I'm Sick of your Shit Todd

It is not a big secret that the Manga ending of Soul Eater is not a well recieved one.

There are a lot of very obvious criticisms of it, wheter it be the way the story has no real climax, the relationship between Crona and Maka is a no ending tale that pretends othervise, or the damn madness of boobs.

There are a lot of things to critique about it, just on a surface level. I have seen plenty of them through the years. What I have no seen though is someone delving into why, on a thematic level, the Manga Ending does not work.

Crona

The biggest problem by far, is Crona's choice in the end, because Manga Crona makes the wrong choice at the end. The cowards choice.

Rather than going out and facing the world, and risk the hurt that comes with opening oneself to other people, Crona instead makes the choice to stay to "Atone".

In other words, the lessons of abuse that Medusa hammered into Crona from childhood, of being completely undeserving of forgiveness is not overcome at all.

Crona admits to not being able to go back to the world after everything horrible that has happened, every sin, every crime, every wrong turn.

In the end, this is fueled by cowardice. By choosing to stay, and keep Asura in check, Crona falls back on every single bad lesson Medusa ever taught.

It's all your fault, you dont deserve forgiveness, you dont deserve a happy life, you cannot grow.

I dont think most readers really realised the full implications of all of this, when reading the manga ending the first time,

But the feeling that something is deeply, deeply wrong with this ending is there all throughouth this ending.

The thing is, that on paper this ending could have made sense, after all this kind of self sacrifice ending has been done a thousand times throughout anime and manga... But it does not work here.

It does not work, because in the end, it completely proves Medusa right. She managed to break her child, and in the end, Crona NEVER managed to recover from it.

One of the single biggest problems fans have with the Manga, is that Medusa's death, the final ending of the single best villain the series ever had, feels incredibly cheap.

This is completely true... but not because Crona murdered her in a pique of insane rage and bitterness, but because thats the final note Crona's story ends on.

Medusa's story feels cheap, because there is no real follow up and closure, and far, far more importantly, a thematic rebuttal to her actions.

Medusa getting herself killed by her own child on purpose is not a problem. The fact that she is not proven wrong in the end IS.

The Manga ending with Crona choosing to seal asura on the moon, rather than having to confront the world, and risk it all on a final battle that the crew might, or might not win, proves that Medusa's assessment of Crona as a coward who could never face their fears and always takes the easy way out, was right.

And that is a TERRIBLE note to end the story on.

However the problems with this ending goes much further than that. It also(unintentionally) rejects Soul Eater's themes.

What is the most defining image from the soul Eater Manga? The one image that sums it up it's themes in one go?

The answer is this one, from chapter 15.

An ending where Crona gives up everything for Maka could work as a tragic ending... But it can't work in Soul Eater, because Self Sacrifice for the greater good or even the people you love is not one of it's main themes.

Soul Eater's main theme is comeraderie in spite of every difference, of embracing one another no matter how much it might not make logical sense.

Or as Maka and Asura's final conversation in the anime puts it, that madness and bravery are two sides of one coin.

It is a form of madness to open yourself up to other people, to risk judgement, to risk having your heart broken or hurt by opening yourself up to other people... And yet that is exactly what the protagonists of Soul Eater does all the time.

And it is best summed up in that spread from chapter 15, where 7 different people with a whole ton of personal issues puts all of it to the side, to stand together as friends against the world.

Because they have the bravery to do so, the bravery to take a risk and open themselves up to other people, to take a leap of faith.

Bravery and madness together.

THAT is Soul Eater's main theme, and it is one that it ultimately rejects in the final two chapters of the manga, and not just with Crona, though that is certainly the worst part of it.

Maka and Spirit

But the ending does not just reject it's own themes on the big scale, it rejects it on the smaller one too.

One of the plot points of the last two chapters that left a BAD taste in a lot of peoples mouths, is the interactions between Maka and Spirit.

And make no mistake. It is BAD. Really, really bad, and just like with Crona's choice not to take the risk of going back into the world and having to deal with it all, it COMPLETELY rejects its own themes for the sake of a bad, bad joke, told at the worst time.

Upon the sealing of the moon, Spirit and Maka comes face to face with the seeming reality that Spirit(and several other people) are about to be sealed with Chrona on the moon.

This leads to a very sweet moment from Spirit, where, in what he assumes will be the final time Maka sees him, chooses to give her a smile to remember him by, so her last memory of her dad wont be him cowering in fear from his impending end.

Which is then completely undone in the next chapter.

When returning to earth, and confirming with her own eyes that yes, maba did save her dad with her magic, Maka's response is to revert right back to the spitefull girl she was at the start of the series.

She once more deliberately rejects her dad despite her very, very real feelings of love and relief upon seeing him alive.

It might not seem like much, but in the end, this one, single moment, in the final chapter of the series, proves that Manga Maka could never defeat Asura, because unlike anime Maka, Manga Maka was not, in the end, able to overcome her own personal fears about opening herself up to others.

Just like Crona in the previous chapter, Maka does not overcome her own personal fears of opening her own heart for the people she loves, despite the risks involved.

And that is an absolutely TERRIBLE note to end Maka's entire journey on, given every single bit of character development she has had before this is about doing that exact thing.

Soul Eater Evans

Now the problems with Soul Eater isnt nearly as bad as the problems with Maka and Crona, where their choices ultimately ended up undermining the mayor themes of the story, it simply tries to shove in the idea there was some greater journey for soul eater, where he had some massive lifechanging revelations, just the usual and generic "I have become way stronger thanks to you".

It's not a Bad note to end his character on, but it's telling that rather than just reciprocrate Soul's very obvious flirting, Maka in the final panels is far more conflicted, and in the end, uses his own words to reaffirm her devotion to Crona.

I like Souls a lot, but the fact is, that at no point in this story did he reach a point where he earned this ending, where he could genuienly say that he was done running away from all his problems. At no point did he seek out his broher to reconnect, he did not reconnect with his family, and while I am glad he was able to reembrace his love for the piano in a healthy way, there is a far cry from that, to being able to claim he's conquered all his demons.

Ultimately Soul's actual journey in this story, is the fact that he is not the main character. That is how he is introduced, as a guy who very clearly wants to be this story's focus, but the fact is, he isnt.

Maka is. it is her journey that we actually follow, is her growth and choices that defines this journey, and it is her relationship with Crona, not her relationship with Soul, that this story places all its hopes, dreams, themes, and climax on.

The fact that this climax ultimately failed as a story, does not change that fact.

This is not to throw shade at Soul and his development, as he IS a good character, with his own journey, but the brutal fact is, that he has not earned this ending at all.

He is Maka's partner, and that IS a HUGE part of this story... but it's not the part that the entire climax was built around, and put all its chips on.

The final pages trying to pretend othervise is another way this ending ultimately failed as a story... but its NOTHING compared to the way it failed Maka, Crona, and it's themes.

Conclusion

While im very, very negative towards the climax of the manga, this is not to say that the ending is completely devoid of good parts.

Kid making peace with the witches is a very fitting ending for his character, and fits right in with the Story's themes... Unfortunately, the conflct between Witches and Meisters/Death was not the aspect of this story that everything hinged on.

less said about the madness of boobs, the better though.

Moreover, men literally have no clue how much they talk. When Spender asked students to evaluate their perception of who talked more in a given discussion, women were pretty accurate; but men perceived the discussion as being “equal” when women talked only 15% of the time, and the discussion as being dominated by women if they talked only 30% of the time.

Spender’s conclusion, if I may parahprase: you only think we talk too much because you’d rather we were silent.

Don’t fuck with me, asshole, I’m a scientist.

Like what someone mentioned above how the ever fuckin hell is imperialism ever cute?

Someone explain how this is cute. Especially with the problems of sexualization, fetish, and prostitution among and toward Filipin@s especially around the old U.S. military bases and where U.S. marine magazines actually support the sexualization by writing articles on the Philippines as an exotic, tropical, country with scantily clad women. Then coming to the country to find a Filipina girlfriend and trophy wife to take back with them to the states.

How has U.S. imperialism in the Philippines, which is the country where the U.S. became a new imperialist country when they colonized us, stole our freedom from Spain, called and still do call us insurgents for trying to fight them off our lands after they supposedly “defeated Spain” in a mock war in Intramuros where the Spaniards just surrendered to the Americans because despite they knew how they lost to the Filipin@s fighting them outside those walls they didn’t want to admit defeat to the people they colonized. How in the Philippine-American War shortly after they killed thousands of innocent people men, women, children, and the elderly. Who burned villages, called us “g**ks”, where that racist slur originated from, and “little black n*ggers*. Where they did torture methods such as the water cure torture, and when they set up schools with white Americans to come to the Philippines and force them to learn English, often reprimanding the children if they spoke their native language, and writing textbooks that hid the atrocities done to us so they would make it like the U.S. was “our savior”, which was one reason why we were colonized anyway because they wanted to “save us from ourselves”. And so many other shit that the U.S. has done, still does.

You may find this picture cute but that isn’t cute. 

You know what I see? I just see a photo that supports the problem of the U.S. military in the Philippines and hell, all of Asia and the Pacific region really.

Let me make this clear.

We. Don’t. Want. The. U.S. In. The. Philippines.

They have done plenty of shit to us in the past and still do.

I somehow accidentally ended up with two copies of Pug Davis, Rebecca Sugar’s indie comic from 2010.

But anyway, I read it last night and it’s just so lovely. Definitely grittier than SU fans are used to from her mainstream work, unsurprisingly contains some elements of a Jhonen Vasquez vibe that rarely comes to the surface in SU, definitely more, uh, slurs and bad language and sex, and definitely more weird unpleasantness both visually and contextually, but what I’ve always loved about Rebecca Sugar’s stories is absolutely present here.

“Adventures” are there but they’re secondary. What’s first and foremost is interaction, emotion, authenticity, reality. (With a joke here and there–I laughed out loud twice.) The absurdity of an Earth defender with a pug head on a man’s body is great fun, but it’s also covered as a tragedy and explored as part of an unspoken history between Pug and his sidekick Blouse. And Blouse being very gay is frequently funny, but it isn’t a punchline.

I loved the feeling in this, the moments of silence and emotion between the characters, the unvoiced bonds, the obvious fullness of their lives before they became who we see. I loved the way the characters’ hands bend, the way their eyes shine, the way they stand and gesture and speak. It’s a weird little group of stories, but it is captivating.

I also love writing stories where “what happens” is secondary compared with who it happens to. I don’t talk about my personal work on this blog, but I’m also an author and (usually shitty) comic artist, and part of the reason I connect so hard to Rebecca Sugar’s work is that we seem to write for the same reasons. I’m really glad I got the opportunity to read and own a copy (well, two copies!) of this early work by her.

(I’ll definitely be selling one of these. Hopefully to someone else who wanted it for the reasons I did.)

Hope you engjoy my comic

everyone in college is eccentric. everyone

you wanna wear full on Victorian suit? the girl in pajamas who clearly hasn’t slept in three days supports you

everyone is too preoccupied to care as long as you’re polite and follow class etiquette

multiple high school diplomas? eh. same stuff. multiple BAs? Enjoy learning chemistry AND art history! All in detail!

wandering around campus at 3am? that’s just the lifestyle tm

no matter how old or young you look it’s not really that weird, there’s sixteen year olds and sixty year olds doing BAs somewhere

If u put ur blood in a water bottle ppl will assume it’s juice and be Jealous

“Oh god I’m a monster” 20 students who r all procrastinating big projects say “same” simultaniousely and with the exact same tone

Everything is a joke so if u say “I subsist on the lifeblood of mankind” someone will go “lol what a mood”

It would take u like 100 years to major in everything

Seen sucking the blood of a fellow classmate and u r instantly the campus Cryptid and Mascot

Listen. If u have an ethical dilemma go find a philosophy major that believes in ethical subjectivism and they’ll make u so angry u forget abt whatever the fuck was bothering u

College is the only acceptable place to get into fistfights over classical literature

Literally all u need to do to avoid suspicion is be the guy that always has gum and a stapler

If u have a majestic mustache ppl will just assume ur an English major

Hace unos dias vi una serie de gifs de Marie Kondo explicando que a la hora de ordenar nuestra ropa debemos elegir la que nos produce felicidad, y para no sentirnos mal por la ropa que queremos botar, agradecer el tiempo que estuvo esa prenda estuvo con nosotros y dejarla ir..

Esto me llamo la atención y luego en Netflix descubri que habia una serie de ella, donde va a casas de personas y las ayuda a organizar. Me gusto su método y quise compartir algunos de sus consejos con ustedes. Quien sabe. Siempre se aprende algo 😉