It’s also on AO3 please tell the artist how great it is
[image description: a cartoon. In the first panel, an arm and leg appear over the side of a ship, with noises of effort as Letho hauls himself aboard. Second panel, Iorveth, unimpressed, is saying “Failed by dh’oine once again. What’s your excuse this time?” Letho, dripping wet and dead-eyed, says “Vernon Roche is a katakan.” Iorveth, blank, says “What?” Letho, in voiceover over a cruder drawing of Roche arms akimbo paper-doll style, says “Roche. Special Forces commander. Stupid hat.” (The drawing of Roche is labeled with the same thing, arrows pointing at the stupid hat and special forces insignia, and finally an arrow points at his general torso area and is labeled “katakan”.) “He’s a katakan,” Letho continues, over a drawing of a katakan, Roche’s hat and clothes flying off it as it transforms, leaping at a smaller cartoon Letho with a “SKREE”, as cartoon Letho says “oh shit!” Iorveth, ears flat in shock, says “WHAT?” as Letho, offscreen, says “He’s a vampire.” Cut to the final panel, where the distant ship shows through a window with a huge speech bubble that reads “WHAT” in bold is coming through into a room where a puzzled Geralt of Rivia has one eyebrow raised and is making a bemused “hm”, as in the foreground King Foltest, not dead and rather smug, is petting the curly hair between the horns of a kneeling katakan, and is saying “Good boy, Roche,” as the katakan purrs blissfully.]
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You may think the phrase "He's just a little guy" comes from internet memes, but you would be wrong.
The true origin of the phrase belongs to celebrated author Tamora Pierce, in her 1983 novel Alanna: The First Adventure, when Gary says, "Still—what can Alan do for you? He's just a little guy"(49).
Thus, whenever we say of someone or some creature that they are "just a little guy," what we are really saying is that they are a short redheaded knight-in-training with some sort of Gender going on who will kick your butt given half a chance.
Thank you for coming to my TED Talk. May we all be the little guys we wish to see in the world.
Pierce, Tamora. Alanna: The First Adventure. New York, Random House, 1983.
one time I told my therapist "I tend to have issues with people who think of themselves as authority figures" and she burst out laughing and then said "I think we need to pause and reflect on how you phrased that"
y'all are doing some weird discourse on this post. no that therapist doesn't need to be "investigated" lmao. she didn't say I was wrong, she reacted because the phrasing was specific as fuck and revealed a lot about my worldview which is totally reasonable to want to explore.
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Today my Advanced Clinical Pathology professor trailed off in the middle of class and said, “If I seem distracted, it’s because last night I was talking with a friend and she asked ‘Who’s that chick in Titanic?’ but all I heard was ‘Chicken Titanic,’ and ever since then I’ve been thinking about a chicken on the bow of the Titanic like Kate Winslet, wings held high. It’s all I can think about.”
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
another thing from today and then im done i promise! but the girls next to me caught a flier grace capeless (idk their ensemble character’s name sorry guys) threw into the crowd and i had been looking for a closer photo reference of this flier for so long so ofc i asked them if i could take a photo of it lol
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i feel like these poses each give a slightly different character to eachother. even when the only real change is the way the hands are posed to sit on the hips.. has anyone noticed this