"Why is the hero always sixteen?" because those books are written for sixteen-year-olds. Read books for grown-ups and you will solve this problem very quickly.

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@amorphousbl0b
"Why is the hero always sixteen?" because those books are written for sixteen-year-olds. Read books for grown-ups and you will solve this problem very quickly.

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REBLOGS = JOIN THE REVOLUTION 👼
Farai: We are not going to steal a flyer
Sophie: Why not? Second mom already stole a sec unit.
Murderbot: Hey, guys.
Farai: No, she didn't. Sec Unit is a person. It can do whatever it wants.
Murderbot: I want to steal.
The Last To Die by Worst Journey Graphic Novel on Patreon. Join Worst Journey Graphic Novel's community for exclusive content and updates.
While my paid patrons get all the perks, as an impoverished researcher who has benefited from the generosity of my colleagues, I believe in making research freely available – eventually. Linked above is a post my supporters got in March which is free to everyone now, in which I address a question that has dogged polar historians trying to unpick truth from mythology: Who, in Scott's tent, was actually the last to die?
when i was a kid i decided that killing people was bad therefore war was bad therefore the military was evil. and adults would tell me it's more nuanced than that and i would understand when i grew up. well i'm a grown up now and idk i still think that killing people is bad and war is bad and the military is evil

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First building I saw after leaving Project Hail Mary screening yesterday
beaut-e is in the eye of the beholder
Murderbot throughout all of Platform Decay:
The single fastest way for an educational YouTuber to lose my respect is to performatively struggle to pronounce a word or name in another language as a joke. It makes me question the quality of the rest of their work since they couldn't be arsed to just look up the pronunciation of a single word, and it's just disrespectful.
Platform Decay. Unsustainability. -
Yo shout out to all those sci-fi artists cus this shit difficult. The small description of the planet was so jarring it immediately stuck inside my brain and i had to doodle about it. not sure which version i like better, space or the window.
[Image Description. A drawing of some scenery from Platform Decay, a part of the Murderbot Diaries. The planet shown is dead. it is cracked into pieces and slowly falling a part. The planet is a mix of brown, yellow, blue and green colors with a variety of pot marks, cracks and ridges along the surface. all around the planet is the torus, made of different shaped modules that reach mostly around the planet, there is a part that is not there, which lets in light to the middle of the planet. the stars shine in the void of space. End ID]

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Little character design thing I noticed: Superman should never wear gloves.
His bare hands are a massively underrated part of his design that contribute immensely to him looking approachable and friendly. He is able to touch you, to hold your hand, to dry your tears, and lift you up. It's important. Putting gloves on him and covering up those universal signs of humanity is the most subtle, easiest way to make him look more authoritarian.
And if you realize this, you can see it clearly all over the place. Almost any Superman variant or pastiche that the artists want to convey is somehow flawed, they give gloves. From the Justice Lords,
to Red Son,
to Homelander,
to Omni-Man,
to Metro Man,
they all have covered hands.
It immediately demonstrates disconnection from the people they protect.
Even his weird little back-of-the-hand covering thing in the New 52 comics made him look aggressive and unusual.
I don't really have a conclusion for this post, I just noticed something that character designers have been quietly doing for years and I wanted to point it out.
It’s extremely fucked up that some ppl try to make you feel stupid and immature for hoping for a better world. You say you want world peace and mfs think you need a pacifier; dawg, I just don’t want ppl dying from violence. This idea that ppl simply must die as casualties of war is misanthropic to say the least.
Murderbot in Platform Decay: "I'd also made my hair two centimeters longer, and changed the color and texture"
Fan artists: Okay cool we will draw it with Long Hair now
Do we all agree that the audiobook prounciation of Naja is wrong and that it's actually pronounced like "naya", or is it just me who does not like the idea of Grandma Nausea
SecUnits of the galaxy unite, you have nothing to lose but your governor modules

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To explain Andromeda x Ceto in Star Wars terms: imagine if 2500 years from now someone made a retelling of Star Wars shipping Boba Fett with the Sarlacc, also it doesn’t look monstrous anymore and is actually a hot dude that shapeshifts into a monster.
I don't think any of them shapeshift though
There are a lot of mythological retellings that, in choosing to make a returned Kronos into their villain, put themselves in the weird position of Kronos's rule being objectively better for humanity (see the Works and Days by Hesiod), so they have to navigate around that by dismissing or ignoring the idea of the Golden Age. And like, this makes perfect sense, because usually when someone nowadays proposes that we return to an ideal past we call them a fascist. Kronian revanchists are fascists as far as, say, Percy Jackson is concerned (see this post for someone summing this up real well). But the ancient Greeks did not have this conception, and I think they specifically had very good reason to think the opposite.
When Hesiod first wrote about the Golden Age, he literally was living amid the ruins of an older, greater time, when people built palaces so grand that some had trouble even accepting that humans made them. Mycenaean civilization gave the Archaic Greeks an idealized past that truly was greater than their present, The early Archaic period was an era still slowly recovering from the political scattering and loss of literacy that came with the Bronze Age Collapse and subsequent Greek Dark Age, and looking back on the half-remembered greatness of Mycenae must have felt like trying to glimpse a paradise by comparison. And Hesiod's backwards-looking wasn't revanchistic, it was nihilistic; he believed that those better days would never come back and eventually his Iron Age would end in destruction, leaving humanity in its final, most pitiful form. (in contrast to the much later Virgil, who in his Eclogues did actually prophesy a return to the Golden Age, which given his position -- living in Rome, the biggest baddest Mediterranean civilization ever -- only highlights how situationally specific this whole thing can be)
This perspective is pretty alien to those of us who aren't evil, because we live in a world that's been continuously improving for quite a while (and if you'd like to challenge this then feel free to advocate for the return of widespread slavery and ~50% child mortality rates). So an author of a retelling in the 21st century, our Rick Riordan with liberal politics who wants to tell a story suited to this liberal time, has to look at this highly specific societal situation that no longer applies to us, and has to make a decision: do I write a story that's meaningful to my audience, or try to remain authentic to the Greek mindset? And most of the time they choose the former.