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Summary: An unexpected visitor leaves the motel room in complete chaos.
Part 13 of the A Good Reason To Keep Going series
Characters: Dr. Michael (Robby) Robinavitch, Jack Abbot (in texts)... and a cat
--- --- ---
Robby crouched down in front of Mr. Abbot, scratching him behind his ears. He started purring instantly, falling onto his sides, exposing his fluffy belly. He closed his eyes and started treading milk against the chair cushion.Â
Robby chuckled. âOkay, cat, I need to get some food and that diner over the street doesnât allow pets inside. I know, I know-â he added hastily. âYouâre not a pet per se, more like an⊠emotional support cat but they donât know the difference, okay?â
Mr. Abbot opened his eyes for a second before closing them again, still purring ridiculously loud.
âSo, I go over there, eat something, maybe have a couple of beers and then Iâll be back, okay?â
The cat didnât care.
âOkay, good. Please donât commit crimes while Iâm gone. I filled your bowl and left the bathroom window open. So, no revenge shitting on my bed.â
Robby stood with a groan, holding his back. âI need to look into nicer accommodationsâ he muttered to himself. âMy back is killing me.â
As soon as these words left his mouth he stopped. Perfect choice of words, Robinavitch. He shook his head, then grabbed the room key and left, while Mr. Abbot blinked at him slowly from the chair.
Two hours later Robby was walking back across the parking leg. He felt good for a change - after a burger with fries, washed down with a couple of beers which gave him a pleasant warm buzz in his chest. He was humming softly to himself while the motel sign flickered overhead. Somewhere nearby he could hear a TV blaring through an open window.
He fumbled with the room key, dropping it two times (and picking up with very creative swear words) when he heard it.
A low, ugly yowl.
Another sound followed - higher this time. Sharp. Angry.
Robby stopped and listened.
There was hissing, then another high-pitched cry.
Cats.
âOh fuck.â
He started walking faster toward his room. He could hear another hiss cut through the night followed by a loud crashing noise.
âJesus Christ.â
Robby broke into a jog the last few yards and fumbled with the key for a minute before shoving the motel door open hard enough that it slammed against the wall.
The first thing he saw was chaos. Absolute chaos.Â
Mr. Abbot was standing on the bed completely puffed up, back arched like one of these silly Halloween decoration, screaming absolute murder at a massive gray tomcat crouched on the dresser.
The fat gray cat screamed back.
Neither of them seemed to acknowledge Robbyâs existence because apparently they were seconds away from a duel until death.
âWHAT THE FUCK-â
Both cats froze, the hissing continued low-key. Mr. Abbot was the first to whip around, his enormous eyes flickered to Robby. Then he immediately screamed again - this time directly at Robby like this whole situation was somehow his fault.
âDONâT YELL AT ME!â Robby shot back automatically. âYou invited him in!â
The gray cat turned his head around slowly, fixing Robby. He started hissing, slapping his paw into the air towards him. Then he apparently made the decision that this situation was about to escalate and fled through the open door.
A gray shadow, gone in a second.
Mr. Abbot lunged after him with murderous intent.
âNOPE!â
Robby intercepted him mid-flight with both hands before the cat could throw himself out into the night after his new arch enemy. Mr. Abbot lost his mind about this immediately. He twisted in Robbyâs grip, yowling dramatically while his tail doubled in size.
âFUCK CAT - itâs over, okay?â
Mr. Abbot disagreed violently, scratching Robbyâs arm, trying to free himself.
âHE LEFT!â
The cat craned his head toward the open door. Robby tightened his grip slightly and kicked the door shut. Then he lowered Mr. Abbot on the ground carefully.
âYouâre a fucking nuisanceâ Robby snarled toward him, then looked around the destroyed room in disbelief.
His pillow was on the floor, the fabric ripped. The curtains were half torn down. The motels bible lay on the ground, papers ripped out and scattering around. His bag was thrown over and the contains had fell out.
âHow long was this happening?â He turned toward the cat with wide eyes.
Mr. Abbot looked up at him, meowing furiously.
âOh, come on, donât lie to me. Thatâs⊠thatâs a fucking crime scene. Please tell me that gray fucker didnât pee there.â
Robby stepped closer to a wet patch on the carpet. He closed his eyes for a moment then crouched down and took a whiff.
âOkay, that gray fucker did pee in here.â Robby made a face when the sharp distinct smell of cat urine hit his nose. âThat little asshole. No wonder you wanted to murder him.â
He straightened again, rubbing a hand across his face. âWe have to sleep in here and now it smells like⊠like⊠like a gutter.â
Mr. Abbot was still breathing hard, tiny body tense, ears flicking toward the door every couple of seconds. You could feel the territorial rage and injured pride radiating off of him.
Robby sat down on the bed with a deep sigh. âHow you if Iâm not allowed to invite strangers into my motel room, neither are you.â
Mr. Abbot stared at him for a moment, then hopped onto the bed, immediately stepping onto his lap. Robby started scratching his ears almost without thinking.Â
âBut Iâm proud you didnât back offâ he went on with a shrug. âYou donât have to take shit from anyone. Especially not from a bastard coming into your home just to piss on the rug.â
Mr. Abbot shoved his head under Robbyâs arm and started purring. The cat pressed his body against Robbyâs belly, still bumping his head into Robby's hand.
âUnbelievable.âÂ
Robby rubbed his free hand over his face, then reached for his phone.
Robby:
Came back from dinner and found the cat trying to fight another cat in the motel room.
Jack:
Is he entertaining an illegal cat fight club?
Robby chuckled softly, then took a picture of the mess that was his room and sent it over. The typing bubble appeared immediately.
Jack:
You sure that was a fight?
Robby tilted his head, blinking.
Robby:
What else could that have been?
Jack:
Maybe you interrupted his date?
Robby looked down at Mr. Abbot, who was purring but still radiated homicidal energy. Then he started laughing, scratching under his chin.
Robby:
Nah. That wasnât romantic.
Jack:
Donât know. Orange cat courtship probably looks like attempted murder. (Itâs the same with all the gingers, honestly.)
Robby laughed out loud.
Robby:
Too much information, brother. And honestly - he looked ready to kill for territory.
Jackâs answer came immediately.
Jack:
Sounds like typical Abbot behavior.
Robby:
No wonder you donât have a girl.
This time the answer took longer. Robby watched the typing bubble for a long time before a reply came.
Jack:
Look whoâs talking.
Robby frowned, his finger hovering over the screen, unsure what to reply. Another message came in.
Jack:
Send me a picture of your murder kitty. Bet he looks proud as hell.
Robby took a picture of Mr. Abbot, who was, indeed, looking pretty proud of himself. Then he sent it over to Jack.
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it should be mandatory for every pc game that has absurdly high resolution graphics and monstrously large filesizes to have a "dogshit version" that you can play on any old pc cause i've had it up to here with getting excited for games only to discover that my laptop doesn't meet the minimum system requirements and i will never be able to play them. i don't care how realistically the windows reflect light. i don't need to be able to distinguish every available hair on the player character's head. i just want to play viddy game :(
Robby is distracted throughout Abbot's hand-off until he introduces his final patient. "Lastly we have twenty-eight-year-old Dennis Whitaker. Bacterial pneumonia; responding well to treatment so far, but we're keeping him here until social work comes down. He was brought in off the street by a good samaritan. Unhoused, we think. He hasn't said enough to get confirmation but it looks like he's a little."
Robby blinks out of his daydream when Abbot says that name. Dennis Whitakerâcould it really be? The patient in the bed looks thinner and weaker than the boy Robby had known, but he hadn't been unhoused then. Or had pneumonia.
"Dennis? Dennis, do you remember me?" He gently asks.
The boy in the bed cracks an eye open, then smiles behind the clear oxygen mask. "Wobby," he croaks.
Jack shifts in the doorway. "One of yours?" He asks Robby.
"Yeah. Yeah, from down at the rec centre. Hey, I missed you, bear cub. I always wondered what happened to you."
A few years ago, after COVID-19 lockdown measures eased, Robby began spending his free time as a volunteer caregiver to lonely littles in his local area. Some of them had lost their support systems as a result of the pandemic, others were simply new to the city and hadn't yet placed roots. Back then, Dennis hadn't talked about why he sought out the services of a volunteer caregiver, and Robby hadn't pushed him to. He washed Dennis, read to him, took him to the nearby park and pushed him on the swings, really truly built a bond with the boyâand then he'd vanished. Robby still occasionally goes to the rec centre on his days off. He likes to look after the littles. But he's never experienced a bond like the one he'd had with Dennis, and he'd always hoped that they'd someday be reunited.
Not like this, though.
At Abbot and their combined pack of students and interns, he barks, "Has a detailed history been taken? Has he had a HRCT? I want to rule out any chronic conditions. Send for a full panel, actually."
"Whoa. Brother. Cool it," Abbot responds. "Everything is fine. He's already been checked. Pneumonia aside, he's only a little malnourished and he's missing some vaccinationsâbut we're on top of that already. You can read his chart yourself. All that's left is social work, like I said. Take it down a notch." He shoos away the surrounding crowd, then comes close to say, "You can sit with him for a while if you want. I'll stay for an extra hour. Not like I've got anywhere else to be."
Robby scrubs his hand over his face. Dennis isâDennis isn't his. Not really. He's just someone he helped during a period of apparent need. Right now, though, it seems he needs him again. On the bed, he shifts and coughs hoarsely. The great force of it twists his face in pain. Instinctually, he shushes him, murmurs, "It's okay. It's okay." Then he turns to Abbot and says, "I'll stay for a while, but come by if you need me."
Abbot claps his shoulder. "I won't," he responds honesty. "Take your time."
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Summary: An old picture reminds Robby just how long Jack has been part of his life.
Part 12 of the A Good Reason To Keep Going series
Characters: Dr. Michael (Robby) Robinavitch, Jack Abbot... and a cat
A/N: The next chapter has more Mr. Abbot content - I promise!
--- --- ---
Jack had no idea why he was still awake. Well, no, that wasnât entirely true. He knew exactly why he was still awake - he just didnât really like the answer.
The television played quietly across the room, some late-night documentary about serial killers. He didnât really pay attention instead he picked up his phone again.
No new messages. Not surprising.
He opened their conversation even though he already knew exactly what he would find.
Please tell me you didnât fuck that girl from Instagram. - Read. No reply.
Jack stared at the screen for a moment longer before locking it again.
âFineâ he muttered.
Obviously Robby didnât owe him an answer. He was a grown man. A single man. If he wanted to sleep with an attractive woman he had met in some diner that was entirely his business.
Good for him.
Seriously.
It had probably been a while.
And that Amy girl seemed nice. Jack didnât know her obviously but her post had been nice. She had called him lovely which was⊠fine. Kind of accurate. Not the first word Jack wouldâve used to describe Michael, but yeah, he was kind of lovely.
Jack picked up his phone again and opened Instagram.Â
That damn post appeared almost immediately. Of course it did - apparently that fucking algorithm had decided that anything involving @MRobinavitch5384 was now relevant to him.
Robbyâs comment was at the top: Thanks for the lovely chat. Take care! 10/10 Human.
Jack frowned.
Ten out of ten human.
Robby had known that woman for a couple of hours and apparently she already received complete sentences and numerical ratings. Meanwhile Jack got thumbs-up emojis. Or sometimes just an Okay. Once Jack had sent him an entire paragraph and an incredibly hilarious story only for Robby to reply with Fair.
Nearly thirty years of friendship and Jack apparently ranked somewhere below an Instagram follower and slightly above an automated appointment reminder.
Not that he cared. It was merely an observation.
Jack scrolled through the comments.
CAT DAD MADE A FRIEND!!!
Wait they actually look so cute together?!!!
He looks happier.
But hear me out - the height difference?!!!
Are we witnessing the beginning of a ROADSIDE ROMANCE?!!!!
Jack made a face. âJesus Christ.â
He closed Instagram and dropped the phone back onto his chest. This was ridiculous. The internet knew absolutely nothing about Michael Robinavitch.
They had seen a couple of pictures of him - and a damn coffee cup, for fuckâs sake - and somehow they seemed to think they knew him. That they understood his whole personality.
Mysterious.
Sad.
Wholesome.
Husband-shaped. Whatever the hell that meant.
They knew nothing about him.Â
Jack on the other hand - Jack knew Robby.
He knew Robby hated raisins but ate oatmeal cookies without checking first and then complained every single fucking time. He knew how Robby liked his coffee. (Unsurprisingly black.)
He knew he got quiet when he was worried, sarcastic when he was scared and he rubbed the back of his head when he was emotionally overwhelmed.
He knew Robby had been making the exact same annoyed face at cameras since they were twenty.
Jack stopped and frowned, then opened his photo gallery. He scrolled past hundreds of pictures - a picture Parker had sent him of some ridiculous injury a couple of weeks ago, several gym selfies, pictures of sunrises on the hospital roof.
Then he found it.
The picture had been scanned years ago from an actual photograph. The quality wasnât the best - the colors were slightly faded and one corner had a pale crease running through it.
It had been taken in the university library. Two young men in wrinkled clothes sat at a table covered with notebooks, empty coffee cups and the remains of something that might once have been dinner.
Jack was leaning toward the camera, grinning. His hair was still ginger back then - thick, unruly curls that refused to stay where he put them. Robby sat beside him - dark hair, glasses, a tired expression that suggested whoever had taken the picture had interrupted him in the middle of something.Â
He looked almost exactly the same. Well, not physically. Life had changed him. Gray hair, deeper lines, exhaustion that no amount of sleep seemed to touch anymore. But the expression was the same.Â
They were twenty-three maybe. Twenty-four at most. And they looked young, exhausted, incredibly stupid and hopeful.Â
Jack smiled, something in his stomach tightening. He opened Instagram without thinking about it, uploaded the picture and typed:
JAbbotMD:
Around 1998. Back when we both still had our natural hair color. (Michael hated pictures then. Still hates them now. Some things never change.) @MRobinavitch5384
Jack looked at it, hesitating for a second before hitting Post.
People seemed interested in Robby - they would probably enjoy it. And maybe it would distract them from turning one innocent dinner into some kind of romance novel.
He locked his phone, put it down again and turned his head toward the television. The serial killer documentary had ended. Something about ancient Egypt played now.
He didnât even notice falling asleep - but when he woke up again, the first light of dawn was pouring into the living room. He groaned, sat up and rubbed the back of his neck.
âFuck Abbotâ he muttered. âThat was fucking stupid.â
He stood slowly, shuffled into the bathroom, took a piss and brushed his teeth. After taking off his prosthetic leg he crawled into bed. He unlocked his phone - more out of habit than need⊠and stopped dead in his tracks.
He had hundreds of Instagram notifications.
Jack opened the app, still baffled. âWhat the fuck?â
His post already had several hundred likes and dozens of comments. He had thousands of new followers and his inbox showed dozens of new messages.
He opened the comments.
Oh my God, they have lore!!!
WAIT IS THIS REALLY CAT DAD? HE LOOKS LIKE A BABY
THEY WENT TO MED SCHOOL TOGETHER?
Excuse me, Sir, but these ginger curls?!!!
Are you brothers?!!
Jack started grinning despite himself and pressed reply without a second thought.
JAbbotMD:
Thankfully not.
He scrolled farther down.
How long have you known each other?
Jack tilted his head.
JAbbotMD:
Twenty-nine years. Iâm starting to think heâs permanent.
More notifications came in.
That is the most romantic thing anyone has ever said!!
Jack frowned.
Romantic?
It wasnât meant romantically. It was obviously a complaint. People on the internet didnât understand the fine nuances of his humor, obviously.
Pls tell cat dad we love him!!!
Jack:
Um, no. Heâd be weirdly uncomfortable with this information.
Wait are they exes?
JAbbotMD:
No. Wouldâve made life much easier.
Jack chuckled quietly to himself. He was on fire and he was funny as hell. And he didnât even think about falling asleep again. He had something better to do.
â â â
Robby had been awake since the first sunlight filtered through the blinds of the motel room. He didnât even know exactly why but he was wide awake, mind racing, heart racing.
Mr. Abbot slept beside him, curled against his thigh with one paw stretched across Robbyâs leg like he owned him now. Which, to be fair, he did.
The motel room was quiet. No television, just the faint humming of the A/C. Robby had tried to go back to sleep again but every time he closed his eyes his thoughts became even louder.
Eventually he grabbed his phone. He had no new messages. Of course not. He hadnât replied to Jackâs last text - and he didnât intend to answer that question of his. He didnât even have a clue if they were fighting now. Or if they were still on speaking terms.
He opened Instagram - more out of habit than anything else. Maybe Amy had messaged him. Not that he wanted to see her again, but it would probably feel nice.
Instead:
@JAbbotMD mentioned you in a post
Robby frowned. âWhat the hell?â
He clicked - and immediately regretted it, because Jack had apparently decided to become funny online.
Robby studied the picture and blinked. âWhat the actual hell?â
Mr. Abbot opened one eye and stretched lazily. Robby ignored him because he was too busy zooming into the picture.
He remembered it - or at least he thought he did. It had been taken shortly before their exams. They had both been awake for far too long, fueled on horrible coffee and somehow Jack had convinced a complete stranger to take a picture of them.
Robby stared longer than necessary. He suddenly felt way too old, looking at that young version of him he had outgrown long ago.
Then he opened the comments. Because, yeah, the internet had already found the post.
They are best friends. Or soul mates. Canât decide. Probably both.
The HISTORY HERE IS CRAZY!!
Okay, respectfully, Young Dr. Abbot could absolutely get it.
Robby snorted despite himself. Little did they know that Young Dr. Abbot had been deeply obsessed with Magic: The Gathering, which had never exactly been the most erotic hobby.
Then he read another comment - Wait are they exes? - JAbbotMD: No. Wouldâve made life much easier.
Robby stared at the screen for so long his screen dimmed. He tapped it again. âWhat the fuck does that even mean, Abbot?â
Then he read Jackâs other reply: Iâm starting to think heâs permanent.
Something about that one landed strangely. It felt⊠nice and warm in a place Robby had been trying not to look at too closely. But also⊠he felt a wave of guilt crash over him. Because Robby didnât intend to become something permanent for much longer. And Jack had no clue about this.
He shook his head, trying to get rid of that thought.
Mr. Abbot shifted sleepily against his leg. Robby looked down, scratched his ears for a moment then opened the chat with Jack.
Robby:
Why are you embarrassing me online?
The typing bubble appeared almost immediately. Of course Jack was awake.
Jack:
Because thatâs what I do. Someone has to keep you humble.
Robby:
Stop feeding strangers pictures of me.
Jack:
Funny. Didnât see you complaining when that member of your little cat cult posted pictures of you from that roadside diner.
Jack:
Also Iâm enjoying my fifteen minutes of fame.
Robby:
Itâs not your fame.
Jack:
Excuse me?
The internet also thinks Iâm hot now. Which honestly feels overdue.
Robby snorted.
Robby:
Donât try to bullshit me, Abbot. You were already aware youâre attractive.
Robby:
For your age.
Jack:
Did you just compliment me?
Robby:
Donât make this weird.
Jack:
Too late. Already screenshotted it. Iâll print it out tomorrow and hang it in the staff room.
Robby:
Whatever. Need to sleep.
Jack:
Yeah, I guess you need the rest when youâre trying to bone all of your followers.
Robby:
Haha. Youâre funnier on Instagram.
Mr. Abbot opened his eyes again and yawned dramatically.
Robby glanced at him and showed him the screen. âYou see what I deal with?âÂ
The cat blinked slowly then closed his eyes again.
âJust to make it clear - youâre my No. 1 Abbot today.â
Based off a world where everyone gets a Destiny they must fulfill. Bakers and Demon Kings (x) and Villagers (X). You? You are a Hero.
----------------
You are a Hero.
Nobody at the orphanage knows. The mark sets during the worst winter in three decades, when the windows have to be barred to prevent snow spirits from ripping them to shreds and the Director takes half the reserves and runs in the middle of the night.
Sarah, the only caregiver left in the rickety building, holds as many of the kids as she can while the snow spirits scream outside. Youâd love to be in the circle of her arms, but youâre holding the door shut with as much strength as your eight-year-old arms allow.
She doesnât tell you to get away from the door.
âItâs alright,â she says, voice trembling. Her brown hair, matted from the months indoors, hides her eyes. She croons to the younger kids like a bird, so softly and gently that you have to strain to hear it over the howling demons and roaring winds. âWeâll be okay. Our landâs Lord will send a Hero, youâll see. Weâll be okay then.â
Your arms burn as intensely as your eyes. A Hero. Your stomach aches from hunger and your fingers sting from the cold. You arenât sure how much good youâre doing keeping the door closed, but thereâs something deep inside of you that tells you you must do something. The blows from the snow spirits outside vibrate up your arms, nearly throwing you back.
Heroes, you think, only matter if they show up.
Hope is traumatic. Eight-years-old and youâve been returned from potential families twice. Three days ago, you found the beginnings of greenery in the woods behind the orphanage. When you excitedly raced back to tell the others that winter was ending, it was only to find the Director and most of the caregivers gone with a significant portion of the rations.
Then the storm clouds rolled in.
So that long, dangerous night, you donât hope. You shut your ears to Sarahâs gentle comforts and the snow spiritsâ shrieks. You focus on the burning in your arms, the blisters forming on your heels, the cold nipping at your fingers.
Hope is traumatic but trying is something you can do. You put your small body between all of the horrors outside the door and the other kids. You try to stand firm.
You donât notice when the burning in your arms hides the arrival of a telling mark on your left bicep.
---------------------.
You are fourteen years old, one year shy of coming into your power, when a couple visits the orphanage intending to adopt.
Sarah is now the Director of the orphanage, awarded the position by the landâs Lord after that terrible winter six years ago. Sheâs different than she was then. You lost three kids to hunger before spring finally came and she held each one in their last moments.
You and Sarah never develop the close relationship she has with the other kids. But she always makes sure you have more meat in your meals than most and, when you hunt in the woods, you always let her decide how the food will be divided between dinner and winter stores.
âWeâre Knights,â the potential adopters tell the Director. Theyâre a couple, a man and a woman with dark hair and muscular bodies. âRetired. Weâre settling just north of here for good and are looking for a suitable child who can follow in our footsteps.â
Director Sarah looks at them coldly, leaning back in her chair and folding her hands over her stomach. If she notices you and two of the younger kids peeking through the crack in the door, she doesnât say anything. âI apologize, Mr. and Mrs. Bahr, but it seems thereâs a misunderstanding. We do not pair children with families based on their Destiny.â
âWeâre not saying you do,â Mrs. Bahr says. Her gaze is cutting though her shoulders are relaxed. âOur Lord explained before we came. However, there is no rule against asking the children their Destiny, is there?â
Loophole. You pull away from the crack in the door, letting Hera and Josiah take your spot. You lean against the wall with your eyes closed. Orphanages arenât allowed to disclose Destinies, but thatâs where the protection ends. If someone sees a childâs Destiny or learns of it through some other means, thatâs alright.
These people arenât here to adopt because they want a child. Theyâre here to adopt for a guarantee. A guarantee of what remains to be seen. An heir like they claim? A prodigy for status? Or a weapon for them to control?
You listen for any other clues behind their motives, but the Bahrs donât push the issue of Destiny again. They accept Director Sarahâs schedule for meeting the kids, even offering to host a picnic day at their estate as a treat. The couple wants to gain trust, you can tell, and by the end of the meeting itâs working.
Director Sarah sees them off to the door herself.
âWeâll wait for the invitation,â she says. Sheâs older now, her thin brown hair showing the beginning signs of going grey. But her handshake looks strong when she shakes Mrs. Bahrâs in farewell. âIâm sure the children will be thrilled.â
âI hope so,â Mrs. Bahr says. Her husband nods to the Director gravely, but Mrs. Bahr lingers. âIâm sorry if we came off a littleâŠforward when we mentioned Destinies. Please believe me when I say that my husband and I arenât so shallow. We are looking for a child â one we can call our own.â
âI see,â Director Sarah says. Thereâs a hint of warmth in her voice. âAs I said, we look forward to your invitation.â
Mrs. Bahr nods and joins her husband in their carriage. They set off down the road without once having asked to meet one of the children on the first day of their introduction.
You can tell Sarah likes them.
âWhat do you think?â Sarah asks. She doesnât turn from the road, even though the Bahrâs carriage is out of sight. âIsla?â
You donât ask how she knows itâs you lurking in the shadows of the orphanage. Director Sarah is a Guardian. Her senses are elevated when it comes to those under her charge.
âI donât think anything,â you say. You step out from around the corner with a sigh. No use hiding now. âTheyâre influential people if they were recommended here by the Lord himself. Weâre fortunate.â
âYouâre the right age for a Knightâs apprenticeship,â Sarah says.
âHera hasnât shown me her Destiny, but itâs probably something suitable,â you say. Hera is ten, one of the older kids at the orphanage. Last summer she lifted Josiah, only a year younger than her and already a head taller, out of the well before he could drown. âYou should talk to her about what being part of a Knight family could mean.â
Sarah looks at you over her shoulder. The setting sun catches in her eyes, turning the warm brown into an unearthly amber. âI hope you can accept the possibility they might choose you.â
They wonât. âArenât I needed here?â you ask.
Sarahâs expression softens. âYou are, Isla,â she says. She weighs her next words carefully. âBut I am the one whoâs responsible for all of you. I can take care of everyone. If the Bahr family is a good fitâŠâ
âSure,â you say flippantly. You shove your hands in your pockets and slink back into the orphanage. You donât dare hope. âIâm going to help Josiah.â Heâs on dinner duty tonight. He always cuts the onions too roughly. âSee you later.â
You feel Sarahâs eyes on your back like a physical warmth.
-----------.
Being a Hero doesnât change anything about you. You expected it to when you first noticed the mark but, even six years later, nothingâs different.
You arenât kinder. When Josiah asks for your dessert, you steal a bit of his as punishment for even asking. When Hera asks for a bedtime story, you tell her one so scary that she has to sleep with one of the other girls. When Sarah asks you to fix the fence around the chickens, you whine and complain that youâre the only one who does anything around the orphanage.
âThe curse of being the oldest,â Sarah says dryly. She hands you a hammer and a bucketful of nails. âSome posts were dropped off at the end of the lane. Make sure youâre back by sunset.â
Maybe youâre a little stronger than others. You can drag three posts at once and could probably drag more if you wanted. But another curse of being a Hero is that youâre very aware.
Itâs not until youâre nailing a third rail to the fence that Mr. Bahr makes his presence known. You donât turn even when he makes his steps purposefully heavy to avoid scaring you.
âYouâre very strong,â Mr. Bahr says.
His shadow is long and thin, just like him. You observe it from your peripherals, unable to speak with the two nails youâre holding between your lips. You take your time pounding them into the wood. Heâs arms, a sword at his hip, but his hands are loose at his sides.
âGood thing I am,â you say at last. You stand and turn in the same motion. He waited for you to finish without chastising you for not speaking right away. You perch the hammer on your shoulder. âOtherwise, the chickens would take over.â
Mr. Bahr laughs. Unlike when he was meeting Director Sarah, his face is relaxed and open. His blue eyes sparkle. âWe couldnât have that now, could we? I suppose we all owe you our thanks for preventing the coopâs coup.â
You want to laugh. You donât. âDirector Sarah wonât like you being here uninvited.â
âI just came to drop off an invitation,â Mr. Bahr says. He studies you for a moment and then smiles. âI hope youâll accept, Isla.â
A chill races down your spine. How does he know your name? You wipe the sweat from your brow with a scowl. âMaybe I donât want to be adopted.â
To your surprise, Mr. Bahr nods. âI can understand that,â he says. He looks up at the sky. The light is sliding from the sky, catching on the clouds and turning them a brilliant orange. When he looks back at you, he almost looksâŠsad. âThink of our invitation as a party, hm? No strings attached.â
For some reason your tongue feels heavy. It takes two tries before you can say, âI need to fix this part of the fence before dark.â
âWant some help?â Mr. Bahr asks.
âI couldnât askââ
âYou didnât ask, I offered,â Mr. Bahr says. He rolls up his sleeves and nimbly plucks the hammer from your grip. âI may be a Knight, but Iâve done my fair share of carpentry. Let me show you a few tricks.â
You listen quietly as Mr. Bahr shows you how to twist the nails to avoid splitting the wood. What would have taken you an hour to finish, he accomplishes in a quarter of one, talking to you the entire time.
ItâsâŠodd to have an adultâs attention on you for such a long time. Heâs careful not to get too close, always offering you the hammer to practice by setting it on the grass between you rather than handing it to you directly. When you manage to replicate his technique on your second try, Mr. Bahr is more excited than you are.
âWonderful,â he compliments. He glances up at the sky. The first stars are twinkling. âIâll be going now and you should too. Have a good night, Isla.â
Unlike the first time he said your name, it feels pleasant now. You mutter a goodbye and leave before he does, scurrying towards the orphanage with your bucket of nails clutched to your chest.
Heâs gone when you think to check the road for his carriage. Did he walk here? Ride a horse?
You close and lock the orphanageâs doors behind you.
----------------.
The picnic isnât scheduled until the middle of summer and itâs spring now. Still, itâs all anyone can talk about.
âWe have plenty of time to get ready,â Director Sarah tells them. âThe Bahrs will be dropping in from time to time until then. I expect everyone to be on their best behavior when theyâre here.â
Josiah raises his hand. âI hear they live in a castle!â
âA manor,â Sarah corrects. âGiven to them by our Lord for their years of service.â
âThe Guard in town says they worked for the King once!â Hera says, wiggling in her seat. âIs that true?â
âYou can ask them yourself,â Sarah says. She claps her hands together and starts urging the kids up. âItâs time for chores. Your assignment is posted by the kitchenâŠâ
You stay seated at the breakfast table. You havenât eaten your third egg or your last slice of toast. Your stomach feels queasy. You keep thinking about Mr. Bahr saying wonderful when you worked on the fence together.
You arenât supposed to want to be adopted. Youâve had your chance and you ruined it both times. Itâs not fair of you to imagine what it would be like learning swordsmanship from Mr. Bahr and what itâd be like to hear him praise you when you got the next move right. One of the other kids deserve that chance.
You can only do what you can do.
---------------.
Mrs. Bahr is alone the next visit.
No one recognizes her at first. Sheâs wearing a gown like a noble and her hair is gently flowing down her back rather than tightly pinned behind her head.
âIâve received the Directorâs permission to hold a lesson on writing,â she tells the children. She gestures to the bag sheâs set on the table. âCome get a slate and a piece of chalk. We will work all together.â
The kids have never had slate and chalk before, not the real ones anyway. Sometimes you find a nice, flat rock they can draw on with charcoal, but itâs not as entertaining as what Mrs. Bahr brings. She watches everyone in amusement as they immediately start drawing instead of starting the lesson, flower and trees and swords.
âLook, Isla,â Hera says, tugging at your sleeve. Youâre seated on the spare chair by the wall, away from the table. She twists from her spot to show you sheâs drawn a shaky stick figure. âItâs you!â
Your eyes flick up to Mrs. Bahr. Sheâs not irritated by the distractions yet. You point with your bit of chalk at the drawing. âWhich part of it is me?â
Hera points at a blob in the stick figureâs hand. âThatâs the horned rabbit you brought home yesterday!â
You snort. The horned rabbit youâd killed yesterday wasnât half the size of your body. âAre you sure thatâs a horned rabbit? Looks like a turtle to me.â
Hera points to the stick figureâs face. âYou can also tell itâs you âcause youâre frowning.â
âHey!â
Mrs. Bahr claps her hands together. Instantly, she has the roomâs attention. âIâm glad you all like my present. However, itâs time to get started.â
âPresent?â Josiah asks.
âIf you work hard today, you will be allowed to keep the slate and chalk as a present,â Mrs. Bahr says. She takes care to make eye contact with every kid. âOnly those who work hard.â
Itâs generous. You watch Mrs. Bahr from under your lashes as she talks everyone through writing the alphabet. Itâs too generous not to be genuine. Try as you might, you canât figure out any ulterior motive to spending so much on the kids. To look good? For who? For Director Sarah?
Director Sarah wonât be swayed by gifts like this even if the kids could be.
Mrs. Bahr stops well away from you, observing your slate from afar. âVery good, Isla. Do you know how to write?â
âNo, maâam.â
âRead?â
âOnly a little.â
Mrs. Bahr hums. She doesnât look disgusted by your stupidity or put off by your clipped tone. Your first family returned you when you told them. Mrs. Bahrâs lips curve. âYour letters are wonderfully steady. I can tell you will be a very good student.â
She turns before she can see you flush.
---------.
Over the next few months, there isnât a week that goes by without at least one of the Bahrs visiting. They become a regularity around the orphanage to the point that even Director Sarah stops worrying about the state of their rooms with every visit.
âKids will be kids,â Mrs. Bahr says when you ask her to wait while you tidy the toys in the parlor. âItâs alright, Isla.â
Your head spins. Sometimes, when one of them says something particularly bizarre, you feel like youâre outside your body. There was a time when they didnât have toys to leave out in the visiting area. Thanks to the Bahrs, every child has a doll, a slate, a new set of shoes, and an abacus. You are still waiting for the strings that come with these presents.
There havenât been any yet.
The kids love the Bahrs. Hera insists on baking fresh strawberry tarts for them after a day of gathering. Josiah carefully sounds out passages from their new books to show them that heâs still practicing his letters. Annie and a group of the younger kids spend all day weaving a flower crown for Mrs. Bahr that you have to confiscate before they can put it on her head.
âGo wash your hands,â you scold. Despite your tone, your hands are gentle as you push Annie to the schoolhouse. âDonât touch your eyes.â
Annie blinks rapidly, trying to hold back tears. âI didnât know it was poison, lady, I swear.â
âOh,â Mrs. Bahr says, hand fluttering over her heart. She steps towards Annie. âDear oneââ
You give full body flinch when Mrs. Bahr stoops to hug Annie, but you donât get between them. The Bahrs have won your trust in this. They wonât hurt the kids.
You sigh to hide your flinch when Mrs. Bahr stands. âNow Mrs. Bahr needs to wash. Poison ivy is no joke.â
âIt is not,â Mrs. Bahr agrees. She ruffles Annieâs hair. âGo on, do as Isla says. Wash up.â
âWe can go together,â Annie says with her big, blue eyes. She reaches for Mrs. Bahrâs hand and then thinks better of it. She tucks her hands behind her back and kicks at the ground. âIf you want.â
âIâll be right behind you,â Mrs. Bahr says, smiling.
Annie nods and races to follow her friends.
âIâm sorry,â you say as soon as Annie is out of ear shot. You busy yourself picking up the fallen flower crown and the various trimmings of poison ivy theyâd used for foliage throughout it. You feel flustered. âThey really didnât know any betterââ
âI know,â Mrs. Bahr says so gently that you have to look up at her. Sheâs frowning at your hands. âIâm more concerned about you. Should you be holding onto it like that?â
âIâm immune,â you say. Youâre not worried that sheâll guess your Destiny from that. Lots of Villagers are immune to poison ivy, particularly the ones in this region who rely on gathering and hunting. âSince Iâm in the woods so much.â
âKnights are immune too,â Mrs. Bahr says. She follows you away from the orphanage and to the tree line. âYouâre quite the hunter, arenât you? I remember Hera saying you slayed a horned rabbit.â
Heat comes to your face. You stomp ahead of her to deposit the flower crown in some denser foliage where the kids wonât be able to get it. âI get lucky.â
âIâd consider it unlucky to run across a horned rabbit,â Mrs. Bahr says. She examines the forest with interest. âA demon is a demon. Even adults have difficulty with horned rabbits.â
It hadnât been difficult. Youâd been armed with a sharpened branch and, when the rabbit leapt for you, you knew right when to stab. You clear your throat. âIt was difficult.â Then when Mrs. Bahr doesnât say anything, you add, âIt was frightening.â
She believes you. She lays a gentle hand on your shoulder to get you to look her in the face. âThe orphanage budget is enough that you donât need to hunt, Isla,â Mrs. Bahr says. âI know I donât like the idea of a fourteen-year-old out here alone and unarmed.â
âAlmost fifteen,â you say, âand I had a sharp stick.â
âA sharp stiââ Mrs. Bahr cuts herself off with a deep breath. âRegardless of yourâŠaptitude, Isla, itâs dangerous. Iâve spoken to the Director and she agrees with me. You arenât to go hunting anymore.â
The forest suddenly feels too hot. The leaves overhead rustle, but you can barely hear it over the roaring of your blood. âExcuse me?â
Mrs. Bahr steps closer. âYouâre a very strong girl, Isla, but itâs dangerous. If you want to go out with me or Mr. Bahrââ
You shake off her hand. âThe Director agreed with you? She said Iâm not allowed to go hunting anymore?â
âOut of concern for your safety.â Mrs. Bahr looks like she regrets saying anything. âOnce Mr. Bahr and I explained to her what a risk a horned rabbit posesââ
You run away. Mrs. Bahr calls out after you, but you donât stop. Beyond the sting of Mr. and Mrs. Bahr not thinking you strong enough to hunt, thereâs a deeper hurt. The Director agrees. Really? Really?
âIsla? Whatâs wrong? I thought you were with Mrs. Bahr,â Director Sarah says when you burst into her office. She sets the papers sheâd been reading down and frowns. âYou lookââ
âIâm not supposed to go hunting anymore?â you ask.
Sarahâs face blooms in understanding. âAfter what Mr. and Mrs. Bahr said about the increase in demons in the area, I agreedââ
âItâs summer,â you interrupt. You stalk up to her desk, your fists balled at your side.
âItâs time to hunt.â
âThe Bahrs have agreed to accompany youââ
âThey only come once a week,â you say. Youâre being so incredibly rude to the Director, but you donât care. âI need to hunt three times that at least. The game has been moving deeper into the forestââ
âWhere you are not allowed to go,â Director Sarah says, this time interrupting you. She steeples her hands in front of her. âI should have curtailed this activity long before this point, but I thought you needed it.â
âWe need it,â you say. You canât believe what you are hearing. âWe need to store up rations, you know that.â
âOur budget allows us to purchase rations in town.â
âBut what if thatâs not enough? Itâs better to have our own supplyââ
âIt will be enough.â
âIt still doesnât hurt to have some extra jerkyââ
âThe store we have will be enough.â
âBut what if itâs not?!â Youâve raised your voice without realizing it, fists shaking at your sides. âThe other kids are too young to remember o-or too new, but you and I do. That winter, we didnât have enough. Why are you trying to stop me?â To your horror, your voice cracks. âI thought you understood.â
Thereâs silence in the room except for your panting breath.
âIâm sorry,â Sarah finally says. The sudden apology is enough to close your mouth against what you might have said. She meets your eyes. âYouâve always been so strong that IâŠIsla, you were a child. I will always be grateful for what you did that winter and for every winter since. I relied on you, a child, because I didnât have any other option. We didnât have another option. But now we do. Weâre okay now, Isla. You donât have to work so hard to protect us.â
âYes, I do, Iâmââ the Hero ââI can do it.â There is something inside of you telling you that that is what you must do. You think that itâs part of being a Hero.
((Youâre worried that itâs because youâre scared.))
âMy decision is final,â Sarah says. She picks up her documents and straightens them. âYou are only to go hunting with an adult from now on. If I find out you went to the woods without one, there will be consequences.â
Sheâs using the same tone she uses on the other kids when theyâre misbehaving. I mean business. You stare at her for a long, breathless moment. You jerkily turn to go.
Mrs. Bahr is hovering in the doorway. She looks guiltily between you and Director Sarah. âIâm sorry, I didnât mean to eavesdropâŠâ
You shove past her and run to your room.
-------------.
Somewhat counterintuitively, as an orphan youâre never alone. You throw yourself face down on your bed.
A shocked silence swallows the occupants on the other bed.
âIs she okay?â Josiah asks Hera.
âItâs Isla,â Hera answers. Thereâs the rustling of bedsheets as Hera climbs out of bed and then the soft sound of socks on hardwood as she comes over. âYou okay?â
You are not okay. Thereâs an intense war of emotions in your chest. Anger that none of the adults seem to think youâre capable. Betrayal that Sarah isnât on your side. A sick fear at the thought of being unprepared for winter. And, now that youâve run away so spectacularly, shame. They probably think youâre overreacting, but theyâre wrong. Theyâre the ones who are being naĂŻve. Theyâre the ones whoâ
A gentle hand on the back of your head freezes the thought. Hera pets your short, black hairs in an attempt at comfort. âItâs okay, Isla. You can just sleep. Sleep makes everything better.â
Thatâs what you tell the younger kids. The difference between you and Hera saying it? When Hera falls asleep, you work to fix the problem. If you fall asleep, no one is going to fix the problem for you.
You flip over, dislodging Heraâs hand. You look up at her as if seeing her for the first time. Sheâs ten, two years older than you were when the winter happened. She was four then. You want to ask her if she remembers, but instead you ask, âDo you think Sarah hates me?â
âWhat?â Heraâs eyes are wide. âNo! What makes you think that?â
âNothing,â you say. âItâs stupid. Forget I asked.â You turn on your side, your back to them.
âI know sheâs worried about you,â Josiah says. He offers the information tentatively. âI overheard her and the Bahrs talking. Did they ban you from the woods?â
You donât move. âWhat else did they say?â Youâre afraid that heâs going to say they called you weak. Or, worse, a nuisance. âDid they say anything else about me?â
âNot really.â
Nobody hears anything useful around here. You close your eyes. âI just want to be alone for a little while. Iââ
Thereâs a knock on the door. âIsla? Itâs me, Marie. Can I come in?â
Marie? Too late you remember that thatâs Mrs. Bahrâs name. Sheâs been trying to get the kids to call her be her first name. So far no oneâs taken her up on it and she hasnât pushed.
Hera opens the door. âHi, Mrs. Bahr. Isla is being moody.â
You sit up with a squawk. âI am not!â
âIf itâs alright, Iâd like to talk to Isla for a moment,â Mrs. Bahr says to Josiah and Hera. âAlone.â
âDonât let her yell at you,â Hera says as she passes Mrs. Bahr. âShe never means it.â
You are going to strangle her. âI donât yell!â
âThatâs not an inside voice,â Josiah says. He dodges the pillow you throw at him, pulling the door closed behind him and Hera.
You are suddenly alone in the room with Mrs. Bahr.
You sit up further, pressing your back against the headboard. Mrs. Bahr doesnât look mad. Her hands are clasped in front of her and sheâs looking down at the floor. It almost looks like sheâs the nervous one. You hug your pillow to your chest. âYou can sit down if youâd like.â
Mrs. Bahr looks up at you. Her lips twitch. âThank you, Isla.â She sits down on Heraâs bed gingerly as if afraid it wouldnât be able to take her wait. When sheâs settled, she says, âI wanted to apologize to you.â
Your arms tighten around your pillow. âWhy?â
âNot for saying you shouldnât hunt alone,â Mrs. Bahr says. Sheâs not a mind reader but sometimes it seems like she is. âFor not understanding what hunting means to you. I would have approached things differently if Iâd known.â
âKnown what?â
âAbout what youâve been through.â
The winter. Thatâs the only thing Mrs. Bahr could be talking about. She must have heard more of your conversation (argument) with the Director than you thought. âIt was a long time ago,â you say. You really donât want to talk about this with Mrs. Bahr. Not when you can still feel that winterâs desperation in your molars like a memory. âIâm fine.â
Mrs. Bahr is quiet for a moment. She studies you much like Mr. Bahr did all those weeks ago mending the fence. âI was a knight for 30 years, you know. I supposed itâs not weird that a Knight worked as a knight for so long. As soon as I came into my power at 15, I was compelled to hold a sword. To seek out evils and defeat them. To follow my Lord into battle no matter the cause.â She looks up at the ceiling. âIâve had a lot of adventures and helped many, many people. But there was a time when I wanted to quit.â
You start. âYou did?â
âI wanted to work in a flower shop,â Mrs. Bahr says. She leans back on her hands. âWhat a life it could have been! Waking up before the sun and hiking to the flower fieldsâŠI had my new house all picked out. Itâd have a koi pond and a row of red rocks from the Harrow River. Thatâs where I met Ivan.â
Mr. Bahr. Heâs been trying to get you to call him by his first name too. Unlike Mrs. Bahr, heâs much pushier about it. âWhat made you want to quit?â
âExhaustion,â Mrs. Bahr says. She closes her eyes. âIt seemed that there was a new threat to my Lord every day. An assassination attempt from a branch family. A territorial dispute. A new influx of demon beasts. It got to the point that I hardly left my Lordâs side for fear of returning to find him dead. He was the first Lord I swore my loyalty to. I always felt like I was failing those days. So I wanted to quit.â
Youâve felt like that before. Sometimes it seems like you never catch enough while hunting, that youâre never kind enough, that youâre never strong enough. Youâve never thought about working in a flower shop though. âWhy didnât you?â
âI did.â Mrs. Bahr laughs at your shocked expression. âI was in my twenties. They tell you things calm down after your teen years, but thatâs not true. I handed in my resignation and fled for the nearest town.â Her smile softens. âIvan followed me.â
âHe was there?â
Mrs. Bahr nods. âWe were sworn to the same Lord. He came galloping up with my resignation clutched in his hand. His face was so red!â She laughs. ââWhat does this mean, Marie? He was crying! You canât quit! I havenât beaten you yet!ââ
âAnd thatâs what convinced you to stay a knight?â you ask. That doesnât help you. You donât have a significant other to come racing after you.
âNo,â Mrs. Bahr said. âIvan didnât know why I wanted to quit. I canât do it, I said. I canât keep the Lord safe. Iâm not enough. You know what he said?â
You shake your head.
âHe said, Of course, youâre not enough,â Mrs. Bahr says. Sheâs lowering her voice in imitation of Ivanâs. âYou were never going to be enough.â Youâre gaping at his harsh words, but Mrs. Bahr looks amused. âThatâs why we have a squadron. The job is too big for one person. All you need to do is your part.â
You stare at her, not understanding.
âThe world isnât carried by one person,â Mrs. Bahr says. âI was so convinced that everything was up to me â the Lordâs safety, the next campaignâs success, or defense from monsters â that I buckled under the pressure. What I didnât see that it wasnât all my responsibility. I was part of a team. All I had to do was one part.â
You think of the winter night and holding the door shut. There hadnât been anyone to help you then. Someone needed to comfort the younger kids. Someone needed to try and protect them. âWhat if there isnât anyone else?â
âThen we do our best,â Mrs. Bahr says immediately. She meets your eyes. âBut are you by yourself now, Isla?â
Yes. You open your mouth to tell her that, but the word wonât come out. Are you? Director Sarah looked so defeated when you accused her of not understanding. But didnât she understand better than anyone else. You swallow. âNo. Thereâs Director Sarah.â
âWhat does she do?â
âShe takes care of us,â you say. âShe makes sure the money we get goes to the right things.â
Mrs. Bahr smiles warmly. âThatâs right. Who else?â
ââŠHera,â you say. You remember she pulled Josiah from the well before Annie even had the chance to tell you what had happened. âShe watches the younger kids.â
âSheâs very good with them,â Mrs. Bahr says. âWho else?â
Your mind blanks. Who else? âJosiah. He helps us study.â
âAnd?â
And? âT-the Lord. He makes sure we have the funds for what we need.â
You frown. You suddenly see where this is going. âThe amount of winter provisions he thinks we need.â
Mrs. Bahr hums. âWhat happens if heâs wrong?â
âThatâs why I hunt,â you say. Maybe now sheâll understand. âSo that weâll be okay if heâs wrong.â
âWhat if you donât hunt enough?â Mrs. Bahr asks.
Your chest is tight. You rub at your sternum and try to breathe deeply. âWe starve,â you say. You wheeze and then clear your throat. âWeâd starve, but thatâs not going to happen. Because I always hunt enough.â I have to.
âThis year,â Mrs. Bahr says, voice gentle and soothing, âsay you donât hunt anymore. The winter is harsher than expected and the orphanageâs stores are depleted. What do you think will happen?â
You laugh and gasp at the same time. âTheyâd all starve,â you say again. What doesnât she get about that? âFirst the little ones thenââ
Mrs. Bahr is shaking her head. âNo, Isla, thatâs not what would happen.â
Your temper flares. âThatâs what alwaysââ
âWhat would happen,â Mrs. Bahr says in her even tone, âis that Mr. Bahr and I would come deliver extra provisions to you.â
All the air is chased from your lungs. You feel eight again, small and vulnerable and cold. Youâre shivering as you stare at her. âYou would?â
âWe would.â Gently, as if afraid she might scare you, Mrs. Bahr moves from Heraâs bed to yours. She puts a warm hand on your knee. âWeâre a fortress. The Lord gives us part of the emergency fund in order to keep our stores and grounds ready for refugees. Mr. Bahr keeps fifteen percent more than the most generous estimate out of an abundance of caution. We would come and make sure nobody starved.â
For some reason, that makes you want to cry. You blink against the sudden heat behind your eyes. âOh.â
âThatâs why we donât want you to go hunting,â Mrs. Bahr says. Her thumb rubs over your knee. âIt was worth the risk before. You worked hard to keep everyone here alive. You are incredible, for that, Isla. I canât tell you how much I admire your strength and your bravery. But things are different now. You donât need to do as much as you did before. There are other people on your squad.â
But Iâm the Hero, you want to say. Heroes are supposed to save the day, arenât they?
Knights help save the day too.
You let Mrs. Bahr pat your knee for a long time. She seems content to let you think, her energy a pleasant hum next to you. A knot is untying in your chest. If you donât hunt, itâs not the end of everyone. There will still be the funds from the Lord. Sarahâs always been excellent at stretching those as far as they need to go. And, if they arenât enough, thereâs something different this year. The Bahrs are here.
âYouâd help us even if youâre only going to adopt one of us?â you ask.
Mrs. Bahrâs lips thin. She looks sad, but hides it quickly. âWeâre Knights,â she says. âEven if we are retired. Weâll be here the moment you need us.â
You donât hope. Hope is traumatic. ButâŠ
You believe her.
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(Part 2) (part 3)
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Thanks for reading! There will be a new part of Hope and the Hero every Friday!
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There's also a new story up there, a sequel to my Dandelion villain story (X)
Summary: You are free of mind control for the first time in a year. The only things standing between you and your revenge are the heroes.