time is filled with beginners

i know its been a while since it came out but im preeetty sure this is exactly how CATWS ended

“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”

“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”

“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”

“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”

“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”

Want to weave but don't have space for a loom? Have a few sticks and yarns but no DIY skills? Come, be tempted anyway. Weaving is a whole family of crafts, some of which don't require a loom at all.

Small-ish looms like box looms (as basic as yarn wrapped around a cardboard grocery tray), inkle looms, and rigid heddle looms exist, but I'm assuming every possible space for a box in your life is already filled. In this post we're going even smaller and cheaper. As far as possible, everything either is flat enough to stow behind/under furniture or rolls up safely into a bundle of just sticks and yarn.

Many of these crafts have some crossover - the same setup can be used for multiple styles of weaving. Most of them can be improvised at home depending on what you have on hand, or if you need to buy something there is not a huge gulf between homemade vs professional equipment. Alas I am not skilled in any of these and my descriptions will not be wholly accurate; corrections and additions welcome! If you need help, I'd only be able to tell you to seek out books and tutorials yourself, ask other weavers, and just try stuff out.

All photos included with permission. My thanks to the people allowing me to use their projects! I saw so many gorgeous and skillful projects when assembling this and I wish I could have included them all.

Fingerweaving

Projects by @kitteniestkitten (here) and @wefty-weaver (here)

Culture - I am aware of this as a Native American technique, I don't know its history with any more specific tribe.

Fabric - "Warp faced" cloth of any width, insofar as warp and weft have meaning for this craft as the weaving is on a diagonal. Often used for sashes or blankets.

Method - There is no loom! A couple sticks hold the yarns to begin with, but then it is all freehand. Starting at one corner, you use your fingers to weave a strand through the other strands, and... that's it. Very simple beginnings work up to very complex patterns that no loom is capable of. The whole project can be rolled up when not active.

Backstrap loom

Projects by @calendae-creations (here) and @weavingforlooms (here)

Culture - I am most aware of this from the Andes but I think it is much more widespread than that.

Fabric - Warp faced or balanced fabric of any width up to your own reach, suitable for blankets and clothes and many other things.

Method - You are the loom! Several horizontal rods hold and manipulate the warp threads but your body provides the tension, with the other end hooked to some furniture or around your own feet. When not in use, you can roll up all the equipment into a small bundle of yarn and rods. You can also use a backstrap loom setup for other methods like tablet weaving.

Warp weighted loom

Projects by @shadowcreepling (here) and @doctormead (here)

Culture - used by ancient Greeks among many many others.

Fabric - any kind of fabric at any size. Shadowcreepling is using a warp weighted loom for a tablet-woven band, Doctormead is probably using heddle rods to make a wider piece of cloth.

Method - the warp threads are held by a bar at the top and tensioned with weights on one end that hang down towards the floor, then the weft is woven into them with any method such as tablets, heddle rods, or by hand (if you have a lot of patience) and beaten into firm fabric at the top or bottom of the loom. Warp weighted looms can be very big, but they are simple and can also be very small and taken apart when not actively weaving.

Tablet weaving / card weaving

Projects by @damage-ko (here) and @foxease (here, hardware from CellesKit on Etsy)

Culture - found as far apart as textiles (geographically and temporally) from Byzantine Egypt and the Vikings

Fabric - a warp faced fabric with patterns made by twining warp threads around each other, usually used for strong narrow bands like collars, belts, and shoelaces.

Method - the cards hold open the shed so you can pass the weft through, then rotate the cards to advance the pattern. Many people make their own with cardboard or playing cards, or you can buy some. The rest of the weaving setup can be improvised with a backstrap (or just a shower curtain hook clipped to your trousers), a cardboard box loom, or warp weights.

Rigid heddle band weaving

Projects by @pisaracraft (here) and @crookedtines (here)

Culture - small rigid heddles like the first project have been found in Roman archaeological sites across Europe. The larger rigid heddle in the second project is being used for "baltic pickup" style designs on the band.

Fabric - can be warp faced or a balanced weave, size limited by the size of your heddle.

Method - you provide tension with any setup you please such as an inkle loom, backstrap, or warp weights. The heddle creates sheds so that you can pass weft yarn through the warp easily. Infinitely many "pick-up patterns" let you weave patterns and even words into the cloth.

Pin loom / potholder loom

Projects by @pardalote (here) and @weavingmyheartout (here)

Fabric - a small square (or rectangle or triangle) of balanced weaving, which can be used alone or patched together into larger fabrics. Pin looms are finer and suitable for many knitting/crochet yarns, potholer looms are chunkier and designed for big elastics, but the method is similar.

Method - wind yarn lengthways around one set of pins and then pull yarn widthways through these strands with a hook. Or, work at 45 degrees in continuous strand weaving! Lots of room to experiment with colour and texture. You can improvise a pin loom by cutting notches in a square of sturdy cardboard.

Needle weaving / stick weaving / peg loom

Projects by @thaylepo (here) and @pastelispunx (here)

Fabric - weft-faced fabric and rugs of any size.

Method - thread long thin warp threads through the pegs, then wind a thick weft (eg heavier yarn, sheep fleece, or long scraps of fabric) around the pegs. Push the weft down along the pegs as they fill up, so that it slides off onto the warp. The pegs can be secured in a base to make a peg loom for large projects, or just handled freely. I believe these evolved as separate crafts and the nuances are different, but the overall method is similar.

Frame loom / tapestry loom

Projects by @squeakygeeky (here) and @battlestar-gasmacktica (here)

Fabric - weft-faced or balanced fabric ideal for wall hangings and upholstery, size limited to the frame being used.

Method - (usually) thinner warp threads are wound round a frame, such as heavy cardboard with notches cut in the end, a picture frame, or a small and flat purpose-made loom. Thicker weft threads are woven in by hand using needles or just small lengths of yarn. Some people make lifelike images, others make more ordinary fabrics or geometric patterns.

Bobbin lace

Projects by @crochetpiece (here) and @noxx-notions (here)

Culture - began in renaissance Italy and spread throughout Europe, often as a cottage industry.

Fabric - balanced fabric usually made of very thin threads in freeform shapes. It's not usually considered "weaving" but the basic cloth stitch is definitely a woven fabric!

Georgia O’Keefe, Thigh Bone on Black Stripe, 1930