Twin Peaks | 1.03 "Zen, or the Skill to Catch a Killer"
PUT YOUR BEARD IN MY MOUTH

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Twin Peaks | 1.03 "Zen, or the Skill to Catch a Killer"

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I'm your freaky Nikki. OBSESSION (2025) dir. Curry Barker
A love only the branch of a willow tree could conjure.
OBSESSION (2026) dir. Curry Barker
"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker
Obsession (2026) dir. Curry Barker

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BLACK MIRROR: SAN JUNIPERO (2016) dir. Owen Harris
RIKA KIHIRA Breakfast in Baghdad, NHK Trophy 2019
TWIN PEAKS 1.03 | Zen, or Skill to Catch a Killer
Madchen Amick as Shelly Johnson in Twin Peaks 1x05
Mia Goth as Gabi Bauer Infinity Pool (2023) dir. Brandon Cronenberg

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HOUSE OF THE DRAGON SEASON 3 COUNTDOWN ↳ Day 2: Relationship(s)
Rhaenyra Targaryen & Alicent Hightower
Not “rich, but still nice.” She’s nice because she’s rich. Hell, if I had all this money, I’d be nice, too!
Parasite (2019) dir. Bong Joon-ho
For about fifteen seconds there, we were actually playing tennis. And we understood each other completely. So did everyone watching. It's like we were in love. Or like we didn't exist. We went somewhere really beautiful together. CHALLENGERS (2024), dir. by Luca Guadagnino
POSSESSION (1981) dir. Andrzej Żuławski
OBSESSION (2026) dir. Curry Barker
Under the Silver Lake (2018) → Dir. David Robert Mitchell "Why do we just assume that all this infrastructure and entertainment and open information and this beaming all over the place, all the time, and every single home on the planet is exactly what we're told it is? Maybe there are people out there who are more important than us, more powerful and wealthier than us, that are communicating things and seeing things in the world that are meant only for them, and not for us?"

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LAUREN AMBROSE as VAN PALMER YELLOWJACKETS 3.02 "Dislocation"
SINNERS (2025) dir. Ryan Coogler