therapist: and what do we say when we feel like this?
me: no live organism can continue to exist sanely under conditions of absolute reality
therapist: no
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@winownas
therapist: and what do we say when we feel like this?
me: no live organism can continue to exist sanely under conditions of absolute reality
therapist: no

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Ashbery
Tired, Langston Hughes
Saturday Night, Ollie Jones
Sun’s Private Concert, Marcos Palazzio
the year is 2035. the new beauty standard is for women to cut their ears off, as ears are a masculine trait which make the face look too big and hearing isnt necessary as it doesnt align with being demure. evil feminists say perhaps this is unnecessary and ears are natural. women are agressively proclaiming they are cutting their ears off due to sensory issues

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Philip K. Dick, Do Androids Dream of Electric Sheep? (1968)
Elena Wuest (German, b. 1977) ‘Beyond’, 2025 Oil on canvas, 80 x 60cm
There Are Mornings
by Lisel Mueller
Even now, when the plot calls for me to turn to stone, the sun intervenes. Some mornings in summer I step outside and the sky opens and pours itself into me as if I were a saint about to die. But the plot calls for me to live, be ordinary, say nothing to anyone. Inside the house the mirrors burn when I pass.
oh yikes unfollowing….was a big fan of his anglo-saxon poetry textbook, had no idea he murdered that guy’s dad with a tire iron…

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“The daily routine of most adults is so heavy and artificial that we are closed off to much of the world. We have to do this in order to get our work done. I think one purpose of art is to get us out of those routines. When we hear music or poetry or stories, the world opens up again. We’re drawn in — or out — and the windows of our perception are cleansed, as William Blake said. The same thing can happen when we’re around young children or adults who have unlearned those habits of shutting the world out.”
— Ursula K. Le Guin
Joe Keery as Baron Marmalade (2024) dir. Keir O'Donnell
Alexander Grishkevich Backwater
i am just moved by everything now. i'm porous and everything gets inside me
— Stolen Moments, Kim Addonizio

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Djo ph. by Koichi Takemura for Spur Magazine
Joan Didion, writing about the shock that followed after the death of her husband, John.