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btw i wanna be clear that you are always allowed to be horny on art of raun i post. i'm sexualizing that man. go in on it its fine. there's not shit you can say on the internet that would phase me.

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« art tag »
btw i wanna be clear that you are always allowed to be horny on art of raun i post. i'm sexualizing that man. go in on it its fine. there's not shit you can say on the internet that would phase me.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i feel like "feminist" anti-kink sentiment is very tail-wagging-the-dog. like male doms playing out bdsm scenes of abuse are not oppressing their female subs that's acting. you're mad at acting. you're those aliens from galaxy quest. same with fearmongering about "booktok". however an eroticized version of patriarchal dynamics being a popular kink DOES speak to the pervasiveness of sexism, bc eroticizing the oppression is a way of coping with living under it. it's women creating a fantasy world where men being menacing to them is sexy and not scary like it is irl, or where it is still scary but in the fun way like a horror movie bc you can tap out at any time by using a safe word or putting the book down. acting like this sort of kink is oppressing women is like if you assumed the thermometer controlled the weather outside. it might be depressing to look at the thermometer and see the impact of climate change, but it's not the thermometer's fault
your weird obsession with moral purity is degrading your critical thinking skills and poisoning your ability to empathize with other people btw
your weird obsession with moral purity is degrading your critical thinking skills and poisoning your ability to empathize with other people btw
i think MORE characters should be rape survivors. i think more characters should be csa survivors. i think more characters should be dv survivors. i think strong and noble and attractive and charming and brilliant characters with indomitable spirits should be survivors. i think the most powerful characters in the world should be survivors. i think characters who are cultural icons should be survivors. i think victims and survivors should see ourselves in the most admirable and beloved characters around! i think we should be protagonists!!!
#âitâs so unnecessaryâ . okay . god yea this one drives me CRAZY. people will yap all day long about how it's "unnecessary" to make a character a survivor like do you think it was necessary for any of us to be abused or raped irl? was it narratively essential? did it teach the audience an important lesson? why do we, who have to justify our experiences and existences and reactions all the time in real life, also have to justify why we should exist in fiction? people act so repulsed by the thought of us. i've really fully and truly had enough of that. there is nothing so uniquely disgusting or repulsive or unspeakable about our victimhood or our survival that justifies this obsession with keeping the reality of our existence hidden
"oh but talking about it can be triggering for victims :(((" you know what else is triggering? living in a world that insists that we cannot be open and honest about what happened to us. maybe if we had, oh, i don't know, prominent examples in our cultural stories of people who are victims and are competent and strong it might be easier (for everyone, not just victims) to have the discussions we actually need to have about our trauma.

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Being able to draw older people as attractive without reducing or erasing the visual signs of aging, and in fact showing that they're attractive because of those signs, is an artistic skill that should be valued so much more. Honestly, it should earn you an immediate fortune because holy fuck is it a rare commodity. There are so many artists who seem to think attractiveness and aging exist in opposition to each other, so they smooth every wrinkle, erase every crease, and de-age the character until they're basically thirty with silver hair. But when an artist can look at crow's feet, smile lines, weathered skin, deep-set wrinkles, and all the little traces of a life well lived and say, "No, that's what makes them beautiful," that's a level of artistic observation and care I wish we celebrated more often.
hi what's up. I notice you've been forced into playing The Game That Hurts People most of your life, and like most people forced into it you have been largely continuously losing. now I know losing a game sucks, especially when it's The Game That Hurts People, but unfortunately the only ethical thing to do is to stop playing.
no, I KNOW losing constantly makes you want to get a win just once, and being told you're not allowed to makes you feel cheated and resentful and just plain pissed off, and that is fair. and okay yes I hear you, why did they get to be morally righteous and correct and winning all your life but now you're being told that you can never have that, so what, they just get to be right forever and you just have to give up and lose forever ad nauseum? I get that too. but first of all let's consider that maybe the premise of them being "morally righteous and correct and winning" is a false one, right? like, maybe it wasn't okay for them to set themselves up in that position in the first place, and maybe we could describe it a different way, like being "controlling and inflexible and afraid of vulnerability".
and secondly let's not forget what the fucking game is called
#Say the name of the game
it's called The Game That Hurts People we've covered this
are you tme or tma
"i know you're nonbinary but which of these two arbitrarily constructed gender categories do you fit into" genuinely are you having a laugh
Referring to the distinction between those who are and arenât affected by transmisogyny as âarbitrarily constructed gender categoriesâ tells me exactly which of the two you fall into lmao
evergreen lmaooo
The application of TME/TMA terminology stops making sense once you take intersectionality into account. Dark-skinned women, particularly dark-skinned black women, are victims of masculinization and often experience this because the concepts of womanhood and femininity (at least in western societies) are almost always measured by eurocentric standards, colorism, and a general proximity to whiteness. Violent transmisogynists shoot first, ask questions never.
Michelle Dionne Peacock was a 59-year-old black woman who, by our communitiesâ definition, wouldâve been transmisogyny-exempt on account of being a cisgender woman. However, she was killed on account of Tommy Wayne Earlâs misogynoir AND transmisogyny, even going so far as to refer to her as a âmale acting like a womanâ when questioned on the murder. Earl had no grounds for his accusations apart from Peacockâs appearance which, last time I checked, doesnât indicate anything save her blackness. Considering Earl also had to be separated from black inmates due to ânot getting along with themâ, I think itâs warranted to assume his transmisogynistic motive is equally rooted in misogynoirist behaviors/mindsets that masculinize black women. In other words: heâs just as much of a violent racist as he is a violent transmisogynist, and whether or not Peacock was actually a transgender woman meant nothing to him. Only his ideology mattered, therefore that was the only âtruthâ he recognized. Most transphobes are like this.
Caster Semenya and her battle against the International Olympic Committeeâs intersexist, transmisogynistic policies is another case I think of, though thankfully it isnât a fatal one. In 2019, World Athletics (formerly the IAAF) introduced new regulations that forced intersex athletes and other athletes with DSDs like Semenya to take medication that would suppress their testosterone levels. Semenya refused, as was her right to. Ever since, she has been pursuing legal action against these regulations. In tandem with her legal battles, transmisogynoirist and intersexist cultural wars were sparked because of the barring of Caster Semenya. Her being a cis woman in actuality did not stop these culture wars from happening. People only cared about the narratives being fed to them, and again, most transphobes are like this.
Semenya is not the first nor the last cis black woman in the sports industry to be subjected to this treatment. Far from it. Serena Williams is infamously made a target by misogynoirist sports reporters and commentators whose actions against her often skew into transmisogynist territories as well (see: Mark Knightâs political cartoon for The Herald Sun from September 2018). In that same year, Williams addressed internet conspiracies around her having been âborn a manâ as well.
Even Michelle Obama has been subjected to transmisogynoirist harassment from American right-wingers who repeatedly make conspiracies and accusations of her âsecretly being a manâ. Quite recently, UFC fighter Josh Hokit peddled this exact rhetoric on the South Lawn of the White House. Emboldened by the likes of Joe Rogan and in the shadow of the Trump Administration, no doubt.
On a less public level, I was shared a video by a black co-worker that applies to this; said video was of a black woman being harassed in a womenâs restroom. As sheâs filming, an older white woman comes around the corner and insists that she is in the womenâs restroom, implying that the woman recording shouldnât be there. She tries to ignore the old lady at first, but ultimately (and rightfully) tells her to leave her alone. Only for that same woman to claim sheâs âmeanâ for doing so, as if she didnât spend most of her time harassing this woman.
Admittedly, I used to sympathize with peopleâs reasons for using TME/TMA terminology in communal spaces. I felt obligated to use it since it was the least I could do for my peers. In retrospect, this terminology is flawed. People regard it as another version for AGAB terminology (which cannot be stressed enough that it was appropriated from intersex spaces in the first place), but itâs deeper than that.
I am not a woman, but your average person is going to assume I am a black woman. They have the potential to exercise the same violent misogynoirist, or even transmisogynoirist, mindset against me as Tommy Wayne Earl had against Michelle Dionne Peacock. My experiences arenât like that of an actual black trans woman, nor was it for Michelle, but that doesnât change the fact that our societies donât care about distinction. Our societies can and will operate on its own optics regardless of who we are, and once they perceive us one way, they arenât going to stop and check if thatâs actually true or applies to their beliefs. If American white supremacists can still peddle âMichelle Obama is a man!â conspiracies in 2026 and with confidence, what makes you think our societies as a whole will suddenly start caring about who does or doesnât apply to their systems of oppression?
Not only does this terminology overlook the nuances of sex and how it is experienced among people, but it also overlooks nuances like the racialization of gender and sex, especially when those nuances CAN and HAVE led to the discrimination of people like Michelle Dionne Peacock, Caster Semenya, Serena Williams, Michelle Obama, that woman getting dressed, and many, many more.
You cannot separate these cases of racist, misogynoirist discrimination and violence from the transmisogynistic rhetoric therein. You simply canât. Itâs all connected. The notion that any of these women are men relies on our societiesâ fearmongering around black people and transgender people alike as well as how they dehumanize us. Worst of all, we see the fallout of that constantly in our communities, seeing how black trans peopleâ especially black trans womenâ hold the highest statistics of being hate-crimed out of any other transgender demographic.
The more I looked into these cases, the more I stopped referring to myself as âTMEâ. If we can acknowledge that transphobia is capable of affecting cisgender people, then how is it any different from acknowledging that our societiesâ weaponization of gender and sex canât be binarized by something like TME or TMA? Cisgender black womenâ be them perisex or intersexâ most certainly are affected by transmisogyny, given the many ways misogynoirist and transmisogynistic ideologies intersect. Those circumstances alone show why TME/TMA distinctions ARE arbitrary.
Legalizing copyright infringement would be dismantling one of the few limitations on the white urge to steal from Black Art and Black Artists. The practical application of it would be anti-Black as fuck
this argument makes so many assumptions that I disagree with that I don't know where to start
damn asker, that's crazy and would suck. good thing we have robust IP law in the United States to prevent theft from Black artists
now to take a big sip of coffee and look up who owns Tupac Shakur's likeness
Steven Spielberg has received criticism for buying the film rights to MLK's speeches, and further controversy stems from King's estate.
In 2009, Steven Spielberg's DreamWorks company paid the estate for film rights to King's words, along with his life rights, which allow a person or company to make content based on an individual's story. DreamWorks has yet to produce or direct Spielberg's planned King biopic, but the rights have caused complications for numerous filmmakers. (Neither Spielberg's literary agent nor King's estate returned Broadly's request for comment.)
King has received only one major biopic, 2014's Selma, directed by Ava DuVernay [âŠ] Instead of using King's speeches, DuVernay wrote original monologues that sounded like soliloquies the civil rights leader could have given. [âŠ] When asked about the changes in 2014, DuVernay told the Washington Post, "We knew those rights are already gone. They're with Spielberg."
Hello (ïŸâïŸ) May I know if your commissions are still open?
Of course! (ïżŁâœïżŁ)ïŒ Most of the time my commissions are open. And I rarely have a queue ïœĄïŸ(ïœĄïŸÏăœïœĄ)ïŸïœĄ
Guiding Price list (PayPal only)- Color image with multiple characters and background - $60-100> The full body character or a half body character on a simple background - $35-50 Sketch art with flat colors (1-2 characters) - $30-40 If you need something more specific (comics, portraits, chibi), feel free to ask. (ïżŁâœïżŁ) Payment is made after the sketch is approved. Edits are possible during the sketch approval process.

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its kind of distressing how you can tell a lot of people see popular indie artists and writers and such as like "a Celebrity but one which i stand a half decent chance of bullying to death"
sometimes u gotta be like â okay â & leave that shit alone
Please do not apply to Shortbox Comic Fair.
I was among the participants that were going to exhibit my comic at Shortbox Comic Fair 2025. I applied to this fair due to its reputation and very few, almost no bad press about it. The only example I could find is the organizer's anti-competition statement here. Only during the course of participating in this fair, I learned why the Shortbox brand was so clean: the sole organizer, Zainab, would often send out emails to participants, scolding them and telling them to NOT say anything bad about their own Shortbox comics, or say anything against her decision throughout the fair. She was dictating our tone in both public and private spaces.Â
As for my case, I only communicated with Zainab via email. I tried to be as transparent with my progress as possible, though I was often met with a dismissive tone. One month prior to the deadline, I asked Zainab if my comic could have an 'extended' version, which I can link to Shortbox' customers after the fair so they can access it for free. She didn't comment or review my comic, but copy-pasted a statement from the participant guidebook about "exhibiting work post-Shortbox" (to summarize, we're not allowed to lower our prices or put up the comic for free immediately after the fair ends, an example can be seen here). Instead of a vendor fee, 2025 SBCF participants would have to deal with a 'drop out' fee, which applied to me later.
The five months after the Lunar New Year in March 2025, the comic for Shortbox was my entire priority. I took no breaks to finish the comic as fast as I can. During this period I didnât have any income from commissions or freelance, I wanted to put my all into the comic even if the sales in October were close to nothing. All the risks were on the artists who couldnât get any pay for the comic making period, while the organizer had little risk on it if there were only a few of us who couldn't make it to October.Â
I submitted my comic in 65 pages, all proofread and sent in at the end of July which was the deadline. My comic previews were even posted on Shortbox page. In mid August, Zainab got back to me to tell me that my comic is ineligible for submission because it's 'incomplete', and she demanded a drop out fee from me. It completely took me by surprise. It was incredibly frustrating because I had already brought up the extended version of my comic beforehand, and I had asked for the organizer's help in amending the ending to fit her 'completion' criteria. Therefore I told her she would have to wait for the 'drop out' fee that she demanded from me. During this period, she had proceeded to erase all of my involvement with SBCF'25. I believe this is a silencing PR tactic she had used with other artists with smaller voices.
As for my comic currently, it's already done and has been translated into Vietnamese, since I'm planning to sell the comic at my local conventions (Ho Chi Minh City). Please note that I had to abide by the Shortbox rule to not sell my comic anywhere during the fair period - October 2025 - that I had to skip participating in the only one artist alley we had in this city. Conventions in Vietnam are... very sparse especially for art and comics people, to put it lightly.
If this happened in gamedev, it'd be much easier for me to find outlets to speak out. I feel especially annoyed... and angry that artists have been such pushovers that we allow any level of micro or macro-aggressions to happen to us and just let the abuse continue. When I saw how much support and also pushback from the public when Horses gamedevs spoke out when their game wasn't allowed to be on Steam, I felt the same way: people turning a blind eye to Steamâs monopoly and their first reaction being "You'd have other vendors/publishers to pitch to". While SBCF is not a monopoly, itâs still the most well-known online comic fair in English. Artists have very little to no avenue to pitch their comic, especially if theyâre new to the scene, and are not well informed on the existence of other online events if not already blacklisted by Zainab. She insists on claiming that others are plagiarizing her format, that theyâre trying to become SBCFâs âcompetitorsâ while in reality, these are organized by people who simply liked the idea of having more comics.
While sympathizing with Zainab's background - a brown Muslim woman who has experienced the worst parts of the comics industry - her mistreatment towards the artists who have built the reputation of the fair is, to me, intolerable.
Iâm making this statement to warn other artists who are new to the comic scene, that if you also happen to get starstruck when being accepted to this seemingly prestigious fair. This is to remind long-time supporters of Shortbox the kind of behavior Zainab has behind the scenes, how she treats your favorite artists, and why so many of us decided to keep silent: it is to protect ourselves but also to protect the reputation of Shortbox.
Donât apply to Shortbox. Support the artists directly when they post on their storefront. A lot of us posted our SBCF comics for free or at a discount after the fair was over. At the end of the day, we just want people to read our comics, and thatâs good enough.
Cheers,
- Kan Pham (KOHIU)
i always fall for opening the comments section and then go ahhh right i forgot. the concept of nuance and non-universal experiences just doesn't exist to some people
locusts are SO fucked up. imagine if your apartment complex got too crowded during a drought so everyone in it started overproducing serotonin until they gained 100lb of pure muscle and then chewed through the drywall of every building in the neighborhood
they do this over in philly

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we as a society have GOT to accept that it is okay if we get blocked. you do not have the right to interact with every single person on the internet. "but then i can't interact with their content" yes that is the point "but i didn't do anything" no one owes you an explanation and you don't have to have "done something" to be blocked. let it go
i keep seeing this cut off but the preceding âyessireeâ is vital to it imo
i had to transcribe it