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⣠Chile in a Photography ā£
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Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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@theregular-frankiefan

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Viewpoint - Costantina, 2022
Happy Trans day of trans day of visibility!
BLACK TRANS WOMAN SEEKING MUTAL AID!
Shit is clicking WAY DOWN for the dolls!Ā
My current life conditions are terrible all of my normal streams of income have disappeared! My family has become increasingly hostile. My car registration renewal is l more than 800 dollars so I have no relieable transpotion rn and it cost so much to commute from where I live it's 100 dollars to uber to SF ONE WAY. So I end up spending like 200 just to go interview for jobs in the city they only give you an interview just to say they have diverse candidates so Iām not so I'm NOT optimistic at all! Iām literally only surviving from depop sales and fashion net 90 freelance gigs that only come so often so if you buy something from my depop today (everything is on sale!) that would help out a lot or just donate so I can get lunch or something!
VENMO
CASHAPP
PAYPAL
the internet is a place for reading wikipedia articles and watching every movie for free. social media is an invasive species. never forget this

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The dangers of being photographed by a photographer who doesn't like your fascist bullshit.
There is a crazy story by Vanity Fair about Trump staffers.
And some of the photography was... interesting.
Including these wild facial close ups.
There is ZERO retouching done on these. Which is very unusual for photos taken this close up. The expressions chosen are very odd. The lighting is a ring flash very far away (probably to create a catchlight in the eyes) and then another diffused light source from the side. The ring flash was placed below their eye line, so you get a tiny bit of that creepy uplighting like in a Frankenstein movie. And neither light source was placed very close so the harder light really shows every pore and wrinkle and lip filler injection site. (See: why hard light is bad for porn.)
Basically, he used the opposite of every technique one would employ to create a flattering photo.
But the reason I think this photographer twisted the knife to make these photos look worse was his use of white balance on Karoline Leavitt and Susie Wiles.
If you want to make someone look sickly and demonic, you make their skin tone less warm and add green. When I corrected the white balance on the photos, I discovered the photographer reduced warmth by about 15% and increased green by about 45%.
This is not a camera setting oopsie.
This is not artistic color grading.
This is a photographer thinking, "I'm gonna make these bitches green."
And when you see the photos adjusted to a neutral white balance, this act of photographic sabotage becomes clear.
The only other explanation would be that this photographer is incompetent. But when you look at his other portraits of them, they are quite well done and properly color graded.
So... yeah, he made them bitches green.
The photographer, Christopher Anderson, has spoken about these photos since they were released.
His book was called "Stump" and he extensively used this close up style of photo with no retouching and unflattering light.
His photo of Hillary was... intense.
Everyone is talking about the extreme, crunchy detail but no one is talking about the green. I have searched a great deal of his portfolio and I could not find a single example of him making people green.
I think his book gave him the precedent to say, "This is just my thing!" But I do think there is subtext where he is like, "I made these fascist bitches green."
His quote about Steven Miller was very telling.
I hate when another car forces you to park terribly but then they leave before you and itās just like great. Well now my atrocious park job is deprived of context and I look like an asshole

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āhow to get rid of smile linesā my god you people hate everything
it's kind of fucked up that pig is an insult considering that the pig is a humble and virtuous beast
"When you have a revolution in a country, the first thing you take over is the radio. Then, you start telling the people that the war is over, so all of them surrender. Never let your enemy tell you how many of you there are."
-att. Malcolm X
One good thing about having a very large extended family is that it gives you examples of what different kinds of lives can look like.
I never thought it was weird growing up for someone to never get married or have kids because one of my uncles did that. I never thought it was weird to be vegan because one of my cousins did that. I never thought it was weird to have a mixed race family because I had cousins and aunts and uncles with mixed race families. I never thought it was weird to be divorced because several of my family members got divorced. And their ex husbands and ex wives still showed up to family gatherings. I never thought it was weird for a woman to have short hair and dress masculine because one of my aunties did that.
I kind of had to become the transgender cousin admittedly but you know what now Iām the transgender cousin and thereās an example for the younger generation that being trans is just something you can be.

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āWe tend to think of censorship as aiming to destroy information that already exists. But when we observe the real behaviors of bodies like the Inquisition, they rarely attempt thatāfocusing instead on labeling or policing information, trying to control who accesses what, and on spreading fear of their authority. If we look at the condemnation of Galileo, it was only a āfailureā if we presume the goal was to silence Galileoās ideas. The condemnation also frightened Descartes into not publishing a newly-completed radical treatise, which he then revised heavily to be much more orthodox and Catholic. The condemnation āsucceededā in preventing the publication of Descartesās ideas, and those of numerous others who decided to self-censor out of fear. This led to one of the projectās conclusions: the majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by a censoring authority.ā
ā Ada Palmer, on her project āCensorship and Information Control During Information Revolutionsā