Itβs also on AO3 please tell the artist how great it is
[image description: a cartoon. In the first panel, an arm and leg appear over the side of a ship, with noises of effort as Letho hauls himself aboard. Second panel, Iorveth, unimpressed, is saying βFailed by dhβoine once again. Whatβs your excuse this time?β Letho, dripping wet and dead-eyed, says βVernon Roche is a katakan.β Iorveth, blank, says βWhat?β Letho, in voiceover over a cruder drawing of Roche arms akimbo paper-doll style, says βRoche. Special Forces commander. Stupid hat.β (The drawing of Roche is labeled with the same thing, arrows pointing at the stupid hat and special forces insignia, and finally an arrow points at his general torso area and is labeled βkatakanβ.) βHeβs a katakan,β Letho continues, over a drawing of a katakan, Rocheβs hat and clothes flying off it as it transforms, leaping at a smaller cartoon Letho with a βSKREEβ, as cartoon Letho says βoh shit!β Iorveth, ears flat in shock, says βWHAT?β as Letho, offscreen, says βHeβs a vampire.β Cut to the final panel, where the distant ship shows through a window with a huge speech bubble that reads βWHATβ in bold is coming through into a room where a puzzled Geralt of Rivia has one eyebrow raised and is making a bemused βhmβ, as in the foreground King Foltest, not dead and rather smug, is petting the curly hair between the horns of a kneeling katakan, and is saying βGood boy, Roche,β as the katakan purrs blissfully.]
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You may think the phrase "He's just a little guy" comes from internet memes, but you would be wrong.
The true origin of the phrase belongs to celebrated author Tamora Pierce, in her 1983 novel Alanna: The First Adventure, when Gary says, "Stillβwhat can Alan do for you? He's just a little guy"(49).
Thus, whenever we say of someone or some creature that they are "just a little guy," what we are really saying is that they are a short redheaded knight-in-training with some sort of Gender going on who will kick your butt given half a chance.
Thank you for coming to my TED Talk. May we all be the little guys we wish to see in the world.
Pierce, Tamora. Alanna: The First Adventure. New York, Random House, 1983.
one time I told my therapist "I tend to have issues with people who think of themselves as authority figures" and she burst out laughing and then said "I think we need to pause and reflect on how you phrased that"
y'all are doing some weird discourse on this post. no that therapist doesn't need to be "investigated" lmao. she didn't say I was wrong, she reacted because the phrasing was specific as fuck and revealed a lot about my worldview which is totally reasonable to want to explore.
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Today my Advanced Clinical Pathology professor trailed off in the middle of class and said, βIf I seem distracted, itβs because last night I was talking with a friend and she asked βWhoβs that chick in Titanic?β but all I heard was βChicken Titanic,β and ever since then Iβve been thinking about a chicken on the bow of the Titanic like Kate Winslet, wings held high. Itβs all I can think about.β
I am so utterly fascinated by βSakiβ, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decadesβ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from βthe fans can have a little hint of skirted asscheekβ to βthe pussy is completely out on center pageβ over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in βSakiβ donβt wear underwear when I was in middle school. I am thirty now. Okay? And itβs still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. Itβs because the underwear ran out of places to hide. Iβm obsessed with this thought: somewhere in the over 20 volumes of βSakiβ, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didnβt even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I donβt know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, βthe one with the big boobsβ, and over the years you emphasize that trait further and further so that the signal doesnβt get lost in the noise. Itβs just that normallyβin like a wildly popular manga series about mahjong published by literally Square Enix, for exampleβnormally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and youβd go, βWell, this is now untenable.β
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
Itβs like this, okay: thereβs no shortage of trashy ecchi manga out there. Thereβs a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with βSakiβ is different.
Itβs hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as βleeringβ, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into itβI canβt imagine anyone is making her do thisβbut βSakiβ the comic has no opinion on the matter.
There are essentially no male characters in βSakiβ. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of βSakiβ, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so itβs no problem. Itβs so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of βSakiβ, right: itβs just normal that they donβt wear underwear and their boobs are arbitrarily big. Itβs been normal. It was normal before the story of the manga began. Itβs just how things are. Nobody bats an eye about it, and if they do, itβs in sort of a lesbian kind of way so like whatβs the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because itβs mahjong time now, and weβre playing mahjong.
Do you get??? why Iβm so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
another thing from today and then im done i promise! but the girls next to me caught a flier grace capeless (idk their ensemble characterβs name sorry guys) threw into the crowd and i had been looking for a closer photo reference of this flier for so long so ofc i asked them if i could take a photo of it lol
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i feel like these poses each give a slightly different character to eachother. even when the only real change is the way the hands are posed to sit on the hips.. has anyone noticed this