When does the play close? When its "action" stops? But does not that include, at least to some degree, the curtain call (which, of course, the actors rehearse)? For at this point the actors appear before us only partly as their "real" selves. They remain partly, and significantly, still "in character," retaining mannerisms, perhaps, of the characters they have been playing. Who are they, then, at this point? Hamlet is not the prince (for he is dead), but he is certainly not the actor who played the prince either. He does not laugh or caper about as a man might who has scored (in the soccer fashion) a success. He may smile, wanly, as befits one recently slain; he may take (ruefully?) the hands of his no less "dead" opponent Claudius; he may even embrace the long-dead Ophelia. Is not this still acting? (The actor "playing" himself-as-actor.) Is not this part of the action? [...] It is the point, in short, at which we see the "edge" of the play before it disappears entirely.
from terence hawkes, "telmah," in shakespeare and the question of theory (1985)
























