who wanna be friends with drawbacks
friends with consequences
Xuebing Du

Game Changer & Make Some Noise
he wasn't even looking at me and he found me
Noah Kahan

roma★
ojovivo
Mike Driver
The Stonewall Inn

Cosmic Funnies

if i look back, i am lost
Claire Keane
Sade Olutola
I'd rather be in outer space 🛸

oozey mess
Show & Tell
Jules of Nature
Cookie Run:Kingdom Official!

PR's Tumblrdome

tannertan36
seen from United States

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seen from Tanzania
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@aalgar
who wanna be friends with drawbacks
friends with consequences

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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us tv: reviewed
editing is just you vs. past-you in a duel of questionable comma placement and emotional instability
There's also noticing that a paragraph could really use another sentence, spending 10+ minutes debating over the exact wording, finally getting it right good enough, only to then read the next paragraph and discover the exact same sentence you just came up with.
I’m in this post and I don’t like it

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Paul Wenzel (1935–2022, American) Maximilian from The Black Hole film (1979)
Space Brothers fanart since the story takes place this year onward...
Now, are you going to mind your own business, or must I really give you a piece of my mind? Oh, I couldn't take the last piece.
Ginger Rogers as Francey Vivacious Lady (1938), directed by George Stevens
Nothing in the rule book says a dog can't play basketball. There are a couple rules against trans women, however, so she'll have to leave.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
local matchmaker losing it over yet another unrealistic demand from the clientele 🤣🤣
Translation by me. :))
In the really not-too-distant future, Mystery Science Theater 3000 returns!
Even if you can't be held captive on the Satellite of Love, you can join Mike and the bots in the theater when MST3K: The RiffTrax Experiments debuts in theaters this September with STING OF DEATH.
Get your tickets and be there September 9th and an encore on September 13th. Join us, won't you?
Over the last several years, I've been reading all my Spider-Man comics, which, embarrassingly, is a lot. I got into collecting old comics around the same time, filling in an already large collection started in the mid-80s, so I was reading a lot of stuff for the first time and revisiting a lot of stuff for the first time in decades. I looked at all Spider-Man comics, plus an comics he guest starred in that I had. Generally speaking, I just read 1 a day, sometimes more. I split them up into groups, and when I finished a set, I'd do a drawing kind of summarizing that section.
A few months ago, I finished Amazing Spider-Man, Vol. 1, everything I have from 1962-1998. That ended up being 52 drawings. And I felt like getting them all together here. Most of them feature a Spider-Man and maybe a villain copied directly from an artist in the period as a sort of tribute, but everyone else original to my drawing. I tried to make each one look like the art trends of time the comics are from as much as I could. My art tends to be more cartoony than you'd want for this sort of thing, but I tried to make things more "superhero-y" as I was able. Overall, I think they came out ok. I'm chipping away at the ASM Vol. 2 era now.
You read a lot of good comics and a lot more bad comics doing something like this, but it's fun to see how things evolved and changed over the decades. Alt text for each drawing details what comics it represents and what artist I copied the Spider-Man from, where applicable.
2nd post with 31-52 coming soon.
There's the set. Someday I'll probably post a bunch more, but the 1999 reboot made for a nice stopping point.
This absurdly long post is back, because I got 10 more of these drawings. This set starts with the reboot of the comics in 1999 and goes through 2003. The first one is for the terrible Spider-Man: Chapter One series, revamping Spider-Man's early days and making them worse. I amused myself by recycling images from my old drawings about the original material, updating the art to reflect the times. The rest go into the 2nd volumes of Amazing Spider-Man and Peter Parker: Spider-Man, with the usual guest appearances and stuff as I had them. A lot of the Spider-Men and some other figures are copied from John Byrne, John Romita, Jr., and Humberto Ramos. 3, 4 and 7 here are entirely original.
I also started mixing in issues of Ultimate Spider-Man to break things up, and I got 3 drawings from that series in this set. 1 and 3 have Spider-Mans referenced from Mark Bagley, the Venom in 3 is more loosely based on one of his drawings, and there's an obvious reference to the cover to Giant-Size X-Men 1 by Gil Kane down there.
Spider-Man beat Doctor Octopus by pantsing him mid-fight, it was a different time. Still having fun with these things, but man, trying to replicate early 2000s digital comics coloring is a lot more work than the old stuff.
Behold, it's 10 more of these. The coloring on these is getting pretty complicated. Most still feature a Spider-Man and maybe some other people copied from a real artist, altho an unusual 4 of them don't. But one is nothing but an experiment where everyone is copied Mark Bagley drawings, so that really swings it the other way. This one's hitting your big 2000s events like House of M and Civil War and the universally reviled One More Day. In lieu of my usual half-ass descriptions in the alt text, you can go look at these on my website for more detailed explanations of them if you're into that. I never thought I'd keep doing these this long, but I have a history of not knowing how to stop once I start doing something.
Oh man, 10 more of these! Same operating conditions as usual, main figures copied from the original artists in 1, 2, 6, and 9, the rest all original. A noteworthy exception being the 2nd-to-last one there. It features material from Ultimate Power, a miniseries which made me suffer through 9 issues of Greg Land "art." I figure since all he does is trace the same things over and over, what better way to honor him than tracing his art? It made me look at his terrible art for a long time and felt like a punishment, but it was the most spiteful thing to do, so I did it for the Ultimates, the Supreme Power team, Dr. Doom, FF and X-Men. Longer descriptions still available at my website. This brings me up to around 2010 in Spider-History. That's pretty crazy.
anytime someone from England orders a print from me I’m delighted because the addresses tend to be charming and sound completely made-up, I just suspend my disbelief and accept that I’m sending a package someplace with a name like Bristleberry House at Ditchmallow in Brambleford-on-Cotton—incredible lmaooo I bet this gets delivered to you by a badger in a little coat
THE GOAT (1921) — Dir. Buster Keaton, Mal. St. Clair
Old-time audiences thought this train was going to come out of the screen and hit them. But savvy viewers knew it would be sated once it crushed Buster Keaton’s spine.

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Your middle aged Aunts lead the first online charge for yaoi and your great Aunts lead the first conventions for fandoms and wrote yaoi fanfiction on paper. (It just wasn’t called that at the time)
Sometimes they didn’t even show anyone. Sometimes they showed a few fellow fans.
You simply live now, following in their footsteps path they laid.
On a related note, passed my way by a friend:
They say ooooh be a good boy for daddy and you'll get a reward. But then the reward is just gay sex. This is bullshit. I wanted a skateboard
Then they say if you're a bad boy daddy will punish you. But what's the punishment? More gay sex! You can't escape it. This whole damn place is in the pocket of Big Sex