buried treasure

I'm starting a summer project

Pokemon: Generation to Generation

09% complete

Red and Leaf

reference:

the proportions on the header band have improved, but I think I maybe should have doubled the weft threads for the warp.

I started weaving the spear, penelope, and the right border via double-weave with the intent to leave the remaining warp threads unwoven (as they would be on penelope's loom on the pot), but predictably this is giving me tension problems. I either need to increase the loom weights or just weave the black layer and leave the orange warp threads unwoven, and then switch colors once I get to the heddle bars in the drawing, with the black warp threads floating on top. (I guess weft-faced tapestry would be a third option, if I add a ton more tension.)

Couple of Project Hail Mary doodles!!

The first one was my idea of what he would go for as a jingly celebrations outfit ahah the eridians collect and make him all sorts of beads; even if they're sad that their most resonant materials are toxic to Grace. They settle on some of the lightest metals they have plus porous rocks (trying to avoid extra weight as much as possible because of, well, extra gravity).

Grace has a fun week sorting them by colour which is incomprehensible to them (to the point someone alerts rocky that the human has been pushing the same beads around arbitrarily and is he ok??)

It is not the best sounding outfit anyone has heard but they're happy Grace is well enough to celebrate with them!

It started with someone listing "places with uncanny energy," like gas stations on a road trip, empty movie theaters, etc.

Then someone reblogged it and said those are called "liminal spaces," defining liminal as in-between, neither one thing nor another.

Tomorrow (July 4th, 2026) is the 10 year anniversary of the-crepes-of-wrath's comment, which:

Predates the 2020 spike in interest by four years

Predates the original backrooms post, and the the creation of r/liminalspaces by three years

Predates the earliest mention that KnowYourMeme attributes to Twitter by two years

I'm pretty sure this is the moment the term "liminal spaces" was attached to this sort of imagery, and it's TEN YEARS OLD TOMORROW!

Futura (1927) [Daylight Fonts · Fonts In Use · Identifont] is one of my favorites out of the well-established sans serifs, but one thing that annoys me about it is how C and c have vertical terminals, while G and e have angled terminals.

Besides being internally inconsistent, I find the vertical terminals ugly. (I dislike Antique Olive (1962) [Daylight Fonts · Fonts In Use · Identifont] for the same reason, but at least it uses its vertical terminals consistently.)

I recently learned the reason for this (from the book Paul Renner: The Art of Typography): Futura was designed first and foremost for writing German. In German the letter c only occurs before h and k, and in traditional German blackletter typography, ch and ck are obligatory, inseparable ligatures.

Futura doesn't have joined ch/ck ligatures, but ch and ck were still cast on a single piece of metal, with a smaller gap between the c and h/k than between other letters. The vertical terminal on the c was necessary to allow these letters to be placed so close together.

inspired by @casgirl’s tags on this post: