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YOU ARE THE REASON

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@xxobsessionxx

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i thought this was going to be a cute little movie. wrap it up bro šššššššššššš
love that ilya is actually kinda confused when he meets shane for the first time but then as soon as shane goes for the SECOND handshake in a 2 minutes interaction his whole body language changes and hes like oh. OH hes flirting with me,, and he was !! ! (sighs) shane hollander youre so cute and lovable. ilya didnt stand a chance
first handshake
second handshake
like,,,,,, come one ! !!
# ILYA ROZANOV IS A COMEDIAN Ā
CONNOR STORRIE as ILYA ROZANOV HEATED RIVALRY (2025ā)
William Jackson Harper as Annabethās dad PLEASE

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Me at age 13, exhausted at school after staying up all night to read fanfic: I canāt wait until Iām an adult and I can stay up reading without any consequences!
Me, an adult, exhausted at work after staying up all night reading fanfic: Fuck.
Mark & Gemma x Past Lives (2023)
Screenplay written by Celine Song
Past Lives (2023) dir. Celine Song
When Shang Fell in Love with Mulan
Itās been a point of debate for twenty-seven years and counting, ever since Mulan was released to American theaters all over the country on June 19, 1998. You still see debates about it on the internet, you still see people aggressively insisting that Shang is 100% heterosexual and only fell for Mulan after she was outed as a girl, you still see people making bisexual edits of Shang and holding him up as a ābisexual iconā and accusing Mulan (2020) of practicing LGBTQ+ censorship by removing Shangās character.
My personal belief is simple: Shang was in love with Ping, but the cisgender and heterosexual filmmakers were not thinking about bisexuality when they wrote his and Mulanās love story.
Sound confusing? Yes. But Iāll try to break it down for you in simple terms, so youāll hopefully understand where Iām coming from. Hopefully, it might even make you want to rewatch the movie and look for what Iām talking about, because I think itās very obvious if youāre just paying attention to the film itself, not internet discussion based on nostalgia.
The thesis is this: Shang was unconsciously drawn to Ping, Mulanās male disguise, but only believed his attraction was ābrotherly loveā. He felt brotherly affection and respect for Ping at first, as indicated by him smiling at Ping for āhisā impressive progress in the second half of āIāll Make a Man Out of Youā and looking back at Ping for the āYouāre a great captainā comment. These feelings slowly started to change off-screen, somewhere between the training montage over three weeks (āIāll Make a Man Out of Youā) and the time passing montage of the platoon traveling (āA Girl Worth Fighting Forā), as he felt more and more drawn to Ping during their off-screen friendship and comradery in the army.

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I never thought I'd say this but Rick being so involved in this tv show was the worst thing that could've happened to it.
First, it makes close to impossible to critique anything without The Cult of Riordan jumping you and shutting down each and every discussion with responses like this one.
Secondly, and other people have said this before (including Rick himself), he's using the show basically as a rewrite ā and unfortunately, he's a much worse writer nowadays. Maybe pjotv would be better in the hands of someone willing to treat it purely as an adaptation, and not a chance of a soft reboot of the books and to spite the movies
while weāre at it,
the show should have been animated.
walker is growing up so fast itās actually scary.
"why must I be your pride and joy? why can't I simply be your daughter even if I am pathetic and foolish" OKAY I see we are going for the jugular
she wants to cookā¦
i just finished good morning call s1 and watched the first ep of s2 and holy shit i hate urehara and nao so muchhhh. this show is so infuriating but i canāt get enough of it šš
everyone gives nao shit for acting like a child all the time and jumping to unnecessary conclusions but UREHARA LITERALLY SUCKS. he doesnāt communicate with her barely, shows her any attention, and treats her terribly most of the times. nao literally had better connection and relationships with every other guy while urehara barely acknowledged her. i was strapped to my seat waiting every single goddamn episode for him to finally show an inch of affection during the last 2 minutes of each episode. the show is ridiculous and if you want to feel like youāre going on a never ending stomach turning rollercoaster then you should watch.
crazy how this was two years ago. i ended up dropping good morning call after the first episode of season 2 because it was too emotionally damaging. i decided to come back to the show a few days ago and have successfully finished the show.
season 2 was amazing! nao and ureharaās relationship matured a lot and they were doing so good! so many cute moments! then natsumeās bitch ass had to come in and ruin everything. he fucking sucked, nao and urehara let him stomp all over their relationship and they treated him kindly like he didnāt just ruin all the character development that they had. urehara should have murdered his bitch ass for kissing his girlfriend not once but TWICE. he was truly the villian of the season and deserved a good ass beating. PUNCH HIM AGAIN UREHARA. how could you kiss your best friendās girl as sheās crying about her insecurities, what can kind of douchey asshole would do that? oh yeah fucking natsume. i was so tired of his bitch ass there was no need for him to be in every single scene after nao rejected him PLEASE GO AWAY.
the ending was fine, iām glad it ended with urehara FINALLY telling nao how he felt. i wish they did the classic drama thing were we get the flash forward to them married with kids but thatās just me. i might lowkey go back and watch season 1. overall though 7/10 for me :p wishing you the best urehara and nao! and a big FUCK YOU to natsume š
Just the beginning

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i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are ā or when we decide one is āworseā than the other. they all have moments of seeing right through it, seeing each otherās toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.
1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like āokay, letās leaveā, and has this little smirk on his face because he knows patrick wonāt give up on tashi.
2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a āhome-wreckerā but still entangles herself with them, especially patrick because heās clearly the better tennis player at that point and that is tashās ONLY true love. tennis. thatās what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails ā tashiās injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.
3. before this, patrick sees right through art trying to break them up, and even admires that quality ā maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the ātick-serveā scene, where he even swears to tashi he wonāt tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too ā even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).
4. havenāt you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this ā he even admits that heās playing for tashi, that he knows sheās living through him. he even admits heās playing a fucked up little game with patrick when theyāre in the sauna. yet he still does it. again, he knows whatās happening, sees right through them ā still does it, still loves them.
5. when tashi calls patrick to come pick her up he knows itās not just to tell him to throw the match ā and despite how she battles him about it, they still have sex in the car, because he already knows. heās so fully aware of her and her game and heās so willing to be caught up in it, the same as art.
just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because theyāre all fucked up in their own, individual ways, and theyāre all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks heās lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game ā heās so defensive of arts feelings.
in short this is an actual love triangle (and i would go as far as to see it as a polyship). you canāt erase one without the whole thing unraveling, and you canāt say one character was the āworstā without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.
even at the end, patrick signals to art that he slept with tashi ā art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys ā in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.
in a fucked up way, they all get what they wanted out of each other.
MIKE FAIST as Art Donaldson inĀ CHALLENGERS (2024) dir. Luca Guadagnino