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Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.

flanagan's crimes are many and varied but at this point his insistence on taking material explicitly critical of family structures (sometimes including portrayal of intense abuse) and adapting it into stories about The Beauty Of The Nuclear Family is all but indistinguishable from an entirely conservative project