I do not tolerate bigotry or fascism.
All original posts tagged with #staircase
🩵 avery cochrane 🩵
Noah Kahan
he wasn't even looking at me and he found me
RMH
The Stonewall Inn
Sweet Seals For You, Always
Cosimo Galluzzi

Monterey Bay Aquarium

shark vs the universe
Misplaced Lens Cap

❣ Chile in a Photography ❣
trying on a metaphor

PR's Tumblrdome
Not today Justin
cherry valley forever

Andulka
Jules of Nature

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@all-stairs
I do not tolerate bigotry or fascism.
All original posts tagged with #staircase

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do you guys think he noticed the guy in the big pink frog costume
Alright, pop quiz- what makes it obvious they didn’t write this?
Every day this guy looks in the mirror and psyches himself up to eat shit in the hopes that our big beautiful president succumbs to his one thousand diseases but I don't think it's in the cards

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Really crappy/quick tutorial on how I draw muscles?
I tend to draw muscles very simply, and there are tons of other tutorials that are waaaaayyyy better! But I hope you enjoy yungterra!
Depictions of the Beast pre-Disney are so funny to me because illustrations range from Curious George...
...to a giant rat...
...to a warthog with rizz...
...to some sort of scaly gremlin creature...
...to a kindly gentle bear.
Disney really perfected this aspect of the fairy tale.
Find more info, and credits of all of the paintings/illustrations here:
Bruh don't even get me STARTED on depictions of him in theatre. Here are two of my favorites! The Disney Broadway costumes in my humble opinion are solidly meh. A little dated, but still fun. I figured I'd drop puppets here instead.
"Beauty and the Beast" (Chichester Featival Theater, 2017, Puppet Designer: Nick Barnes)
"Beauty and the Beast" (Synetic Theatre, 2023, Puppet Designer: Zana Gankhuyag)
And an honorable mention to the 2022 Beast Puppet from the Disney 30th anniversary celebration production bc it is a cool puppet, I just think he looks wayy too goofy and tbh feels too much like Nick Barnes' design.
La belle et la Bete dir. Jean Cocteau 1946
I do know that there is another version from czechia? Sorry my brain can't find it right now. Where the beast is more bird like
Here's Your Answer Right Here. ;)
The Czechoslovakia Adaptation is called, "Panna a Netvor" (aka "Virgin & the Monster").
Technically The Most Aesthetically "Beauty and the Beast" version right after "La Belle Et La Bete".
Co-signing both of these tags from @girl-mercury:
adding some other pre-disney beasts I think are cool
john d batten (1904)
eleanor vere boyle (1875)
warwick goble (1913)
w heath robinson (1921)
Adding two more of my favorites.
Mahlon and Kinuko Craft (2016). After Disney but who cares with these details so rich you just want to crawl into the painting and never come out again.
Hilary Knight (1990). Just bareeelllllyyyyy before Disney though it's possible this was influenced by preproduction promo stuff? Regardless, one of the coolest and most dramatic Beasts I've ever seen. The thigh-high boots! The phoenix feather cape with the head clasp! He may not have opposable thumbs anymore but dammit you've gotta have style!
you just don't get shit like this with 8-episode streaming seasons
Once you've learned the spot the historical signposts, it's interesting how many "generically medieval" fantasy settings manage to miss the actual medieval period on both ends. They've got the Roman Empire rubbing shoulders with the German Renaissance, skipping directly from the year 500 to the year 1500 with nothing in between!
(The one consistent exception is, of course, the obligatory Vikings-with-the-serial-numbers-filed-off culture, who legitimately are medieval, but nobody they interact with is, so you've effectively got Vikings with time-travelling boats raiding both Roman-occupied England and Renaissance Italy.)
"Oh, they skip the actual middle ages because it's too Christian" listen. If fantasy authors are willing to hold their noses and elide the explicitly Christian dimensions of both the latter Roman Empire and the fucking Reformation, they can deal with Christianity in the middle ages just fine.
@snuggly-eve
Okay, let me try to take a stab at it:
Firstly, one thing I'd want to quickly go over as reference is what it actually means to say that a "stock fantasy setting" is more rooted in the late middle ages/renaissance than in earlier periods. Generally, the traits of these settings that are characteristic of this time are:
Aesthetics generally. Like, castles in a "stock fantasy setting" are usually these big ornamented things covered in towers and turrets (consider, say, Neuschwanstein Castle, which was itself an early modern nostalgia piece rather than a genuine Renaissance fortress), while armor leans more towards full heavy plate (like these 16th-17th century pieces, for instance). These are all classically late styles.
Likewise, your classic fantasy merchant city -- you know, your Ankh-Morporks, your Lankhmars, that sort of thing, with tangled crime-filled alleys, probably a network of scummy canals, a huge bustling port, a guild of thieves, all of it ruled over by dynastic merchants in fine brocade and velvet and heavy jewels -- that's very heavily inspired by the merchant cities of the Italian Renaissance like Venice or Genoa, or North Sea merchant cities like Amsterdam around that time or a little later, or, frankly, even early modern London.
Also, generally, urbanization. Roman civilization was very urban. Renaissance-era European civilization was very urban also, especially in places like Italy, the North Sea, and other areas rich in commerce. In fantasy, too, the notion that cities are major centers of life and politics remains -- merchant cities bustling with commerce, capital cities with the king's fancy castle, fortified cities with huge bloody walls, these are all recurring archetypes. Crack open, say, a D&D setting sourcebook, and that assumption that major cities or city-states are major focuses of culture and economy while rural areas are clearly in their orbits is fairly evident, I think.
Also, in my experience, medieval fantasy monarchies tend to be fairly centralized affairs, with powerful monarchic kings, the royal seat in the capital or the king's castle as the bustling focus of governance, and a tendency for the edicts from the king's person and the intrigues of court to be the driving focuses of political life. Also, a lot of intrigues in a classically corrupt court. This tracks fairly well for the late period, historically, where European kings put a lot of effort into centralizing and strengthening their authority, some more successfully (the Iberian kingdoms at the end of the Reconquista), some less so (Charles I of England). Absolute monarchy was less of a factor in earlier medieval Europe, which operate chiefly under a network of looser, less centralized feudal ties.
By contrast, what would these things equivalents in the earlier Middle Ages be like?
Castle-wise, the really early periods were the time of the motte-and-bailey, aka wooden palisades on top of earthen mounds. Later, you'd tend to see squatter, more fortified constructions for defensive purposes (take the Krak des Chevaliers as an example). Even well into the later middle ages, though, a typical rural keep or castle was often a fortified house or manor more than what we'd picture as a castle today.
Armor was usually dominated by chainmail, scale armor, and non-face-covering helmets (a knight of the Carolongian Empire, for example, might have worn something like a scale or mail shirt and a helm with earguards or a noseguard, but certainly not the "classic" knightly set of plate you usually see in fiction). In terms of helmet styles, for instance, compare this 11th-century nasal helm or these illustrations of 12th-century styles with later forms such as the classic "bucket helm" that was popular during and after the Crusades period. Helmets with more articulated shapes and visors came later. What's called a close or closed helm, for instance, like these ones, was mostly a 16th-17th century style, although antecedent forms were already common in the 15th. Even the barbute with its distinctive T- or Y-shaped visor slit was a distinctly Renaissance Italian thing.
(Like, as a practical example in terms of helmets, this reminded me of a passage in the first Dunk & Egg story where Duncan buys a great helm/bucket helmet, and it's described as coming across as a goofy-looking and antiquated choice when other knights all use visored and often very ornate close helmets. And this makes sense! Westeros is very explicitly based on England during the Wars of the Roses period, in the 15th century, by which point medieval armor and helmet styles had gone out of use and most armored troops wore jointed plate armor and visored helms.)
Religiously, monasteries were often the center of religious life and, for rural communities, often more important than distant bishopric seats. They were also centers of, among other things, record-keeping, writing, and brewing.
Cities. The middle ages proper were a very rural time -- cities existed, and exerted political and economic influence, but took a significant dip in both size and importance for a time. For a good few centuries the center of life for most people was the manorial system, where you had a local knight or lordling living in a fortified house or a small keep and providing protection to a town or two around this in exchange for material support. Self-sustaining religious communities like monasteries were also important. All of these, for a long time, would have basically self-supporting.
(Well, alright, that's also an oversimplification. In rural France-England-Germany, that'd be about right, sure. In northern Italy and in Flanders-Saxony, though, you start to see... not urbanization as such, but, let's say, townization early on in the system of the medieval communes, where farming and trading towns left isolated by the collapse of Roman-era state systems formed confederations for mutual defense. So the main form of urban culture in this timeframe isn't really centralized around a single big city but more along the lines of fifty towns who formed a loose alliance because they're afraid of bandits and robber knights.)
Government. Centralized states and nations weren't... really things for a long time. Feudal governance was based much more strictly on the notion of personal debts and obligation between rulers and those who administered portions of land for them. A feudal noble had obligations towards his king, but he also had a tremendous amount of freedom in running his own affairs and could have gone for the majority of his life without every showing up in the vicinity of his lord's castle -- the idea of, like, the royal court as the focus and center of political life wouldn't really crystallize for some time, and this degree of independence meant that negotiation and re-negotiation (read:testing how much you could ignore the king or going into outright revolt) were very common.
Also, the notion of national identity -- of saying "I am French, I am English, I am Italian" -- also didn't really exist (I'd recommend Liah Greenfield's Nationalism: Five Roads to Modernity for a discussion of how this mode of thinking about group-and-land identity formed in the 16th-17th centuries). Before then, concepts of identity were either strictly local ("I am from this village"), based on loyalty systems ("I am from a village defended by Knight Whatshisname, who gives his tithe to Lord Whatshisface, who gives his tithe to King Whatshisproblem"), or based on religion ("I am Christian", "I am Jewish", "I am Muslim").
So, broadly, there weren't really "countries" the way that we think of them today, with clearly delineated cultures and borders and directed from a central capital. The most granular political units were the rural manorial keep and the free town, which gave their fealty to a larger lord or a grouping of peers, and the span and size of a kingdom or an empire was determined in large part by how many of these tiny units or groupings of tiny units you could claim tithe-right and allegiance from. And that's feudalism!
Event-wise, the Big Things in the medieval period proper were the Crusades, a series of primarily religion-motivated wars (or, well, religion-land-and-luchre-motivated wars, granted) and the Black Death. It really cannot be overemphasized how the terror of being struck by this mysterious dying dominated medieval thought for large spans of time.
One book I read recently which I'd recommend for a having a good look at how medieval people thought and lived might be Michael Flynn's Eifelheim... with the caveat that it's also a science fiction novel about first contact with aliens, but the medieval side of things is really well-researched and -written.
Artfight revenge for a buddy! I was leafing through his characters and Gwarrok, the meathead gnoll, is what spoke to me at that moment, heheh.

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24 - zhanji
I'm dating myself but
(no beers in) So how do you perceive me in the privacy of your thoughts
this is honestly such a good idea
why do people need to be domesticated animals for petplay,. u r my lion i bought you illegallu and you are trying to kill me. go

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working with little kids is so dangerous. you get one kid who has a unique way of speaking & then spend the rest of your life with an internal monologue like “me’s go bathroom?”
other thrilling destructions of my vocabulary:
the kid who replaced his hard G sounds with soft ones, leaving me incapable of thinking of glasses as anything other than jlasses
kid who would holler "DID" any time she finished her work no matter how many times we told her to just raise her hand
kid who began her scary stories with "once a time" and her friend who began his with "paw time"
middle schooler i had during student teaching who pronounced magritte as "mah-gritty"
the kid who said "i got boogies comin out my nose" while sobbing and the kid who said "theres his puddle of cry" while describing a drawing, both of whom i think of when im crying
kid who said that if he was 80 he would get big and turn grandpa
kid who, for no reason in particular, would just say "like a little feet" as a standalone phrase in relation to nothing
edit how could i forget. the kid who got sneezed on and angrily said "whyd you blessyou on me"
My niece who asks people with dogs "are him big or him little?"
And every person without fail answers "uh.. him big"
Years later my vocabulary is still influenced by:
kid who called snakes "nakes"
kid who called calculators "cockulators"
my little cousin who referred to anything he didn't have an immediate answer to as "vewy mystewious"
"I don't yike heem"
being an adult is just saying to yourself “this is the weekend i’ll clean my [x]” and then proceeding to not do that because it’s the weekend and you deserve to relax, goddamnit
why does this have 85K notes
because we reblogged it instead of cleaning our [x]