“Hey, Scully?”
“Yeah?”
“What is the craziest thing you’ve ever done?”
Or: sometimes being stuck in the middle of nowhere on a dark and stormy night with your work partner of five-plus years is the best possible version of events.
in conclusion - T, 3,370 words (AO3 link)
It's the middle of the night in a freezing cold motel room and they both haven't slept. The best time and place to figure out how relationships work -- theirs in particular.
time and space - M, 2,604 words (AO3 link)
Sometimes he wonders if it would be easier if she'd be gone from his life completely. Then he reminds himself: if she moved to the ends of the earth he would still want to follow her. And when she calls, he always answers the phone.
Set during the revival era. They always find their way back to each other.
five ways to says "I love you" (and one with words) - T, 4,501 words (AO3 link)
Just because something is unspoken, it isn't always unsaid. You just have to know what to look for.
sanctuary - T, 1,550 words (AO3 link)
In a world full of lies and fear and darkness, they have each other to be the light and shelter that they need. That's something to hold onto.
They watch each other sleep and consider everything that means.
pick up the pieces - Explicit, 1,641 words (AO3 link)
There is nowhere she would rather be than here, with him, making the biggest mistake of her life and enjoying every second of it. Every mistake made with him is greater than every win, every success, every moment of perfect joy she has ever experienced. She’ll break herself for him as he does for her. -- Set in early season 2, right after Scully's return.
travel in style - G, 1,401 words (AO3 link)
“I can’t believe there wasn’t a single room available anywhere,” Scully says, snuggling deeper under the jacket she’s using as a blanket, already sounding half asleep as she tilts the driver’s seat back into a reclined position. “Three motels and not one single bed to be found.”
Mulder shifts in the passenger seat – which she had insisted he should take because of the leg room – and desperately tries to get comfortable. “That has literally never happened before,” he agrees, sliding the seat back as far as it will go. It’s still too cramped. “God, Scully, how can you ever sleep in the car? You always make it look so easy.”
from this morning forward - Explicit, 7,233 words (AO3 link)
Moving back in happens slowly. It's not a decision, it's not a plan. They've each battled their own demons, and now that the wounds are starting to heal, she's so tired of pretending that she doesn't miss him every day. After all, through the good times and the bad, it's always been the two of them, together. -- Set during the revival era.
it's the day the world didn't end - Explicit, 1,544 words (AO3 link)
The clock ticks over to the day the world doesn’t end and he kisses her. She kisses him back. It’s not a new year’s kiss, it’s a kiss more than six years in the making. -- Millennium fic.
got you covered - T, 2,419 words (AO3 link)
“Is it a bit cold in here?” He wraps his arms around himself, looking at her in her thick cardigan next to him on the couch.
“The heating’s broken,” she says. “I’m sorry, I should have called you before you came over.”
the words behind the meaning - G, 3,175 words (AO3 link)
He tells her he owes her everything and she owes him nothing. She knows that's not true, but she doesn't get to tell him. Life has other plans. But she knows. And once life lets her, she will tell him.
-- Post-Fight the Future: they don't kiss in that hallway, but they get there eventually.
tuesday - M, 894 words (AO3 link)
They get married on a Tuesday. It just feels like the time is right. They've waited long enough; it doesn't matter that they're only just beginning to realize that.
spectacular - Explicit, 2,238 words (AO3 link)
They make rules, and they make them for good reasons. No kissing at work. Definitely no sex during work hours. And they would absolutely, definitely, under no circumstances ever break their own rules. (with wonderful art here)
ellipsis - Explicit, 3,758 words (AO3 link)
He's a free man again – it’s what they’d barely dared to dream. Now, she barely dares to ask him what he wants to do with his freedom. He doesn’t know.
beyond a doubt - T, 1,164 words (AO3 link)
Maybe their second meeting will be better than their first. He’s here even though the world has fallen apart. And she’s afraid. What will she do, what can she do if it’s not really him? If they have succeeded at last, destroyed him and left only an empty, Mulder-shaped hull in an awful prison suit.
or: the kiss from The Truth, told in 1,000 words.
no longer dreaming - Explicit, 2,626 words (AO3 link)
She refuses to do anything while he still has his arm in a sling. And while his body is straining towards her with every cell, deep down he’s grateful. All these years they’ve waited. He doesn’t want to rush this now.
--
Post-millennium, they finally let themselves have what they've both wanted for so long.
home furnishings - Explicit, 5,008 words (AO3 link)
It starts with a sprained ankle and frustration about a broken chair. He knows it’s not IKEA’s fault. He and Scully have gone through a number of chairs over the years. But he thinks a billion-dollar multinational company will survive the scorn of one grumpy customer.
(or: Mulder writes reviews. Mulder also loves Scully.)
all after such a desert - Explicit, 31,990 words (AO3 link)
He would rather stick his fingers in a wall socket than hurt or upset her, ever. He keeps waiting for this love to start hurting the way he knows all love hurts at some point down the road. But he’s loved her for years and here they are. Tentatively, timidly, his soul is still reaching for hers, asking it to soothe old hurts and pain. He doesn’t know how he’s ever going to be able to be enough, but he’ll try, he’ll try. And hope that eventually, maybe, one day he will deserve her, if he just tries hard enough.
In which Mulder learns what it truly means to be a whole person to someone.
every possible way - Explicit, 7,268 words (AO3 link)
There's a first time for everything, but when the thing itself defies explanation, maybe there are more firsts than just the one.
Or: five moments and everything between and after.
lucky stars - Mature, 12,212 words (AO3 link)
After the events of Syzygy, Scully feels that things are strained between her and Mulder. She thinks maybe some time away from each other will help, but sometimes things don't quite work out the way you planned them.
unremarkable days - various ratings, ongoing series of standalone ficlets (AO3 link)
A series of ficlets describing days in the life of Mulder and Scully at the Unremarkable House. These will be more or less standalone ficlets, so I'm leaving it as a WIP for as long as I can think of more mundane everyday adventures to add. Ratings will vary from G to Explicit but you can skip parts without losing track of the plot. This will be fluff for the most part, with the occasional sprinkling of angst lite; details will be given in the notes for every chapter. Mainly, this is the two of them learning to stop running.
future imperfect - T, 12,525 words (AO3 link)
Mulder is back from the dead. Scully hoped this would be the end of her grief, that everything would be okay. But nothing is ever quite that simple, and navigating their way into the future is still no easy task. (alternate season 8 fic)
More short ficlets under the cut:
distractions - G, 1,181 words (AO3 link)
He wants to ask if she’s okay, but he knows the answer to that. And she’s told him more than once that she doesn’t want to talk about it. She says she has no memory of what they did to her. Sometimes he’s not sure he believes her.
coffee and pancakes - T, 1,881 words (AO3 link)
It’s amazing, he thinks, how quickly you can get used to things just because they feel right. It’s been no more than a few weeks since they unpacked the last of her boxes; there hadn’t been many to begin with. She had left a lot of stuff behind when she’d moved out and barely acquired new things during the time she’d been away. Everything is back where it belongs now.
or: Scully has moved back in and Mulder is realizing that a home is not just four walls and a door.
the ginger invasion - G, 723 words (AO3 link)
Mulder is sick. He never gets sick, and it's awful. It's terrible. Scully will be wondering why he isn't at work. He should call her. He just about manages to lift his head and there she is, Scully, in his bedroom doorway.
starstruck - G, 671 words (AO3 link)
"So, I guess she's sticking around, then?" Frohike asks, and Mulder looks up from . . . whatever it is Byers just put on the screen in front of him and nods.
"Seems that way. At least for now."
--
Mulder has a crush. The gunmen know it.
how many stars - G, 472 words (AO3 link)
"What are you thinking?" she asks, and he turns his head to the side, looks at her.
"The universe," he says.
had you big time - G, 540 words (AO3 link)
"I've thought about our weekend away," he whispers against her lips, before he kisses her again. "I've had the perfect idea."
tasting raindrops - G, 385 words (AO3 link)
She laughs with him and can't look away, raindrops clinging to his lashes, water dripping from his nose -- not kissing him in this moment would defy every law of the universe.
what time do you call this? - G, 495 words (AO3 link)
He stirs as she carefully lowers herself onto the mattress and she pauses, not wanting to wake him. It's way after midnight and it's enough if one of them will be entirely sleep-deprived the next day.
heaven and hell - T, 996 words (AO3 link)
Hell doesn’t burn. There is no pit of fire. Heaven isn’t a green garden under a cloudless sky. Everything is made of moments, and they don't happen on schedule. But often, they happen with his hand in hers.
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When She Wakes Up - Chapter Five - ‘You Know Why.’ ✦ ݁˖
Rating: E | Wordcount: 13,690 | C. 5/?
Read on AO3! Pleease. Tagging @today-in-fic <3
cw: very heavy emotions, discussions of comas & life-threatening conditions.
Scully was pacing, and though he tried his best to keep his weary gaze ahead, it kept drifting to the sharp snap of her heels. She was making him nervous, and each time his eyes darted to meet Skinner’s, he worried that the man would see it.
‘Agent Mulder, I understand you’re probably anxious to be at the hospital,’ he said evenly, his attention pulled briefly to the twisted fists in his lap.
‘I’m sorry, sir, I’m just feeling a little distracted,’ he shot Scully another look, begging her to stand still.
‘More than understandable, Mulder,' Skinner said with a calm authority. ‘I just wanted to touch base with you, to get any updates on agent Scully’s condition, and on when you may feel ready to return to work.’
‘And to make sure that I haven’t gone after the shit-for-brains agent that did this to her?’ Mulder said, only half-joking.
Skinner huffed, and stared down at the pencil between his thumb and finger. ‘And that,’ he agreed with a nearly-concealed smirk. ‘It wouldn’t help anyone right now.’
‘I know that, sir,’ Mulder said evenly, avoiding Scully’s stare that he could feel burning into his temple. ‘I can be patient.’
‘I’ll pretend I didn’t hear that, agent.’
‘Mulder!’ Scully cut in, anger flaring in her veins. ‘Don’t even joke about that.’
‘So.. how is she?’ Skinner asked cautiously, all humour draining from his face.
Mulder wanted to reach out and slide his arm around her hips, pull her flush to his body as proof. Sometimes she felt so real that other people not noticing her made him anxious. He swallowed tightly and looked up to her.
Her expression faltered as she looked down at him, suddenly seeming so small beneath her. His eyes were wide and wore the weight of an unbearable sadness.
‘Not much change,’ he said simply.
‘Give me something here, Mulder,’ Skinner said seriously.
Scully watched, suddenly feeling like she was intruding. She saw the raw emotion on her ex-boss’s face, and she knew it wasn’t meant for her eyes. The whole thing made her feel sick, staring at the expressions of people who thought they were never going to see her again.
Secretly watching the pity, the concern, the pain, the regret, the fear. And she had to watch it all silently, clawing at the universe to let her be real. She sniffled and felt Mulder’s attention snap to her.
Not here, she thought fiercely. Even though skinner couldn’t see or hear her, she still wouldn’t let herself crumble in this office. She hurried from the room, slipping through the door and tightening her jaw as she turned sharply in the hall and headed instinctively down to the safety of their basement office.
*
‘Scully?’ He whispered as he softly pushed the door open, knowing exactly where he’d find her.
It was thankfully empty, and he watched her carefully as he stepped inside. Her arms were crossed tightly in front of her body and her shoulders were so stiff that he could almost feel the waves of stress coming from them across the room.
‘Hey,’ she replied, turning finally to look at him.
‘Are you ok? You ran out of there pretty fast. Well, you kinda ran through a door, Scully, it was badass.’
She scoffed, a tired laugh struggled from her throat. He stepped towards her with a boyish glint in his eye, and here, surrounded by these four familiar walls, it was like stepping back in time.
‘It was not “badass.”’
‘Do you know how hard it was not to say something with Skinner staring right at me? You ran through a door, Scully. I..’ He shook his head, grinning.
‘I… I just can’t stand it, Mulder. It’s like watching people talk about me like I’m already gone.’
‘Scully, I’m sorry. I can’t even imagine-‘
‘-And you! With your childish jokes about going after Ritter. You think that makes me feel any better?’
‘No,’ he admitted. ‘No, I don’t imagine it makes you feel any better at all.’
‘So, just stop it, alright?’
‘Ok, you’ve got enough to worry about right now, I understand.’
‘It’s not even that, Mulder, it’s just.. god, you wouldn’t do something that reckless and… vengeful. It’s not.. I can’t…’ Her voice was climbing, tense with worry and anger.
She looked around at the remnants of the life they’d shared down here, now changed and shifted and claimed, and sighed.
‘While we’re down here, I’m gonna look through the files, just skim them for anything that sounds helpful, alright?’
She nodded tightly, keeping her spine straight as she watched him flick through the filing cabinet with determination. Her heart was pounding in her chest and she bit her bottom lip, hard enough to draw blood if any still beat in her body.
Happy Galentines Day (yes it’s Valentines Day in Brazil where I’m from)
And what better way to celebrate than talking about friendship and community and celebrating our FEMALE WRITERS!
These are some of the things I’ve been reading, hope they bring you all joy this Galentines Day!
Completed fics to make your Shipper heart happy
@sagan-starstuff Conversation, which was from a Valentine’s Day exchange incidentally, and it’s the sweetest story https://archiveofourown.org/works/63003160
@little-grey-girl-xf Suckers (those idiots in love…! new HC unlocked)
https://archiveofourown.org/works/86580141
@badassscully Semeadura de Nuvens (for my fellow Portuguese readers on this Valentines Day, feliz dia do amor!!!!) https://archiveofourown.org/works/85870806 and If you don’t love me now (best Mulder! Let’s ask her for a sequellll!) https://archiveofourown.org/works/59662489
@thursdayinspace Fragile Balance (it’s a such a cool case fic, guys, please trust the MSR process!!) https://archiveofourown.org/works/85004191/chapters/224416601 and Home Furnishings (inspired by Poang below.. be prepared to love it and laugh hard) https://archiveofourown.org/works/58911916
@leiascully POANG (super fun and original - a trip to IKEA and …) https://archiveofourown.org/works/58584175
@peacenik0 Lights, Camera, Orgasm (the smutty side of Valentine’s Day, you say?! With a cool plot? Again, don’t forget to trust the MSR process)
@baronessblixen Unprecedented Circumstances (I have a medical-grade weakness for all of Baroness’ Diana Fowley fics, but this one 🫶) https://archiveofourown.org/works/78018716
WIPs-
@dartmoorpixie When She Wakes Up (a beautiful, beautiful angsty AU, I’m trusting the process) https://archiveofourown.org/works/86360996?view_full_work=true
@incidentalwriter Abomination (Historical AU set near Salem, Massachusetts. Interfaith love. Need I say more?) https://archiveofourown.org/works/66107029/chapters/170364508
@bakedbakermom Days Off for Saving the World I still think about those Interlude chapters when going about my daily life 👀 https://archiveofourown.org/works/61840120/chapters/158119999
Scully walked down the cold hallway in the basement of the hospital until she reached the door of the morgue. Laymen weren’t allowed down here but being a doctor had its perks.
She reached his drawer without a second thought. She didn’t even need to look for his identification number on the drawer. She just knew it would be him. She slid open the drawer and drew back the sheet on his face to gaze upon him once more.
He was still so handsome even in death. She didn’t have enough photographs of him to last the lifetime she was now condemned to living without him. She wondered if the baby would take after him or after her. She couldn’t decide whether or not the idea that she would spend her rest of her life searching for crumbs of Fox Mulder in the countenance of their child was heaven or hell.
She picked up his hand, heavy, cold and stiff and rested it against the swell of her stomach. The baby kicked and Scully could almost spy on Mulder’s face the ghost of a smile.
Rictus sardonicas, perhaps.
She had wanted for so long— they had wanted for so long— to reach this moment together and here they were, the three of them, one entering the world, one just having left it, and her, the thin frayed living thread joining the two.
She thought briefly of laying down on the slab next to him, like it was the other half of his bed and letting herself die of despair. It wouldn’t even take the drama of a suicide— so great was her despair that it threatened to engulf her if she would only get still enough to allow it.
She nudged him over on his slab and sat next to him, the baby weight threatening to send the three of them sprawling onto the ground. His head lolled to the side and his mouth fell open as though some half formed jape was about to tumble out. Scully adjusted his head and jaw to give him an element of dignity once more. Her fingers lingered on his stubble, which was exactly as she remembered it had been the morning of his abduction. Whatever had happened to him, it had involved a replication of his shave.
She cautiously removed his sheet and made a more thorough study of him. They had forgone the autopsy Montana state authorities had demanded before allowing the body that had once been Fox Mulder across state lines. It paid to know people that could spare his corpse that indignity. She ran her finger down the scar tissue on his chest. It was thick. Evidently he had lived through what must have been vivisection long enough to heal only to die from something else altogether. She wondered how the months had been for him. If death was sudden or if he had known he was going to die. If he had been dreading it or if it was a welcome relief.
The funeral home would be coming for in the morning but tonight he was still hers, so tonight she washed him as tenderly as she would their baby in just a few months, drying him carefully, swaddling him for his final rest.
She fell asleep with her head on his chest and was awoken by the funeral home employees in the morning.
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Chapters: 3/9
Fandom: The X-Files
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Fox Mulder/Dana Scully
Characters: Fox Mulder, Dana Scully, Holman Hardt, Sheila Fontaine
Additional Tags: MSR, Post-Episode: s06e08 The Rain King, Friends to Lovers, Tornados, Slow Burn
CHAPTER 3
Kroner’s familiar streets shimmered with heat as Mulder drove towards the eastern edge of town. The Cool View’s neon sign loomed up ahead, blinking garishly against its cloudless blue backdrop.
“Think they’ll give us our old room?” he joked to Scully.
She went still in the passenger’s seat, her heart giving a sudden volley of fast, dizzying beats.
“Rooms, I mean,” Mulder stuttered. “Our old rooms.”
Oh God, he’s thinking about that night too, Scully realised.
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DD and GA's Friendship: the Tense Times
(a Brief History)
Sections: 1993 THROUGH 2002, REWIND: MAY 1997,
AFTERSHOCKS, and 2003 TO PRESENT
A collection of quotes discussing the turbulent years.
Note: this retrospective doesn't highlight the multiple interviews wherein both complimented and expressed understanding for each other (namely because later David and Gillian didn't speak often of those moments, either.) Rest assured, they exist.
TL;DR:
November 1994:
Neil in Victoria (11 years old) asks if GA & David Duchovny are good friends off the screen?
GA: "It's a lot of work to work with someone as intensely as we do on a daily basis. Our relationship shifts and changes, and on the weekends we don't hang out because we're sick of seeing each other all week!"
April 1997:
Refreshed and read for the fourth season, David, cast and crew go to work. "We get along," David says with a natural ease. "But we have our moments, of course. I think sometimes we all just show up and go... 'I'd rather be anywhere else but here and I'm going to make you suffer for it.' But then other times, I'll look at Gillian (co-star Gillian Anderson, who plays FBI agents, Dr. Dana Scully) and I'll think she's the only one that really knows what I'm going through, and vice versa. So there's a real bond there. We're all just trying to make it the best show we can make it. If we keep that common goal in mind, we can forgive a lot."
January 22, 2015:
“I don’t knoooow if I handled it gracefully,” she says between self-deprecating laughter (her infectiously goofy laugh has its own special place in X-Files history as a notorious instigator of crew-wide giggle fits). “I just remember yelling at people a few times, which I don’t normally do. It was pretty stressful back then. The pressure was humongous for the show. It wasn’t popular yet, it was costing a lot of money, we were shooting ridiculous hours. Twenty-four episodes [a season] and there was barely enough time to change clothes before having to get back to set to say another six paragraphs of medical jargon. It was a lot.”
1993 THROUGH 2002: SINK OR SWIM
November 1994:
Neil in Victoria (11 years old) asks if GA & David Duchovny are good friends off the screen?
GA: "It's a lot of work to work with someone as intensely as we do on a daily basis. Our relationship shifts and changes, and on the weekends we don't hang out because we're sick of seeing each other all week!"
May 16, 1996:
Q: Have you and David made a lot of public appearances together?
GA: We did at the beginning. Then the object was to individualize us a bit.
Q: Oh, so you are two different people?
GA: We are!
April 1997:
Refreshed and read for the fourth season, David, cast and crew go to work. "We get along," David says with a natural ease. "But we have our moments, of course. I think sometimes we all just show up and go... 'I'd rather be anywhere else but here and I'm going to make you suffer for it.' But then other times, I'll look at Gillian (co-star Gillian Anderson, who plays FBI agents, Dr. Dana Scully) and I'll think she's the only one that really knows what I'm going through, and vice versa. So there's a real bond there. We're all just trying to make it the best show we can make it. If we keep that common goal in mind, we can forgive a lot."
**Note: May 1997: David Duchovny and Gillian Anderson: "Best of Acquaintances" was moved into its own section, see further below.**
December-January 1997:
"I have a feeling David and I will be much closer after the series is done and we don't have to be with each other daily," Anderson observes. "We can come back together for a second feature four or so years from now. As much as I will feel a huge weight off my shoulders when the series is done, it's gonna be bittersweet. I'm sure all those wonderful moments that David and I have shared together will come to mind and I'll be reminiscing about it for years."
January 1998:
Stories about her alleged affairs with a whole string of men, including her X-Files co-star David Duchovny, break almost every week. They must have been difficult to read about, whether true or not?
"Er, I haven't actually read those stories. Are they recent?"
You never saw them?
"No, were there pictures? They were probably based on that infamous Rolling Stone cover."
Gillian appears to take the world's obsession with the two Paranormal investigators in her stride. But doesn't she ever feel stifled by ScuIIy?
"No not really, because I know what the truth is. It's the same thing with the manipulation of photos on the internet, putting my head on other people's bodies... these things only really hurt if they're true or if there's a degree of truth in them. The times when it hurts are when it gets spiteful. You know I read in a local paper recently that I had had David's wife banned from the set of the show. That's unfortunate, but I know what the truth is and they do too. But it's not nice to go around with people believing that you're capable of being mean in that way, because that's not who I am..."
But living a public life has taken its toll. With everyone suddenly interested in her, it's suddenly hard to trust people's motives. Entering into new romantic relationships is particularly hard.
"The thing is that I can't do things lightly. I can't be in public with any male person, who is a friend, without it being assumed that we are lovers. If you believed the tabloids, I'd be seeing a different guy every week!"
That isn't true?
"No! Sometimes it's funny, with a different guy being added to the list of people I'm 'seeing' every week - and after a year there are 50 people on list. I don't think I'd have time for 50 lovers in a year!"
June 14, 1998:
The relationship Anderson is most cautious in talking about is that with her X-Files co-star. "David and my relationship switches as much as Scully and Fox's does. Sometimes it's better than at other times.
"We're not close. Once in a while we find ourselves in intimate conversation, but we don't seek each other out. We don't visit each other's trailers or see each other on weekends."
September 1998:
Q: When you've read articles about the show, have you learned things about how Duchovny feels about you?
GA: I have, but I'm pretty intuitive about that stuff, anyway. I'm highly attuned to... well, to too much. Once I was surprised by something he said. He gave a description of our relationship that was particularly cold, and I was quoted in the article as saying that.
Q: If you could have more of one quality that he has in abundance, what would it be?
GA: That level of intelligence. I wish I had more facts in my head. When I was in school, I didn't really pay much attention. That's the one thing in my life I regret: daydreaming. I needed to do it; it was a survival mechanism for me. [...]
Q: Lucky me. Now in turn, what do you have in abundance that you would want to give to David?
GA: I know what the answer is, but that leads to a tricky...How to put it? Oh, f-k...Patience. That's about as good as I can do without...
Q: Without what?
GA: Making him angry. (Big laugh) Without saying something I might regret.
Q: You're cagey.
GA: F-k, yes. These interviews are tricky, you have to be really careful. I can't talk abut details of the movie; it's not appropriate for me to talk about my divorce or recent relationships; and there's not really much about my adolescence or early adulthood that I feel comfortable talking about.
Q: So, if you hurt David's feelings, then you apologise. Big deal.
GA: Yes, but if there's something that I have trouble with - about his behaviour, let's say - it's something I need to deal with between the two of us, not expressed through the press.
So you have had a chat about, let's say, your difficulty with his impatience?
March 26, 2000:
Anderson: Here's one for you. How do you perceive our relationship
Duchovny: It's like the roots of a tree. It's very twisted, but it's growing. You know the tree is alive, and it works in its own treelike way, yet you couldn't untangle it. You could, but you'd need the help of a gifted professional.
Anderson: [roaring with laughter] Like a therapist?
Duchovny: Yeah. I always think back to the third or fourth episode. I was sitting in the office with ["X-Files" creator] Chris Carter, and he actually wanted us to get help. He was concerned with how we were relating onscreen. He said, "You seem bored or angry with each other. Maybe you should go see somebody." I thought, "What? We'll go as the characters? 'Hi, my name is Fox Mulder. This is my partner, Scully. We're here for couples therapy.'"
Anderson: I have no memory of that.
Duchovny: You might not have been in the room. But maybe we should have therapy for long-running series actors. It'd be good for the cast of "Friends" to have group therapy. We'd have couples therapy, because we're not an ensemble. Actually, when Chris said that, I thought he was insane. But we do spend so much time together, and it's a hard relationship to navigate. As soon as I say, "No, we don't see each other after work," then it's "You hate each other." There seems to be no room in fans' minds -- as the fans are portrayed through journalists -- for a complicated relationship between us. It can't be summed up with "I love her. She's the best!" or "I can't stand her!"
REWIND: MAY 1997, BEST OF ACQUAINTANCES
May 1997:
When David Duchovny and Gillian Anderson finally sit down together for an interview, it is politely, like family members who come together a few times a year purely out of obligation but who nonetheless recognize each other's importance in their lives....
Duchovny has talked Anderson into the two-for-one interrogation, but now that the time has come, he is slightly more impatient, answering tersely and waiting for the next scene to be completed, because then he will be done for the day. "I'm sorry," he says before we start, "but the second we finish filming, I'm not staying a minute longer." For her part, Anderson seems content to speak at length, if only to ensure that the story is told correctly.
They are not similar people, Anderson and Duchovny, but they are forced together in a coupling that the public views as idyllic, and because of this there is an oddly conspiratorial feel to their interaction. "It's a difficult relationship because it's like an arranged marriage," Duchovny says. "We didn't choose to be together." When the first question is asked – "How has your personal dynamic changed over the course fo four seasons?" – they look at each other as if to make sure they're on the same page, and Duchovny begins speaking.
"It changes all the time, right?" [Anderson nods in agreement.]
Duchovny: It's not that it used to be one thing and it's another thing now. It's cyclic.
Q: Are you in an up cycle at the moment?
Anderson: Today, yes.
Duchovny: Or else we wouldn't be here.
Q: Is it really that day-to-day?
Duchovny: It's like any relationship, only intensified, because we can't take a break. I can't say, "I'm going for a walk." [Anderson laughs.]
Q: There's a feeling that fans want you to be great friends off the set.
Duchovny: Or to be fighting.
Q: What's the reality?
Duchovny: We've never socialized. Since the pilot, we've not gone out even once.
Q: Why is that?
Anderson: Soon after we started, I got married and had a baby. On top of that, after working so closely during the week, the days off are time to spend with other people. [...]
Q: Why don't each of you say what strengths the other brings to the show.
Anderson: This is like a therapy session.
Duchovny: I think there should be a therapist that works only with television ensembles. Like Dr. Katz, TV therapist, sitting down with the cast of Friends. [Anderson laughs.]
Duchovny: OK, I'll start. At this point you can't imagine anybody else playing that part. There's not just one thing she does. She's made it her own part. So, there's nobody else to do it. She brings whatever her talents as an actress are.
Q: What about David?
Anderson: One thing I don't think people realize is a lot of the humor in the character of Mulder is not only heightened by David but a lot of times he will add his own lines. A lot of Mulder's dry sense of humor comes more out of David than anything the writers can conjure up.
Duchovny: So, what we've come away with is, I'm just f -ing like my character, and Gillian is a wonderful actress.
Anderson: [Laughs] That's not what I meant.
Q: Do you turn to each other for career advice?
Anderson: There have been defining moments over the past four years where we have, not necessarily for career advice, but when we have both been there for each other for support.
Q: Examples? We love examples.
Anderson: Well, I won't give any.
Duchovny: When my goldfish died.
Anderson: But most of the time, we have our own separate support systems and deal with things in our own way.
Duchovny: I guess the only thing we'd talk about now is when we want to do the X-Files movie. I think we both want to do it as soon as possible so we can get it over with. [Anderson looks genuinely startled.]
Duchovny: Oh. [Pause] I don't know if you do.
Anderson: Have we talked about it?
Duchovny: We did a little bit early in the year. [...]
Duchovny stands. There has been a call from the director, and the two stars glance at each other as if they are pleased to have survived something together They walk out, one after the other; and a few minutes later, as the scene starts and the camera rolls, Gillian Anderson and David Duchovny immediately morph into Dana Scully and Fox Mulder, the partners considered to be one of television's most romantic duos. It is a feat of incredible closeness, considering the two characters have never even kissed and, stranger still, considering how naturally it happens once the camera rolls.
As Kim Manners explains it: "They're totally different human beings, but they can just look at each other and know exactly where they're going in a scene." He stops for a moment before continuing: "It's weird. David and Gillian are best of acquaintances; Scully and Mulder are best friends."
AFTERSHOCKS
March 20, 2003:
[David Duchovny] says, "It is not like we do not get on. We are somehow joined, at some significant level, for ever, for as long as we are alive, not just in the public's mind but our own. To have worked so long together at that intensity, to have gone through so many huge changes in our personal, professional and public lives, means that we have a very deep bond. We have never had a friendship of like minds, but we are soulmates in some senses. I love her and I think she loves me, but we do not have a huge interest in each other as people outside of this work connection."
May 7, 2006:
'You know, early twenties, all the emotions, and I had a baby, and then a divorce, and I was on a brand-new series that was doing well, and all the publicity surrounding that, all the nonsense about David and I, and there were times when it was unbearable.' Hastily, humbly, [Anderson] adds, 'And yet, I was so fortunate to be a part of something that was so exceptional. We did have fun.'
2007 TO PRESENT: A MATURE FRIENDSHIP
April 16, 2008:
Shock: What’s that like with David now that you’re not with each other 16 hours a day on a series?
Anderson: It’s great, but it was great then, too. This is like a sibling relationship and I never had siblings. I had brothers and sisters that started when I was 13, so I was out of the house and didn’t have that experience. There was always this love/hate – hate is too big of a word – but there was always something. It was a natural relationship over a period of time. Now we’ve grown up and we’re older, we’re more appreciative of the relationship period and the unique experience we had together and have an opportunity to continue that and foster it. We’ve always loved each other and we’re always going to be a battle sometimes.
July 22, 2008:
Duchovny: I wouldn’t characterize me as the one who really wanted to get it going, but I’m certainly someone who would always say yes whenever Chris and I would talk about it. The love/hate has nothing to do with the actual content, the actual people, the actual anything. The love/hate had to do with me wanting to get on with the rest of my life, the rest of my career and when you think about it, that I did eight years and Gillian did nine, that’s a lifetime. There are no other dramas that keep the same characters that run that long. If you look at ‘Law & Order’ or ‘ER’, they’re twenty years old or whatever they are, but they’re completely recast. So it’s just not something you see. You don’t see actors not get fatigued and not get frustrated in a drama where we’re working, cell phones or not, everyday for many, many hours playing the same characters. So it’s just natural to burnout. There was always love for the show and love for the character. There was never any hate for that.
Anderson: But it’s interesting that it’s always something for the press to latch onto. It’s always a surprise, in some way or it’s a good headline, that someone wants to leave. It creates good drama and so it always becomes this thing, where actually it’s just a natural thing.
Duchovny: Right, like you’re ungrateful in some way. Yes, I love ‘The X-Files’ and I love Vancouver. Those things are true.
July (29?) 2008:
DD: No, uh, there was something, you know, even that kind of brought us together. And then when we were doing the show, it just, you know, no matter what kind of troubles we had as people off the show, or with one another off the show, it, it just never affected that [chemistry.] So, time doesn't affect it, either. It's like nothing affects it. It's weird.
Q: And Gillian, you feel the same way, or...?
GA: Yeah, absolutely. I mean, there, there have been times, you know, when we were in the, in the, in the midst of shooting the series where we were exhausted and fed up with ourselves, with each other--
DD: We didn't talk to one another.
GA: We didn't talk to-- and yet, we could do these scenes where--
DD: The only time we talked to one another was as Mulder and
Scully-- [GA: Yeah.] --for, you know, weeks at a time.
GA: And yet the chemistry was there; and we were, you know.... There was one time actually when somebody called me and said, and said, "You guys are really angry." [Both laugh.]
DD: But the weird thing is, like, even the anger, uh, reads as-- [GA: Yeah.] --kind of, you know, interest.
Q: Well, it played the scenes well-- [DD: Yeah.] --where there was tension or whatever. It played well. [GA: Yeah.]
DD: Anger looks like love on film, actually. [GA: Smiles, amused.]
Q: Absolutely.
GA: And in real life sometimes.
DD: Yeah. [Makes a face of exaggerated anger.]
August 1, 2008:
Q: After working so closely together for eight years you must have been sick of the sight of each other.
DD: Absolutely. Familiarity breeds contempt. It’s nothing to do with the other person. All that fades away and you’re just left with the appreciation and love for the people you’ve worked with for so long. We used to argue about nothing. We couldn’t stand the sight of each other.
August 2, 2009:
The actor - who reprises his role as Fox Mulder alongside Gillian's Dana Scully in new movie 'The X-Files: I Want To Believe' - admits he'd "had enough" of Gillian by the time the original 'X-Files' TV show finished in 2002, but was thrilled to return to the character after a six-year break.
He said: "Gillian and I are not as close as Mulder and Scully but who could be? Nobody is as close as Mulder and Scully. But we worked together for so long that by the time the series ended we had enough of each other.
"But six years having passed, it's like, I don't make jam, but I'm assuming you pour away the boiling liquid so after six years the liquid is all boiled off and all that remains is the jam of appreciation."
October 16, 2013:
"I think we've become more friendly as time has gone by," Ms. Anderson said. "We went through something quite profound together and there's only one other person—"
"Traumatizing," Mr. Duchovny interjected. "We were traumatized."
"Traumatized. OK, that's the word—traumatized," she said. "And there's only one other person who has had that experience, which is me, and I don't think we've ever really fully had that conversation yet."
"You want to have it right now?" Mr. Duchovny asked.
Despite a reporter's encouragement, they politely declined.
(Bonus: DD and GA Talk About Their X-Files Trauma)
October 20, 2014 (source: HappySadConfused):
Q: Was there a sense of almost a bunker mentality where you were at least going through this process with David? You mentioned he had more experience, he had done some bigger films but still the phenomenon that emerged within the first couple years was pretty remarkable. Did it help to have him there too and kind of like “Are you getting this too? Are you going through this too? Is this weird?”
GA: No. No, not really. We talk about the fact that it’s crazy that we didn’t. And that we didn’t take advantage of the fact that we had each other but it was complicated. These were long hours that we were working. We spent more time in each other’s presence than we did with our, you know, spouses and children, etc.
But also, you know, I think we p-ssed each other off, quite frankly. And I have no doubt that after they’re waiting – we’re gonna roll and somebody has to come in and redo my lips and the difference between the maintenance for guys and gals and we’re shooting in all weather – you know, we never shut down except for one day for weather in the entire show. We were shooting up in Vancouver through rain, sleet, everything. And my hair would frizz up to here in between takes and they’d have to get the blow dryer out under the tent and we’d be waiting for Gillian’s hair to do another take. You know, that p-sses you right off. It adds up. So I, you know, I’m sure there were plenty of things he did that p-ssed me off too. It just wasn’t, you know, but on the other hand.. NOW, we get to talk about that and we’re probably closer than we’ve ever been.
December 28, 2015:
“We’re probably closer today than we’ve ever been,” Anderson told me. Whatever happens with the new series, The X-Files is a fixture in the pop-culture firmament, and she and Duchovny now understand that, in her words, “it’s just the two of us that have had this particular unique experience.” In the past, she reflected, “I don’t think that was necessarily important enough an element to draw us together.” But they both have children, and their friendship has grown. “I think we’re old enough to realize,” she said, maybe a little coyly, “that there’s value in our staying onside and supporting each other.”
January 22, 2015:
“I don’t knoooow if I handled it gracefully,” she says between self-deprecating laughter (her infectiously goofy laugh has its own special place in X-Files history as a notorious instigator of crew-wide giggle fits). “I just remember yelling at people a few times, which I don’t normally do. It was pretty stressful back then. The pressure was humongous for the show. It wasn’t popular yet, it was costing a lot of money, we were shooting ridiculous hours. Twenty-four episodes [a season] and there was barely enough time to change clothes before having to get back to set to say another six paragraphs of medical jargon. It was a lot.”
January 14, 2016:
Mulder and Scully, Duchovny and Anderson, were and still are in many minds one of the most compelling on-screen partnerships. Rumors of rifts and romances abounded about their off-screen relationship, too, with little foundation. But Anderson isn’t concerned about a repeat of such gossip, despite acknowledging the chemistry between them. “People know we are good friends now and that we’ve found our way into an adult friendship."
January 19, 2016:
Duchovny and Anderson weren’t always so easygoing on set, and they presented about as far from a united front as two co-leads could. “The crucible of doing that show made monsters out of both of us,” Duchovny admits, but says that reuniting on “I Want to Believe” changed things for the better. “Once we got to step back, it was like, ‘Oh, wow, we really like each other. I didn’t know that was going to happen.’
“The way we work together has changed,” he adds. “Whatever rapport we have as actors, we earned. It’s nice to be able to play that without ever even feeling like you’re playing it.”
Anderson agrees. “Our relationship has definitely become a proper friendship over the last few years. I think we’re more on each other’s side. We’re more aware of the other’s needs, wants, concerns, and mindful to take those into consideration— and just sharing more about our experiences in the moment, under the sudden realization that we’re both in this together, and wouldn’t it be nice if it were a collaboration?”
February 13, 2016:
There's no doubt, however that the pair's closeness brought with it a degree of friction. [GA:] "I think the grind of working every single f--- day, 17 hours a day, with each other, in those circumstances, just took its toll. I think when we did the last film, we got closer, as time had passed and we'd, I don't know, matured, grown up, gotten a different perspective on life and work."
June 17, 2016:
Anderson: David and I have solidified and intensified our friendship and our working relationship since the series ended, so it really is just going back and choosing to work with somebody, and feeling like we are doing something that only the two of us have the experience of. We’re there for each other, and enjoy that in and of itself. It was something I looked forward to with this series, and something I would potentially look forward to doing again. It’s a nice thing to have in one’s life.
Duchovny: I agree with that, and it’s going to sound really pedestrian, and not at all lofty, but when I think back to the beginnings of the show, and what I thought acting was—what I thought I could do as an actor—the gift this show gave me was having to go to work. Having to work as hard as we did, every day, for 14 hours a day, over 10 months, for five years in a row. That was a gift in that I took myself to school, and taught myself how to be an actor. For both Gillian and me, it was really sink or swim at that point, and to be able to do that with great material, and talented people helping us along… it could have gone in another direction, so I’m thankful, I think, just for the hard work that it was in the beginning, and the appreciation it gave me for what I do. It didn’t kill us, anyway.
June 8, 2025:
The original runs of the show – from 1993-2002, 2016 and 2018 – were beset with what Duchovny and Anderson spent years euphemistically referring to as mutual “tension”. For long periods, the two were not “even dealing with one another off-camera”, as Duchovny revealed last year during a heartfelt conversation with Anderson on his Fail Better podcast, in which he admitted to a “failure of friendship” with his co-star. Was there something specifically combustible about their two personalities in combination?
“My memory would be faulty, you know? It’s like Rashomon,” says Duchovny, vaguely, alluding to Akira Kurosawa’s 1950 classic in which every eyewitness to a murder tells a contradictory version of events. “Just, I don’t recall.”
CONCLUSION
1997 David Duchovny and Gillian Anderson: "Best of Acquaintances"
The Vancouver Move: Gillian Anderson Welcomed the Change and
The Vancouver Move: David Duchovny, FOX Studios, and the Rain
90s DD and GA’s Relationship: Others’ Thoughts
2000-2024: DD Reminding GA about CC’s “Couple’s Therapy” Suggestion
David Duchovny: IWTB Was Personally “Redemptive”
David Duchovny, Gillian Anderson, and the Paparazzi: Correcting the Record
DD and GA: on Assault from the Paparazzi
2008: DD and GA on Burnout and Opportunistic Headlines
2013 DD: "We Don't Live Together," the Explanation
#okay but also: she’s really asking#because One Son was just 2 episodes before#and this Scully isn’t sure he DOES care to know what she thinks#she has reason to doubt#his joking tone doesn’t reassure her#he’s being playful to mask truths but she thinks he is not taking this / her seriously#which is why her protective walls are way up in this episode
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Yes, I know this is technically DD as Brian Kessler. But. But I always imagined Oxford Mulder to wear an earring. Or two. Because when I was young, in the nineties, (cool) boys used to have them, and there was hardly anything that made me as weak for a boy.