Gay Cowboys...are Valid...

Whenever I replay fallout new Vegas I can’t stop thinking about how the game starts with you being shot in the head and that’s a big deal but then you spend the rest of the game getting shot by enemies, sometimes including in the head, and you just walk it off no prablem

Whenever I replay fallout new Vegas I can’t stop thinking about how the game starts with you being shot in the head and that’s a big deal but then you spend the rest of the game getting shot by enemies, sometimes including in the head, and you just walk it off no prablem

if you see me being queerbaited do not try and save me. i’m exactly where i want to be

i don’t need to say it

don’t say anything. just reblog this if you’re thinking of exactly that thing when you see this picture

dont store a knife with the point facing down, it damages the blade. no, dont do that either. when you store it with the point facing up you might accidentally hurt yourself when you try to grab it. dont store a knife at all actually. your blade must never leave your hand, always ready, ruthless and waiting. you know deep down that ever since you learned the stench of blood you will never be able to cast it aside. or just get a sheath for it i guess.

if I think about amy in 6b for too long I go absolutely insane

like what do you mean her child was stolen from her and never found? what do you mean she had to force herself to be content with the knowledge that her child would eventually be okay and was with her her whole life but she never got to knowingly care for or raise her? what do you mean she spent 30 years alone, fighting for her life and reckoning with all the ways the doctor blew up her life, but then the doctor saved her and all that never actually happened? what do you mean she had to reckon with all that AGAIN the next episode, and the doctor feels so guilty he drops her back into regular life without warning? what do you mean she acknowledges his failings but still sees being left behind as a betrayal of their friendship while he sees it as a kindness? what do you mean that during all this she is privately dealing with the knowledge that he is walking to his death, and is now doing it without her? what do you mean she finds out that he's really alive and has to wait two more years before he comes back for her AGAIN? what do you mean that during their time apart she finds out she can't have any more children and instead of grieving for what SHE'S lost, she grieves for the life she can't give rory? what do you MEAN she lets rory go in the same way eleven let her go because she feels as though he deserves better than staying with someone who is (in her mind) robbing him of the life he "should" have? what do you mean she decides she's better off alone????

I have a genuine question I want to ask but I worry I can't phrase it without sounding completely unhinged

Why is fictional murder more acceptable than fictional sexual assault? Murder in fiction is so common I would guaranter every single peraon has an edgy oc who has killed someone. A character can murder someone in cold blood - can murder many people in cold blood - but if a writer realllyyyy wants to get the point across that this is a Bad Person, the method they always use to make the character cross the line from Lovable (if bloody) Scamp to Completely Irredeemable is to have that character rape someone. Im sure there's something at play psychologically but I can't pinpoint what.

sorry but demanding strong opening lines is forced idc idc. "you need to HOOK the reader with the first line otherwise they wont keep reading" idk as a normal person who is naturally curious, its the premise that gets me to consider reading a book. i dont fully form my opinion of a book until 1/3 of the way through at least. hello? yall dont like to read.

out of all of the amazing books that ive read, i remember exactly one (1) opening line, and it wasnt the opening line itself, it was the general vibe of the first page, and THAT was because id just finished a book that was bland as shit and i was happy to see prose again. and that book? ended up being mid as hell too LAKJSHKLDFJHASKLJF

okay you got a good hook. is the story good or are you just opening a performance with fireworks?

So why exactly was Victor even in Goodsprings? Victor himself says he's been there for ten or fifteen years, but even if we don't wanna take him at face value Trudy says he's been there at least since she moved in seven years prior. So Vic has, at the earliest, been bumming around a random town in the desert for close to a decade... But why? That makes his presence and House's intervention in the Courier's rescue even more of a lucky coincidence. So again I ask... why? Why is he there? Goodsprings, before this game, was hardly that well known of a place. Why would House decide to place a securitron there far outside of the effective range of his network? You can even see in game people find this strange. Trudy and Doc Mitchell both express some suspicion toward him; Trudy saying, "It acts friendly enough, but I don't trust that whole "cheerful cowboy" act. I find it all very creepy," and Mitchell saying, "He's real friendly, don't get me wrong. You just get the sense that that ain't the whole picture. Just a feeling." So even in game the fact that he's there in town is considered weird. There's two things to hint at Vic's origin, again in Trudy's dialogue and then in Easy Pete's. Trudy claims, "Some people have said its owner lived here, but no one knows who it was," and Easy Pete says, "...I think it's just a broken down relic with no place to be." These can of course both be true at the same time, but Trudy's line is interesting. The only person we can say is Victor's owner would be House, but he doesn't have any connection to Goodsprings at all. So even with all that Victor is still one big mystery to this day.

normal guy playing wordle: "i really recommend ATONE and GUILT" for starting words