ever since i was a little girl i knew i was doomed to take things too seriously and think about them forever

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ever since i was a little girl i knew i was doomed to take things too seriously and think about them forever

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"This is Ankh-Morpork, you know. We've got extra pronouns here."
GNU Terry Pratchett
The full quote is fascinating though, and adds an interesting context as it's Angua (a werewolf) and Carrot (human, but raised by dwarves) discussing a dwarf colleague, Cheery.
"Female? He told you he was female?" "She," Angua corrected. "This is Ankh-Morpork, you know. We've got extra pronouns here." She could smell his bewilderment... "Well, I would have though she'd have the decency to keep it to herself," Carrot said finally. "I don't think it's very clever, you know, to go around drawing attention to the fact." "Carrot, I think you might have something wrong with your head," said Angua. "What?" "I think you might have it stuck up your bum."
Sir Terry Pratchett - "Feet of Clay"
This is CARROT being the asshole. Carrot who has, throughout all the prior books, been depicted as basically the best of all possible people. He is noble, brave, considerate, kind. He is the good guy in the entire City...
... and yet, he grew up dwarf, and has picked up their more conservative views on gender identity.
Discworld dwarves start out in the books as basically a people without visible gender differences (thanks to the woman growing beards just like the men) and using "he/him" pronouns as their default. Anything else is seen as breaking the most basic of social conventions. (Dwarf dating is described early on as being two dwarves who like each other spending an inordinately long time trying to find out, as tactfully as possible, what gender the other dwarf is)
Carrot does immediately adopt the "she" pronoun for Cheery, which is but wishes she didn't make such a fuss about it. He's prepared to tolerate her choices, but he doesn't APPROVE of them, and thinks that that is enough.
Carrot, because he IS Carrot, does learn to open his mind on this subject, perhaps his final frontier of bias, but I do love that it's addressed as something he has to work on, and succeed.
And to Terry Pratchett's credit what started out as a throwaway joke about dwarf sex, gradually becomes a multi-volume subplot which is a fascinating exploration of gender and social identity as more dwarves start to "come out" as being female, and not just identifying as female, but changing their form of dress to something which matches who they are (they keep their beards though, because to a dwarf, that has nothing to do with gender, and everything to do with being a dwarf) and how their society has to adjust, with differing levels of comfort, to this new reality.
Carrot was also prejudiced against the undead early on as well. And the fact that he unlearns these views is a good example of a common theme in Pratchett's work
The overwhelming theme of Pratchett's work is change. Not good vs evil but progress vs stasis/going backwards. The protagonists of Pratchett's stories are people who can take on board new ideas and change and grow and adapt. Some of them start out as very stupid people with very stupid views in fact until they learn and grow and improve. The villains on the other hand are people who desperately want things to either stay the same or regress back to some imagined "Good old days" that they prefer.
While we're talking about Terry Pratchett gender, there's also golems, who are basically lumps of clay that have been brought to life but don't actually have any gender or secondary sexual characteristics so everyone defaults to male and he/him. As the books story goes on some of them decide to try being women just because.
Feet of Clay came out in 1996. I cannot overstate how pronoun discourse wasn't anywhere on the radar then. I'm fairly terminally online, active in fandom, and the first I can remember is some timid discussion of neopronouns in the mid-2000s, where "how could you tell other people to use them for you" was a major puzzle. (I still love neopronouns - zie/hir appeals to me in a way they distinctly doesn't, genderfluid though I am.)
ALSO also also
1) I don't have the book to hand, but when Cheery comes out she changes her name to Cheri, because "sometimes, when you shout who you are to the whole world, you need to do it quietly." It's such a beautiful expression of coming out being a process, and one that needn't be undertaken all at once.
2) Pterry had the best goyische take I've ever seen on golems, and I will die on that hill. It's not perfect, but it is really well-done, and it was done with respect, and to me that might be even more important than perfection.
I had the book to hand because I reread it recently. The quote goes:
When you've made up your mind to shout out who you are to the world, it's a relief to know that you can do it in a whisper.
THERE we go.
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Reblog to gain creative energy and to give more creative energy to the person you reblogged this from.
i usually watch hannibal in the sitting room, and once my mam walked in and she had watched the first few episodes but not caught up and she went "i didn't know they were gonna make them in love" and then started complaining about how will is a "troubled, slut of a young man"
BREAKING NEWS: WILL GRAHAM IS A TROUBLED SLUT OF A YOUNG MAN.
i am behind this 100000000 %
THIS IS SO IMPORTANT eue

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Anyone but him.
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This is how I intend to celebrate the Hannibal Advent. Someone will strike me down. Hannibal, probably.
i know i say this often but i cannot say it loud enough: people who comment on fics, people who reblog posts and engage with fanworks are the people who generate community and without them fandom would be nowhere, so truly thank you for your presence, you make the world go 'round <3
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Light Paths (2026)
A queer fantasy romance two novelette collection. Light Paths features dungeons, princes, thieves and games of chance. With intriguing world-building and mysterious pasts, this collection is perfect for curling up in front of the fire on a cold night.
Two all new novelettes from: by Cinnamaldeide and Johannes T. Evans.
Cover artwork: Marika Bailey
Dark Paths (2025)
A queer horror romance four novelette collection. Dark Paths features crossroad visitations, gods, vampires and werewasps. This is a perfect horror for those looking for a collection that combines introspection and humour.
Four all new novelettes from: Amanda M. Blake, TT Madden, Clinton Seiter and Leigh V Twersky.
Cover artwork: Elliott Cassel
Other Worlds (2024)
A diverse anthology from writers around the world. From distant lands to the distant future, “Other Worlds” features folklore, fantasy, speculative, horror, contemporary fiction, and science-fiction exploring places, communities, and situations that are othered.
Twelve all new stories from: Samir Sirk Morató, Briar Ripley Page, Chey Rivera, Busayo Akinmoju, Roxane Llanque, A.L. Davidson, Victor Okechukwu, Bhumika Anand, Von Reyes, Eve Morton, Christina Ladd, and Booker G. A. Feniks.
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Other & Different (2023)
A diverse anthology from writers around the world. From prehistory to the not-too-distant future, “Other & Different” features folklore, fantasy, gothic, speculative, supernatural, sci-fi, weird, horror, and contemporary fiction exploring what it is to be other or different.
Thirteen all new stories from: Busayo Akinmoju, Malik Berry, A.M. Gautam, Anita Goveas, Heather Haigh, Miriam H. Harrison, Anastasia Jill, Avra Margariti, Kyungseo Min, Samir Sirk Morató, Corinne Pollard, Jonathan Olfert, and Marianne Xenos.
Cover artwork: Will Heron
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Note: This is not a YA novella; however, it is suitable for older teens. 15+
As children, Adrian and Cyrus spent every summer together, forming a deep bond while Cyrus visited family in Scotland. But just as they were on the verge of childhood friendship blooming into something more, closely guarded secrets, teenage angst, and family drama drove them apart.
Now adults, Adrian is living in the US, trying to build a life for himself in Cyrus’s hometown. He’s not looking to reunite with his old friend, but when they inevitably run into each other, Adrian can’t help but be hopeful. There’s just one problem: Cyrus has no idea who Adrian is.
As Adrian and Cyrus grow close once more, will their new relationship survive Adrian’s decision not to reveal his identity? Or will the mask he clings on to destroy their chance to truly know — and love — each other, for good?
A tale of trans romance, Summer Nights, Cigarettes & Spearmint Toothpaste is a tender friends-to-lovers story told over multiple childhood summers and one unexpected, complicated reunion.
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Recently discovered, fully by accident, that the trick to feeling like you have more time in the day is to actually do shit with the time that's there, which seems fake and wrong and it's frankly infuriating that it works >:|
This is picking up a bit so I thought I'd mention that, while this trick does work, it is regrettably the hardest fucking thing in the world to do :T
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i think i speak for several people when i say AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
im going to fix my entire life
When?
Like Um. later
and the winner of superwholock is officially??? no one. we all lost. congrats team
I know it is a privilege to feel things deeply, but what the fuck.

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Supernatural season 16. It opens at a bar. A ridiculously hot woman begins to flirt with one man, and then another. The two men begin to fight over the woman, and soon, she egs more of them on. It turns into a drunken brawl, and as she exits the bar, the woman morphs into gabriel, smirking. He turns to the camera, and asks, "Didya miss me?"
The entire season consists of him trying to stop the events of 1518 and on, flirting with Sam, trying to get dean and cas together without not insulting dean, being direct, or sending cas to the empty. Lots of sex jokes. It's all filmed deadpool style, Gabe breaking the 4th wall ninety precent of the time, but Cas will occasionally do it in passing, and it will confuse sam and dean to no end.
Republican regressive reactions are malware for a society. Peak MAGA weakness is cratering.