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zoro meeting the vinsmokes?? maybe in modern au so he doesnât immediately kill themâŚ
maybe he can kill them a little, as a treat
x
The hospital has this eerie silence that Zoro hates immediately, the lights too white and the walls too white, and even the vending machine looks aggressively clean, like somebody bleached all the flavour out of it on purpose just for kicks.
Sanjiâs in room 412 with a concussion, fractured ribs, a busted wrist and enough scrapes to make Zoroâs stomach still go tight when he looks at him for too long.
Heâs fine, technically. The doctorâs already cleared him for discharge tomorrow and Namiâs already given Zoro a laundry list of fact sheets and warnings about not letting Sanji overdo it for the next few weeks. When he finally does leave the room itâs only because Sanjiâs been bitching about the hospital food for twenty straight minutes and finally escalated to: âIf you wanna be a good boyfriend youâll come back with something that doesnât taste like cardboard.â
So now Zoroâs in the hallway, headed toward the cafe, with the vending machine and whatever truly fucking tragic sandwiches they have down there as his only mission. Heâs trying to make this as quick as possible even though he knows itâs silly: Itâs not like Sanji is going anywhere. Heâs half drugged, mostly exhausted and under orders not to leave the bed without help. Still, the second the door clicks shut behind Zoro, he feels a shift in his chest, some instinctive unease that says too far. He gets maybe halfway to the nurses desk before somebody steps out from a side hallway so abruptly he almost shoulders him on reflex. The guy is tall and well dressed â no, expensively dressed, which already makes Zoro dislike him. Heâs got a dark coat, clean shoes, a whole lot of hair and the kind of posture that says he has never once in his life been told no without trying to buy his way around it. He looks at Zoro the way you look at a chair you nearly tripped over before dismissing him to find the nearest nurse.Â
âIâm here for Sanji Vinsmoke,â he says.
The name catches so strangely in Zoroâs head that it takes him a few seconds to place it; itâs on documents, on forms, on mail Sanji sometimes gets and never actually opens in front of him, but nobody calls him that.
Nobody who knows him, at least.Â
The nurse looks up from her computer. âVisiting hours are limited right now.â
The manâs mouth tightens. âIâm not a visitor.â
That, by itself, would be enough to irritate Zoro but it gets worse because the nurse asks: âAnd your relation to the patient?â and the man says, without hesitation: âIâm his father.â
Zoro freezes, first thought immediate and stupid, probably, because obviously Sanjiâs father is Zeff. Admittedly Zoroâs never cared enough to ask questions that werenât his business, so heâs a little muddied on how biological that is but regardless, Zeffâs presence has always felt obvious enough that Zoroâs never really bothered turning it over. Sanji talks about Zeff and complains about Zeff and quotes Zeff at weird times, like the old manâs voice is built into the framework of him. Sanji has never, not once, talked about any other father which means the man here is lying⌠or is the exact kind of truth nobody wants.
The nurse, to her credit, stays calm. âDo you have ID?â
The man produces it with a look that suggests the entire procedure is beneath him. The nurse checks it and purses her lips. âMr Vinsmoke.â
Zoro doesnât move, but every part of him goes on alert at once. He knows the outline of Sanjiâs life, sure, sure: restaurant, old man, impossible work ethic, and maybe some kind of family money or politics or bullshit in the background heâs never wanted to poke at because Sanjiâs face shuts down whenever it gets too near. In the past three years he's learned Sanjiâs got landmines in him and that some names are doors heâs not ready to open. Most importantly, he knows that if Sanji wanted this man here then Zoro definitely would have heard about him before today.
Vinsmoke taps one hand once against the desk. âIâd like to see his chart.âÂ
The nurse blinks. âIâm⌠sorry?â
âHis medical records,â the man drawls. âCurrent condition, attending physician, scan results. I assume those are available.â
Zoro actually snorts and the nurse glances at him, then back at the man. âYeah, nah. Theyâre not available to you without the patientâs consent.âÂ
Vinsmokeâs expression cools another degree, which Zoro hadnât thought possible. âIâm his father.â
âAnd heâs a grown man?â the nurse scoffs. âYouâve got buckleyâs. Unless he waltzes out here and okays it himself, weâre not getting anywhere.âÂ
Zoroâs hand goes to his pocket before he fully thinks about it, because he doesnât really know what else to do. This guy hasnât raised his voice or swung a fist â heâs just standing there being exactly the kind of threat that doesnât leave bruises right away and Zoro doesnât know enough to proceed, here. He doesnât know what Sanji would want, doesnât know if going back into the room and telling him immediately would make it worse. He doesnât know if this man can legally force his way in, or whether calling backup would somehow create a bigger scene but he does know, above all else, the way way his whole bodyâs screaming not good.Â
He leaves them to argue, moving far enough not to draw attention to call the only person he knows who can cut straight through panic. Luffy picks up on the second ring in amongst the background noise â traffic, maybe, or just the way the world sounds whenever Luffyâs moving through it. âZoro? Whatâs wrong?â
Luffy goes quiet in that way he does when heâs actually thinking and not just feeling his way forward with his whole heart. âDid Sanji say he was coming?â
âNo.â
âDoes Sanji know heâs there?â
âNo.â Zoro looks down the hall toward room 412 and its closed door. Everything beyond it feels too far away.Â
At the desk, Vinsmokeâs voice goes flatter, sharper. âThen get me someone who can override policy.â
The nurse says: âAre you â no?âÂ
âDonât let him in.â On the other end, Zoro hears Usoppâs voice faintly in the background, asking something, probably about snacks or whether hospital gift shops sell flowers. Then Luffy comes again, more focused: âWeâre coming over.â
Zoro nods before remembering thatâs useless over the phone. âOkay.â
âDonât punch him unless he deserves it, yeah?â
Vinsmoke is still at the desk, still composed, looking very much like he deserves a punch or two, still trying to pry open hospital policy with the word father like it should just magically work on strangers. There are two nurses there arguing with him now and he hasnât raised his voice but that makes it seem worse. He just keeps pressing in the same smooth tone, like heâs accustomed to the world folding around him eventually. âIâm not asking for anything unreasonable,â he says.
The first nurse, who Zoro is now prepared to defend with his life, doesnât even blink. âWeâve got a real different idea about reasonable behaviour, pal.â
âI asked for medically relevant information about my son.â
Zoroâs tossing up whether he should say something or not when the elevator opens, permitting Law, through in navy scrubs. He looks exactly the way he always looks when someone has interrupted his day with any kind of nonsense, which is to say exhausted and irritated and somehow more awake than everyone around him. âCan I help you?â
Vinsmoke turns at the sound of the voice and his expression, already frigid, goes flatter. âWho are you?âÂ
Law stops at the desk, glances once at the nurse, once at Zoro and then finally back at Vinsmoke with that kind of cool, clinical boredom that Zoro reckons has probably made grown men confess things by accident. âSurgeon.â
âThen perhaps you can be useful.â
Lawâs eyes go dead. âUnlikely.â
Zoro almost smiles, but Vinsmoke draws himself up, the movement neat and contemptuous. âI am here for Sanji Vinsmoke. Iâve been informed the staff here is under the mistaken impression that paternal relation does not entitle me to his medical information.â
Lawâs head tilts very slightly. âIn a shocking turn of events, theyâre correct. Heâs an adult. Youâre not his proxy. Youâre not listed as next of kin on his intake file so no, you do not get his records, his imaging, his labs, his notes or a guided tour of his symptoms because you showed up and had a little tantrum.â
The nurse looks like she wants to marry him a bit, but Vinsmoke goes still in that way rich white men do when theyâre not used to being spoken to plainly. Law, clearly encouraged by this, continues.
âIn fact,â he says, voice getting softer in a way that is somehow meaner, âWhat you do get is one warning: if you continue to pressure staff for protected information, Iâll have security escort you out and document the attempt in the patient access log. Then if the patient wakes up and wants to know whether anybody tried to violate his confidentiality, thereâll be a neat little record waiting for him.â
Something electric hums in the air for half a second before Vinsmoke exhales once through his nose, sharp and contained. He straightens his shirt. âIâll return when Sanji is capable of speaking for himself.â
Law doesnât even blink. âThen I suggest you wait to be invited.â
Vinsmokeâs gaze hardens into something purely cutting before he turns and walks away, slinging his coat over one arm and spine rigid enough to split wood. Nobody speaks until the elevator doors close behind him and then the first nurse lets out a breath. âCunt.â
Law rubs a hand over his face. âThatâs one word for it.â
Zoro pushes off the wall, the knot in his chest finally forced into a shape he can stand upright around. âCheers.â
âHe awake?â Law glances down the hallway and frowns. âDonât tell him yet.â
Zoro kind of freezes, already thinking about how to do exactly that. âWhy?âÂ
Lawâs expression goes flatter, which usually means heâs saying something he thinks should be obvious. âBecause he has a concussion and blood pressure that spikes everytime he pretends he isnât in pain. The last thing he needs is surprise family politics. Thereâs clearly a reason he didnât go speak to Sanji himself.âÂ
Zoro exhales. âRight.â
Law studies him for a second longer, dark eyes sharp and slightly too knowing. âYou should eat, too.â
âIâm fine.â
Lawâs stare says thatâs not a real answer but heâs clearly too tired to trouble himself about it. âRight, well, Iâll get back to my actual patient, if you donât mind.â
The hallway seems too quiet again heâs gone, until the second nurse gives Zoro a small smile. âYour boyfriend has interesting friends.â
âYeah,â he mutters, because what else can he say?Â
He heads for the stairs instead of the elevator and by the time he hits the ground floor cafe the whole thing has started settling in under his ribs in pieces instead of one solid block: the name, the entitlement, the way heâd said my son like Sanji was some random paperweight heâd misplaced and come to reclaim. Underneath that, though, sits the duller discomfort of realising maybe he doesnât know that much about Sanji, after all.Â
He knows what Sanji looks like when heâs lying about being tired and the exact pause before Sanji throws the first insult and which vegetables Sanji cuts finer when heâs stressed. He knows the smell of his preferred cigarettes, the sound of his laugh when it slips out real, the weight of him asleep against his shoulder. He knows how Sanji walks into every room like heâs daring it not to deserve him and how soft he gets around children and old women and anyone hungry enough to be honest.
He knows how to kiss him.
He doesnât know enough to understand what happens when a man with Sanjiâs face shows up and says father.
He stands in front of the little refrigerated case full of sandwiches and diced watermelon and gross chia puddings and feels suddenly, violently, like heâs fourteen and underqualified for everything again, because heâs realising that he doesnât know if this is even normal. This is his first relationship, technically â he doesnât know how this works. Maybe people get together and then find out the ugly pieces later, one at a time, and everyone keeps walking because thatâs just how time works? Maybe Sanji not telling him isnât about trust. Maybe itâs justâŚÂ his and maybe Zoroâs not entitled to any of it, not yet.Â
The barista asks if he wants the chicken sandwich toasted and Zoro blinks. âWhat?âÂ
âThe sandwich?â
âYeah. Toast it.â
He gets tea, coffee, two waters and a yogurt that looks like some form of punishment. Heâs standing there while the sandwich press hisses and thinking about asking someone if they know more, his phone buzzes in his pocket before he can really make a decision. Zoro stares at Zeffâs number for a few seconds before answering, hesitating only because the number of times Zeff has willingly spoken to him has been approximately zero. âYeah?âÂ
Zeff doesnât bother with hello. âHow bad?â
Zoro shifts the bag of food to one hand, throwing a nod at the barista as he shuffles out. âLooks worse than it is.â
âThat wasnât what I asked.â
Zoro glares out through the hospital reception glass at the grey morning rain. âConcussion? Doctor said it could linger. Broken wrist. Cracked ribs. Kneeâs fucked up but they donât think it needs surgery.â
He hears Zeff huff about on the other end. âHe awake?â
âYeah.â
âBeing a pain in the ass?â
âConstantly.â
Zeff grunts. âGood.â That, weirdly, is the warmest thing anyoneâs said all morning.
Zoro pauses to stare at the vending machine. âHeâs alright.â
âI know heâs alright,â Zeff snaps. âHeâs too stubborn to die in traffic.â
Zoro almost smiles but then the question rises and sits on his tongue for a second, heavy and awkward and wrong. He could ask. Zeff would know, probably, or at least know enough to tell him whether that man showing up means danger or just trouble. On the other hand, Zoro can already feel the cost heâd have to bear if Sanji ever found out. âIâll get him to call you⌠after. After he gets out.â
âIâll call him myself.â The line goes dead and Zoro stands there with his phone still in hand, staring at his reflection in the vending machine, someone who can cut through whatever and still has no fucking idea what to do with either of Sanjiâs fathers. Â
By the time he gets back to the hospital room, the tea has gone lukewarm in the cardboard tray. He stands outside the door longer than he needs to, noting that the nurse at the station has changed. Everything looks normal enough again that for one stupid beat Zoro almost wonders if he imagined it all, right up until he looks down at the cup in his hand and remembers Lawâs face when he said donât tell him yet.
Inside, Sanjiâs still propped against the bed with the blankets twisted around one leg and the TV on mute to some daytime cooking show heâs definitely not watching. The room is dimmer now; one of the blinds has been half shut against the afternoon glare. His hair is still a mess, his face still too pale under the bruising, one arm still in the sling. âWow, you look like shit. Did you fight the cafeteria lady?âÂ
Zoro shuts the door behind him with his hip. âWon easy.â
Sanjiâs mouth twitches. âDid you get me real tea?âÂ
âDepends how low your standards are.â
âSo, no.â
Zoro shrugs and sets the food down, feeling the words he needs to say sitting under his tongue like a splinter. He hates this kind of thing, honestly, this balancing act of tell him / donât tell him. Worse, he hates how he doesnât know if telling the truth in this roomâs going to make everything worse or just make him feel less like heâs lying by omission.
Sanji picks up the tea with his good hand and squints at it. âDid you ââ
âYour dad was here.âÂ
Sanji turns his head very, very slowly. âZeffâs on the other ââ
âNo. Your⌠the other one. Big boofhead looking guy.â He swallows. âWanted your records or something.â
Sanjiâs fingers have gone too tight around the cup, and Zoro watches in real fucking time how everything that makes the blonde recognisably himself â the edge, the sarcasm, that restless intelligence in his mouth and eyes â just disappears, making him look younger and older both, like somebody stripped down to the bone. Then, almost as quickly, Sanji throws himself back together. The whole thing snaps back into place with so much speed itâs almost frightening. His tone comes out bright and harmless. âWell, what a charming fucking surprise. And here I thought this day had already done its worst.â
Zoro watches him take a sip of tea and immediately pull a face. âI said he was asking for your records, Curls.â
Sanji shrugs with his good shoulder. âSounds like him.â
Pulling the visitor chair closer, Zoro drops into it because standing there while Sanji does this fake little routine feels like watching someone balance on a tightrope and pretend the dropâs not there. âLaw shut it down. I guess Luffy called him?â
Sanji closes his eyes for a second, exhaling steadily. âSure. Of course.â
Zoro scrubs a hand over his face, knowing this is the part that heâs bad at â the part where thereâs something real moving under the surface and he has to get it out through a mouth thatâs, so far, been mostly built for arguments. âI didnât know if I should tell you.â
The shift in Sanjiâs expression is tiny, but immediate. The brightness dims by just enough. âRight.â
âButâŚâ He has to stop himself because the but is the whole fucking thing and he doesnât have the right words lined up. He doesnât know how to have the right words lined up. He looks down at his own hand, wrapped around his own coffee. âBut I figured itâs⌠your shit. So you should know. Iâm not⌠Curls, you know Iâm serious about this, right?â
Sanji blinks at him. âWhat?â
Great, fantastic, incredible. Zoro would very much like for the ground to open up and swallow him whole, but in lieu of that he grits his teeth. Sanjiâs still looking at him like the conversation took a left turn he wasnât prepared for, so Zoro makes a point of slowing the fuck down and trying not to sound like he wants to physically fight his own voice. âI know itâs new and I know maybe this stuff is⌠different. For you. Or private? Or whatever. But Iâm not â Iâm not messing around, here. With you.â
The words are clumsy and not enough and too much and he wants to say iâm not temporary and iâm not here for the easy version of you and i want to be let in where itâs ugly, too but what comes out is: âI just. I mean it.â
Sanjiâs face does something terribly complicated, edging into baffled before tipping straight into incredulous. âYeah? I know you mean it?â
âOh.â
Frowning, Sanji leans back against the bedhead very carefully, that awful too-bright cheer dropping the fuck away enough to show whateverâs happening for him underneath. He rubs his temple with his fingers. âThatâs not the problem, Moss.â
Zoro can feel the way his mouth flattens. âThen what is it?â
Sanji looks at the blanket instead of him, the TV chef moving silently in the corner of the room. Somewhere a monitor goes off and the tea gets colder by the second. When he finally speaks his voice is quieter than Zoroâs heard it in months. Years, maybe. âI know youâre serious. We both are, we wouldnât be here ifâŚâÂ
âThen why didnât you tell me?â
âYou make it sound simpler than it is.â
âIt should be simple.â
Sanji glances up at that with the old flash of heat in his face. âOh, should it?â
Zoroâs temper stir in reflex, tale as old as time, but whatever answer he was going to give dies when he really looks at his boyfriend, at the old weariness sitting on the blondeâs face that Zoro canât place and doesnât have the context for. Sanji turns the cup in his hand. âItâs not like I didnât tell you because I thought youâd dump me. I know youâre not⌠like that. But I donât know how to explain it without it sounding insane.â
âTry.â
That gets him a sharp look, before Sanji sighs. âItâs not about whether you mean it. Itâs not even about trust, fuck. Itâs just that some things donât get better by being shared, you know? Some things just get⌠bigger. And if I tell you something shitty then I have to see what it does to you, too, and maybe thatâs selfish or stupid or whatever but I know how to deal with my problems. I can do that. I donât know how to⌠fix that for you, too.â
Zoro leans forward, elbows on his knees, coffee completely forgotten. Heâs trying very hard not to say the wrong thing, which mostly means heâs saying nothing and getting angrier by the second. The whole problem feels stupidly close to his hands and impossible to grab. âIf something's bad Iâm not asking you to tell me so I can fix your feelings or whatever. I just want to know. I want you to let me know.â
âWow,â Sanji mutters. âThis is my first concussion ever and itâs still somehow not the worst headache youâve ever given me. I canât believe you really thought I didnât know you were serious about this.â
Zoroâs face heats. âYeah, well. You make it hard to tell what you know sometimes.â
Sanji looks at the sling and the blanket and the tea and anywhere but at him. His lips are pursed. âI know.âÂ
âYou can tell me anything.â
Against all odds, Sanji looks even more baffled. âAgain, thatâs really not the issue here.â
âYeah.â Zoro slouches in his chair, letting the sting hit. âIâm getting that.â
After a few minutes Sanji takes a bite of the sandwich and makes an expression of mild surprise. âWow, this is actually decent? Maybe I should get hit by trucks more often.â
âTry it and Iâll kill you myself.âZoro sits there while Sanji eats the hospital sandwich and drinks terrible tea and pretends none of this is as bad as it is. He still doesnât know who Vinsmoke really is to him beyond father and asshole. He still doesnât know why seeing Sanjiâs whole face change in the space of one sentence made something in him go cold. Worse than all of it, he doesnât know what, exactly, heâs supposed to do with the fact that love and access and trust are possibly not the same thing in Sanjiâs head.
But when Sanji finishes half the sandwich and, without looking at him, nudges the other half toward him on the tray table like sharing is easier than saying anything else, Zoro takes it and stays.
x
Sanji gets discharged a few days later under a cloud of paperwork and warnings and Chopperâs increasingly specific instructions.
âNo bright lights if you can help it,â He says, standing at the foot of the bed with a tote bag full of pill bottles and pamphlets and the righteous authority of a man a third of everyone elseâs size and twice as terrifying. âNo long shifts. No drinking! No heavy lifting. No screens if they make the headache worse. No pretending your headache isnât bad when it is bad!â
Sanji, wearing his own clothes again and looking more human for it, though still too pale and too tired around the mouth, nods along with visible impatience. âYeah, I got it, Chop.â
âAnd no trying to go back to work in two days!â
Zoro, leaning against the wall by the door with the flowers Franky insisted on and exactly one of the hospital blankets that somehow got folded into their things by accident, nearly smirks. âTrust me, heâs not going back.â
Chopper nods, satisfied. âGood.â
Sanji glares at both of them like theyâve both committed mutiny and itâs almost weird how quickly Sanjiâs apartment rearranges itself around injury. The pain meds and water bottles take over the kitchen bench and the couch gets a permanent nest of blankets because Sanjiâs headacheâs better in the living room in the afternoons where the light is softer. An extra pillow appears in bed for the knee. Zoroâs bag ends up by the wardrobe and then doesnât leave. Heâd said it matter-of-factly, while Sanji was trying to lower himself onto the couch without looking like it hurt: âIâm staying.â
Sanji had glanced up from under the hair that Nami really needs to trim, tired and suspicious both. âTil when?â
âUntil your head stops being stupid.â
âMy head is not stupid.â
âYour stupid head got hit by a truck.â
Sanji had laughed and then immediately regretted it when his ribs complained, and Zoroâd been beside him before the sound fully left his mouth, one hand already at his side, the other hovering uselessly because he still doesnât know where to touch when painâs involved and loveâs making him panic.
Their friends come in waves, Luffy bursting through the door the day after discharge with enough groceries to feed a family of six. âI didnât know what youâd need!â
Sanji, horizontal on the couch with a cool cloth over his eyes, flinches. âBloody hell.â
Law comes in carrying a smaller bag and looking like heâs reconsidering every life choice that led him to this moment, which is pretty standard. He checks Sanjiâs pupils with a penlight despite not being Sanjiâs doctor, like, ever. âYou still have light sensitivity.â
âI have you sensitivity.â
âHopefully itâs fatal. Hold still.â
Luffy, meanwhile, has somehow ended up seated crosslegged on the floor by Sanjiâs knees, unpacking snacks with the grave concentration of someone preparing emergency rations for winter. âI got the good crackers. The wattleseed ones you like.â
Sanji blinks down at him, expression gone affectionate. âThanks, Luff.â
Luffy beams like heâs been handed the moon and the visits keep coming. Nami sweeps in one evening in a coat that costs more than Zoroâs bike repairs for a month and takes over the kitchen like she has every right, which isnât exactly untrue. She brings flowers, fruit, three kinds of electrolyte drink and a spreadsheet on her tablet that she sets down on the coffee table like a threat, divvying up every single one of Sanjiâs alleged chores between the whole friend group. Robin comes with books and a kind of serene menace that somehow makes the whole apartment feel safer, sitting by the window in the low light and reading awful, smutty romance fiction novels aloud when Sanjiâs headache is bad enough that conversation feels like gravel under the skin. Usopp and Chopper come together and somehow make the place feel younger. Usopp brings magazines, stupid little gadgets and puts on a whole-ass shadow puppet show.
Sometimes the apartment is full and sometimes itâs just one person dropping in after work, staying an hour and eating the food Zoro reheated wrong. Through all of it, though, thereâs the small miracle of normalcy reasserting itself: Luffy asleep half off the chair and Nami arguing on the phone in the hallway while Robin waters Sanjiâs basil and Usopp somehow managing to lose at cards to a concussed man because heâs too busy telling a story and Law standing in the kitchen at midnight reading ingredient labels because Sanji said the pharmacy painkillers were packed with garbage and has taken that as some kind of challenge.
They settle into a rhythm Zoro doesnât have a name for, Sanji on the couch with his head tipped against Zoroâs shoulder while some terrible cooking competition murmurs from the television and Zoro in the kitchen making tea badly enough that Sanji heckles him and the two of them in bed, not always touching but always aware of where the other one is. One evening Sanji wakes cranky and starving and with the kind of headache that makes overhead lights feel like a personal attack so Zoro cooks. He likes to think that over the last week heâs improved from catastrophic to merely offensive, but Sanji sits on a stool by the kitchen bench in one of Zoroâs shirts and lasts about thirty seconds before he scowls. âYouâre cutting those wrong.â
Zoro doesnât look up from the carrots. âReally not.â
âYouâre hacking them.â Sanjiâs watching him with his chin propped on his hand, eyes still a little dull from the headache but way more himself than heâs been in hours. Thereâs a faint groove in his cheek from the pillow amd the sight of it hits Zoro so damn soft in the chest that it almost pisses him off.
âYou wanna do it?â
Sanji lifts the bad wrist. âAw, sucks to be you.â
Later, after dinner and meds and a card game Nami starts over DenDen and Luffy hijacks, they end up on the couch again, Sanji half curled into the corner with his head against Zoroâs shoulder. Zoro has one arm along the back of the couch and the other resting low across Sanjiâs thigh and Zoroâs so fucking in love with him that he has to stare at the muted TV and think about how weird it is that something can still feel so new and so, so inevitable at the same time.
He tilts his head against Sanjiâs hair. âYou want anything?â
Sanji doesnât open his eyes. âMm. Stay.â
Zoroâs throat tightens. He presses a kiss into the other manâs hair. âAlright.â
A week later Zoro takes his first shift at work since the accident, doing a half-day so he can come home for lunch despite Sanjiâs repeated insistence that iâm fine, moss, i donât need a fulltime babysitter. Workâs brutal in a very phsyical way, leaving him smeared with grease and grime and someoneâs oat latte they accidentally spilt on him, and by the end of the shift all he wants is a quiet night on the couch. Maybe theyâll find something terrible on TV and maybe Sanji will wear one of those old, soft shirts he only wears at home, leg stretched out because the kneeâs still bad enough that bending it too long pisses him off. He stops by the pharmacy on the way and then the Thai place next door to it, grabbing pain meds and too many noodles for two grown men to reasonably consume.Â
He unlocks Sanjiâs door with the spare key, instantly relieved that the apartmentâs warmed than the world outside, already stocked full of the layered smells of Sanji existing. Thereâs low music playing from somewhere in the lounge room, too soft to make out, floor lamps on instead of the overhead light. He shrugs his jacket off and shakes the rain out of his hair and then realises thereâs a woman standing near the coffee table, tall and pink haired. Zoroâs brain has just enough time to register that she looks like Sanji â same bones somewhere under the polish, same mouth in a different shape â before he realises Sanji has frozen on the couch and thatâs what tells him this is bad. His face smooths over as whatever room lives inside of him goes dark.
The womanâs gaze flicks over Zoro, quick and assessing, before shifting softer in a way that feels deliberate. âYou must be the boyfriend.â
Zoro doesnât get the chance to answer â Sanjiâs voice comes flat, quick. âReiju was just leaving.âÂ
Zoro feels the name drop into place and make everything worse, even as Reiju looks at Sanji. Whatever she reads in the room seems to settle something in her because slides her arm into her thick coat. âI was,â she agrees mildly.
Sanji doesnât look at her. âMm.â That tiny sound is somehow more alarming than if heâd snapped and Zoro has to set the paper bag down on the floor, because his hand has started tightening almost painfully around the handle.
Reiju only pauses when she reaches the front door. âThink about it.â
Sanjiâs jaw tightens. âYeah, I heard you the first time.â
Reijuâs expression changes by almost nothing. The click of the door shutting behind her sounds too loud, Sanji staring hard at the wall above the TV while Zoro just stares at Sanji. Heâs seen Sanji angry plenty of times, is the thing. Heâs seen the blonde smug and furious and starving and sleep deprived and bleeding and hungover and incandescent with the need to yell at someone for being stupid but this? This is cold little absence? This is new. Â
He clears his throat. âWhatâs going on?â
Sanji shrugs with his good shoulder, too careful of the other, too practiced about pretending the movement doesnât hurt. âFamily crap.â
The answer is so useless it almost makes Zoro laugh. âFamily crap,â he repeats, sounding a hell of a lot blanker than he feels.Â
Sanjiâs expression is enough to be a warning, but not sharp enough to be fully alive. âYeah.â
âAnd? Sheâs your sister, right?âÂ
âSo?âÂ
Zoro drops the bag on the kitchen bench harder than he means to. âAnd youâre gonna leave it there?â
Sanjiâs eyes narrow. âWhat dâyou want me to say?âÂ
The question lands harder than it should because Zoro doesnât actually know. He doesnât know what the correct question or answer is here. Theyâve only been dating for a few months, sure, but theyâve been in each otherâs lives for years now and somewhere in Zoroâs head those two facts have already braided themselves into something permanent. Sanji, though⌠Sanjiâs looking at him like this still belongs in some private place Zoro hasnât earned a key to, hospital conversation be damned.
âI want to know what that was,â Zoro says slowly.
Sanji lets out a breath through his nose. âMy sister came by?â
âNo shit.â
âThen congrats, Moss, you know what happened.â
Zoro feels his own temper spike, hot and frustrated. âThatâs it? Thatâs all I get?âÂ
Sanjiâs mouth twists. âYouâre not âgettingâ anything. Iâm not a fucking prize machine.â
The line should piss him off more than it does, but it doesnât. It sinks straight into the tenderest bruise heâs got because thatâs the truth of it, isnât it? Heâs never thought heâs owed anything for showing up with soup and pain meds like some stray hoping to be let inside. He knows better â heâs always known Sanji gets to keep whatever pieces of himself he wants. Still, standing here in the quiet that Reiju left behind, Zoro canât stop the smaller, quieter hurt from unfolding anyway, cracking open a little behind his ribs. Maybe Sanji hasnât even tried letting him in. Maybe he never will.
âRight,â he mutters.
Sanji rubs at his forehead with his good hand, fingers pressing careful. His shoulders are drawn tight, exhaustion laced through every line of him. âIâm not doing this tonight.â
Zoro lets out a slow breath, the fight draining out of him before it can even catch. He drags the bag over to the coffee table and the gesture feels heavier than it should, like an offering heâs not sure will be accepted. âYou eat?â he asks, voice softer than he means it to be.
âNot since lunch.â
âGood. Means I brought food at the right time.â He opens lids one handed because Sanjiâs cast makes it awkward while Sanji complains about the soup being from the wrong place but eats it anyway. Zoro hands him his meds with water without asking first and Sanji takes them with only a little grumbling. The record turns over into something softer and the apartment warms around the edges again, or at least pretends to. Later, he helps Sanji up because standing still makes the knee lock and getting to the bathroomâs still some form of demonic project management. Sanji hates every second of it, obviously.Â
âDonât hover,â Sanji mutters while Zoro steadies him by the elbow.
âYouâre wobbling.â
âI am not wobbling.â
âYouâre literally wobbling.â
âThatâs because youâre distracting me with your ugly face.â
âYeah, yeah, keep moving, Curls.â
Sanji brushes his teeth with his bad wrist held away from the sink and when they get to bed itâs all quieter. The apartment lights are off except for the one in the hallway and the soft orange spill from the streetlamp outside. The room smells like faint smoke thatâs always in Sanjiâs hair no matter how many times he washes it. Sanji gets in carefully, all the easy grace he usually carries stripped down to logistics and Zoro leaves enough space that Sanji can choose what he wants, which is apparently to move closer. The line of his good shoulder fits against Zoroâs chest when he finally settles and Zoro puts one hand over his waist and breathes him in, smoke and all. For a while they just lie there listening to the city through the window, until Zoro swallows and tries again. âSanji.â
Sanji breathes in and out and keeps his voice very even. âShe just invited me to dinner.â
The word invited sits there between them, Zoroâs hand tightening at the other manâs waist before he remembers himself. âThat doesnât sound like an invitation.â
âNo shit, Moss.â
Zoro stares into the dark over Sanjiâs shoulder. âWhen?âÂ
âNext Thursday.â Sanji shifts carefully, face turned into the pillow now, voice already starting to go blurred at the edges with exhaustion and pain meds. âShe says itâll be easier if I go.â
âEasier for who?âÂ
Sanji lets out one of his awful dry laughs. âExactly.â
The frustration in Zoroâs chest is too heavy and too deep to be simple anger anymore and the words feel useless the moment they leave his mouth. âYou donât have to go.â
âI do.â Sanji makes a small, tired sound, something between a sigh and a surrender. Zoro feels the shift happen in real time: the slow uncoiling of tension in Sanjiâs frame, muscle by muscle, until his weight settles heavier against Zoroâs side, warm and solid and impossibly trusting in sleep.Â
âCurls,â Zoro murmurs, one last try, but thereâs no answer so he lies there in the dark while this new piece of the map lodges itself in his throat, cold and unfamiliar and jagged. He knows the Sanji who built himself sharp and brilliant and untouchable but he doesnât know the foundations underneath. He doesnât know what was torn down or buried or burned to make room for the person heâs holding now.
maybe this is just how it works, he thinks. Maybe being with someone means discovering, bit by bit, how many safes they still carry inside them. Maybe a few months in, this is as close as anyone gets. The thought doesnât comfort him at all, because he wants in anyway, wants to be the one Sanji calls before the sister walks in.
He just⌠doesnât know how the hell to get there.
x
When he meets up with Luffy the next day, the dojoâs mostly empty. The smell of it usually settles him quicker than anything else on the planet (except, maybe, one very smoky man) but itâs taking a little longer to kick in tonight. Thereâs something about a room built for impact that makes the world simpler, all polished boards and stacked mats and lights buzzing overhead. The familiar give and drag of bare feet against sprung floor. In a place like this, every problem reduces down to to distance and timing and angle and force, a language Zoro understands better than any.
The beginners karate class had cleared out ten minutes ago, leaving behind one abandoned water bottle by the mirrors and the only sound now is the rain ticking against the windows and the occasional thud from another room where somebodyâs doing bag work.
Luffy bounces on the balls of his feet at the centre of the floor, grinning like heâs been promised dessert and violence in equal measure. âYouâre late!â
Zoro drops his bag by the wall. âYouâre annoying.â
Zoro ignores that in favour of peeling off his shirt, tossing it aside to roll his shoulders out. The tightness there doesnât shift; it hasnât shifted since he opened Sanjiâs apartment door and found his sister standing in it. Luffy watches him with that open, bright face of his that fools strangers into thinking thereâs nothing going on behind it but thereâs always something going on behind it. âStretch properly.âÂ
Zoro flips him off.
Luffy beams. âSee? Worse.â
They bow because the old habits are built deeper than thought, then circle. Luffy comes in first, quick and loose, all instinct and joy. Zoro blocks and pivots, landing a hit to the shoulder that Luffy takes with a delighted laugh nbefore he ducks low and sweeps. Zoro jumps it clean and for a blessed minute the room narrows to easy things: weight and balance and breath. The problem is, his bodyâs off. He knows it by the third exchange: heâs overcommitting, following through too hard and leaving openings he normally wouldnât. His timing is there, sure, but his focus keeps sliding just before contact.Â
Luffyâs foot catches him in the ribs and hops back. âYouâre thinking too loud.â
Zoro wipes sweat off his mouth with the back of his hand. âShut up.â
Luffy tilts his head. âSee?â
Zoro comes in on the next pass with more force than he needs but Luffy takes it, redirecting to shove. Zoro ends up taking two fast steps back to keep his footing but Luffy doesnât press, not this time. Instead he bounces twice before dropping into a loose stance and says, like theyâre in the middle of a normal conversation and not halfway through kicking the hell out of each other: âSanji, right?â
Zoroâs jaw tightens.
Luffy points at his face. âThatâs your Sanji face. Itâs kinda like your regular face, but more angry.â
âThat doesnât mean anything.â
âIt means youâre worried.â
Zoro exhales through his nose and gestures vaguely with one hand. âAgain.â
They go again but Luffyâs always been impossible to spar properly when heâs talking. He fights like a storm and talks like heâs eating, which is to say constantly and happily, with no sense of conservation. Zoro clips his arm and Luffy lands a heel against his thigh and they break and circle and close.
âWhenâd you know?â The words come out in the middle of movement, falling out before Zoro can really stop them.
Luffy blinks, then grins so wide Zoro briefly considers walking out. âKnow what?â
Zoro nearly says nevermind but he huffs and catches Luffyâs wrist to shove him away. âWith Law.â
That gets Luffyâs full attention; he resets his stance, softer now and less playful.
âWhen it stopped being one thing,â Zoro continues because god knoiws if he says the rest of it straight he might actually die on this floor. âAnd became⌠something else.â
Luffyâs quiet for exactly one heartbeat. âIt didnât stop being the first thing. Heâs still my friend. It just got⌠more.â
They trade a quick burst until Zoro has to jerk back from a fist, breathing a little harder, trying to figure out how to explain that itâs not that he expects Sanji to tell him everything just because theyâre dating now. Heâs not ignorant enough to think that few months changes the way privacy works. If anything itâs the opposite: to Zoro theyâre still everything they were before â friends, the kind of people who could stand back-to-back in a fight and trust the other one not to flinch â and now thereâs more on top of it. He had thought, stupidly maybe, that Sanji felt that too.
Luffy watches something change in his face and immediately punches him in the shoulder. âDonât get all dramatic in your head.â
Zoro rubs the spot. âYou talk too much.â
âYeah.â Luffy rocks back on his heels. âYou do when youâre upset too, but only inside.â
âInside is private.â
Luffy snorts. âNot if your face keeps telling on you.â
They circle again, slower this time. Itâs less sparring now than moving their bodies through the shape of it so that the talking can happen without having to sit still and look each other in the eye like civilised people. âIf somebody doesnât tell you stuff⌠the bad stuff. The old stuff. Does that mean they donât trust you?â
Luffyâs expression changes, just minutely. He gets quieter around the eyes, even as he wipes the sweat from his brow, hands running through this sopping hair. âNo. Not always.â
They come together again, more out of habit than necessity. Luffy catches Zoroâs forearm and Zoro catches his shoulder and they break. The floor groans softly under their feet.
âSometimes it means it hurts,â Luffy explains, voice a little clipped, a little careful. âSometimes it means they donât know how to talk about it yet. Sometimes they think keeping it to themselves is helping.â
Zoro thinks of Sanji in the dark, already halfway asleep, saying i do in that exhausted voice like it was obvious.
Luffy shrugs. âSanji gets weird about stuff that hurts. He thinks heâs gotta handle it.â
Zoro looks away toward the mirrors, to where their reflections are moving, two men circling each other in an empty dojo, one all lean weight and restraint and the other loose and bright and impossible. Something in his chest pulls tight. âI donât know if Iâm asking for too much. I know he doesnât have to tell me everything. Iâm not saying ââ He cuts himself off, jaw working. âItâs justâŚâ
Luffy waits patiently, head cocked until Zoro scrubs a hand over his face. âI donât know if he gets that itâs different now.â
Theyâve only been together a few months, sure, but Zoro isnât doing this casually. He never was. He doesnât know how to be casual with anything, let alone the first person heâs ever wanted. Loved. Heâs with Sanji for as long as Sanji will have him but maybe Sanji still doesnât believe that. Or, worse, maybe he does but doesnât know what to do with it.
Either way, Zoro keeps running into that fact like a wall.
Luffy rocks back on his heels, thinking. âYouâre one of us and youâre his boyfriend. Those arenât different teams.â
Zoro sighs, because yeah, thatâs what heâs been failing to explain even to himself. He doesnât want to stop being Sanjiâs friend just because they kiss now and sleep in the same bed and know how the other one sounds right before they come. He doesnât want a new category that erases the old one â he wants the old one to mean more now, wants to be allowed to carry different weight with it.
They move again, more lightly now. Luffy throws a kick; Zoro catches it and shoves him off balance and the other man just goes with it, rolls, springs back up with entirely too much delight.
âHow dâyou know?â Zoro asks, before he can stop himself. âIf you are pushing too hard.â
Luffy answers so quickly itâs obvious he doesnât need to think about it. âYou ask.â
Zoro scowls. âThatâs not ââ
âAnd then if he says no, you listen,â Luffy says over him. âBut you can still tell him you wanna be there.â
The dojo hums around them as Zoro looks down at his hands and thinks of Sanjiâs apartment and the cast and Reiju standing in the warm light looking at him, like she was passing off responsibility or asking for help or both. He thinks of next Thursday. âI donât know if heâll let me.â
Luffy drops down to the floor and rocks around a little, stretching out those long limbs. His expression is pensive. âLaw doesnât tell me everything either, not right away. Not when itâs bad. He gets all weird and quiet and acts like if he just keeps holding it by himself, itâll stay smaller.â
That sounds familiar enough to make something in Zoroâs chest ache. âSo what do you do?â
Luffy smiles, certain. âI stay where he can find me.â Zoro rolls his shoulders again and the tightness in them hasnât gone, exactly, but itâs changed shape. It feels less like panic and more like some kind of decision and Luffy brightens all the way back up. âThere! Youâre less stupid now.â
Zoro lunges at him just to stop the talking and Luffy yelps with delight and meets him head on. They hit the mats hard, laughing and swearing and trying to choke each other out â Zoro gets Luffy down eventually, forearm braced across his chest, knee pinning his arm until Luffy laughs, thrilled. After, they both sit on the edge of the mat for a minute, sweat cooling, shoulders knocking once. Outside, the rain has softened to a whisper. Luffy takes a drink from his water bottle and says: âIf you love somebody, you tell them where you are. Then they can come get you.â
There isnât really anything safe to say to that, not without cracking open doors heâs not ready to walk through, so Zoro pushes to his feet, snatches his towel and smacks it across Luffyâs face with just enough force to make him laugh.
Later, stepping out into the damp night, Zoro finally knows what to do with the knot thatâs been twisting under his ribs for days.
He still doesnât know what vinsmoke truly means to Sanji, what kind of poison it carries or how deep the scars run or what version of himself Sanji has to become at that dinner table, or whether any of this is normal, but. He knows where he stands and that what he canât live with â what would hollow him out â is pretending the line between friend and boyfriend means he should stand back now, arms crossed, giving Sanji more space instead of pressing closer. Closer to the sharp edges, closer to the ugly parts, closer to whatever Sanji is still trying to carry alone. He wonât do it. He canât.
And on Thursday, if Sanji tells him no⌠well. At least theyâll have the fight honestly instead of letting it rot in the dark.
x
The days leading up to the dinner fray from bad to worse, but the decline is so quiet and so carefully hidden that no-one else seems to notice. They see Sanji moving and talking and cooking but Zoro clocks it immediately, the way he reads the smallest shift in the balance of his swords: by weight, by muscle memory, by the faint wrongness that settles under his skin and refuses to leave. He knows the shape of Sanjiâs moods like he knows his own blades, intimate and instinctive, impossible to ignore once felt.
Sanji returns to work in short, cautious shifts where heâs banned from anything that isnât planning menus and ordering stock. He comes home smelling like garlic and onions and fish and then cooks anyway, disappearing into methodical rituals of chopping and stirring like itâs the only language his hands still trust under pressure. He still calls Zoro a seaweed-brained idiot with that familiar spark of heat, still lights his cigarettes with the same flick of the wrist, still collapses into bed beside him at night.
The real change is subtler. Sanji, who usually moves like forward momentum given human, has started disappearing in plain sight. Heâll stand at the kitchen bench with a knife poised in his hand, eyes fixed somewhere far beyond the tiles, lost in a silence so complete it feels like heâs stepped out of his own body. Then, without warning, heâll jolt back with a too-bright anyway! like he can outrun the gap he just left behind.
Each time it happens something twists sharp and helpless in Zoroâs chest. He wants to reach in and pull Sanji back to solid ground. He wants to stand between him and whatever ghosts are crowding in but all he can do is watch and sit the knowledge that the man he loves is folding in on wounds Zoro still isnât allowed to see.
He starts catching the blonde staring at the kettle as it boils and at the dark apartment window after midnight and at his own phone facedown on the table like itâs a dead animal he doesnât want to touch. His wristâs still stiff and his kneeâs still a problem and the concussion is a jerk in quieter ways, bringing headaches and fatigue that drops on him at random times and a sensitivity to shop lights that makes him come home meaner than usual.
His phone goes off at all hours, now, and sometimes he ignores it outright but sometimes he picks it up, stares puts it back down. Reiju, maybe, but there are so many random numbers that flash across the screen and Zoro doesnât ask. Thatâs becoming its own quiet strain: the way Zoro catalogues every small fracture and says nothing beacuse speaking feels too much like pressing a thumb into an open burn. He doesnât want to pry. He doesnât want Sanji to think being together automatically grants him keys to every secret inside of him but underneath that careful restraint sits the deeper frustration that he knows is unfair. Or maybe it isnât unfair, maybe itâs just impatient. A few months isnât a lifetime, after all, but Zoroâs body had made its decision long before the calendar caught up: this person was his to stand beside, his to fight with, his to hold through whatever came. The want had rooted deep and fast, stubborn as the rest of him.
So he hovers. When Sanji cooks, Zoro leans in the kitchen doorway pretending to scroll on his phone, stealing glances at the tense line of Sanjiâs shoulders. When Sanji slips outside for a smoke, Zoro follows without excuse, settling his shoulder against the cold brick beside him while the city murmurs below them. When Sanji dozes off halfway through a show on the couch, Zoro stays right there, one broad hand resting warm and steady on Sanjiâs ankle, the TVâs flickering light washing over them. In return Sanji shuts down in waves, lashing out in unpredictable bursts, all sharp jokes and sudden fights, nitpicking the way Zoro holds a knife, anything to drag the room back onto safe, familiar ground. Zoro lets him, every single time.
Heâs also getting very, very tired of letting him.
On Saturday they have dinner with the others because Nami, after years of bossing around dysfunctional men through all kinds of disasters, announces theyâre seeing the world and none of them are allowed to object. They go to some little neighbhourhood izakaya that has cheap beer and grilled skewers smoking under the vent. Luffyâs already on his second plate before everybodyâs sat down.Â
On the surface, itâs a normal night with their friends: Zoro sits beside Sanji and the others spill around them in bright, noisy waves. Nami steals half of Robinâs edamame and Luffy reaches across three plates for more karaage and gets his hand slapped by just about everybody in range. Usopp starts a debate about whether one could survive a dingo attack by projecting enough confidence and Sanji laughs and throws comments like knives, relaxing into Zoroâs shoulder and itâs normal except how it feels like some part of the blondeâs running separate from the room, parallel to it, counting down to something nobody else can see.
Zoro feels it everytime Sanjiâs phone buzzes in his pocket and Sanji doesnât check it and in the way Sanji comes back from the bathroom looking exactly the same except for the tiny set of his mouth. Luffy notices, too, catching Zoroâs eye across the table while Usoppâs in the middle of claiming he could absolutely seduce a dangerous heiress if the mission required it and gives him one brief, very un-Luffy frown.
Zoro looks away first.
On the walk home Sanjiâs quiet and back at the apartment he peels off his jacket and hangs it up with too much care, then stands there with his hand still on the wall like he forgot what came next. Zoro watches him from the kitchen doorway, irritation moving slow and hot under his skin.
Sunday is marginally better but Monday is worse again. Tuesday passes in a blur of work and painkillers and one stupid fight over nothing that ends with Sanji apologising too quickly and Zoro feeling like an asshole. By Wednesday the air between them has become so loaded with what theyâre not saying that even the good moments feel sharp edged which is why, maybe, the softness catches them both off guard when it comes, the apartment dark except for the bedroom lamps. Sanjiâs standing by the wardrobe in boxers, hair damp and curling at the ends where it brushes his neck. He pulls the shirt over his head one armed with more awkwardness than heâd ever admit. It catches for a second on his wrist and he swears under his breath, so Zoro gets up and hooks his fingers into the hem, smoothing it down over Sanjiâs ribs before pulling him into a kiss, sleepy and warm. The kiss is familiar in a way that still surprises Zoro sometimes â that this is his now, this mouth, this body leaning into his, this private ease after years of sparking off each other. Sanji kisses like he does most things: with skill and attention and an edge of wit even when heâs half gone with tiredness and Zoro kisses direct and certain and learning by contact. Together they make something that still feels occasionally miraculous.
Sanjiâs fingers catch in the front of Zoroâs shirt and Zoroâs hand slides from his waist to the small of his back and the world goes quiet around them. Sanjiâs mouth curves against his and Zoro kisses the smile because he can and because it makes Sanji make that small pleased sound he tries to swallow and fails.
âBetter mood,â Zoro murmurs against his mouth.
Sanjiâs eyes are still closed. âMaybe.â
Zoro kisses the corner of his mouth and his jaw and the soft skin just under his ear and then, because heâs an idiot and his brain makes the stupid mistake of tenderness for safety and because heâs still trying to feel his way around where the line is now, he says easy and offhand: âThink your familyâll kill me if I donât know what a cumberband is?â
Sanji goes completely rigid under Zoroâs hands. The shift hits him before his brain catches up and Zoroâs stomach plummets like heâs missed a step on a sheer drop. âForget it,â he says at once, voice rough with instant regret. âBad joke.â
Sanji takes one single step back but the distance feels cavernous, like the whole room just stretched thin and cold between them. His voice comes out flat. âYeah. No shit.â
Zoro opens his mouth, closes it, opens it again. The words tangle uselessly. âI didnât mean ââ
âI know.â Sanji sits on the edge of the bed, spine straight and at this point Zoroâd rather Sanji yell or throw something or kick him out or tell him to fuck off. Anything but this dead, polished calm that makes Zoro feel like heâs standing on a glass floor.
âSorry,â he mutters. He doesnât even know how much of it he means â sorry for the joke, sorry for pushing, sorry that every step closer still feels like it costs Sanji something.
Sanji rubs the back of his neck with his good hand, slow and tired. âSâfine. I hadnât scheduled a fight in tonight, but we both know Iâm flexible.âÂ
Zoro forces his breathing steady, trying to keep his pulse from kicking up. âWho said anything about a fight?â
Sanji finally turns his head and looks at him, the eye contact landing like a punch. âWeâre definitely having one eventually. Might as well not waste the evening.â
Zoro knows he should back off: they still havenât figured out how to fight without drawing blood, not like this. The words slip out anyway. âIâm not trying to waste anything, Curls.â
Something flickers across Sanjiâs face â guilt, frustration, or just the awareness that theyâre both fumbling around the sharp edges of something neither of them knows how to hold without cutting themselves. Then it shutters closed and Sanji lies down with his back to Zoro, and the rejection stings deeper than it has any right to. He turns off the lamp and slides in beside him anyway, careful to leave space this time. The sheets feel colder than they should. After a long stretch of silence, Sanji inches back until their calves brush, tentative and wordless, a small bridge in the dark.
Zoro lies awake longer than he wants to, listening to the steady rhythm of Sanjiâs breathing, the faint creak of the mattress whenever one of them shifts. He thinks about timing, about categories that refuse to stay neat, about all the ways two people can be closer than ever and still feel worlds apart. About how maybe loving Sanji means learning to sit with the secrets and the sudden silences and the fear that heâll always be one clumsy word away from making it worse.
Tomorrow can go to hell, he decides. Right now, all he wants is the quiet warmth of Sanjiâs leg against his and the stubborn certainty that heâll keep trying anyway.
x
Tomorrow does go to hell.
The morning light slips through the curtains thin and reluctant, the kind of pale winter bleed that never quite commits. It pools across the sheets, doing nothing to warm the mess of dread thatâs already lodged behind Zoroâs ribs when he wakes up.
Beside him, Sanjiâs already awake, lying on his back and staring at the ceiling with that weird, robotic stillness of someone trying to delay the start of the day and Zoro watches the subtle bob of his throat as he swallows, the faint tension at the corner of his mouth. Then Sanji turns his head on the pillow. âYouâre running late.â
Zoro grunts. âGot the day off.â
Sanjiâs forehead crinkles, faint and confused. âWhy?â
Zoro gives him a flat look. âReally?â
Sanji blinks once before something softer catches him off guard; his mouth goes a little blank, like he doesnât know where to put the unexpected weight of it. âOh.â
Zoro rolls onto his back and folds his hands behind his head, trying to make it look casual, like he always takes days off for shit like this, like he isnât already trying too hard. The ceiling stares back at him, the same boring white it always is but itâs easier than looking at Sanjiâs surprised face right now. âCâmon. Weâre not sitting in this apartment all day waiting to die.â
Sanji snorts despite himself, the sound fragile. âOptimistic.â
âIâm serious.â
âI can tell. Itâs awful.â
Zoro elbows him lightly under the blankets. âShut up.â
The day goes better than it has any right to. They walk two blocks for coffee because Sanji declares that if he has to face his blood relatives tonight he at least deserves a decent long black, which seems fair. Afterwards they wander the neighbourhood slowly, shoulders brushing now and then, past the florist with its peeling painted sign and the corner shop where the owner knows Sanjiâs cigarette brand by heart yet judges him for it every single time. They pass the park where the grass has mostly surrendered to mudm, where two kids in oversized puffer jackets are wrestling a kite into the weak wind with more hope than sense.
Sanji talks the whole way, about the coffeeâs bitterness and the idiot at work who thought aioli came from a bottle and the ridiculous little dog they pass wearing boots and a yellow raincoat. He talks about anything except the clock ticking towards 6:30, every sentence another brick in the wall heâs building between himself and the evening. Zoro plays along, letting himself be pulled into a silly debate over whether the dog looks cute or tortured. Zoro says tortured and Sanji says cute. They nearly stop at a bakery window, then donât. At one point Sanji falls half a step behind as his knee catches and Zoro slows without comment until theyâre back in rhythm.
For a while, the day almost feels salvagable. Sanjiâs shoulder bumps his at a crossing and they bicker over whether to get groceries now or tomorrow but end up at the market anyway because Sanji insists they need lemons. Zoro retaliates that they donât need twelve lemons â Sanji claims Zoroâs palate was ruined in infancy. The stall owner watches them argue their way through apples, parsley and a loaf of bread with the nonchalance of someone with no fucks to give.
The moment they get back to the apartment, the fragile normalcy starts to fray. Sanji puts the groceries away too hard, cupboard doors slamming with sharp little bangs. He stands too long at the sink afterward, both hands braced on the edge, head bowed over nothing, shoulders tight beneath the shirt heâs changed into. His fingers keep drifting to press against the wrist cast through his sleeve, checking itâs still there like itâs some kind of talismen.
Zoro watches the next few hours fold inward around the coming evening. Sanjiâs edges sharpen. The banter thins, the pauses between his words stretch longer and emptier, pieces of him already leaving the room ahead of schedule. By three heâs pacing, window to kitchen and kitchen to bedroom and bedroom back to the lounge room â like a caged thing trying very hard not to look caged. Zoro sits on the couch with one arm slung over the back, pretending to be absorbed in some terrible action movie playing too low on the TV. He wants to say something but he has no fucking idea what.
youâre going to wear a hole in the floor. sit down. talk to me. donât go. itâll be fine. we donât need them.
He draws in a deep breath and hopes for the best. âYou should eat. Itâs not like youâre gonna eat there.â
Sanji stops in the doorway between the kitchen and lounge room and looks at him like heâs been addressed from underwater. âThatâs stupid.â
Zoro shrugs. âFine. Pass out at the table, then.â
That earns him a glare, but itâs a weak one, barely there. Sanji drags one hand through his hair, then abruptly crosses back into the living room. He stops right in front of the couch, and Zoro straightens on instinct. Sanji just⌠looks at him. His eyes are too bright, too wired, like every fear and dread and surge of adrenaline heâs been outwalking all day has finally caught up and is clawing for an exit under his skin. His hands tremble faintly even after he shoves them deep into his pockets.
âCurls?â
Sanji leans down and kisses him, immediate and desperate and starving. Zoro kisses back instantly, because Sanji kissing him like this always short circuits the careful parts of his brain and god knows Sanjiâs mouth has always been the fastest way out of his own head. But even as Sanji climbs into his lap, pushing him back into the cushions, even as the room turns hot and close and electric around them, Zoro knows what this is: Sanji grabbing for the nearest escape hatch inside his own body and dragging Zoro through it with him. Sex is simpler than waiting and want is simpler than dread but Zoro doesnât mind, not really.
His palms find the warm dip of the other manâs waist and hold on, trying to anchor something â anything â through touch alone. They kiss fast and messy, breathless at the edges, Sanji making a wrecked little sound when Zoroâs teeth catch his bottom lip that shoots straight down Zoroâs spine. By the time Sanjiâs kicked his jeans aside and settled atop him again, Zoroâs blood is roaring so loud in his ears that nothing else exists: just skin and heat and the raw sounds Sanji lets slip when he forgets to hold them back.
Afterwards, the apartment settles into a heavy quiet. Zoro sits there catching his breath, listening to both of them slowly return to earth. Sanji presses a kiss to his collarbone, then another to his hairline, almost reverent and Zoroâs thumbs stroke slow, soothing arcs over the bare skin just above his hips. He can feel the faint tremor still running through Sanjiâs thigh as the silence stretches, as it becomes clear Sanjiâs finally run out of ways to outrun himself. Heâs already starting to drift again, pulling back into that familiar guarded distance even while their bodies are still tangled and it hits Zoro like a slow blade: the helplessness, the frustration coiled tight in his gut because no matter how close they get in these moments he canât reach the parts Sanji keeps locking tighter. He wants to be let in so badly it spikes and the spike just keeps growing and the words tumble out before he can stop them, surprising even himself. âMy parents died when I was a kid.â
Sanji licks his lips slowly, his expression softening into something puzzled and almost tender. âYou really know how to pillow talk, Mosshead.â
Zoro stares up at the ceiling, heart still hammering against his ribs, the words feeling clumsy and half formed before they leave his mouth. âYou know Koushirou pretty much raised me.â
Sanji goes quiet, even though he does already know. Luffy knows. Nami knows. The whole damn group knows, because some histories donât arrive clean â they come in jagged fragments over years and slowly become part of the shared map. But Zoro says it anyway because this isnât about telling Sanji something new. Itâs about trying, badly, to wedge a door open where none exists. A clumsy, imperfect offering because itâs all he has left to give.
âKoushirou wasâŚâ Zoro frowns, searching. âGood. Quiet? Didnât say much unless he had to. Just let me smash my own face into shit until I figured out how not to.â
Sanji snorts softly against his shoulder. âShocking that that suited you.â
âYeah.â Zoro hesitates for half a breath, then pushes forward. âWhole friend groupâs got shit parents or dead ones, apparently.â
Sanji lifts his head now, eyebrows arched in open disbelief. âThis is your attempt at comfort?â
âItâs not worse than your attempts.â
Sanji lets out an exhausted sound, something that mightâve been a laugh once, his eyes fluttering shut as he rocks into it again, finding a lazy rhythm. Zoroâs hands slide up the warm length of his back, feeling the stubborn tension knotted along his spine. Sanjiâs breath ghosts uneven and warm against Zoroâs neck, fingers twisting tight in his shirt. Every roll of Sanjiâs hips drags through Zoro like a current, pulling him under even as he keeps talking.
Sanjiâs voice comes out strained. âItâs not the same.â
âI know itâs not. I know I had someone who gave a shit about me and you clearly didnât. Not the way you shouldâve.â
Sanji goes very still for a heartbeat. Then his hips press deeper, a deliberate, grounding roll that drags a sharper breath from both of them. He buries his forehead harder against Zoroâs neck, like he can disappear there and Zoro keeps going because he needs Sanji to keep talking, to stay here, anchored in this moment instead of slipping away again. âI donât know what they did to you but I know youâve come a long fucking way from whatever they tried to make you into.â
Sanji doesnât respond with words. Instead his body answers, moving like heâs trying to press the truth of it into Zoroâs bones, like motion can outrun memory. Zoro feels the way their breathing has gone uneven and synced, hears the quiet, broken sounds Sanji presses into his collarbone. For a moment it feels like theyâre actually getting somewhere, like the door is cracking open just a little, until Sanjiâs phone alarm blares from the coffee table. Sharp and insistent and merciless.
Sanji freezes completely as Zoro opens his eyes, hands still firm on Sanjiâs waist, still buried deep inside him. The alarm keeps ringing into the sudden, awful silence. Zoro swallows, hard. âWe should⌠get dressed?â
âWe? Youâre not coming.â
Zoro blinks up at him in confusion as Sanji eases off him, the loss colder than it should be. Sanji kills the alarm and disappears into the bedroom without another word, pale in the light, mouth pressed into a hard line but Zoro stays there a second longer, chest tight with that familiar helpless frustration, before he does his jeans up and follows. He waits outside the ensuite door until Sanji reappears, already pulling on armour he doesnât need.
âYeah,â Zoro says, quiet but stubborn. âI am.â
âNo.â
Zoro leans back against the bedpost, folds his arms and scowls. âThatâs not your call.â
Sanji laughs once, short and sharp and utterly humourless. He pulls on a new pair of pants with sharp movements and pulls out one of his nicer button-up shirts. âIt is literally my family, Mosshead.â
âExactly.â
âExactly what?â
âExactly why Iâm coming.â
Sanji stares at him and for one awful second thereâs almost no expression on his face at all, just that terrible flatness Zoro now recognises as danger. Then everything comes back too fast at once: anger and disbelief and a flash of something that looks a lot like fear before it hardens. âAbsolutely fucking not. Cut it out.â
âCut what out?â
âThis!â Sanji flaps his hand between them, clearly furious. âThis stubborn macho bullshit where you decide the answer first and then expect me to clap because you think youâre, what, protecting me?â
Zoroâs jaw tightens. âYou think thatâs what this is?â
âI know exactly what this is.â
âNo,â he snaps. âYou donât.â
âIâm going to a dinner I donât want to attend with people I donât want to see,â Sanjiâs voice is climbing now, clipped and bright and dangerous. âI donât need you deciding to make some big fucking point in the middle of it because your pride got involved.â
Zoro takes one step closer. âMy pride.â
âYes, your pride,â Sanji sneers. âThis has absolutely your stink all over it. You heard family and immediately decided somebody had to bare their teeth on my behalf.â
âThatâs not what this is.â
Sanji barks out another laugh. âThen enlighten me!â
The room feels smaller but the rain at the window sounds louder and Zoroâs pulse is up now: he can feel it in his neck and his hands and the back of his teeth. Hhe frustration thatâs been building under Zoroâs ribs all week flares hot and ugly. Heâs tried so hard not to make this about him, not to let his own hurt twist Sanjiâs pain into some referendum on whether theyâre actually together, but Sanji is making it goddamn impossible. âIâm coming because Iâm with you.â
Sanjiâs mouth twists. âOh, for fuckâs sake. What dâyou want? You want me to thank you, darling, for appointing yourself to a job nobody asked you to do?â
Zoro snarls and folds his arms tighter, harder, meaner. âThereâs that thing you do, where you act like caring is some kind of insult.â
Sanjiâs face flashes. âDonât.â
âWhy, hit a nerve?â
Sanji takes one limping step forward and stops too close, eyes bright with rage stretched over panic so thin itâs nearly transparent. His voice is low and vicious. âYou have no idea what those people are like.â
âThen fucking tell me.â
Sanji recoils half an inch and that small movement hurts more than yelling has. âYou donât get to ask me that now. Iâm an hour away from having to sit at that table and let them look at me and Iâm already wasting too much energy on you.â
Zoro goes dangerously still. He sees the instant flicker of regret behind Sanjiâs anger, watches it get shoved down and buried. It still lands like a blow. âRight.â
Sanji drags a hand through his hair. âOh, donât do that. Use your words if youâre going to be pissed off.â
Zoroâs laugh rips out of him â mean and awful and sour, nothing he ever wanted to hear himself make. âYou want words? At some point this stops sounding like safety and starts sounding like you just donât want me there.â
The room goes dead silent. Sanji stares at him like Zoro just slapped him across the face, Zoroâs heartbeat thundering in his ears, louder than the rain lashing the window, louder than the pipes groaning and the fridge humming in the kitchen. He keeps going anyway â the woundâs open now and pretending it isnât feels impossible. âYou keep acting like Iâm still standing outside this. Like Iâm just one of your friends waiting around for you to come back once the shitty partâs over.â
âThatâs not what this is, Zoro.â Sanjiâs hands clench at his sides. âThis is me trying not to take you into a room full of assholes whoâll figure out exactly what you are to me and use it.â
âOh, so now youâre worried Iâm just something else for them to ruin.â
Sanjiâs temper snaps completely. âFucking hell, you really do love making this all about you, donât you?â
Zoro takes another step forward, forcing Sanji to tilt his head down to hold eye contact. âIâm making it about the fact that Iâm your boyfriend.â The word comes out hard, almost accusatory, because if he says it softer heâll hear too much of the raw need underneath.
Sanjiâs laugh is a sharp, disbelieving sound that cracks in the middle. âAnd what, that changes the fucking laws of physics? Suddenly youâre bulletproof?â
âIt changes where I stand!â Zoroâs voice rises to match. The frustration thatâs been festering under his ribs all week boils over, hot and ugly and impossible to shove back down.
Sanjiâs mouth opens, then closes. For a beat he looks truly lost, like the idea hasnât occurred to him in the same shape â like he genuinely never understood that to Zoro, boyfriend meant the line had moved. That it meant standing closer, not further away. âTo you.â
Zoro goes cold all over. He could back off. He should: any sane person would hear that quiet to you and leave the room before the rest of the damage lands, but the hurt is louder than sense right now. âYou think because itâs only been a few months Iâm only here for the easy parts? Thatâs it? What, we just fuck around and I donât have to care about anything that matters to you?â
âI think,â Sanji snarls, breathing too fast, chest rising and falling sharply, âThat youâre trying to walk into a room full of sadistic monsters with no fucking clue what theyâre capable of because somewhere in that thick skull of yours youâve decided this is romantic.â
âI know itâs not romantic,â Zoro snaps, the words tearing out of him. His throat burns. âIâm just saying I love you.â
The confession drops between them like a livewire: Sanji stops moving entirely. The whole room feels different with those words hanging in the air, like the walls have shifted, like nothing fits the same way anymore. Zoro hears his own ragged breathing, the faint electrical hum of the lamp by the bed, and horribly, his own voice still echoing like something that canât be unsaid. Sanjiâs face has gone blank again, but not the cold kind. This is worse, somehow, all struck through and wrecked, like he doesnât know which part of himself to react with first. When he finally speaks he sounds like heâs barely holding his voice together. âCan we not do this right now?â
Zoroâs throat tightens painfully. Before he can answer, Sanjiâs phone lights up on the bed, casting a harsh beam upward into the dimming room and he sighs, dragging both hands over his face like he can wipe the whole conversation away. âCarâs here.â
âThey sent a car?â
Sanji snatches the shirt off the bed and starts wrestling it on one armed, furious and graceless. The movement clearly aggravates his wrist but he powers through it. âOf course they sent a fucking car.â
Zoro steps in automatically, reaching out. âLet me ââ
âDonât.â Sanji jerks away, gets the shirt on by himself, breathing hard by the end. He buttons it wrong the first time, swears viciously under his breath, rips two buttons open and starts again. His phone dings again. He stares down at his wrists for a second, like heâs considering cufflinks, before his shoulders slump in defeat. They wonât make a damn bit of difference anyway. âJust⌠hurry up and get dressed.â
They leave the apartment without touching, the silence between them heavier than the rain drumming against the windows. The car waits downstairs like something out of a nightmare, long and black, polished to an obscene mirror shine that catches every streetlight in thin, predatory streaks. It idles with its engine purring low as the driver steps out, umbrella snapping open crisply.
Zoro had already figured Sanji comes from money, given whatever heâd already glimpsed of Vinsmoke at the hospital, but this is worse, somehow. Clinical. Predatory. It occurs to him, uneasily, that he has no idea whether Sanji gave them this address or if theyâve simply known it all along.
Sanji looks at the car like itâs a corpse he once buried and has now been forced to dig up with his bare hands. The fight still hums between them, line gone cold but still lodged somewhere under the skin. Zoro canât stop hearing his own voice cracking open in the apartment: iâm just saying i love you. He can still see the way Sanjiâs face had emptied out, the way heâd been completely unready for it and, worst of all, the way neither of them had been allowed to do anything with it. The confession had spilled out raw and clumsy in the middle of a screaming match, another weapon instead of the offering it was meant to be and absolutely nothing like the way Zoroâs ever wanted to tell him.Â
The regret sits in his throat, a weight that only gets heavier as they climb into the car. He keeps replaying it like a fool, the way heâd pushed and the way heâd let his own hurt twist everything until the truth fell out sideways. Heâs spent months trying to prove, without ever saying it outright, that heâs here for all of it and now the first time the words actually leave his mouth they landed like a grenade in the middle of a battlefield.Â
He catches Sanjiâs wrist, blurst: âWait,â and doesnât even know what heâs asking for â some small confirmation that theyâre not walking into this as strangers, maybe â but he folds Sanjiâs hand into his palm. The contact twists something deep in his chest, hot with everything he doesnât know how to say right.
Sanji pulls back fast. âDonât.â
The rejection slices clean through him; Zoro feels it settle low in his ribs first, then rise sharp and hot behind his eyes. He blinks hard, but one stubborn tear still pricks at the corner of his eye, threatening to spill until he wipes it away, rough and mean.Â
Heâs not the guy who cries in the back of some assholeâs luxury car. Heâs the one who stands, the one who fights, the one who keeps showing up even when Sanji keeps trying to build distance like itâll keep him safe, but right now it hurts more than any sword cut ever has â this awful helpless sense that no matter how hard Zoro pushes closer, Sanji might always flinch back. That maybe this relationship means something different to each of them.
The city changes the farther they drive, streets straightening and widening, growing cleaner and also colder. Old stone facades rise behind carefully manicured hedges and delicate iron fences that no one ever actually leans on. The noise of the city fades completely as Sanji sits angled toward his window, one hand braced tight against his knee, every line of his body locked down and held too still. Zoro watches the reflection of his face slide across the dark glass and thinks he might throw himself out of the moving car if the silence goes on any longer.
âIs this your⌠are we going to your house?â he forces, latching onto any sense of practicality he can.Â
Sanji doesnât look at him. âNo.â
The car turns off the main road onto a narrower lane bordered by tall stone walls and dark trees dripping rain. At the end sits an estate too massive to be called anything but a compoun, beautiful in the way a blade is beautiful, all white stone washed silver by the wet and tall windows lit. Thereâs a sweeping front driveway and wide steps complete the picture â even from inside the car, Zoro can tell this place isnât a home. Itâs staged: a fortress dressed up as a house, built entirely to impose.
âNot theirs,â he mutters before he can think better of it.
Sanji glances once through the window at the looming building before glaring back at the seat in front of him. âOf course not.â
They leave the car under a fine mist of rain that slicks the stone steps and beads on their coats. A man in dark clothes is already waiting with an umbrella, posture too perfect, stance too balanced and Zoro doesnât need context to read it â he knows a fighter when he sees one. His whole body shifts into alert without conscious thought, muscles coiled, instincts sharpening. Beside him, Sanji seems to shrink and harden at the same time. The soft, exhausted man who had been trembling in Zoroâs lap just hours ago, the one who let himself be held open, is gone and in its his place is someone sharper, already retreating behind layers Zoro hasnât earned the right to touch tonight.
As much as he wants to, Zoro doesnât reach for Sanjiâs hand again.Â
Heâs learned that lesson, at least.
The man at the entrance inclines his head. âMr Vinsmoke.â
Sanjiâs face stays perfectly still. âEvening.â His voice isnât fake, exactly, but itâs been hollowed, every trace of warmth carefully stripped out so nothing can be grabbed and used against him. This is the version of Sanji built for houses like this, Zoro realises, where sincerityâs a liability.
The manâs eyes flick to Zoro. âYour guest has been accounted for.â
Zoro bares his teeth in a smile that carries absolutely no warmth. âHow reassuring.â
The entrance hall is enormous and utterly lifeless, from marble floors to dark wood paneling and paintings so expensive and impersonal they might as well have been chosen by committee on another planet. A sweeping central staircase vanishes into shadow overhead and somewhere deeper in the house, a string quartet recording plays. Flowers bloom everywhere, perfect and scentless and artificial.
Reiju appears from a side hallway before they can be announced further. Sheâs dressed head-to-toe in black, like the whole family gets off on attending their own funerals. Her eyes move from Sanji to Zoro, relief flickering briefly before something heavier settles in, worry, maybe. Resignation, definitely. âYou came.â
Sanji scowls. âYou sounded pretty sure I would.â
Reiju winces, the movement so small most people would miss it. âIâm glad you did.â
Sanji laughs once, low and bitter. âMakes one of us.â
She doesnât bite back. Instead her gaze cuts to Zoro again. âItâs in the dining room.â
They follow her down a long hallway lined with more soulless art and thatâs when Zoro sees them â two men who are definitely not butlers. Their jackets sit wrong, the way they stand is wrong, the way their hands rest is wrong, the faint bulge under the fabric is definitely wrong.
Zoroâs stomach drops like heâs missed a step on a sheer cliff, pulse spiking hard and brutal. Heâs trained with blades since he was a kid, spent years turning his body into a weapon through sweat and broken bones and sheer stubborn will. But guns? Real ones, carried openly in a house like theyâre part of the dress code? The realisation hits him at once, that this isnât just everyday family drama but something way worse, and that maybe Sanji had meant bulletproof literally. Maybe the Vinsmokes arenât just rich or mean or rude â maybe theyâre the kind of powerful that keeps armed guards on the payroll like itâs normal.
Maybe this is the kind of deep shit where normal rules donât apply and people like Zoro get erased without a trace.
Sanji must feel him tense, because without turning his head he mutters: âDonât start anything.â
Zoroâs jaw locks so tight it aches. âNot starting anything.â
âWonderful. A low bar.â
Thereâs strain bleeding through the sarcasm, and it twists in Zoroâs chest even harder now. He wants to say i know, or i see it, or even why the fuck didnât you warn me? He wants to grab Sanji and drag him back out the door before whateverâs waiting in that dining room can sink its teeth in, but itâs too late. Theyâre already inside: the dining table is a masterpiece of intimidation, all white linen and crystal and silver cutlery laid with surgical precision, candles burning in perfect alignment. Zoro feels the threat of it it in his spine, his clenched jaw, the empty weight of his hands at his sides. His body reacts before his mind finishes cataloguing the threat: this isnât dinner. This has never been dinner.
Vinsmoke stands at the far end of the table like a man posing for his own portrait, still a mess of hair, clothing immaculate and every angle calculated. Beside him sit three brothers, identical to Sanji, malice carved into the family mould so clearly it turns Zoroâs stomach. âYou deigned to come.âÂ
There are no servants now, just people in dark suits stationed too precisely near every door and every corner. All Zoro can think about is how heâs barged his way in thinking it was about pride and locked doors, and it turns out this has been about something worse all along.Â
Sanji stops beside his assigned chair. âThat was the arrangement.â
Vinsmokeâs gaze slides to Zoro, slow and assessing. âAnd you brought company.â
âZoro,â Sanji cuts in before Zoro can speak, providing only the name without context, without claim. Zoro doesnât know if heâs meant to feel insulted or not.
The blue-haired brother smiles, small and amused and instantly punchable. âInteresting.â
Vinsmoke ignores the interruption and nods at Sanji. âSit.â
The worst part â the thing that makes Zoroâs stomach clench like a fist â is how Sanji obeys without hesitation. His body folds into the chair on pure muscle memory, so Zoro sits beside him because there is nowhere else he belongs and because if he stands there any longer heâll start thinking about the dead look that just crossed Sanjiâs face.Â
That way lies murder, so.
Reiju takes the last seat and the room settles into a silence that feels pre-loaded. Wine appears, poured by one of the suited ghosts without a word. No-one touches it. Vinsmoke folds his hands on the table like a king holding court. âThe Baratie remains under pressure.â
He says it like heâs laying a knife in the centre of the table but Sanjiâs expression doesnât flicker at all, despite how sharply Zoro feels the floor tilt under him. The Baratie. Zeff. Sanjiâs whole world. What the fuck does Vinsmoke have to do with any of it?
âThe present structure is no longer efficient,â Vinsmoke continues, smooth. âToo many intermediaries. Too many quiet monthly interventions. Too much discretion wasted in the wrong direction.â
Zoroâs mind is reeling, repeating the words monthly interventions on a loop, even as the facts slot into place, even as it becomes obvious Sanji has been doing this â paying and appeasing, feeding this monster â all along. Right under everyoneâs noses, because Zoro knows enough to acknowledge Zeff would never let Sanji put himself in this position and Sanji would never let Zeff know. He presses his lips together until it hurts, biting down on the inside of his mouth, fists curled tight on his knees under the table.Â
Sanjiâs voice stays eerily calm. âThen say what you want.â
Vinsmoke inclines his head, almost pleased. âThe restaurant is viable. The debt is useful. The old man remains in place. There is no need for this to become unpleasant.â
The red-haired brother laughs softly into his glass. âPicturesque, even.â
Sanji says nothing so Vinsmoke keeps going, each sentence measured and civil and utterly fucking vile. The debt can stay manageable. The lease complications can be fixed. The pressure can stop. All Sanji has to do is stop pretending heâs outside the family by making some appearances and joining consultations. Using the Vinsmoke name. Head a future hospitality venture under Germaâs luxury arm, legitimised by Sanjiâs own talent and reputation. Itâs not outright ownership. Itâs something cleaner and so much worse: they want to take the life Sanji built in spite of them and knead it back into family property like it always belonged to them. Zoro looks at Sanji and sees that he already understands every clause and has probably been dreading this exact conversation for years.
Sanji laughs only once, venomous. âWow. There it is.â
Reiju tries, quietly. âFather ââ
âNo,â Sanji cuts across her, eyes never leaving Vinsmoke. âLet him say it.â
And Vinsmoke does. Calm and reasonable, laying out extortion disguised as negotiation while Zoro listens on in horror, something inside him going very, very cold.
The green-haired brother smiles at Zoro over the rim of his glass, all lazy venom and perfect teeth. âYou look surprised. Did you think this was personal?â
Sanjiâs fingers tighten on the stem of his water glass until Zoro hears the faint creak of crystal but Vinsmoke doesnât even glance at Zoro. âSanji has become unexpectedly marketable. It would do us well to indulge in our investment.â
That one lands like a blade between the ribs, enough that Reiju flinches visibly. The last ghost of life in Sanjiâs face collapses inward until thereâs nothing left â even his breathing looks like a calculated performance.
Zoro keeps his own face locked down while Vinsmoke lays out the rest, talking terms and money and visibility and control. The Baratie stays safe only as long as Sanji remains useful. And then, just when Zoro thinks the night canât get more fucking vile, the blue-haired brother turns toward him with a soft, almost kindly smile. âYou should feel special. He usually saves this little act for people who actually have something to hold over him.â
The words detonate.
Zoroâs chair scrapes back, fist landing clean across the assholeâs jaw, impact singing up his arm, the sickening crunch of teeth behind a split lip. He goes sideways out of his chair with a strangled, childish yelp, blood already bright and smeared between his fingers as he hits the floor.
The two guards by the wall move instantly, jackets flare open and weapons pulled free â one steps toward the table while the other shifts to block the door. The exits vanish so quickly it makes Zoroâs stomach lurches with animal horror.Â
âZoro!â Sanji snaps to his feet as the brother claws upright, blood dripping onto the pristine white linen.Â
Rage has stripped every ounce of polish off his face, revealing the spoiled, vicious little monster underneath. âYou son of a ââ
âStand down, Niji.â Vinsmoke doesnât raise his voice. He hasnât moved a bit from the head of the table.
Niji freezes mid lunge, blood on his mouth and murder in his eyes. The guards halt, too and Vinsmoke finally lifts his gaze to Zoro, cold and dissecting.
Reiju is on her feet now as well, panic cracking through her composure. âThatâs enough.â
Itâs not clear who sheâs talking to: Vinsmoke ignores her completely while Niji spits a thick wad of blood onto the table runner, the red stain blooming obscenely between the candles. He wipes his mouth with the back of his hand and laughs, short and wet.
âYou brought this animal here,â he sneers at Sanji, âAnd this is what he does?â
Beside Zoro, Sanji has gone deathly pale, almost green in the candlelight. His chair is still shoved back, one hand white knuckled on the table edge, the other clenched at his side. He looks furious, glaring at the guards instead, at the guns, at the walls closing in exactly the way heâd tried to warn Zoro they would.Â
Vinsmoke folds his hands on the table like a king passing sentence. âYou misunderstand the scale of your place here, Roronoa. You were extended a courtesy because of Sanjiâs momentary lapse in judgment. Not because you matter to the arrangement.â
âWhat the fuck did you do?â Sanji hisses at Zoro, voice cracking with the rage of it all.
Zoro wants to snarl back what he deserved or what you shouldâve done years ago but behind every defense he hears the soft shift of holsters, the quiet threat of men who kill for a living. His mouth twists anyway. âHe needed it.â
Niji laughs again while Reiju closes her eyes like sheâs praying for strength. The other two brothers are leering at each other like this is the best entertainment theyâve had in months but Zoro ignores them all.Â
Sanji scowls. âYeah, weâre done here.â
The guards shift again; Vinsmoke doesnât. âYouâre confused.â
âNope,â Sanji snarls, voice low and feral. âI got it now. Cheers.â
Reijuâs voice cuts through, thin but steady. âSanji. Go.â
âIf a single fucking thing touches the Baratie ââ
Vinsmoke cuts him off with a single, withering look. âThen perhaps you should have chosen your company more carefully.â
Thatâs the last thing said before Zoro realises if they stay one more second heâs either going to deck Vinsmoke himself or Sanjiâs going to kick someonesâs teeth in â either way, it wonât end well.
Sanji falls into step beside him without touching him once as they leave, together and not together. The space between their shoulders crackles with everything still unsaid, rage and fear and betrayal and exhaustion. Reiju doesnât follow. The brothers stay silent. Vinsmoke lets them walk out because, in a family like that, even freedom is just another leash.
The drive back is its own kind of violence. Rain streaks down the windows in thin silver blades, smearing the city into bleeding gold and red and black while traffic surges around them like nothing happened. Up front, the radio murmurs softly about market futures or an incoming cyclone or both. The driver might as well be a statue. In the backseat, Sanji sits twisted toward the window again, coat buttoned wrong, every line of his body wound so tight it looks like it hurts to exist. Zoro canât stop seeing the guardsâ holsters, the way the exits sealed shut the second his fist connected, the calm with which Vinsmoke had let it all unfold.
He canât stop thinking about how Sanji had known the whole fucking time and still walked in there with him. The hurt of it burns like acid under Zoroâs ribs: months of watching Sanji disappear in pieces, of fighting for scraps of closeness, and all of it because Sanji was out here doing fuck knows what to keep his family off.Â
By the time they get upstairs, the fight is already waiting for them like a third person in the room. Sanji gets inside first and delivers a roundhouse to the door so vicious the wood splinters and buckles. He makes it three steps before spinning around. âWell?â
Zoro drops his coat over the back of the chair. It misses and slides to the floor but he doesnât pick it up. âWell what?â
Sanji laughs, and itâs a fucking awful sound, shredded and vicious and cracking at the edges. âOh, you wanna pretend like you donât know what just happened?â
Zoroâs temper ignites instantly, hot and ugly. âI know exactly what happened.â
âDo you?â Sanji takes one limping step closer, then another, catching himself hard on the bench when his knee buckles. âYou want to explain what the fuck you thought you were doing in there?â
There are a hundred answers, all of them wrong and all of them true. Zoro goes with the ugliest one first, voice low. âHe deserved it.â
âNo shit, Zoro. We were all fucking there.â Sanjiâs voice climbs, bright and ugly with leftover adrenaline and nowhere safe to put it. âYou still think this is about whether that piece of shit deserved it?â
Zoro grinds his teeth until his jaw aches. Thereâs too much in him right now, fury at the Vinsmokes and at Sanjiâs endless walls and at himself, most of all. âNo.â
âNo?â Sanji repeats, the word cracking like a whip. Heâs trembling now, hands fisted at his sides, eyes bright with rage and something that looks a lot like fear still bleeding through. âNo? Thatâs fucking incredible, because from where I was sitting it looked exactly like you decided one line hurt your precious feelings and that gave you permission to turn the whole goddamn negotiation into a bar brawl! With armed men in the room, Zoro! Do you have any idea what youâve done?â
Zoroâs chest tightens painfully, humiliation and self loathing surging in hot, equal increments. He did fuck it up. He let his rage take the wheel the second they insulted Sanji, exactly like Sanji had feared he would. Heâd wanted to protect him and instead heâs probably painted a bigger target on both their backs. âI would have if youâd told me about it like I asked!â
Sanjiâs voice breaks higher, raw and furious. âYou have no fucking clue what Iâve been juggling for years to keep the Baratie and Zeff breathing! The payments, the favours, the fucking â all of it! And you justâ you just punched your way into it like it was some bloody sparring match!â
The words land like blows. Zoro feels them in his gut, the years of silent sacrifice, the financial drain, the emotional rot Sanjiâs been carrying alone while smiling and cooking and pretending everything was fine. The hurt twists deeper, mixing with white-hot anger at Sanji for never trusting him enough to say it, and even hotter anger at himself for proving Sanji right. âYou never told me, not once. Not even a hint that we were walking into a room full of fucking criminals!â
âBecause I didnât want you there!â Sanji shouts, stepping closer until theyâre nearly chest-to-chest, voice shaking with everything heâs been holding back. âI didnât want you seeing it, I didnât want you in it and you went and proved exactly why I was right to keep you out!â
That hits like a slap to the face. Some small part of Zoro is embarrassed, humiliated in that deep, gut twisting way heâd rather die than admit out loud. Heâd walked into that house like a blunt weapon and gotten handled like one, like a fucking amateur who didnât even know the rules of the game. He drags a hand through his hair, voice harsher than he means it to be. âYeah. I was exactly the kind of problem you said Iâd be. But you shouldâve fucking told me.âÂ
Sanji blinks. âWhat?â
âYou heard me.â
âNo, I heard you, I justâŚâ Sanji laughs, the sound jagged and disbelieving, shaking his head. âOf all the fucking things you could decide to be pissed about right now.â
Zoroâs voice drops low and mean, controlled in a way that feels dangerous even to him. âYou let me walk into a house full of guns and, what, hired killers without a single warning.â
âOh, fuck you.â
âNo.â Zoro cuts him off sharply, stepping closer. âYou donât get to do that. You donât get to act like Iâm demanding your deepest darkest secrets. You couldâve just told me they were dangerous. That this wasnât just normal family bullshit.â
Sanjiâs jaw clenches so tight Zoro can see the muscle jump. âI knew exactly how dangerous it was to tell you.â
âBullshit!â Zoroâs voice rises. âYou let me go into it blind!â
Sanji looks like he might actually hit him. God, at this point Zoro would almost welcome the pain. âAnd what the fuck do you think wouldâve happened if Iâd told you? Huh?â
âAt least I wouldâve known! At least I wouldnât have just strolled in there like a fucking idiot!â
Sanji laughs again, furious enough to shake. âOh, thatâs brilliant. Right. Because what that evening really needed was a version of you who knew there were guns before you sat down. That definitely wouldâve made you calmer, wouldnât it? You wouldnât have done something stupid the second they looked at me wrong?â
âNo,â Zoro snarls, chest heaving. âBut it wouldâve made me less fucking surprised when I realised how bad it actually was.â
âExactly the problem!â Sanji explodes, pushing off the bench and starting to pace despite the obvious pain in his knee. Every third step buckles, but he powers through it, limping hard, the movement frantic and unhinged. âYou think if Iâd said âby the way, theyâre criminals, oh, and sometimes they have bodyguardsâ you wouldâve gone in there and been subtle? You think I donât know exactly what your face wouldâve done the second I said the word gun? You wouldâve walked in already loaded, ready to swing, exactly like you did anyway!â
Zoro opens his mouth, furious, but snaps it shut. Because some part of him â the worst, truest part â knows Sanjiâs right. He wouldâve been worse.Â
Sanji keeps going, voice wrecked and rising. âI was trying not to walk into that house with a weapon pointed at our heads! And you get to be mad at me for not handing you the detonator?â
Zoro stares at him, stunned, hands opening and closing uselessly at his sides. The image flashes too vividly: the guards drawing, exits vanishing, Vinsmokeâs ice-cold voice saying stand down, and the gut-wrenching knowledge that if the Vinsmoke had wanted it worse, well. It would have been a lot worse. He drags a hand down his face, fingers catching on the rough stubble along his jaw, still feeling the ghost of Nijiâs teeth under his knuckles. He flexes his fingers like heâs trying to shake the memory out of it. âLook, Iâm good in a fight. Iâm good when somebody comes straight at me. Maybe youâre right, maybe dinner with criminals isnât my strong suite.â
Sanjiâs mouth presses into a thin, bloodless line. He rubs at his temple with two fingers, then drags the same hand down over his mouth like heâs trying to wipe something filthy off his skin. âThatâs not what I meant, Zoro.â
âItâs what happened, isnât it?â
âNo.â Sanjiâs shoulders curl inward for a second before he forces them back. âNo. What happened is I didnât know how to tell you enough without making you exactly what theyâd use against me.â
Zoro looks at him and feels it land somewhere low and ugly. He can see it now, the nights Sanji must have spent turning this over in his head, weighing every angle and every possible outcome. How many times he must have almost said something and swallowed it instead, carrying the weight of it because he thought he had to. The thought twists Zoroâs anger into something messier.Â
Sanjiâs eyes drop to the bench between them. His fingers twitch once against his thigh, like he wants to reach for something and stops himself. He stays quiet long enough that Zoro almost thinks the words missed before he says, very softly: âI didnâtâ I shouldâve told you, yeah.â
It should help but it doesnât. Zoro has to stand there and breathe through his nose like an animal trying not to bolt. He glares at a knot in the wood of the bench until his eyes sting, pulse still roaring in his ears.
âGod, if this is it, just say it.â
Zoroâs mind genuinely blanks. âHuh?â
Sanji laughs again, but this time thereâs nothing warm in it, just nerves and expectation and the kind of pain thatâs learned how to hide in anger. His eyes are already shining too bright at the edges, wet at the lashes, and he blinks hard, angry at himself for it. âCâmon, Moss. Donât make me drag this out, I know how it goes. So just â just say it. Save us both the fucking speech.â
Zoro stares at him, stunned, and realises theyâre not having the same conversation at all. For a split second the apartment blurs at the edges and his mind drags him backward, fast and uninvited to the first time Sanji had kicked him in the head during a spar and then grinned, sharklike, when Zoro had returned the favour. The way Sanji had started cooking for him without being asked, always too much food, always pretending it was leftovers. The late nights on Luffyâs balcony when everyone else was asleep, Sanji smoking and Zoro pretending not to watch the way the ember lit up his face. The first time theyâd kissed like it was a fight they were both trying to win and the way Sanji had started letting Zoro touch him, careful at first before turning hungry, like he trusted Zoro not to break anything important. All the small, stupid, perfect things that had built into something Zoroâs based the past few months of his life around.Â
The thought hits him like a blade between the ribs, that they might actually lose this before itâs even really started. Before Zoro has a chance to prove he can be steady, before Sanji has a chance to believe someone will stay when the ugly parts show up armed. The possibility sits cold and heavy in his gut, worse than any punch heâs ever taken. He takes a step closer without thinking, the floor breathing under his weight. âYou think Iâm leaving?â
Sanjiâs face flickers, something ugly flashing across it before he locks it down hard. His mouth twists into something mean and self deprecating, the kind of joke that tastes like blood. âI think you just walked out of a house full of my familyâs bullshit and realised Iâm a mess, so forgive me if Iâm not assuming that improves my odds of keeping you around.â
Sanji gives a frayed snort, finally looking at him. His eyes are glassy now, tears threatening despite how fiercely heâs trying to blink them back. Embarrassment burns hot across his cheeks. âDonât pick one fucking word out of ââ
âIâm not leaving.â Zoro hears himself say it before heâs fully decided to, the words coming out rough, almost angry with how much he means them. âIâm pissed off. Iâm not gone.â
This close, he can see the way Sanjiâs pulse jumps in his throat, the tremble in his fingers where they hang at his side. Zoro reaches out and catches his elbow, carefully, listening to the way Sanjiâs breath catches. Sanjiâs hand comes uo to close around Zoroâs wrist, fingers pressing in like heâs not sure whether heâs holding on or pushing away.
Zoro keeps his voice low, steady, even though everything in him feels cracked open. âIâm angry because Iâm in this, not because Iâm out.â
Sanjiâs eyes slide shut for a second. âYou donât know what being in even means here.â
âThen tell me.â
Sanji shakes his head, exhausted and furious and open in all the places that hurt most. His fingers tighten around Zoroâs wrist like heâs afraid Zoro will disappear if he lets go. âItâs all terrible.âÂ
Zoro lets out a quiet, rough sound thatâs almost a laugh but isnât. His thumb strokes once, slow and deliberate, over the inside of Sanjiâs elbow through the coat sleeve. âYeah, you know what else is terrible? Thinking Iâm going to fuck you over because things are shit.â
Sanji closes his eyes. A shaky breath leaves him. âYeah.â
âLook, I⌠I know I shouldnât have hit him.â
âNo,â Sanjiâs voice cracks just slightly. âReally? You think?â
Zoroâs thumb keeps moving, small, grounding strokes against the fabric and then underneath, until he can feel Sanjiâs pulse under his fingers, grounding in the same way itâs always been. âBut Iâm not leaving, Curls. Thatâs not what this is.â
Sanji looks at him like heâs waiting for the other shoe to drop anyway, like heâs already bracing for the moment Zoro realises heâs made a mistake. The tears have dried on his lashes but the rawness is still there, sitting heavy in the space between them. âOkay.â
Zoroâs chest feels too tight. Heâs still angry â angry at the Vinsmokes, angry at Sanji for carrying all of it alone, angry at himself for proving every fear Sanji ever had â but underneath it all is the louder, simpler truth that he almost lost this tonight and before he can talk himself out of it, Zoro risks a kiss to the inside of Sanjiâs wrist. Itâs too much. Itâs everything Zoro doesnât know how to say out loud right now. Heâs about to say something when Sanji yanks him forward by the front of his shirt, pulling him into a kiss thatâs nothing like the careful one Zoro offered. Itâs messy, Sanjiâs mouth crashing into his like he needs proof that Zoro is still here, still choosing this, still choosing him even after everything. Zoro makes a startled sound and kisses back just as hard, one hand sliding up to cradle the back of Sanjiâs neck while the other stays wrapped around his wrist.Â
They donât pull apart so much as break for air, foreheads pressed together, breathing ragged. Sanjiâs fingers are still twisted tight in Zoroâs shirt like heâs afraid Zoro will disappear if he lets go so Zoro shifts just enough to press another kiss to Sanjiâs temple, then one to the damp corner of his eye where a tear had slipped free.Â
Sanji lets out a shaky laugh against Zoroâs mouth. âYouâre such a fucking idiot.â
âYeah,â Zoro murmurs, because thatâs definitely not up for debate. He presses another kiss to the corner of Sanjiâs mouth, softer this time. âBut so are you, so.â
One of his hands finally loosens its death grip on Zoroâs shirt and slides up instead, fingers curling into the short hair at the back of Zoroâs neck like he needs the anchor. âThis is⌠you know itâs going to be fucked up now, right?âÂ
âNo shit.â Zoro exhales slowly, the last of the fight draining out of him in one long breath. He wraps his free arm around Sanjiâs waist, pulling him in properly and they stand like that for a long time, long enough for the rain to soften against the glass and long enough for the worst of the adrenaline to finally ebb into something heavier and quieter.Â
x
Morning comes thin and grey and mercilessly normal. Zoro wakes to the pale wash of city light through the curtains and the groan of the heater trying and failing to make the apartment warm. His body feels like itâs been put through a meat grinder, jaw sore from clenching, knuckles stiff and swollen, an ache in his chest that only comes after too much adrenaline and not enough sleep and the kind of argument that shifts the floor under your life by several centimetres.
Sanji is warm along his front, half on him and half under him, all heavy, exhausted lines. One leg is tangled with his, one arm folded awkwardly between them because of the wrist brace, face tucked into the hollow under Zoroâs jaw, breath slow and warm against his skin. Zoro can feel the exhaustion in Sanjiâs body too, the way heâs still curled in even in sleep, like heâs bracing for something even now.
âMorning,â Zoro says, voice rough with sleep.
Sanji squints up at him, eyes still heavy-lidded. âYou smell disgusting,â he mutters, but thereâs no real bite in it.Â
Zoro brushes his thumb once, lightly, over the back of Sanjiâs neck. Before Sanji can pull back into himself and before the day can start piling on, Zoro pulls him into a kiss. Sanjiâs good hand slides up to the side of Zoroâs throat, still clumsy with sleep, and exhales steadily against his mouth. They make out for a while in the morning light, Zoroâs hand splayed wide at the small of his back. Thereâs an occasional wince when one of them forgets about Sanjiâs ribs and shifts wrong, and a quiet laugh into a kiss when Zoroâs stubble drags across sensitive skin and Sanji mutters: âSâlike making out with a wire brush, fuck.â
Zoro kisses him harder for that, and for one dangerous, gorgeous moment the whole room narrows to mouths and heat and the certainty that wanting each other is still the easiest thing they do. When they finally part to breathe, Sanji leaves his forehead against Zoroâs for a beat too long.
Zoro lets his hand move up Sanjiâs spine, slow and grounding. âSo, what the hell do we do now?â
Sanji groans and closes his eyes again, face still tucked against Zoroâs neck. âI dunno. I know theyâll move fast. Whatever they do next, they wonât sit on it.â
Zoro nods. âYou think theyâll hit Zeff first.â
Sanji sighs and nuzzles at Zoroâs collarbone, biting it lightly before resting his chin there. âI think theyâll hit whateverâs easiest and Zeffâs the quickest target if they want to hurt me.â
Zoro looks at the ceiling for a second, then back at him, feeling the weight of it settle deeper. âSo we need help, then. Luffy. Nami. Robin. Usopp. Law, probably.â
Sanji makes a face. âCan we scrap that last one?â
Zoro brushes his knuckles over Sanjiâs cheek, thinking about the crew, how theyâd burn the world down for one of their own without hesitation. âWeâll need Zeff too,â he adds carefully.
Sanji goes very still for a moment. When he speaks again, his voice is smaller. âHeâs gonna kill me.â
Zoro strokes his hair, shrugging. âProbably. But heâll still help.â
âYeah.â Sanji is quiet for a long beat. Then, so softly Zoro almost misses it: âI, uh. I didnât have the best⌠things were bad, when I was a kid.â
Zoroâs hand pauses in Sanjiâs hair. He can feel the shape of it: Sanji small and alone, already carrying weight, already learning how to survive people who shouldâve protected him. The anger that rises in him is sharp and protective and helpless all at once. He wants to go back in time and find that kid. He wants to burn every Vinsmoke to the ground, wants to go back to last night and slam his fatherâs head into the table. Instead he just pulls him closer, voice low and rough. âThatâs⌠sorry.â
Sanji shrugs one shoulder against Zoroâs chest, like itâs nothing, even though they both know itâs everything. âNot your fault. Just⌠how it was.â
After a while Zoro says, more carefully: âYou could go to the cops.â
Sanji lifts his head and stares at him like heâs suggested they go commit arson together. âAre you fucking insane?â
Zoro shrugs. âTheyâre criminals, right? Extortion, whatever the hell else theyâre running. If you know anything â enough of anything â you could tell them.â
Sanjiâs face does something complicated, fear flickering behind the exhaustion. âHeâll have contacts everywhere, they change their shit all the time. They donât settle. We could tell the wrong person and itâd be over before we even left the station. Theyâd know, Moss. They always know.â
Zoro lets the thought breathe before answering, more gently now. âThen we figure out what youâve got, what theyâve got, who actually handles this kind of shit when itâs bigger than us. We do it smart.â
Sanjiâs eyes narrow. âThat almost sounded thoughtful.â
âDonât be an asshole.â
âYou like when Iâm an asshole.â Sanjiâs voice is quieter again. He looks down at the sheets, at their tangled legs, at Zoroâs hand resting against his skin. âItâs been me against them for so long.â
âIâm not saying it fixes anything tomorrow, Curls. I know it wonât. Iâm just saying we stop acting like theyâre the only ones allowed to have a system.â
Sanji exhales slowly. âYeah. Yeah, alright. Iâll think about it.â
Thereâs a softness in him now that Zoro almost doesnât know what to do with, less certainty that every hard conversation is secretly a prelude to loss. Zoro brushes his thumb once under Sanjiâs ear, then kisses his temple and his nose until Sanji laughs, shaking his head, and tucks his face back into Zoroâs chest.
For a long moment he just stays there, breathing against Zoroâs skin like heâs trying to gather the words. When he finally speaks, his voice is low and rough, almost reluctant, like the confession is being dragged out of him by the weight of everything theyâve survived in the last twelve hours. âI love you, too. Obviously. Years.â
Zoro nearly forgets how to breathe for a second. âYears,â he repeats stupidly, something that feels an awful lot like hope springing up in him, so fast itâs a little dizzying.
Sanji doesnât lift his head. His fingers tighten once in the fabric of Zoroâs shirt, like heâs bracing for impact even now. âObviously.â
âYou didnât say anything.â
âOh, Iâm sorry, was I supposed to make your life easier?âÂ
Zoroâs startled into a laugh, rough but real, and Sanji watches him with that look still in his eyes so he shifts closer to kiss him again, gentler and slower this time, like heâs trying to answer with his mouth what he canât quite get out in words yet. When he pulls back, he rests his forehead against Sanjiâs. âYeah. Me too.â
Eventually Sanji exhales. âSo. We tell the others. And Zeff. And maybe, if I donât vomit first, we talk to somebody in law enforcement⌠if theyâre not crooked assholes.â
Zoro nods. âYeah.â
Sanji squints at him. âYou enjoying how often you get to be right this morning?â
Zoro kisses him again for that. When the kiss ends, Sanji stays close, forehead resting against his for one quiet beat too long.
âAlright, Moss,â he says, with the smallest ghost of a smile. âLetâs figure this out.â
x
zoro: my bf doesnât love me :( :(
sanji: frantically googling top 10 ways to avoid the love of your life getting shot
also this was meant to be lighthearted and silly but it kept. not being. that wayâŚâŚâŚ sorryâŚ..
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
I need anyone even remotely interested in the live actionâs costuming to watch this, and even if youâre not watch it anyway and appreciate the dedication and skill that went into this show
Hey everyone - I just heard the news that Adobe is ending Adobe Animate next month. This is just jaw dropping, as I remember this software from the Macromedia Flash days.
If you know anyone that uses Animate, please inform them of the recent developments.
Update on Adobe Animate: https://helpx.adobe.com/animate/kb/maintenance-mode.html
âWe are not discontinuing or removing access to Adobe Animate. Animate will continue to be available for both current and new customers, and we will ensure you continue to have access to your content. There is no longer a deadline or date by which Animate will no longer be available. These are changes from what we shared in our original email.â - Adobe
Official word by Adobe that Animate will continue.
hello fellow artists. google has fallen. pinterest/duckduckgo AI filters don't work. do not despair; here is a list i made of places to find reference images without having to sift through piles of worthless garbage. (for future editing convenience i am just linking my blog post on dreamwidth.)
⨠good places to find art reference that are not full of AI trash đ
I collected my art tips on hands over the years. It ended up being 54 pages of notes I took and some guides I tried to create for myself. Maybe some of these can be useful to others as well.
You can buy the pdf here or join my Patreon to get it for free.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Actually I keep complaining about operational worldbuilding, so here are some recommendations for it:
Ask yourself "what is this organization accomplishing" and "would this organization, as written, accomplish that thing?"
For example, magic academies/schools/universities for adults: what are they training their students for? Is it more like a vocational school or a university? Are students being trained for specific jobs? Is it a training for government? Is it primarily a place to foist the idle rich off to to get them out of the way?
For a military training, is the goal primarily training or a weeding out process? Is it basic training or specialized training? If someone fails out of the training, do they end up in the regular forces or do they fail out of the military entirely?
Ask yourself "how did this practice come to be?"
For example, a trial or competition system: why was this system established? Do the requirements for the trial/competition match what the end result is (e.g., fighting competition to win a fighting position)? If not (e.g., scavenger heart to become the consort), why is that the competition that is used? Do the potential outcomes of the trial (e.g., death) merit the rewards for it?
Ask yourself "if this system is horrible, why do people put up with it?"
For example, a school or organization where people are allowed to attack and/or kill each other: why is it allowed to continue? Why do people send their children or voluntarily join it? If it is mandatory, do people fight against it, and if not, why not?
Just as a side note, this isn't saying you have to have organizations that perfectly answer these criteria. Think about how things are in the real world - very rarely do things make logical sense, and when that happens, there are people who bring attention to it.
Maybe there's a protest group complaining about how magic school doesn't prepare them for society? Maybe there's people looking to cheat the trials? Maybe murder school is training its students to kill protesters who want to shut it down?
Look hard enough, and you can find a story just about anywhere!
Just to clarify, these are questions, not criteria. Specifically, these are questions that you (the author) should be asking yourself when you are writing.
You don't need to write a good organization, or even a functional one, but it really does help to know the answer to things like "what is the purpose of this organization?" and "does this organization accomplish that purpose?"
The answer to the latter question can be no. But you (the author) should make it no on purpose.
If an organization is stupid or pointless or ineffective or counterproductive, or a practice is awful or useless or cruel or being subverted, you (the author) should know that it is, and why.
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
đşHere is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
đHere is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
đAs for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
đťAs for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
Boosting this in case any of the programs and books suggested are useful.
All the photos on this tumblr ad the animal photo reference site I run is another resource available for artists to use!
As long as youâre not using AI to create your art, you can reference / trace / draw / recombine / make any sort of art you want, with any of the photos, for free.
There's also MORPHO, a really good book series on anatomy by Michel Lauricella, with very clear explanations and sketches!
And for pose references, there's @adorkastock who shares a ton of them for free, with different models and props, and her website is amazing <3 you can also buy pose packs from her.
1. FORCE with Michael Mattesi (big in animation education and the first guy i talk about whenever folks ask where i learned to give weight to shapes)
2. Ethan Becker (also has a focus on animation, with an emphasis on how to study and simplify shapes and movement. Runs a discord community and an online school).
3. Moderndayjames (has Lots of great breakdowns of artistic principles you may not have considered and explains it all really well).
There are also a Bajillion animation instructors on youtube in general but i don't want to overwelm people with things to check out so
caitlin doughty, better known as ask a mortician, is a member of the order of the good death, which is compiling a fairly comprehensive and easy to understand state by state guide for end-of-life planning for lgbtq people right here
Building a meaningful, eco-friendly, and equitable end of life.
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So, I wanted to identify the car, and I was dead set on Subaru because those looked like a Subaru door handle and the Sunshine Orange Subaru painted the XV, known in the US as the XV Crosstrek because I donât write the jokes about yankees needing shit spelled out, the world writes them and I just read them aloud.
So surely this is the car in picture, one would think, especially once assured by Google Lens that thatâs what the picture depicts. But thereâs one conclusion I kept coming back to:
Yes, people. Someone out there not only cares what car we think that is but is actively working to deceive us into thinking that is the last generation of the car I keep having to remind myself is not spelled Crosstek. But I will not fall for it, and with my help neither will you!
From such a closeup, in fact, one would surely, if not notice the upper feature line being a nick further out than the upper edge of the handle hole, at least notice the presence of a lower feature line below it, or at the VERY least the doorline curve to its right being concave and not convex.
So perhaps the previous generation had the simpler lines weâre looking for?
Yes, but also a handle recess that does not reach all the way to the back of the handle, so, having gotten back to square one, I resorted to a cunning strategy: waiting âtil I got home and finding the picture source on my computer.
(Which I could still do on my phone too if Google wasnât hellbent on pretending Lens could ever be a serviceable replacement for the OG reverse image search when you canât even sort matches by fucking size and its idea of exact matches is as accurate as my idea of staying on topic speaking of which what were we talking about I swear this never happens.)
And I found itâs a 2009-2014 Subaru Liberty (name by which Aussies got the Legacy âtill 2020).
But, oh the irony, the orange that clued me onto the Subaru brand altogether? It never adorned this generation. And this, as you can see in this more accurate lighting, is not even that orange. Because as it turns outâŚ
Indeed, in the ultimate act of deceit, what you were looking at wasnât yellow paint nor orange paint for, being a wrap, it wasnât paint altogether!
This explains what would otherwise be a bafflingly uninteresting picture: in any normal car, thatâs just a door handle. In a car basically coated with sticker, that is a flex.
And yes, fortunately, the filename can chime in in the debate.
Not saying that a color necessarily is anything someone making it is willing to say it is, but if you mean to insist that this is yellowâŚ
âŚwell, go tell 3M that. Or go get told that by 3M! They do offer samples.
Links in blue are posts of mine about the topic in question: if you liked this post, you might like those - or the blogâs Discord server, linked in the pinned post!
EDIT: This is, by some order of magnitude, this blogâs most popular post, and Iâm happy to have entertained so many.
If youâre one of them, like @uxbridgeenglishdictionary hereâŚ
âŚI have great news for you: thereâs now a spinoff blog called @what-is-this-car, dedicated to identifying make, model, generation and year of vehicles seen around or sent its way, and explaining what gave them away! I work on it with the very appreciated help of many talented friends, and Iâd love of you to check it out. (And, well, to check this blog out too, if you have the time.) Thanks! :)
Also, @furreteatingicecream posted a render of what the picture looks like to those suffering from protanomaly (or red-weak colorblindness), courtesy of color-blindness.comâs color blindness simulator.
If you think this doesnât look any different, well, we may have worked out why you donât think itâs orange.