Star Trek: The Original Series 1x03 - Where No Man Has Gone Before
noise dept.
The Bright Sessions
Phantogram Three
NASA

shark vs the universe
d e v o n
Doug Jones
Color Me Curious
Keni
Mike Driver
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost
art blog(derogatory)
YOU ARE THE REASON
Cosmic Funnies

Origami Around

seen from Malaysia
seen from Ukraine

seen from United States
seen from Türkiye

seen from Malaysia

seen from Malaysia
seen from Türkiye
seen from Germany

seen from United Kingdom

seen from Belarus

seen from United States

seen from Austria
seen from Canada
seen from Philippines

seen from Brazil

seen from Maldives
seen from United States

seen from Hungary
seen from Malaysia
seen from Argentina
@amine-eyes
Star Trek: The Original Series 1x03 - Where No Man Has Gone Before

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Hey, don’t cry. Free online database of Japanese folk lore
Might I add, free database of mostly European folklore and myths
A Book of Creatures by @a-book-of-creatures doesn't update these days but is another thing along these lines, really huge, fully illustrated all by the author and cites all sources
Free database of Native American folklore, sorted by tribe.
Free online catalog of African folklore and stories because everyone loves to forget we exist
for some chinese folktales, the Qing dynasty book "Strange Tales from a Chinese Studio" /Liaozhai Zhiyi/聊斋志异 by Pu Songling is a good start
i'd also recommend the shanhaijing/山海 or soushenji/搜神记 for books that are compilations
Anklet
c. 1898-1899
by René Lalique
Musée des Arts Décoratifs
𝔗𝔥𝔢𝔯𝔢 𝔦𝔰 𝔰𝔬𝔪𝔢𝔱𝔥𝔦𝔫𝔤. 𝔄𝔫𝔡 ℑ 𝔱𝔥𝔦𝔫𝔨 ℑ 𝔠𝔞𝔫 𝔱𝔞𝔨𝔢 𝔦𝔱 𝔣𝔯𝔬𝔪 𝔶𝔬𝔲. THE GREEN KNIGHT 2021 • dir. David Lowery
As some of you might recall from this essay, I spent the latter half of 2025 working on a comic for the Ships of the Sea Maritime Museum in Savannah, Georgia. Tania Sammons, a curator at the museum who had previously licensed my guide to sailors’ tattoos for a show, wrote to me with an irresistible pitch: four cartoonists would be hired, assigned a vessel from the museum's extensive collection of models, then given six months to produce a short comic for publication in an anthology alongside an accompanying museum display.
How could I say no?
My original brief was to research the Anne, the ship that brought the first colonists to Georgia, but in the aftermath of my dad's death the story took off in directions I couldn't have foreseen.
I'm releasing the whole comic online to coincide with the opening of Drawn to the Sea, the exhibition in Savannah. If you're in the area this week (or anytime over the next nine months!) you can stop in and see all the amazing work that came from myself and fellow artists Avery Hick, Rich King, and Sharon Norwood. Details about the museum show are here.
In the meantime, here's a very personal comic.
Content Warning: this piece deals with suicide and parental mortality. Readers with trypophobia may want to skip pages 14 and 15.
Thanks for reading <3

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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
I laughed way too hard at this
in case anyone is looking through the notes trying to find the original artist it’s will mcphail !! feel free to check out his site but also here are some other things he made too !!
OOOHHH CLICK ON THAT LINK THIS GUY IS FUCKING GREAT
HOLY SHIT
this guy GETS IT
He is also responsible for one of my favorite comics of all time.
I wanted to buy this print but last I checked on his site it was sold out. Here’s his shop though:
Giclée Print on Hahnemühle German Etching Paper Limited edition of 100, signed and numbered. A4 - 30 x 22 cm Orders will be shipped
There’s a Lady No-Kids Continued
Also Triangle is one of my favorites
thinking about coptic mummy paintings and weeping
like. i know these people
cabinet of curiosities 🦇
Writing is lonely in a specific way that is hard to explain to people who don't do it. not lonely like isolated. lonely like you are trying to build a bridge to another human consciousness using only words on a page and you will never actually know if you got there.
You send the thing out and maybe someone reads it and something moves in them and they have no way to tell you exactly what moved or why and you have no way to know if it was the thing you meant or something else entirely.
You're working in permanent uncertainty about whether any of it lands. and you keep going anyway. you have to develop this strange faith in the act itself, in the value of the attempt separate from the outcome, because if you need confirmation every time you sit down you will never sit down.
Most of the writing happens in a silence that never fully gets broken. you learn to be okay in that silence or you don't last.
Sometimes I think it's me I'm trying to build that bridge to while writing

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bi black collies are so pretty. i wish they were in standard
see??? theyre so pretty
I just had the silliest thought and I'm sharing it because I think you'd enjoy it
If God told Colonel Fitzwilliam or Mr. Darcy that Lizzie wasn't perfect, both of them would laugh, shrug, or argue
If God told Lord Stornoway that Lady Marjorie wasn't perfect, Lord Stornoway would try to fist fight God 
Genuinely true..
humbling
people saying "write what you want to see in the world!" and that's always a good sentiment but this post isn't really about "oh no there's no content for my ship", more the feeling of "i looked up something that i thought was so obvious that surely plenty of more seasoned ao3 perverts would have thought of it already, but apparently i'm the weird one"
happy eclipse to those who celebrate
I am deeply offended by this! I was reading thoughts on what D&D classes the characters of The Mummy (1999) would be, and there was a comment that Jonathan was obviously a rogue, but either a badly built one or one with shit dice rolls. And! Excuse you? Jonathan is a perfectly acceptable rogue! He rolls fine when he’s actually attempting to do something!
In the first movie alone, some of his greatest hits:
Successfully pickpocketed Rick on their first meeting, without Rick so much as joining the dots until later.
Survives a pitched battle on a burning ship without a scratch, and somehow gets the key from a burning hook-handed enemy mook in the process. (“And did I panic? I think not!”)
Survives a pitched battle in the Hamunaptra ruins while drunk, through liberal use of cover and picking off targets at range.
Rolls a Nat 20 on his deception check to avoid being massacred by a large group of hynotised enemies in the museum.
Survives the final pitched battle with the undead (again, through liberal use of cover, hiding and running).
Successfully makes his intelligence roll to translate the Book of Amun Ra (with the Help action from Evie).
Successfully uses the resulting control over the undead mooks to even out the battlefield, including the genius brain move of sending them after Ankh-Su-Namun to both save Evie and distract Imhotep.
Successfully pickpockets a lich while being strangled by him to regain the key and enable Evie to use the book to banish Imhotep altogether.
Yes, he’s fairly flimsy in direct battle, and if at all possible refuses to get to melee range with anybody. So he’s a ranged rogue, and has a tendency to use the environment to his advantage. But he’s clearly designed around Sleight of Hand, Charisma, and a decent sprinkling of Intelligence, and prefers to use object interactions and battlefield control to even out his odds. For all that, though, he fully will stay in melee range if he has no other choice, and take the opportunity to pickpocket the BBEG while he’s at it.
He's a perfectly serviceable rogue, he’s just not optimised for straight combat. And even there, as the second movie shows, he’s excellent at ranged combat. He just doesn’t like getting up close and personal.
Actually, going back and rewatching that final battle again ... I don't think that Jonathan stayed in range of Imhotep because he had no choice. He stayed in range specifically to pickpocket him.
I didn't realise before, but this whole battle starts with Evie telling Jonathan that the only way to kill Imhotep is to open the book and read the spell to banish him. Jonathan says it's locked, they need the key, and Evie then tells him it's in Imhotep's robes.
When Jonathan sends the priest mummies after Ankh-Su-Namun with the spell on the cover (saving both Rick and Evie in the process), Imhotep is coming right for him. However, Imhotep is then briefly disabled by watching the brutal murder of his lover all over again, and Jonathan ... could have run. There's a beat there where Imhotep is completely focused on something else, and Jonathan absolutely has the presence of mind to use that, but he doesn't. Imhotep, now incensed that Jonathan has murdered his lover, promptly spins back around and goes to murder him back, and is only stopped because Rick returns the favour from earlier and saves him.
At which point a lightly-strangled Jonathan stands back up and tells Evie he got the key.
He fucking stayed put on purpose because he knew they needed the key, that Imhotep had the key, and that he was the only person who could fucking pickpocket the BBEG mid-strangulation and get away with it, so long as someone could swoop in before the undead wizard actually killed him. Imhotep is immortal and immune to damage if they don't do something about that. This is a fight of attrition they cannot win. And his sister told him what they needed to stop it, so Jonathan went and got it.
He cheerfully calls himself a coward, and then he goes and fatally pisses off a lich as a distraction, and then stands still to be murdered for it in order to get close enough to pickpocket the immortal pissed off undead. It wasn't that he took the opportunity while being strangled, he set up being strangled in order to have the opportunity.
Say whatever the hell you like about that man, but he has never once failed to do something his family actually needed him to do.
Given the movie's release date, it's not that he's a 5e rogue but not one optimized for melee combat, he's a 2nd-edition thief.

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Gold ring with garnet flower, Europe, 8th-14th century AD
from St. James's Ancient Art
FINALLY FINISHED !!!
I’ve been at this since like September. Originally the plan was to do five panels but by the time I reached three I realized it was absolutely going to be too heavy. If the back bothers me then I’ll just buy some black fabric and sew it on.
I pinned it excessively since I have been warned the feathers won’t flatten unless blocked aggressively. They still don’t behave themselves 100% but again, if it bothers me I’m willing to steam block it in the future. Super fun before and after pics.
Pattern is of course the feathered wings shawl by my favorite pattern designer craftyintentions.