Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
is there any reason to think that "Dig a Pony" isn't about Paul? every reference in it seems to point at least tangentially to him. but perhaps i'm too mclennon-brained, or i'm misunderstanding something. (the mainstream analysis seems to be more like it's mocking the Rolling Stones or about drugs, or 'just nonsense.' I find it difficult to believe the 'just nonsense' angle.)
Hi there! First of all, it's important to remember that "mainstream" assertions of what a song is about are usually just as speculative as anything we come up with in mclennonland. The only person who can know what a song is really about is the songwriter, and unless they say what it's about, everything else is speculation. (And even then, songwriters are not necessarily honest about inspiration - looking at you, Paul). Speculation isn't necessarily wrong and can be informed by contextual information, but it can't be definitive.
The only thing John said about 'Dig a Pony' was that it was a "nonsense" song that didn't mean anything, which could certainly be true, but I think he sometimes hid behind the "nonsense" label when he didn't want to get into songs' meanings (I speculate about that tendency in my "Hey Bulldog" analysis). The mainstream theories that it references drugs, or Jagger/The Stones, could have something to them, but it's no more certain than a Paul interpretation.
The chorus "All I want is you / Everything has got to be just like you want it to" sounds like it could be addressing Paul. For that reason, it also could plausibly be addressing Yoko - John sure did have a type! Although the tone of the address sounds more like it's addressing someone who's not currently "with" the singer. YMMV.
The line "You can imitate everyone you know" sounds more like Paul, with his demonstrated ability to do impressions. And "you can penetrate anyplace you go" is, ehh, suggestive. But because these lyrics are so mysterious, someone could easily parse them as being about someone or something else.
My suspicion is that the seemingly "nonsense" lyrics actually made sense to at least one other person, and that person could be Paul. At the same time, I'm not particularly wedded to the theory as I recognise that it's impossible to know for sure. So I can't definitively answer what it's about, but more importantly, neither can the "mainstream" interpreters. We're all just vibing out here :)
We have a special treat for you all! Instead of our usual articles, for the next two weeks we will share our thoughts on Paul's new album The Boys of Dungeon Lane. This week, we discuss Side A. What do winding journeys along the road, operas, phallic fungi, and the passage of time all have in common? Find out in our review!
Sorry, could you share the letter that Brian sent Nat after his father died? Iâve never read that! (So I can understand why thereâs a good chance he was having lot of sex) THANKSđ«¶đ»
Here! (Also got another ask about this too btwđ). Yeah so. To quote Brian "I'm real hot for sex." After only 8 days without. I believe I got this out of Debbie Geller's book but found this in January so idk for sure.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
As You Lie There
I was an obsessive young man, and I'm an obsessive old man. If I fall for you I want you to obsess about me too.
Lost Horizon
We live in time we lose people and things that meant a lot to us. Knowing that ought to shape what we do.
Days We Left Behind
I'm feeling a lot better about a lot of things, but it's been a hard road getting here.
Ripples in a Pond
I can't quite give full vent in public (possibly also in private) to my insecurities but I'm really glad you're here Nancy.
Mountain Top
It can be really nice and fun to do mind altering drugs together.
Down South
What I had with George before I met John was real and important. I love you George.
We Two
I miss you John. Down South has me all in my feelings about poetry.
Come Inside
I've already said I'm not going to say the secrets out loud, and that you should listen to my music. Listen!
Never Know
I miss you John. I miss being your number one. And despite my previous protestations on this album I'm still never completely certain what I meant to you.
Home to Us
When I speak positively about Liverpool, it doesn't mean it wasn't hard. And when Ringo speaks negatively about Liverpool, it doesn't mean it wasn't his home.
Life Can Be Hard
Life can be hard. But I don't like to think about that. And honestly that approach has served me pretty well.
First Star of the Night
Linda's spirit watches over our family and gives me a lot of comfort. I'm sad she's gone.
Salesman Saint
The past weaves into the future. I forgive my Dad for some things I don't want to think about, but I can't think of anything I need to forgive my Mum for.
Momma Gets By
The similarities between my mother's death and Linda's death still disturb me. The shit they put up with is honestly pretty upsetting. But I know, in a way that can only be conveyed in music, what it is to love someone that way.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
From Mark Lewisohn's Tune In:
"Was Woolton fete the first time John met Paul? A riddle in two paragraphs:
In certain private company, Paul sometimes reveals that he hadnât only seen John on buses before the Woolton fete, but theyâd also exchanged a few words. Paul says he was working as a paperboy (on his bike, delivering the Echo to local houses in the evenings) when he once talked to John outside the newsagentâs shop. John never mentioned it, and Paul has chosen, consistently for decades, never to say it publicly. He was a paperboy after the McCartneys relocated to Forthlin Road in summer 1956, when he turned 14. Paul is shy about giving away the shopâs identity to anyone whoâd print it, but one local family who knew him think it was âAbbas.â
From beatlesliverpoollocations.blogspot.com:
The unnamed family mentioned in Mark Lewisohnâs notes are the Hodgsons. In 1956 Charles (senior) and his wife Annie were living at 111 Stamfordham Drive, Allerton with their two sons, Reginald, 26 and Charles, 14. Peter Hodgson, Reginald's son, has told me how his Uncle Charlie got to know the 14 years old Paul McCartney when he was working as a paper boy.
Peter Hodgson: In or around 2010 I told Mark [Lewisohn] that (Paul had worked at) the shops at the Cenotaph, right by my Dadâs [...]  We now know that sometime in the past, Paul has revealed the actual first meeting between himself and John and where that meeting took place. I think someone close to Paul has let the cat out of the bag to Mark and (Lewisohn) has wanted to know the name and location of Abbas in 1956. At this time and in the subsequent years, the locals will still have referred to the shop as Abbas when mentioning it, hence it was still known as Abbas by my Dad and brother...many decades later. This is where the confusion started as to the shopâs location as Mark was relying on documentation only, whereas I was relying on first hand witnesses who actually lived literally yards away. I got it straight from Macca, face to face, he agreed and nodded when I mentioned Abbas so when I told Mark many years later he went searching and could only find an Abba in Aigburth. Whatâs interesting is that at some point Mark actually asked Paul the name of the newsagentâs he delivered for in Allerton. Paul refused to answer him. An unusual refusal for such a seemingly trivial question.
[Peter was pleased with what my own research had uncovered, for personal family reasons as much as for the benefit of Beatleâs history. (He said to me): You finding W.W. Abba at 85 Woolton Road vindicated me to Mark, as itâs impossible for me, my Dad or Uncle Charlie to have been making it up].
(Scene from the Fuh You music video. The location of the newsagent, W.W. Abba at Woolton Road, is on the left, which is shown as Paul sings, "on the night that I met you...". The Liverpool local who found the newsagent did his research much earlier than the release of this video. He was shocked when he saw it.)
The thing that interests me most about this account is what is reveals about ML's working methods, which seems to prioritise documentary sources over oral accounts. This is a perfectly reasonable approach that most historians would take, as oral recollections can be confusing and distorted by normal memory failure, agendas etc. But this account does seem to display a certain lack of imagination on his part. It would make sense, in a scenario such as this, to retain both the oral and the documentary evidence, even if they contradict each other, and present them in the text, acknowledging the contradiction and letting the reader decide what seems most likely. That way, any further supporting evidence for either position that may arise will already have all the relevant information to build on. It may seem like a trivial point but he did many oral interviews with others and used it to inform his research, so it would've made sense to do the same here, even if it was just a quick conversation.
When a bond outgrows the terms that are available to it, descriptions of the bond must stretch, too. âFriendâ or âcollaboratorâ or âpartnerâ or âfamilyâ may still be true as far as they go, but what happens when they donât go far enough? What happens when the available classifications fail to capture the scale or the actual structure of what is experienced?
Whatever else the Lennon-McCartney bond may be, it seems to arise from a kind of mutual legibility that the ordinary world canât quite measure or describe. As I see it, the challenge isnât necessarily figuring out what they are to one another, but confronting a relationship that exceeds the usual terms for closeness. And perhaps this is where language begins to stretch beyond social classification entirely.
In Wings: The Story of a Band on the Run, Sean Ono Lennon describes John and Paul as âquantum entangled.â This is a pretty big claim to consider, so letâs step back for a sec. Loosely speaking (I am not a physicist!), quantum entanglement describes two particles whose states remain correlated even when separated. What feels significant here is the scale and the substance of the language we reach for when ordinary categories fall short. And, more curious still, the metaphor Sean uses in retrospect points toward a phenomenon that the love songs of Lennon-McCartney had long been articulating: a form of attachment that bends time and space around itself.
IN MY LIFE / I WILL / ACROSS THE UNIVERSE / HERE, THERE AND EVERYWHERE
On this day in 1957, these two crazy kids met at the Woolton Village FĂȘte in Liverpool, and history was made!
âI was very impressed by Paul playing Twenty Flight Rock. He could obviously play the guitar. I half thought to myself â heâs as good as me. Iâd been kingpin up to then. Now, I thought if I take him on, what will happen? It went through my head that Iâd have to keep him in line, if I let him join. But he was good, so he was worth having. He also looked like Elvis. I dug him.âÂ
âMy memory of meeting John for the first time is very clear. ⊠I can still see John now - checked shirt, slightly curly hair, singing âCome Go With Meâ by the Del Vikings. He didnât know all the words, so he was putting stuff in about penitentiaries - and doing a good job of it.I remember thinking, âHe looks good - I wouldnât mind being in a group with him.â ⊠Then, as you all know, he asked me to join the group, and so we began our trip together. We wrote our first songs together, we grew up together and we lived our lives together. And when weâd do it together, something special would happen. Thereâd be that little magic spark. I still remember his beery old breath when I first met him here [Woolton church fete] that day. But I soon came to love that beery old breath. And I loved John. I always was and still am a great fan of Johnâs.âÂ
To mark this âfatedâ day, why not revisit the article "Quantum Entangled: Space, time and the love songs of Lennon-McCartney" on Won't You Come Out To Play:
Space, time, and the love songs of Lennon-McCartney
And keep an eye out for our review of Paul's new album The Boys of Dungeon Lane - Part 1 launching on our Substack tomorrow 7 July!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
messages from Paul McCartney and Yoko Ono on the 40th anniversary in 1997 of the Woolton church fĂȘte where John and Paul first met
John, Paul & Me Before the Beatles: The True Story of the Very Early Days, Len Garry (2014)
text under the cut
A MESSAGE TO WOOLTON FROM PAUL MCCARTNEY
Ah yes, I remember it well.
I do, actually. My memory of meeting John for the first time is very clear. My mate Ivan Vaughn took me along to Woolton here and there were The Quarry Men, playing on a little platform.
I can still see John now - checked shirt and slightly curly hair, singing Come Go With Me by The Del Vikings. He didn't know all the words, so he was putting in stuff about penitentiaries - and making a good job of it.
I remember thinking 'He looks good - I wouldn't mind being in a group with him'.
A bit later on we met up; I played him Twenty Flight Rock and he seemed pretty impressed - maybe because I did know all the words.
Then, as you know, he asked me to join the group, and so began our trip together. We wrote our first songs together, we grew up together and we lived our lives together.
And when we'd do it together, something special would happen. There'd be that little magic spark.
I still remember his beery old breath when I met him here that day. But I soon came to love that beery old breath. And I loved John. I always was and still am a great fan of John's. We had a lot of fun together and I treasure all those beautiful memories.
So I sent you all in Woolton and Liddipool my best wishes today.
And thanks for remembering - there's no way that when we met here we had any idea of what we'd be starting. But I'm very proud of what we did. And I'm very glad that I did it with John.
I hope you all have a wonderful day and God bless all who sail in you.
PAUL MCCARTNEY
MESSAGE FROM YOKO ONO
What a sweet celebration!
Yes, the meeting of John and Paul was an important event not only for those of us who loved their songs, but for the whole world which went through a social change for the better as a result of their words and music.
John's first thought as Paul showed him what he could do was: "Okay - this guy is good and already the girls are flocking around him - not around me! So if I let him in, he'd going to be a tough one to handle - but I'll have a strong band."
So John took Paul in. I think this story is important in that it shows as a creator and a leader of the band, John went for getting a strong band rather than having an easy time. And John was only a teenager. What a brain! What a guy!
By the way, it's interesting that the meeting took place at a church. Also, the main bulk of their songs were recorded in Abbey Road Studios, in London. Am I the only one who thinks of these coincidences as interesting?
John and Paul were traveling minstrels, who spread the word of love throughout the world. Through their songs, they brought the energy of love to the then gray world, which was still coping with the aftermath of the second world war.
With their words and music, John and Paul showed the world that law and order was not necessarily the most important force in the world. Love was the power and the energy that could change the world. And it did.
But it all started at the Woolton Fete forty years ago. As you celebrate this day, the world joins you in your celebration. Those who cannot come physically to Liverpool join you in spirit. It's a nice day to celebrate and I thank you for doing it. Peace.