Edouard Manet, "A Cat Resting on All Fours, Seen from Behind" & "A Cat Curled Up, Sleeping," Graphite on ivory-colored paper, 1861, The Metropolitan Museum of Art, New York.

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Edouard Manet, "A Cat Resting on All Fours, Seen from Behind" & "A Cat Curled Up, Sleeping," Graphite on ivory-colored paper, 1861, The Metropolitan Museum of Art, New York.

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Elizabeth Winthrop Chanler (1893) by John Singer Sargent
Ishibashi Kazunori - Lady Reading Poetry (1906)
Fritz Lang, woodcut prints of cornflowers and red carnations, circa 1910s-1923.
The Forget-me-not (Das Vergissmeinnicht), (Detail), (1886), by Gabriel Schachinger (German, 1850 – 1912), oil on canvas, 53 cm (20.8 in) x 38.5 cm (15.1 in), Private Collection

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Young Woman Picking Oranges, 1889, Berthe Morisot
Medium: oil,canvas
John White Alexander (1856-1915, American) ~ The Blue Bowl, 1898
[Source: risdmuseum.org]
Study of Hands Clasped Around a Knee, John Singer Sargent, 19th-20th century, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent Size: actual: 15.6 x 22.7 cm (6 1/8 x 8 15/16 in.) Medium: Graphite on off-white wove paper
https://www.harvardartmuseums.org/collections/object/306535
Path through the Woods (1874) by Pierre-Auguste Renoir
Victorian Valentine cards, 1870-1880

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Léon Spilliaert Silhouette of the Artist 1907
Lilac. Traité du langage symbolique, emblématique et religieux des fleurs. 1855.
Internet Archive
THE GILDED AGE (2022-) Costume Appreciation Peggy Scott in 3.03 - Love Is Never Easy
AUDRA MCDONALD and DENÉE BENTON as DOROTHY and PEGGY SCOTT THE GILDED AGE (2022–PRESENT) ↳ 3x06 - If You Want to Cook an Omelette
PUMPKIN & OSCAR van RHIJN
THE GILDED AGE (2022-) ❖ 3x08 "My Mind Is Made Up"

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I'm not going to make a decision about how I feel based on someone's pedigree or lack of it.... Because it doesn't take the real person into consideration, which is what matters.
3.03 - Love is Never Easy THE GILDED AGE (2022-)
Album of seaweed specimens, in scallop shell binding, Great Britain, mid-19th century
Yale Center for British Art