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You exhale raggedly as you continue your climb up the crumbling skeleton of stairs that runs along the mountainside. When it seems as though your thighs cannot take another step and your lungs wheeze unevenly with each new breath, you reach a landing. You collapse to the ground. After a moment's rest, you right yourself with trembling limbs - only to find yourself facing a skeleton, its lower jaw dropped in a silent scream. You scramble backwards, your back hitting a jagged rock jutting from the mountainside. You cower against the stone, your fear surpassing the sharp flare of pain, but the skeleton does not move. It sits slumped by the edge of the landing. A ragged cloak pools around the bones of its body and clutched in its lap in a bony grip is a book.
The book slides from its grasp easily. The binding is a dark green leather - plain with no embellishments or markings. Two copper clasps keep it closed, but there is no way to unlock them or open the book it seems. You run a finger along the cool metal as you shuffle backwards, keeping a wary eye on the skeleton. Its empty sockets stare back at you.
Codex Entry: A Book Without Title
Material: Simple leather binding with no title and an ornamental clasp with no visible way to unlock and open the book
This object is not for use in combat.
A plain leather book. The visible page edges appear to be simple parchment. An intricate and ornamental clasp keeps the book closed, but there is no keyhole or visible way to unlock the clasp. To unlock the book you must whisper it a secret.
Once opened the pages appear blank, but ask the book a question aloud, and it shall be answered in the reader's own mind. But beware for the cost of knowledge is a memory.
The book takes no physical toll from the reader apart from the snatches of memory it takes. Yet the more it is used, the more the hunger for knowledge grows within the reader.
The reader will be compelled to continue asking questions. The craving for knowledge will become insatiable until the reader has no memory left to offer.
Without memory, no knowledge can be gained.
The reader will wander, aimless and without memory, protecting the book with no knowledge of how to open it or what it is until it is taken from them or until death.
A secret, long-forgotten comes to mind. You run your finger along the copper clasp again, the pad of one fingertip catching on the sharp point of one end. What knowledge lies in this book? Might it help you find what you seek?
You are faced with a choice. Do you:
⟡ Share a secret with the book and see what lies within its pages
⟡ Return the book to its previous owner
GO TO NEXT ENTRY ►
Developer Notes Below!
For day 4 of @evanurisweek is DIRTHAMEN :D I mentioned in the previous entry that the twins are my favorites, and this really is true. Dirthamen's object is the most simple, but by far the most compelling to me. I think the concept that I landed on is so interesting and makes me rub my hands together and cackle whenever I think about it >:)
Design wise, I just have a few notes. Kept similar colors to Falon'din's object so that we had a throughline between the twins. Also, the claspssspspspsps (plural of the word clasp seems fake to me idk why) look like Dirthamen's vallaslin :)))) i was struggling with how to do an "ornamental clasp" while sticking with the pretty simple visual concepts I was aiming for in this series and this feels like it hit a nice sweet spot !
Sharing a secret to open the book. Nothing being on the pages. Losing a memory to gain knowledge. Being the bearer of the book with no memory of who you are or what the book is but carrying it with you until you die or its taken from you DELICIOUS IM EATING IT UP
I honestly just love the twins so so so so much :)) when I was doing the planning for Dirthamen, he had BY FAR the most amount of object I was thinking could be interesting to associate with him. A cloak, a key, a ring, a mask, etc. but ultimately I like this unassuming book I went with :D
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For this "nine-days-long-week", I will be sharing my mosaics based on the games, mixing them with the pantomime theatre masks (Dragon Age The Veilguard), their respective vallaslin, and other symbolism <3
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there is no amount of language learning that is useless. I think it obviously scales up in wonderfulness as you learn more, but even just being at the point where you can recognize what language is being spoken or written is still a more useful thing than not knowing that. it is lovely to say hi to people in their language! any attempt to learn is important. you don't get fluent overnight. and you don't have to get fluent overnight. more knowledge is better than none. it isn't just all or nothing.
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