being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that youβre supposed to do warm up sketches every time youβre about to work on serious art when youβre fuckin twenty-five
someone: oh yeah, do this exercise during your warm ups! itβll help
me: my what
Whatβs up I have an actual college degree in art and I was never ONCE taught to do warm ups.
when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, yβknow, we were young so it didnβt matter so much.Β
Being older now and having an art job itβsβ¦kind of essential.Β
So: a quick primer for those of you who are likeΒ βok but how do i actually go about doing this warmup thing.βΒ
1) you may be tempted to doΒ βa warmup drawingβ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didnβt warm up first. Itβs tempting but always a trick your brain is playing on you! Do not trust!Β
2) warmups will vary based on what feels good to you/what task youβre about to do/what motor skills you want to practice. That being said, some good standbys:
a) circles. Just a whole page of circles on whatever drawing surface youβre going to be using, whether thatβs your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that youβre drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it!Β
In order to ensure that youβre drawing from your shoulder, when youβre holding your pencil or whatever drawing tool youβre using, the only part of your hand that should be touching the drawing surface is part of the last two fingersβsome people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support.Β
I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes iβve already drawn as a precision exercise, but i donβt do that unless iβm feeling loose
b) spirals! i donβt always do spirals, but if iβm stiff and the circles just arenβt cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me itβs all about making sure iβm comfortable with how iβm moving so who really even cares about how the spirals look. Not me!Β
c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if Iβm working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface
d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I donβt always remember where I picked up my warm up exercises, but Iβm pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)
e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and Iβll often take the time to do some rough shading on at least a few of them
f) spidermans! This one is really good if youβre going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics.Β
g) beans. I donβt do beans too much anymore, but I know a lot of people like it so Iβm mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper.Β
h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what youβve already drawing. Repeat with a wavy line. Iβm bad at this one, which means I probably need to do it more.Β
And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when youβre getting bored, etc.Β
This is a long list, I know, but I usually donβt take more than 10 to 15 minutes to warm up, and I can warm up one handed while Iβm drinking coffee, so, multitasking hurrah.Β
Sometimes Iβll advance to a precision warmup and find that I havenβt loosened up enough yet; itβs totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if Iβm not feeling it before I start, by the time Iβve gotten to the end Iβm usually Ready For Drawinβ. Brain hacks.Β
so, yeah! thatβs a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings!Β
How on earth are you supposed to draw from a sholder? might as well tell me to draw from the foot. It makes no sense
https://youtu.be/pMC0Cx3Uk84
https://youtu.be/NBE-RTFkXDk
:3
Reblogging to save a wrist
Hi I have a literal animation degree and I learned fucking β¨noneβ¨ of this
