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Love Begins
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YOU ARE THE REASON
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Kiana Khansmith

JVL
Lint Roller? I Barely Know Her

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The Bowery Presents
"I'm Dorothy Gale from Kansas"
Mike Driver
Cosimo Galluzzi
EXPECTATIONS
Keni
hello vonnie
Monterey Bay Aquarium
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@therecognitionsonline

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28.22
âThe eighth Bucolic, isnât it, Carmina vel caelo . . .
NOTE: : "Carmina vel caelo possunt deducere lunam" ("Charms can even bring the moon down from heaven" - Basil Valentine's translation [236.23]). The Bucolics are ten pastoral poems by the Roman poet Vergil, written between 47 and 37 B.C.; the eighth contains two love elegies, in both of which the singers use magic refrains - for this reason the poem is sometimes called Pharmaceutria ("Sorcery"). The quoted line is cited by Conybeare in illustration of the belief that ancient witches had "a power of binding and loosing inanimate nature through their incantations"
221.40
He pulled at the roll of paper on the wall, to wipe away a smudge on his cheek, and that paper rolled out to him with a great creaking, and one small brave passenger, a cockroach, riding like Palinurus piloting the ship of Aeneas, where he went to sleep at the helm and fell overboard, to be murdered by natives ashore.
NOTE: Otto is referencing a scene from the Aeneid, book 5.Â
313.11
The Virgin conceived that way, the Logos entered her ears. I have no idea what a logos is, but it doesnât sound at all nice does it. Val quoted Vergil and all sorts of dead people. Why, they all used to believe that all sorts of animals conceived that way. They thought that mares were made pregnant by the wind. And so I have to read this to really know what on earth Iâm doing, covering their ears, because evil angels are waiting to do the nastiest things to them. Can you imagine conceiving on the badminton court?
NOTE: Vergil says this of the mares of Boeotia in the Bucolics
442.5
âYes, back there, thatâs the place! Theyâre waiting! Yes, the harrowing of hell. Thatâs it. Then wood splintered, in the dining room.
NOTE: the apocryphal legend of the Harrowing of Hell has it that Jesus, on the day after his crucifixion, descended to hell and took with him to heaven the first souls to be saved. Vergil speaks nostalgically of the event in Dante's Inferno and names several of the lucky souls.

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499.10
College, the author implied, meant simply years wasted on Latin verbs and calculus. Vergil, and Harvard, were cited regularly with an uncomfortable, if off-hand, reverence for their unnecessary existences. NOTE: Vergil once said: "Most men go through college and learn to read Virgil and master the mysteries of calculus without ever discovering how their own minds function""
699.10
The wind from behind stood Ottoâs hair on end, and blew along before him an empty tin can, throwing it bounding over spots of snow, jingling it over bare stretches of pavement, to hurl it lost among the mutilated shadows as he turned the corner into her street and saw that he was not alone....
And when he raised his eyes, looking east toward the hospital, he was alone in the street. The wind had gone down, and the still cold was unbearable. He stood numb, surrounded by ice, among the frozen giants of buildings, as though to dare a step would send him head over heels in a night with neither hope of morning to come nor heavenâs betrayal of its triumphal presence, in the stars.
NOTE:Â in canto 28, the Sowers of Discord are characterized by their mutilated bodies. In the following canto, Vergil asks Dante: "'What are you waiting for? Why do you stare / as if you could not tear your eyes away / from the mutilated shadows passing there?'"
further, in canto 31, Dante sees "what seemed a cluster of great towers," but is told by Vergil that "they are not towers but giants."
892.2
The only sound to reach him where heâd stopped was the regular tinkle of a bell, resting up against the jaw of a burro chewing somewhere near. He stood there as though this betrayal of rural tranquillity had engaged his whole attention, as though some innocent line from the Eclogues had turned up for the first time since heâd left Vergil behind in a dusty schoolroom and never read Latin again anywhere but on public buildings.
NOTE: The Eclogues is another name for Vergil's Bucolics
Virgil
Mentioned on: 892, 699, 499, 442, 313, 221, 28
SHORT BIOGRAPHY:
Among the greatest of the Roman poets, Virgil was the author of the 'Aeneid'.
Publius Vergilius Maro, known in English as Virgil (or sometimes Vergil) was born near Mantua in northern Italy in October 70 BC. He spent his early life in northern Italy. His first work was the 'Eclogues', published in the mid-30s BC. They give an artificial, idealised picture of a world of singing shepherds - the Arcadia of a later European pastoral ideal - but are also filled with references to contemporary political figures.
Virgil's next work was the 'Georgics', published in 29 BC and was a didactic poem, in four books, on farming. It looks back ultimately to the work of the archaic Greek poet Hesiod (c.700 BC). It was dedicated to Roman statesman Gaius Maecenas, who had become Virgil's patron. His support enabled Virgil to dedicate himself full time to study and writing. As well as Maecenas, Virgil's friends included Octavian, who became the Emperor Augustus after establishing himself in power in 27 BC, and many prominent writers and poets.
Virgil's last work was the 'Aeneid', an epic poem in 12 books which looks back to Homer's two epic poems the 'Odyssey' and the 'Iliad', of the eighth century BC. It describes the journey of the Trojan hero Aeneas to Italy and the wars he undertook once he had arrived there. But the poem does not merely give a version of Rome's earliest origins - it alludes to the whole course of Roman history, which will culminate in the reign of Augustus. Thus the tragedy of Dido, the queen of Carthage, who was driven to kill herself by her passion for Aeneas, is the ultimate origin of the Punic Wars - Rome's later wars against Carthage for control of the western Mediterranean. Similarly, the struggle of Aeneas, as he attempted to found a city for his people, also in some respects prefigures that of Augustus in re-establishing Rome.
Virgil himself died of a fever in 19 BC. On his deathbed he is supposed to have ordered the 'Aeneid' to be destroyed, but on Augustus's orders it was published.
(From:Â http://www.bbc.co.uk/history/historic_figures/virgil.shtml) WORKS MENTIONED IN THE RECOGNITIONS:Â
The BucolicsÂ
   Wiki
The Aeneid
  Summary
Part VI Epitaph
âFather,"Â âare the rich people stronger than anyone else on earth?â âYes, Ilusha,â I said. âThere are no people on earth stronger than the rich.â âFather,â he said, âI will get rich, I will become an officer and conquer everybody. The Tsar will reward me, I will come back here and then no one will dare . . .â Then he was silent and his lips still kept trembling. âFather,â he said, âwhat a horrid town this is.â âDostoevski, The Brothers Karamazov

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Part IV Epitaph
âIâve had a good dream, gentlemen,â he said in a strange voice, with a new light, as of joy, in his face. âDostoevski, The Brothers Karamazov
453.35
âSome half-ass critic, Anselm said, âa three time psychoanaloser. He spat into the gutter.
âWith his fake conversion to the Church. You remember that little tiny girl that used to be around? she came about up to his waist. He used to take her home and dress her in little girlâs clothes and rape her.
âToo much Dostoevski, Max said. NOTE: in a chapter of The Possessed long suppressed, Stavrogin describes a sexual encounter with a twelve-year-old girl who, feeling afterward that she has "killed God" as a result, hangs herself. Similarly, the profligate Svidrigaylov in Crime and Punishment admits to having sexually abused young girls, one of whom committed suicide afterward. Toward the end of the novel he dreams of rescuing a shivering, crying, five-year-old girl, undressing her, and allowing her to take his bed to recover. He soon sees in her countenance, however, "the face of a courtesan, the brazen face of a mercenary French harlot." Shortly after waking from this nightmare, Svidrigaylov shoots himself.
576.6
(Agnes)âWhat did I have to do with it? You know how much it costs to run a magazine. He smoothed down and released his obedient hair.
(Stanley)âAre you using my Dostoevski piece in this issue?
âAhm . . . not in this one, but . . .
582.3
(Stanley)âWell, I havenât finished it yet, but . . .
(Agnes)âAnd the autobiography of Dostoevski?
âLook Agnes, donât start that with me tonight, that autobiography crap.
âRelax, Agnes Deigh said.
âHave another drink.
âAll right. But just donât start . . .
âIâm not starting anything. Now relax.
937.30
And in his enthusiasm Mr. Feddle came too close. The book was snatched from under his arm and he fluttered here helplessly, listening to the laughter, and an instantâs more hope that it might not be opened, that the dust wrapper he had made so carefully, lettering his name with such meticulous clarity on the front, pasting a picture of himself taken forty years before on the back, might yet sustain it. Then pages flashed, the laughter broke. âThe Idiot? Thatâs the title of your book? The Idiot . . . the laughter came on, âby Feodor Feddle . . . ?
NOTE:Â Dostoevski's 1869 novel concerns Prince Myshkin, an epileptic and a good, guileless man. The lives of a number of singular characters become involved with his, and although they all admire Myshkin's personal qualities, they consider him, for all practical purposes, an "idiot." Ippolit, a tortured consumptive who fails in his attempt to commit suicide, asks, "Did you imagine that I did not foresee all this hatred!" shortly before the attempt when he receives a negative reaction to a long confession he has just read (3.7). The quotation about Europe is from the last page of the novel and is spoken by Lizaveta Prokofyevna, the eccentric matriarch of the novel. The final exchange is again between Ippolit and Myshkin and concludes 4.5; Ippolit has asked, "What do you think would be the best way for me to die?" and Myshkin answers as quoted

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Fyodor Dostoievski
Mentioned on pages:Â 202, 446, 453, 476, 582, 937
SHORT BIOGRAPHY:Â
Fyodor Dostoevsky (1821-1881) was a Russian novelist, journalist, short-story writer whose psychological penetration into the human soul had a profound influence on the 20th century novel.
Dostoevsky was born in Moscow, as the second son of a former army doctor. He was educated at home and at a private school. Shortly after the death of his mother in 1837 he was sent to St. Petersburg, where he entered the Army Engineering College. In 1839 Dostoevsky's father died probably of apoplexy but there were strong rumors that he was murdered by his own serfs. Dostoevsky graduated as a military engineer, but resigned in 1844 to devote himself to writing. His first novel, Poor Folk appeared in 1846. It was followed by The Double, which depicted a man who was haunted by a look-alike who eventually usurps his position.
In 1846 he joined a group of utopian socialists. He was arrested in 1849 and sentenced to death. The sentence was commuted to imprisonment in Siberia. Dostoevsky spent four years in hard labor and four years as a soldier in Semipalatinsk.
Dostoevsky returned to St. Petersburg in 1854 as a writer with a religious mission and published three works that derive in different ways from his Siberia experiences: The House of the Dead, (1860) a fictional account of prison life,The Insulted and Injured, which reflects the author's refutation of naive Utopianism in the face of evil, andWinter Notes on Summer Impressions, his account of a trip to Western Europe
In 1864-65 his wife and brother died and he was burdened with debts, and his situation was made even worse by gambling. From the turmoil of the 1860s emerged Notes from the Underground, psychological study of an outsider, which marked a watershed in Dostoevsky's artistic development. The novel starts with the confessions of a mentally ill narrator and continues with the promise of spiritual rebirth. It was followed by Crime and Punishment, (1866) an account of an individual's fall and redemption, The Idiot, (1868) depicting a Christ-like figure, Prince Myshkin, and The Possessed, (1871) an exploration of philosophical nihilism.
In 1867 Dostoevsky married Anna Snitkin, his 22-year old stenographer, who seems to have understood her husband's manias and rages. They traveled abroad and returned in 1871. By the time of The Brothers Karamazov, which appeared in 1879-80, Dostoevsky was recognized in his own country as one of its great writers.
(From:Â http://www.online-literature.com/dostoevsky/)
WORKS MENTIONED IN THE RECOGNITIONS:
The Idiot
Demons
The Brothers KaramazovÂ
Crime and Punishment
411.9
The Town Carpenter found the soap among folds in the bottom of the pot, lifted it out, and dried his hands. âSomething amiss, he murmured as he pulled out the light, âwe must simplify, as he tramped toward the back stairs.
*From Walden by Thoreau