Make the edit you want to see in the world (this song makes me think of him)

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@thetimeofthetwelfth
Make the edit you want to see in the world (this song makes me think of him)

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đŖī¸ GHOULCY HUG đŖī¸
"There was one other man, but that would never have worked out." "Why not?" "He was impossible."
*keeps replaying the scene after the radscorpion explodes and Coop is grunting on the floor đĨĩ
Like ok yes I know he's suppose to be in pain, but if I close my eyes it sounds.....
ALSO did we just see a display of ghoul strengthâĸ with Cooper straight up yeeting the radscorp 10 feet away, or are we just accepting that that was totally normal??
Regarding the use of indirect foreshadowing re: ghoulcy
We know the writers love to tease us with not-so-covert instances of indirect foreshadowing, such as:
When Ma June says to Lucy: "[...] I can tell by looking at you, clean hair, nice teeth, and all ten fingers. Must be nice. " â And then Lucy proceeds to loose a finger.
While on set for The Man from Deadhorse, Emil says to Cooper: "The audience Coop, they already know you're a good man. They wanna see that even a good man as yourself can be driven too far. [...] It's a new kind of western, the power of the individual when the chips are down, [...] 'cause out here, it's just you, your gun, and your personal code bringing order to the wild wild west." â Literally foreshadowing Cooper's own trauma, descent into chaos, and moral journey.
Cooper discussing the power armor design flaws with Bud Askins â later using those design flaws to take out an entire company of BoS knights.
Max selling his own teeth for money â later getting shot with teeth.
While Lucy and Wilzig flee Filly, the chicken fucker calls out "[...] serums for pain, foot-healing serums! Serums that will make you grow an entire new foot... maybe." â Thaddeus literally heals/regenerates his foot with his serums.
So, with this writing and production style in mind
When characters say very pointed things and the art direction is done very consciously to include certain elements, which otherwise do not affect the plot and could have been omitted entirely, it is clear that these things were included for a reason and serve a larger function in the narrative. They were a choice. Otherwise, why include them at all? For example:
Norm speculating that Lucy's future husband will be a cannibal full of tumors â narrative proceeds to introduce Cooper and make a plot point showcasing that he is an irradiated cannibal. HELLLOOOOO!!
Cooper reminiscing with Roger about missing ice cream and apple pie â Lucy's track in Ramin Djawadi's score is titled "Ice Cream and Apple Pie"
In scenes of Barb, such as in Barb's office, during a shot of Barb in the Howard home, and during the diode exchange scene, the posters for Cooper's movies Under the Covers and The Revenge of Brutus are featured prominently in the background. Under the Covers is a detective noir, which notoriously feature femme fatale characters and double-cross betrayals by the female love interest. Revenge of Brutus implies Marcus Brutus, who betrayed Julius Caesar and orchestrated his assassination â Barb is repeatedly situated in relation to the these symbols, foreshadowing her double-cross, deception, and betrayal.
In multiple shots of Lucy and Cooper in the wasteland, the background features love themed graffiti such as hearts and "I love you"
In the scene of Cooper sewing Lucy's finger onto his hand, the stitches form a heart as the thread is pulled taught. I'm fairly confident the threads are comped in, so this was a choice that someone intentionally animated. (also a ghoulcy fan favorite lmao)
Roger looking at Lucy and saying to Cooper, "You got a smoothie of your own." GET YOUR GIRL COOP
The overseer of Vault 4 calling Lucy, "Goosey" MacLean â is, as we all know, a portmanteau for Lucy and the Ghoul (and is also just a cute play on the loosey-goosey idiom, of course).
These are just a few examples of ghoulcy foreshadowing đđđâĸī¸đĒŋ

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@goobygirlsblog pointed out to me that we started the series with Cooper divorced and Lucyâs [failed] marriage. Romantic ties being formed and broken is how we meet the two main leadsâĻ.
And then norm saying the stuff about âwhat if your husband is a cannibal or has tumorsâ
Ummmmmmmmm coincidence???? I think not
"Well, the past is the past. Ain't that right?" Fallout (2024â) 2.04
inside me there are two lungs. and one liver. one stomach. a few meters of intestine. there's a lot inside me actually
this is the funniest thing i've read all day
the ghoul to lucy maclean
You'll never make me shut up about the Beauty and the beast parallels between Lucy and Cooper ahhhhhhđđ

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Wait for the master.
The amount of confidence oozing from this dude
i re-watched it several times, looking for what he does differently. finally i spotted it. look at the line of motion in his strike. itâs not especially fast, he doesnât wind up more than the others, and itâs not a matter of strength â the guy who knocked over the stand probably put more muscle into it. but thereâs a unity of movement he has that the others lack. his body and sword are all one curve. everything moves at once along the same line.
from a physics perspective, that means all the force heâs applying is concentrated at the point of contact between his swordâs edge and the target, and it moves at just the speed that breakage propogates through the material. too slow and it wouldnât have enough force; too fast and heâd get ahead of the break, shoving the target over instead of cutting it.
from a writing perspective, that means that i should focus on describing a master swordsmanâs smoothness more than their strength or speed, and can also have witnesses be confused at the effectiveness of strikes that donât actually seem all that fast.
Martial arts are all about physics, my karate sensei is has a mechanic/physics diploma and he loves to explain the biomechanics of human body and how this was turned into fight via martial arts. Itâs a very good way to teach. The sword master has a larger stance of the feet, much more than the others, allowing his barycenter to lower and thus giving more stability. This, united with the movement of the sword that follows the angle of his body increases the power of the blow without actually using too much muscle strength. Pretty sure heâs also just tending (not contracting) the muscles under the armpits, near the rib cage, the serratus anterior. That makes a huge difference.
Above: The science of moving like a master of martial arts.
What was most interesting to me is size has no correlation to success for any of the people.
New to the fallout side of Tumblr but have yet to see this video of Cooper moaning whorishly in the Super Duper Mart on here.
Walton, your line was "Oh, thank goodness! There's chems here"
even they were weirded tf out đ
⨠I'll place the moon within your heart â¨
My wonderful customer asked me (for the commission) to watch a movie about tight pants...
that is, Labyrinth, of course. And now you have such a quick sketch in your feed.
How good that such stories exist.
If I had a nickel for every time a Type A history teacher saved a gunslinging ex-soldier from being hanged with her questionable negotiating skills during an enemies-to-lovers roadtrip in search of a mysterious city... I'd have two nickels.

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The way I was pointing at the screen when I saw Jane Espenson credited as the writer for Fallout S2 Ep4... the same person who launched the Rumbelle ship with OUAT episode Skin Deep. I see she hasn't lost her skill with writing the captivating dynamic between an energetic and morally righteous young woman with a morally questionable man who, due to reasons of plot, has several decades on the woman without being utterly decrepit about it.
Cooper "Don't Leave Me Girl" Howard