlin could watch the ripples left in its wake. “Very well. You are dismissed.”
Merlin turned, cast away. The flowers sprouted from his lips before he ever reached the door. Arthur went to him as he fell, violet petals floating down like snowflakes, and screamed, and screamed, and screamed.
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This post is tongue-in-cheek, but since I have several Merlin writers as mutuals, I thought I'd make a more comprehensive list of sources I've used for anyone who wants reference materials to help them write canon fic. (Or just to read for fun if you too are a huge nerd who thinks the Middle Ages were swell.) This isn't going to be absolutely comprehensive because I've read a lot over the last few years, and I'm not going to list everything, but there will be plenty here to choose from. I'll break these up into categories and link each book to its Goodreads description.
Arthurian Literature:
The Death of King Arthur
Sir Gawain and the Green Knight
Parzival by Wolfram von Eschenbach
Tristan by Gottfried von Strassburg
The Lais of Marie de France
Arthurian Romances by Chretien de Troyes
Le Morte d'Arthur by Thomas Mallory
The Mabinogion
(I'm leaving out things like Tennyson's 'Idylls of the King' and T.H. White's 'The Once and Future King' here, which undoubtedly have influenced me a lot, but most of the details I'm getting for various quests and legends are taken more directly from a variety of medieval sources.)
Everyday Life:
Chivalry and Courtesy: Medieval Manners for a Modern World by Daniele Cybulskie
The Time Traveller's Guide to Medieval England by Ian Mortimer
Life in a Medieval Village by Frances and Joseph Gies
Women in the Middle Ages by Frances and Joseph Gies
Life in a Medieval Castle by Frances and Joseph Gies
How to Survive in Medieval England by Toni Mount
Medieval Science and Medicine:
Medicine in the Middle Ages: Surviving the Times by Juliana Cummings
The Light Ages by Seb Falk
Medieval Bodies by Jack Hartnell
Medieval Military Medicine by Brian Burfield
Dragon's Blood & Willow Bark: The Mysteries of Medieval Medicine by Toni Mount
General Medieval History:
Powers and Thrones by Dan Jones
Daughters of Chivalry: The Forgotten Children of Edward I by Kelcey Wilson-Lee
The Wars of the Roses by Dan Jones
King John: Treachery and Tyranny in Medieval England by Marc Morris
The Great Mortality by John Kelly
Queens of the Conquest by Alison Weir
She-Wolves: The Women Who Ruled England Before Elizabeth by Helen Castor
Medieval Warfare:
Medieval Warfare by James Grant
24 Hours at Agincourt by Michael Jones
Special Operations in the Age of Chivalry by Yuval Noah Harari
Medieval Warrior: Weapons, Technology, and Fighting Technique by Martin Dougherty
The Beginner's Guide to Medieval Arthuriana is now live at the Arthurian Preservation Project website!
Just starting out and don't know where to begin?
Anyone new to Arthurian Legends will here find guidance on introductory Medieval texts (and some more recently written). The stories are grouped into sections to help you decide where to begin.
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for @merthurmicrofic ︱"enemy" ︱1190 words ︱also filling @merlinbingo square "arthur's chambers"
a special thanks to @haloud for helping put together this plot bunny
tw: off-screen attempted sexual assault
It was with no small amount of satisfaction that Arthur returned from Whitespire two days earlier than expected. The assignment to check on Camelot's northernmost outpost mid-January had been a punishment in all but name, and Arthur was happy to have it over with. All for daring to suggest during a council meeting that if Camelot's knights raided their subjects' homes searching for evidence of sorcery and found none, perhaps they could compensate the damage to property and means of livelihood. Mouths were fed with spinning wheels and yokes, after all. And when Arthur had dared argue the point instead of silencing at the first sign of his father's displeasure, well. He was shortly ordered thereafter to ride out to Whitespire, and anyone he took along would be punished as if they had directly defied the king.
But now that was past him and Arthur sighed with exhaustion as he entered his chambers, not caring that he tracked sleet inside. His cloak was soaked, his fingers numb from the winter storm that raged outside. Just short of a blizzard, but not by much.
A sharp bang made Arthur jump, and he turned to see Merlin burst into his chambers and close the door quickly behind him. Excellent, this saved Arthur the trouble of finding him. Merlin made the best fires, with the kind of warmth that filled the entire room, and if Arthur was lucky he could convince Merlin to indulge with him in a different kind of warmth as well. "Perfect timing Merlin, I'm freezing—"
Merlin startled like a frightened rabbit. He spun and pressed himself against the door, fingers splayed flat against the wood. His lips parted, but no sound came out save breathless pants.
Arthur took him in. His tunic was wrinkled, torn along the neckline, and the scrap of fabric Merlin called a neckerchief was conspicuously absent. On that pale neck Arthur saw a mark of familiar red, for he knew all too well the way Merlin's skin quickly turned pink when laved at with lips and teeth. But the most damning evidence was the way Merlin's wide eyes trembled with a fear Arthur had never seen him bear before.
His blood turned as cold as the howling winds outside.
"What happened." There was no sound save for Merlin's shallow breathing. "Merlin, what happened? Who did this?"
Still no response. Arthur's hands shook, his heart pounding as if in the midst of battle. He took two quick steps forward, and then saw Merlin's eyes squeeze shut as he tried to flatten himself against the door behind him.
Arthur went perfectly, utterly, still. "Okay, just— just come here and sit down. Please." He prayed Merlin heard it was a plea, not an order.
But then Merlin's eyes opened, and while he still said nothing, he obeyed. Arthur fought the urge to pull the chair out for Merlin, instead holding himself with a white-knuckled restraint to remain in place. Merlin folded his arms over his chest, and Arthur's chest ached to see how he was trembling. "Didn't— didn't think you were back yet," Merlin whispered.
"Rode through the night to beat the storm." Arthur was desperate to keep him talking, for some hint of direction. "Merlin, I—"
Now it was his turn to close his eyes, shuddering. He could no more calm himself than could a dog once it caught the scent of its hunt. "You— you don't have to say anything, alright? I'll— I'll go deal with this." He would have his answers, one way or another. He would turn the castle upside down until he learned who had— who had laid their hands— who had violated—
It didn't matter. Arthur would solve it. And then he would either cast them out for the storm to take them, or he would throw down his gauntlet and duel as was his right. It was fortunate he hadn't even removed his armor and sword yet, so this could be dealt with all the quicker.
But when he took a step towards the door Merlin lunged at him, grabbing onto his arm. "Arthur, no, stop, you can't—"
"Can't?" Arthur sputtered incredulously. "I bloody well can."
Merlin shook his head frantically. "You need to listen, you don't understand—"
"I don't need to understand," Arthur seethed. "I've seen enough. I don't care what you have to tell me or what you've done to think this is justified, I am the Prince, and there is no one in this castle who will not answer to me—"
Arthur's mouth slammed shut. He realized, at the same time Merlin's eyes dropped down, that there was only one person whose authority superseded Arthur's. A person who would be bold enough to allow or even encourage the abuse of a servant, even when Camelot law prohibited it. A person who could breathe new law for any infraction that displeased him.
He was so foolish to not foresee this. So prideful to think his father's attention would be focused on Arthur's growing confidence and proclivity to challenge, and not the man that had grown steadily closer to his side. Had dumbly relied on Uther's practice of turning a blind eye to whomever Arthur chose to bed as long as it resulted in no bastards or undue favor. Had lied to himself, calling it mutual convenient pleasure, and nothing more.
Arthur had tasted that lie until he could swallow it no longer, and had resolved to do something about it before he was unexpectedly dispatched to Whitespire. And here lay the price of his folly.
He let out a slow, even breath. "Alright. Alright, Merlin. Just stay here, and catch your breath. I'll be back."
"No—"
"He will want to know I've returned," Arthur said, keeping his voice as steady as he could manage. He slowly put his hand over Merlin's where it clutched at his arm, and squeezed gently when he saw Merlin did not pull away. "I will inform him that I've completed the assignment without incident. That is all. Go ahead and make a fire, and I'll return with some food and water." He pried Merlin's fingers from his arm, soft, holding onto them like he would to help a lady off of her horse. "Bar the door behind me. When I return, I'll give three knocks, so you'll know it's me."
Arthur waited for further protest, but after a strained pause Merlin nodded. His trembling had subsided. Arthur dropped his hand. And then, finding he regretted it, leaned in to press his lips to Merlin's forehead, cradling the back of his head as he did so.
He had never touched Merlin like this outside the cover of arousal, but found it a sweet taste he immediately craved. Arthur pulled back regretfully. "I'll be back," he echoed, hoping Merlin could hear the promise in his words.
Then he turned away before he could grow any more heartsick. His armor was still cold from the winter storm, sword still dutifully sheathed by his side.
Uther Pendragon did not know what it meant to be his son's enemy, but in the coming months, he would learn.
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I'm halfway through KrimsonRogue's video on the Age of Scorpius, and I can't stop thinking about how much the central conceit of the entire book, the Scorpio Code, does not work. Krimson points out again and again that until the reveal of Zodiac Turning the enforcement of the Scorpio Code seems to serve zero benefit, and then even after learning about the Code, it still doesn't work-- becuase you're not preventing people from realizing their powers through emotional supression, you're creating a powder keg by abusing and threatening them where they will be constantly terrified and furious-- which are emotions!!!
And it also doesn't make logistical sense, because we see Rieka whipped as a child for showing fear that she'll be hurt (circular), so clearly children aren't exempt from the Code. Are babies? If a two year old Scorpio falls and scrapes their knee, are they executed if they start crying? Also, does no one realize that not displaying emotion is not the same thing as not feeling emotion, which seems to be the important element here to using Zodiac Turning powers? You'd think that the neurodivergent author who intended the Code in part as a commentary on neurodiversity would get that!!!!
All of this to say that I am so fascinated with why Milo insists on having the Code in his book, when it clearly creates more problems than it solves. I think it's because he clearly wants to write a story about a person being silenced and oppressed, and their expression of emotion is where they derive power (see all his tags about this is a book about female rage, oppressive religious governments, and neurodivergency). Which sure, that's a common relatable premise. But then Scorpios should be the lowest class, not the fucking leaders!!! Scorpios should be feared for their potential of Zodiac Turning and strictly regulated and oppressed because of it!
(Not to mention that still doesn't solve the problems of how are you supposed to stop people from feeling emotions entirely, not just not expressing them... maybe if Scorpios were constantly medicated or sedated? Maybe their power is not sourced from feeling emotions, but a certain language or ritual that was stolen from them? But no, then it couldn't be about hashtag female rage.)
I just find the insistence on this clearly broken story element really interesting, which makes me curious about why Milo clung to it so harshly, and how did he justify any of it internally. I don't believe someone who spent all this time thinking about his paracosm wouldn't ever consider what enforcement of the Code looks like, or how expressing emotions aren't the same as feeling them... but maybe he's l got levels of cognitive dissonance I can't understand.
I've talked before about the possibility that someone else besides the Knight (or at least the one we know) made the Dark Fountain connected to Dess's disappearance, but that was just speculation with no real evidence. However, during a conversation elsewhere, someone pointed out something to me that might prove this idea
I decided to go and check, and they (while wrong about Asgore saying it "outright") may be right about that. Asgore's wording is a little vague, but – going of his eyes and arm – he can only be talking about his arm hair. You'd think this would be referring to it being different colors in the Light World and Chapter 5's Dark World, except Asgore's arm hair is the exact same color in both: E4BA00
One of three possibilities:
One, Asgore is a tetrachromat that can distinguish shades of yellow better than most people. I guess I can't disprove that, but that seems like a stretch.
Two, this is a genuine, out-of-universe mistake. Admittedly, quite possible, but I'm not sure how it would happen. It'd probably be easier to select all the pixels with the same color and recolor them all than it would be to only recolor the hair on his head and face, especially as it's not continuous. And it'd have to be a consistent mistake given every sprite of Asgore in the Dark World has it.
Three, Asgore doesn't mean it's different from the Light World, but that it's different from the last Dark World he was in, like Susie's Dark World. His vague wording may be an intentional misdirect.
This could be potential proof of the old Dark World being made by a different than the Knight. That said, I feel the need to point out that's not necessarily the case, as it seems that the different lighting is the result of different wills and not just different people. Under (for example) Dess Knight, Dess could've made the fountain before becoming the Knight, so her will changed and that's why the lighting is different.
However, this evidence does prove the Dark Fountains were made by completely different wills at least, and that itself can be considered evidence they were made by different people (arguably, that Dess Knight example could still kinda mean they were made by different people "from a certain point of view.")
this is such a good point! asgore noticing the change in his arm hair of all things is such a weird line esp when his arm hair color is exactly the same as his light world sprite. the only thing i can conclude from why this line exists is to point us that it's a dark world created from a different person (which we know is kris) from the person that created the dark world (a long time ago).
i also personally think it's evidence that the chapter 2 dark world was NOT created by the knight and was once again kris, despite what asgore thinks. twice now in the narrative we've been told that dark worlds take on different colors depending on their creator, but chapters 1-5 dark worlds, other than susie's, show a consistent color palette for the main crew.
so like maybe i am just missing something major but i do not understand the resistance to the idea that all the dark worlds were created by kris??? like post chapter five with asgore's monologue people seem to be jumping to really convoluted theories, wheras i think toby meant for us to understand it quite simply:
we know kris created the chapter 3, 4, and 5 dark worlds, we see them do it. we don't see kris create the chapter 2 dark world, but they sure do leave in the middle of the night to do something with their knife.
i think the vital piece of information comes from chapter 4, where for the first time we see confirmed someone else make a dark world: susie. her dark world has a different color palette than kris', and ralsei explains that dark worlds take on the intent of their creator (or something along those lines-- i couldn't find the exact phrasing while writing this post, so if someone could please drop it i'd be much obliged)
but apart from susie's dark world, every single dark world has had a consistent color palette for the gang's main outfits. making it look visually different for susie's i think is pointing us directly to the fact that all the other dark worlds have been made by the same person.
so now in chapter 5 people are thinking that the chapter 2 dark world was made by someone else, who was also the same person that made the dessapearance dark world... but i think the game means for us to understand very simply that it's always been kris. asgore just doesn't know that.
follow up: i'm also seeing a lot of theories saying that since a black sharp was found at the scene of the fountain that opened "a long time ago", that means that the knight existed then, and therefore dess can't be the knight.
first: asgore never says he saw the knight, and presumably that would be a pretty big clue as to what happened that he wouldn't withhold. he knows a fountain was opened "a long time ago," a black shard was found at that fountain, and a similar black shard was found in the computer lab.
second: we are assuming asgore is right about everything!!!! when we know for a fact he's operating missing a lot of information: he doesn't seem to know about the other fountains or that undyne was captured, we don't even know how much he knows about the shelter. his conclusions drawn from his observations may very well be wrong.
similarly, queen says that the knight made the chapter 2 dark world-- but later admits that she never met the knight. implying that she didn't actually see the knight make the dark world, she just assumed the knight was the one that did it. she spends the whole of chapter 2 unaware of the Roaring, and her actions are based around the assumption that anyone can create a fountain and the Lightners are just being selfish.
toby certainly means for us to gather information from what the characters say! but i don't think we should just... take what characters are saying as fact, especially when it's based on incomplete information.
so like maybe i am just missing something major but i do not understand the resistance to the idea that all the dark worlds were created by kris??? like post chapter five with asgore's monologue people seem to be jumping to really convoluted theories, wheras i think toby meant for us to understand it quite simply:
we know kris created the chapter 3, 4, and 5 dark worlds, we see them do it. we don't see kris create the chapter 2 dark world, but they sure do leave in the middle of the night to do something with their knife.
i think the vital piece of information comes from chapter 4, where for the first time we see confirmed someone else make a dark world: susie. her dark world has a different color palette than kris', and ralsei explains that dark worlds take on the intent of their creator (or something along those lines-- i couldn't find the exact phrasing while writing this post, so if someone could please drop it i'd be much obliged)
but apart from susie's dark world, every single dark world has had a consistent color palette for the gang's main outfits. making it look visually different for susie's i think is pointing us directly to the fact that all the other dark worlds have been made by the same person.
so now in chapter 5 people are thinking that the chapter 2 dark world was made by someone else, who was also the same person that made the dessapearance dark world... but i think the game means for us to understand very simply that it's always been kris. asgore just doesn't know that.
I just wanted to tell you that your merthur microfics always absolutely blow me away. Every one of them is *chef's kiss* perfection. Thank you for sharing them.
thank you so so much <333 i enjoy writing them and i'm glad you enjoy reading them!!!!
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The shrill scream of Arthur's ringtone woke him up. He was still half-blind with sleep when he reached over and fumbled for his phone. "Hello?"
"Arthur?" The whisper was high, breathy. "S-sorry, I— I forgot what time it was, I d-didn't want to wake you, sorry—"
Arthur blinked, yanking the phone away from his ear to check the contact name. He remembered, now, there was only one person's contact that would ring through at all hours. Lit up underneath the numbers reading 2:27 AM, was Merlin.
Adrenaline shot through Arthur, chasing away all fatigue. "What's wrong? Where are you?"
Like instinct, so many terrible visions shot through Arthur's mind. Merlin, trapped on some clandestine mission and bleeding out from an injury, Merlin, about to walk into a fatal operation he had been ordered to undertake, Merlin, hurt so horrifically that he could do nothing but call out for help—
"I-I'm at my flat," Merlin said. "I'm fine. I just- it just won't stop— it won't stop it won't go away I don't know what to do—"
"Baby, you're not making any sense," Arthur quickly said, fighting to keep his voice even and calm. He was already to his feet, mindlessly throwing the light on, grabbing whatever clothes he could find. "Breathe for me, tell me what's wrong."
Merlin's spoke next in a rush, like he was forcing everything out on the same exhale. "I just needed it so bad it's been so loud in my head, so loud, and I know you asked for space and I didn't want to bother you so I couldn't— but Gwaine said it wouldn't be wrong— that you said we were taking a break— and it just wouldn't stop, and I just wanted, not to be with someone, just to submit, to make all the noise stop. So I-I— I went back to Knights."
A cold chill twisted in Arthur's stomach as he took in Merlin's words. Merlin had done a scene with someone. But Arthur knew he had no right to the way those words made him feel ill, for he was the one that said he did not know if he could continue this path with Merlin, that he couldn't face being around someone that had lied to him so completely. That he would reach out when he was ready to see Merlin, not the other way around.
And, most cruelly, when Arthur felt sick with fear from the depth of the deception, what he had seen Merlin do, that Merlin should not wait for him.
But none of that mattered now. Merlin had done a scene with someone else, and now he was calling Arthur in the middle of the night, voice trembling with panic. Arthur's free hand curled into a fist. "Did they hurt you? Did you safeword?"
Arthur knew Knights prided itself on high standards and a zero-tolerance policy, but he still wasn't able to relax until the next words tumbled from Merlin. "N-no, no, I didn't, he did. I t-told him to keep going, but," Merlin's voice hitched. "He said he could tell I wasn't into it. Gave me his number and told me to call him to figure something out that worked for the both of us."
Arthur ignored the sick twist of his gut at the knowledge that Merlin had caught the attention of a dom who was clearly interested. Merlin's strangled sentences, his trembling voice, all of that spoke to a drop. But why was he alone if he had done a scene, why was he dropping so horribly— "Did he give you any aftercare?"
A pause. Then quieter, because even in this state Merlin knew he had broken the rules. "I didn't let him."
Arthur couldn't hold back his curse, and then a second later he heard Merlin let out another sob. "I'm sorry— I know— but I couldn't— I didn't want him, just you—"
"It's okay," Arthur quickly soothed. "It's okay."
He dragged a hand over his face. Merlin had called him, Merlin wanted no one but him, Merlin needed him. Against the totality of it all, Arthur found that he could not give a fuck that Merlin had lied to him.
"Baby, I'm going to come over now, alright?" Arthur said, gentle. "If you don't want me to, I need you to tell me. Take a breath and think about it for a moment."
He heard Merlin's shuddered breath, uneven, but deep. Arthur waited, chest aching with pride that Merlin still trusted him enough to listen, even now. His heart hammered as he waited for Merlin's response.
"…please," Merlin whispered.
"I'm on my way," Arthur said, and launched himself out the door.
For all of Uther's lectures that Arthur was his sole heir to an energy empire and thus a prime candidate for a nine-figure ransom, Arthur had never taken his warnings seriously. Much less after the explosive fight last Christmas and subsequent loss of contact. Arthur had a job as a personal trainer, was going to school at nights to become a physical therapist, and the only indication of the exorbitant wealth that remained in his name were the quarterly trust statements that still reliably arrived via Royal Mail.
Fate was mocking Arthur. For his hubris, he now listened to his kidnappers consider if they should cut off his ear.
"Daddy still hasn't responded to the ransom request," one of them snarled. It was hard for Arthur to focus his vision with a swollen eye. "The deadline was two hours ago."
"He doesn't think we're serious," other man responded. He twirled a serrated blade in his hand. "Let's send him a present with our new demands."
They turned to Arthur, and he had not yet been beaten enough to be numb. "Don't," he choked out, useless. One hand gripped his hair, yanking his head back. The blade pressed against his cheek, and Arthur squeezed his eyes shut, clenching his jaw.
He could be brave. He would not scream, and he would not beg, and surely his boyfriend (if he ever saw him again) would still find Arthur acceptably handsome even maimed—
There was a tremendous groan, and Arthur's eyes shot open just in time to see a large object slam against the opposite wall. His captors left him, turning to the gaping hole ripped open in the warehouse wall, shouting and and grabbing their weapons. Arthur's vision focused enough to see who was stepping through the makeshift entrance.
Merlin.
Merlin who two days ago had been trussed up and hanging from Arthur's living room under the reinforced steel beam, tipped back with the dreamiest smile on his face, a look of utter contentment that gave Arthur a surge of pride nothing else could ever match. Merlin who Arthur had insisted stay the night, because they had never done suspension bondage before, and Arthur wanted to keep a close eye on him and make sure he didn't drop. Merlin who Arthur drew a bath for in the morning, massaging out the sore muscles and putting lotion on the rope bruises, and treating Merlin to a home cooked brunch for being such a good boy the night before. Merlin who had seen Arthur off with a kiss on his cheek and a reminder of their date on Friday, and Arthur had been so full of joy and satisfaction and pride and love that he immediately left for a run in an attempt to burn off the lingering high.
And then Arthur had been knocked out, and woke up handcuffed to an iron pipe in an abandoned warehouse. And now Merlin was here, gun on his hip, fire at his fingertips, taking a man's life without even a blink.
It all happened rather quickly after that. So quick that Arthur did not notice there were several men dead until his eyes fell on their unmoving bodies, all of them his captors. And maybe there were others with Merlin as well, a bearded man carrying a submachine gun, a wiry one with a sniper rifle, checking the bodies for signs of life with the casual efficiency of trained operatives.
But all he could truly understand was Merlin, who rushed towards Arthur with a cry that did not match the savagery he had just displayed.
"Arthur! Oh, god—" He knelt in front of Arthur, fingers trembling as they reached out. "You're awake, good— can you hear me? It's alright, I'm here, it's over now—"
Merlins' hands were feather-soft as they ghosted over Arthur's bruises— and oh, Arthur knew the technique. He knew what lay beneath the black tactical vest that Merlin wore and the heavy belt on his hips, the love bites and rope burns. He knew every pliant inch of Merlin's body under his touch.
But, as he met eyes that were still flickering with gold, it seemed he did not know Merlin at all.