Summer Night by the Beach, Edvard Munch, 1903
Monterey Bay Aquarium
Keni

if i look back, i am lost

JVL
hello vonnie
Peter Solarz
🩵 avery cochrane 🩵

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
NASA

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KIROKAZE
DEAR READER
untitled

blake kathryn
art blog(derogatory)
sheepfilms

★
Stranger Things
Cosmic Funnies
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@shirleyjacksons
Summer Night by the Beach, Edvard Munch, 1903

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people will go onnn about how a man’s flaws makes him so nuanced and interesting and then act genuinely confused when u feel the same way about a woman…
(voice of a person spiralling) its embarrassing but i still havent figured out if its ok for me to be alive
its a heavy burden, having a heart as big as a city. and heavier still when it loves you back
prints
“For the love of my brother, not of heaven.” — Dune Messiah, Frank Herbert
Dune: Part Three (2026) dir. Denis Villeneuve

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mutual 1: ITS COMING HOME 🏴🏴🏴
mutual 2: england is on a blight on humanity
Is it acceptable that I do shave my legs only because it’s easier to put lotion on my legs when they aren’t too hairy and I do like the feeling of smooth skin when I finish up with it.
I also only really do it once or twice a month so sometimes I do go out in public with hairy legs.
come on man i'm on my lunch break can't you wait???
People often, with some justification, claim that 'what about the rapists' is used as a gotcha in arguments against prison abolition, and point to the fact that in the existing, punitive system, rape isn't actually punished, and remains pervasive in society.
But it's still an issue that needs to be addressed. Surely the fact that we, to be glib, 'live in rapeworld' is one of the most crucial problems of our time, of any politics around crime and punishment? And I remain deeply sceptical that frameworks like restorative and transformational justice do not collapse into Church-style demands of unearned forgiveness and forgetting from victims; it's something I think many people who have lived 'in queer community' have witnessed or indeed been party to
I don’t have any answers, but I agree it should be talked about more. Specifically, the two main answers I’ve seen people in leftist spaces come up with that aren’t prison or TJ/RJ are:
- one group of people agrees to socially shun a rapist or sex creep and stop allowing them in shared spaces. however, this can mean the person just finds a new social group who aren’t aware of their history and begins sexually predatory behavior within that new group. (this is basically the one situation I can think of where I approve of call out posts— a means by which it is in fact possible to make life a little more difficult for people who have a history and repeating pattern of abusing others, moving on to new scenes and new victims whenever they’re caught, threatened, shunned, etc).
- If not shunning, then people tend to go for “string em up!!!” & to clarify, I have no problem with that as, like, an emotional attitude someone might have towards a person who abused them or a loved one. but I really don’t think I need to explain why “random vigilantes go around jumping and murdering anyone who’s been accused of rape (or other ‘sufficiently bad’ abuses)” would be an extremely poor system. Even if this could somehow be limited only to people who definitely actually did what they were accused of doing, it puts many survivors in a shitty position not terribly different from today’s— I don’t WANT my rapists to get murdered (or raped themselves, or put in prison for decades), and never have, but I do want them to face consequences. Given the choice between someone facing cruelly disproportionate punishment or not experiencing any real consequences, I’ll almost always choose the latter. But that doesn’t mean I like it or am happy about it, and I think people who have a more emotionally complicated relationship with their assailant or abuser, or who just aren’t very bloodthirsty, deserve a satisfying outcome to their situation just as much as your Inigo Montoya types.
also, if it were the case that rapists &c typically got murdered by a mob of angry townsfolk upon the revelation of what they’d done, we’d start seeing so, so, so many more rape-murders (&c) in cases where previously the offender wouldn’t have ever killed anybody. if you think someone will, effectively, kill you by telling on you, it makes sense to shut them up first, and we’re talking here about people who have already shown they can be violent and cavalier about other people’s lives.
- returning to the first bullet point, in cases where someone is not habitually predatory or violent or abusive, and seems genuinely remorseful or clueless that they did anything wrong, I think shaming and the loss of valued personal relationships ARE pretty good tools for making sure the offender experiences consequences that dissuade them from rationalizing their behavior as okay or ever behaving in a similar way again. I think ideally this is paired with some kind of support in addressing the issues that led to whatever it was they did— maybe this guy needs to learn that women are actual autonomous humans and there’s no situation on Earth in which he’s entitled to a girl’s affection, maybe this girl needs to learn that sexual harassment a woman does to a man isn’t cute/funny/harmless/girlboss behavior, maybe this person needs to refrain from close relationships and sex with others until they unpack the twisted lessons about consent they learned as a child, maybe that person needs to quit drinking and doing drugs. But then that of course also raises the question of “how should that support be given, and by whom.” Which: again, I don’t know. Ideally, that’s meant to be a function of TJ, but I’m not sure anyone has ever agreed on the how/by whom question.
every single conversation abt ip on here devolves into a bunch of people being really anxious that someone is going to take away their hypothetical income from them for their creativity and like, that is already happening. that is literally happening. how do you think publishers like penguin, harper collins, macmillan et al got big and stay big? how do you think publishers like elsevier et al maintain such a stranglehold and charge such amounts? do you even know how individual IP rights operate these days, especially when you're licensing them to a company? have you read a contract ever in your life? have you had to work on preparing a contract ever in your life? do you think your much vaunted, precious authors have the rights to reprint their books whenever if they realise their publishers are fucking them over? don't make me fucking laugh. at the very least please pull your heads out of your asses and read helen dewitt's extensive chronicling of her run-ins with the publishing industry as is. god knows you can pick up the biography or collected/published letters of almost any author* across time and encounter a section with their run-ins and struggles with their publishers, either because they're not being given enough royalties, or because they're writing to contract and need to give their publishers a book by a specific deadline, or a specific kind of book, even when circumstances & health issues are conspiring against them. do you think copyright gives them any control over their lives, or any sort of creative control? don't be so naive - and nevermind the fact that it is basically impossible to have a career in writing these days and that the rare few who do are writing extremely formulaic genre fiction written to, again, insane deadlines that are punishing for any sort of creative work. stop being naive!!!! take an actual look and reckon at what the actual circumstances and conditions are for producing art! it is not good! copyright is not going to save you! it is panacea at best! you will literally do better campaigning for universal basic income over championing the cause of copyright!
*off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer
Denise Warren (American, b. Boston, MA, USA, based Lowell, MA, USA) - Mooncat, 2012, Paintings: Oil on Canvas

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Gillian Carnegie (British, b. 1971, Suffolk, England, based London, England) - Clement, 2022, Paintings: Oil on Canvas
Mikey Yates (Filipino-American, 1992) - Twin Drive-in (2026)
Lily of the valley
Whatttt is with the tendency of Tumblr users to seek absolution from every single person who offhandedly posts about disagreeing with something they do
I say this not unkindly, but firmly: to function as a member of a social species, you have to get comfortable with the idea that not everyone will like you
Markus Matthias Krüger (German, 1981) - Brennender Baum (Burning Tree) (2014)

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really glad my cats love me and feel happiest and most relaxed when i’m home, but it sure would been nice if that didn’t necessarily manifest in them dumping the most noxious turds you’ve ever smelled within five minutes of me walking through the door
“word hashtag my word #myword” has done irreversible damage to my vocabulary