Chasing A Full Life

THE MARVELOUS MRS. MAISEL ⇢ 1x03 | BECAUSE YOU LEFT

THE MARVELOUS MRS. MAISEL ⇢ 4x08 | HOW DO YOU GET TO CARNEGIE HALL?

And the reason being is that people (of all genders equally) perceive me as a threat otherwise.

Like

Threat vs not a threat

People have said before that they are concerned I’m gonna get them in trouble, but I think the real reason folks get mean is that tourists effectively enter a liminal space when they go on vacations (especially American tourists on tropical vacations) and they don’t want anything to pull them out of that mindset.

So when I show up with a clipboard and wanting to talk while wearing an outfit that clearly says “I’m working, but not in any sort of position that exists in your vacation fantasy,” that pulls them out of the fantasy and they react negatively.

Meanwhile, if I’m dressed the same way everyone else is, even if I have a clipboard and want to talk about the same thing, I automatically become a wacky NPC who is part of the fantasy.

Yes I study raccoons. The critically endangered pygmy raccoons like to live at beach clubs. My current study is looking at interactions between tourists and/or tourism industry staff and the raccoons.

The untold cases of Benoit Blanc:

The Tennis Champ

The Ballet Dancer with the Thing and the Thing

The Kentucky Derby Thing and the Guy that they caught with the photo-finish camera

you mean that you show when a character is showing grace (like the name of the character that was wronged and why this all happens in the first place) (that not once is shone with that light because she was forgotten by the very god that her father worshipped) (that poor girl) light shines upon them like god themselves is guiding the shone-upon character?

and that this is the only moment that benoit doesn't solve a case, at least officially, because having grace (the sun dims every time benoit talks) (only shining when he realizes he's being selfish) (when he understand that this is bigger than himself) (that this is not a game) is more important than being right.

you mean to tell me that when father jud carves a new cross (bringing faith back into the church) he carves the figure on it in a way that can be understood both as jesus and as grace (a woman he has never met) (but a woman that looks so much like himself) (pointed at as a sinner just for being human) and that in the heart of the statue he puts eve's apple (returning it back to grace) (the rightful owner) (the only way he can) (righting a wrong he didn't cause) bringing grace finally into the church as a revered and not a hated figure (because his purpose is not to fight the wicked) (but to serve them and bring them to christ) (and where finally, finally, the light of the sun shines upon her)?

And I don't mean it's not like the Evangelical church, I mean he's not interested in convincing anyone to be a believer or a church goer. When the woman at the construction company starts talking to him about her mother, he doesn't tell her that God is there for her. He tells her that he's there's for. She already knows she can go to church, maybe she is even a Christian and feels like she has her God's love. But Jud knows that what she needs is another human being, because she's talking to him.

And that's such a better way to welcome people to your church than telling them to go. He's letting her know that there's fulfillment and safety and love there beyond just the religious side, because he's there.

jeremy renner: oh wow nice im so flattered yknow things have been really tough after my various and extremely serious physical injuries including a collapsed lung and over 30 broken bones. so glad to get back into filmmaking