Rambling of a knitting sci-fi geek.

Movie Howl is a soulful and quiet. Book Howl is a drama queen and Causing Problems and has a long string of jilted exes and couldn't shut up if you paid him.

Sophie and Howl drive each other up the wall at the beginning and it's really funny. Sophie and Howl are (despite themselves) very much in love by the end and they still drive each other up the wall and it's even funnier.

In the movie, Howl has been ordered by the king to participate in The War, and Howl is avoiding it because he is a brave conscientious objector. In the book, Howl has been ordered by the king to rescue his lost brother from the Witch of the Wastes, and Howl is avoiding it by any means necessary because he is a cowardly weasel who wants to stay as far from the Witch as possible.

In the movie, the Witch cursed Sophie because she was jealous about Howl speaking to Sophie for five minutes. In the book, the Witch cursed Sophie because Sophie had been doing surprisingly powerful magic for years without knowing it and it was actually starting to cut into the Witch's plans. (Sophie does not discover any of this until nearly the end of the book, but the reader can start to pick it up much earlier and the way Sophie's magic works is pretty darn cool.)

In the movie, there's a rumor that Howl eats the hearts of maidens, but this is implied to be nothing but nasty fearmongering. In the book, there's a rumor that Howl eats the hearts of maidens because Howl started the rumor so people would stop asking him to do wizard junk all the time.

The book lightly parodies a couple of tropes from Western fairy tales. In particular Sophie has internalized that, as the eldest of three sisters, her "destiny" is to fail so that her younger sisters will look cooler when they succeed, which is why she's so resigned to the hat shop at the beginning. (Sidebar: Sophie's sisters come up much more in the book and they're great.) There's also a really funny bit where Sophie attempts to operate a pair of seven-league boots.

twelve episodes, twelve contestants - a mix of annoying middle aged sci fi authors, fan fic authors and random people off the street

a variety of against the clock writing tasks, big finish scripts, ability to interact with actors without shouting at them and challenges where you have no budget or doctor for an episode

judged by solely by christopher eccleston

Jet Lag series 18: Stateside Scramble bingo!!

Image description and blank bingo board for you to use below the cut:

Next slide. “Brandon Sanderson is a member of the LDS”. The muttering has changed tone

“It’s not a very big amount of money though.” Someone in the audience pipes up. “His cut is only a small fraction of the cost of the book, and then-“ my next slide shows an income breakdown, it is titled ‘a small fraction of $10,000,000 is still a big number’

Grace, nervous: nothing-

Twice in my youth (once in high school and once in college) I was in situations where I was asking someone out and I could tell they were calculating in their heads the risks of rejecting me, and both times I said, out loud, "you can say no, I wouldn't have asked if I wasn't prepared for either answer." And then they said no. This wasn't some spark of special wisdom I had - I knew to do it because feminist conversations among my age group brought it up regularly. This isn't happening nearly enough anymore.

More recently, I was really glad when we got to "rejection sensitive dysphoria" in my IOP program and it was one of those symptoms where the therapists really emphasized how it affects others. Because it does.