i always love the way that mtg strategists and high level players discuss red decks in articles. this quote has been going around the local mtg server:
and the thing is that i really love hot dog decks. this guy is so fucking right
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@alanofalltrades
i always love the way that mtg strategists and high level players discuss red decks in articles. this quote has been going around the local mtg server:
and the thing is that i really love hot dog decks. this guy is so fucking right

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They wear suits, but they don't even know basic etiquette.
inspired by @cowardsexual 's post of a very sleepy phm science team and Grace's teacher instincts
Continuing the tradition of redrawing the Cryptids' debut album anytime I've made big stylistic changes.
1st picture from 2022, 2nd from 2024, and 3rd from 2026
omg did you guys hear the latest announcement
I guess the reason all that Backrooms stuff has never really fazed me is because I worked in on-site networking support for a while, and literally every city's downtown district is just Like That once you get off the beaten path. Not just the really big cities, either; the one I'm currently living in has a population of less than 250 000 – metro area included – and a downtown area about six blocks across, and the service corridors still manage to do some House of Leaves shit. At one point I was trying to map the route of a misbehaving network cable, started out in a shopping mall parking garage, and ended up surfacing in the basement of the casino across the street. Totally unsecured – apparently neither the mall's administration nor the casino's managers knew that particular service corridor existed.
Like, I once bumped into a fully stocked and operational Coke machine in an unlit maintenance corridor twenty feet below ground level. Its display lighting was the only illumination for a hundred yards in either direction. I don't even know what it was plugged into.
Somewhere below this city there's a room the size of a high school gymnasium filled floor to ceiling with rotting mattresses. I've seen it with my own eyes – and, more importantly, smelled it with my own nose. I can't recommend the experience.
(That last one isn't even mysterious. The room in question is within easy walking distance of the basement of a major hotel, if you know where you're going; I imagine the hotel started stashing their old mattresses there at some point rather than pay to have them hauled away, and over the ensuing decades the situation got out of hand.)
In response to a couple of recurring questions in the notes:
I don't have any experience with the weirder corners of university campuses – my work in that particular job just never happened to take me there. I did, however, once have to do a cable trace in the basement of a former Christian elementary school. It had haphazardly been subdivided into numerous tiny rooms, some as little as ten feet across, with no central hallways or apparent floor plan. Every single room was, for reasons that were and remain unclear to me, full of broken kitchen appliances. One room in particular contained an enormous industrial freezer unit that was larger in its smallest dimension than any of the doors leading to it. Was it delivered in pieces and assembled on site? Did they build the room around it? That one still bothers me a little bit.
No, I did not drink the Morlock Tunnel Coke. What are you, nuts?

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IF GOD HATES TRANNIES WHY DO WE KEEP WINNINGGGGGG
Loving star wars is a curse and perhaps a mental illness of some kind
even more phm + textposts with stratt (and grace)
masculine energy this feminine energy that. well i’m out of energy
need me some of this "renewable energy" I keep hearing about

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I drew it
controversial opinion:
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
Importantly, the teacher deliberately created space to name the bad.
“that's problematic” didn't get invented out of laziness. It was used by people who knew saying “that’s racist” or “that’s misogynistic” would get them in trouble.
More Bandit doodles cause I'm a bit under the weather and I love him. :D

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finishing something you worked really hard for feels like nothing