getting a note on a super old post
reblog to slap op with some paper in the wind
One Nice Bug Per Day
AnasAbdin

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Andulka
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RMH
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

Kaledo Art
PUT YOUR BEARD IN MY MOUTH
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸


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art blog(derogatory)

Product Placement

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@amberray99
getting a note on a super old post
reblog to slap op with some paper in the wind

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the main experience of being in my 20s has been standing in the middle of a grocery store & checking my notes app grocery list
“rent lowering gunshots” this, “we can’t let them know we like it here” that, i think everyone is just having fun posting cringe
you, you get it.
It’s literally dark by 4pm. Do you think that’s good for me? Do you think I am loving that
(through gritted teeth) i love being out of my comfort zone it is necessary for my personal development

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basically the id is you, and the ego is also you. the superego is confusing because you think it'll be you with powers. but it's actually just you
It’s time to bring an end to the Rape Anthem Masquerading As Christmas Carol
Hi there! Former English nerd/teacher here. Also a big fan of jazz of the 30s and 40s.
So. Here’s the thing. Given a cursory glance and applying today’s worldview to the song, yes, you’re right, it absolutely *sounds* like a rape anthem.
BUT! Let’s look closer!
“Hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.
See, this woman is staying late, unchaperoned, at a dude’s house. In the 1940’s, that’s the kind of thing Good Girls aren’t supposed to do — and she wants people to think she’s a good girl. The woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.” But she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink — unaware that the drink is actually really weak, maybe not even alcoholic at all. That’s the joke. That is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?” It is not a joke about how she’s drunk and about to be raped. It’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren’t supposed to have sexual agency.
Basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “I’m staying because I want to.” (That’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) In this particular case, he’s pretty clearly right, because the woman has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. She states explicitly that she’s resisting because she’s supposed to, not because she wants to: “I ought to say no no no…” She states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least I’m gonna say that I tried.” And at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along.
So it’s not actually a song about rape - in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. But it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. It’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no.
Boys with nail polish. you agree. reblog

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You sure talk about gays and illegial drugs a lot
Ma'am this is the weed and gay sex website
they should invent love for me
some of y’all….. so cute. and not even getting your titties sucked. heartbreaking
he's the funniest person i know
well maybe the power of love would fix things did you guys think of that? if not we could try biting

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hot girls get sad too it’s me i’m hot girls and i’m sad
Being a lesbian named Fisher is so hard. I'm Fish. women want me. I'm scared all the time
You CANNOT do this to me
sometimes having a cool name comes at a cost
its the Fisher price
BOOS YOU VERY LOUDLY OFF THE STAGE