thinking about coptic mummy paintings and weeping
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thinking about coptic mummy paintings and weeping
like. i know these people

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I’m probably never going to write a full review of Nolan’s Odyssey, as I don’t think my angle is particularly interesting or useful for broader discussion. I feel most people already know whether the film is something they want to engage with or not.
The one thing I’ll say is this: The movie is not and will never be the original Odyssey, and that’s okay. The “original” Odyssey poem we have today is likely not the “original,” and any “original” likely varied greatly in what it included and didn’t. Part of what has drawn people to the Homeric epics for centuries is the ways their stories can be used to understand different events, and that shift in understanding comes from a shift in positionality. That shift does not inherently make an interpretation better or worse. What matters is how that interpretation stands on its own terms.
Many of the best adaptations of the Greek myth as a whole are loose with the source material. Many of the Greek adaptations beloved on this site are not particularly close readings, or don’t resemble the “originals” in much other than character names and background flavor. That does not make them less valid. That does not make them less beloved. That does not make them inferior pieces of art.
I had things I enjoyed about Nolan’s Odyssey, and I had things that made me grit my teeth and rant angrily to my friends. I don’t think this movie hit for me, but most of the reasons why are not because it is unfaithful to the source material. Analyzing why certain choices were made, how cutting some things and adding others changes the message, and figuring out how the message differs from and is in conversation with the original text are the best parts of approaching any adaptation, good or bad, new or old. Nolan’s Odyssey is its own approach, and it should be considered as such.
Theres a lot of reasons to criticize or dislike the film. I know, because I probably agree with you on many of them. I also think that we are doing ourselves and the Odyssey (what text we have and every adaptation of it since) a disservice by not attempting to understand it as a derivative work with a different focus and message.
OCs
Playing around with armor designs basically, while still writing the story since January
Faaaaaackkkk
One day i’ll do the same for Greek myth designs trust
I am hoping that this is some sort of exaggeration or oversimplification because this is just blatant erasure of a major element of Greek culture and replaced by a more Christian version and I want to bang my head into a wall. That’s not what xenia is, and you just erased a major part of the Odyssey.
@watchanddream Sure! This got a bit lengthier than I intended, but I wanted to try and be thorough.
Put far too simply, xenia is the practice of hospitality, but it's also a ritual and in a sense a contract between guest and host. When a stranger arrives at your doorstep, you're expected to feed them and give them a gift as the host. Typically, you're not even supposed to ask them their name until they've finished their meal. Once you've done this as the host, the guest is now expected to share stories and information about themselves, and not burden you or your household. Typically, people focus on how hosts violate xenia, but guests can also violate xenia.
This is called a guest-friendship, and once it's established, you are expected to offer the same to your host should they ever visit. It's a ritual of hospitality, yes, but it's also used to establish alliances and can be passed down through generations. For example, in the Iliad, when Glaucus and Diomedes discover that their grandparents were guest-friends, they decide not to fight, but rather exchange armor.
Theoxeny is a common story you see in myth where a god (typically Zeus) disguises themselves as a mortal and requests to be hosted by someone. Should the host follow the rules of xenia, they'll be rewarded, but if they fail, they'll be punished or killed.
This is important to the Odyssey, as it comes up multiple times, but in particular, the cyclops, and the suitors. In both these instances, Odysseus arrives disguised and gives a false name, the practices of xenia are failed, and Odysseus reveals himself and punishes the one that failed to follow xenia. The suitors in particular fail xenia, as they both fail as hosts, AND as guests, for burdening Odysseus's household.
Xenia being treated as the golden rule comes across to me like a Christian reinterpretation, as while many Greek philosophers did have something similar to the golden rule, those were philosophers, and the idea that it's a religious command from a god seems much more in line with a Christian idea of where the rule comes from. (Note, I'm aware that other religions had something similar, even as a command from a god, but I highly doubt Nolan is drawing inspiration from those instances)
Man who hates the very concept of life and all living beings: I should design portal websites for colleges and job applications

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Hey y’all! Sorry for disappearing. I didn’t mean to be gone for so long, but a lot has happened in the past year. There’s been a lot of good, and a whole lot of bad.
I’ll be trying to get back into art and posting, bc I miss engaging with people on here! I’ll still be inconsistent while money and housing are up in the air, but please know I do miss my friends on here and do want to get back to creating.
See y’all soon!
God can I please get enough of a break so I can actually draw again
THE SONS SHORT COMIC (Please read Disclaimer and Warning first)
Warning: typical war crime Greek Mythology, yeet the baby, violence, torture, verbal and physical abuses (implied and mild portrayals), Neoptolemus as his own warning. Please be cautious if you are triggered by these.
Disclaimers: Portrayals dont equal endorsement, War crime is evil (duh)
I am finally done with this and very excited about this comic. This is the first time I’ve done something totally out of my comfort zone and I hope I did it somewhat justice!
The notorious scene between Neoptolemus and Astyanax, I try to depict the true horror that came to pass without using gore while still need to be as uncomfortable as possible.
I am very sorry for Andromache fans and Astyanax fans, I also would like to apologize Neoptolemus fans XD
Tapping on the pages is better than scrolling since I do traditional comic either way.
Autobots roll out or smth
Absolutely ancient thing I finally finished

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i love the part of making art where you feel like you need to go missing
you're allowed to draw. draw badly even. draw and then delete it. draw and rework it and then delete it anyway. draw only half of it and the other half three years later. in one style or another. in different styles in the same week. traditional or digital. you're literally allowed to draw however you want
Happy pride month 🗣️🗣️
I think if I had a fursona, it would be a serval cat. I do’t think I’m a furry or am able to meaningfully create a fursona, though (I’ve tried, many times), so I think I just really like servals. We’d be bros
I am not dead! Just recovering from graduation. I’ll be back in a few :3

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think a lot of my clutuals will be interested in this open access book published this year:
In ancient Rome, the Latin word viscera denoted the inner parts of the body, where physical sensations related to fear and anger could be fe
Part 1: Politics Chapter 1. Anatomy, Sensation, and Sacrifice 25 Chapter 2. Civil Strife and the Body Politic in Cicero, Vergil, and Livy
Part 2: Reproduction Chapter 3. Womb Words and Kinship Metaphors Chapter 4. Abortion and Domestic Violence in Ovid Chapter 5. Civil War and Dynastic Struggle in Ovid
Part 3: Succession Chapter 6. Overdetermined Violence and Polluted Sacrifice in Seneca Chapter 7. Self-Destructive Devotion and Aberrant Divination in Lucan
Conclusion: Changing Words, Changing Worlds
Velocity! 🩺