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Today we remember the 49 lives lost and countless others forever changed on June 12, 2016, at Pulse nightclub in Orlando. What was meant to be a night of joy, music, and pride became one of unimaginable tragedy.

We honor the memory of those we lost—most of them young, queer, and Latinx—and we stand with the survivors, the families, and the community still healing.

lindy hop at a rent party from the all-black film, boy! what a girl! (1947) directed by arthur h. leonard.

rent parties were social events where tenants hired musicians and charged admission as a way to pay their rent. originating in harlem, new york city, it gave black americans a way to have fun, eat a good meal, and escape the hardships and discrimination of the time.

It's old-fashioned. It's modern. It's butch. It's femme. It's snazzy. It's practical.

Wikipedia talks about the bloomers and the leg-o-mutton sleeves, but I'm also noticing a lot of these outfits have absolute supervillain lapels, which I also like a lot.

Storytime with Granny

And because i know people won’t even bother to click and check the article itself i’m gonna screencap it, it’s fairly short, give it a read:

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.