Iâll never forget the fanfic space on wattpad back in 2016-2017âish where its culture was that writers would not post their new chapters until they reached x amount of votes (kudos) and comments. I mean Iâd never judge anyone for how they chose to update their fics even though I didnât agree with them. but like. it was the entire wattpad fanfic culture back then that made most writers believe they had to set these specific numbers of votes and comments that they must reach first before they posted the next chapters. so if you were on the fanfic corner of wattpad during that time, youâd most likely have seen fics where it said in the chapter something like â50 votes and 20 comments for the next chapter!â and it was literally the norm and so normalized that I didnât see anything weird about it back then. but looking back, years after Iâve left wattpad for ao3, yeah that culture as a whole was weird and it shaped writers into thinking that they wrote for the sake of shallow engagement instead for the joy of getting to create, it shaped writers into thinking that their ficsâ worth was decided and dictated by strangersâ approval. and then tiktok became a thing and this mindset continued. not to mention how wattpad is full of ads now unless you pay the site monthly for a premium, ad-free service.
so like. man, this is why I love ao3. thereâs none of these capitalism or algorithm bullshit on ao3. just writers creating out of love and passion. everybody say thank you ao3
never realized this because i lowkey forgot about this too but i started writing during this time of wattpad. and even nowadays i cannot post anything without reworking it 40 times to make sure that people will like it even though it changes my original tone or ideas.
itâs something i struggle with generally, i truly belive my work is purely for other peoples pleasure and recognition and not at all for my own expression and enjoyment. i know its something i need to change but that mindset is so drilled into me, fuck.
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hab meinem besten freund erzählt das ich den bogen geschlagen hab und zurßck in meiner aktiven schoethe obsession bin. er war damals bei den anfängen zur schulzeit dabei und musste sich täglich mein gejaule um die ohren schlagen lassen. und seine einzige reaktion war: "ur like the lin manuel miranda of the friend group. obsessed with dead ppl. frfr."
das ich auch noch das theater-kid der gruppe bin trägt jetzt nicht zu meiner rettung bei... was willste machen
Heute nach dem Amtsbesuch kurz dem Herrn von Goethe gewunken, der chillt hier nämlich auf ner Bank.
Die Errichtung des Denkmals war aber wohl umstritten, weil und ich zitiere: â[âŚ] vor allem wegen mangelnder Ăhnlichkeit mit den zeitgenĂśssischen Porträtsâ. Ich finde auch sein Gesicht ist irgendwie merkwĂźrdig klein? Keine Ahnung. Es soll wohl auch LebengrĂśĂe haben, aber ich habe das GefĂźhl das JoWo hier etwas klein geraten ist? Ich glaube stehend wäre er in dieser Version ungefähr so groĂ wie ich, was nach Recherchen zufolge deutlich zu klein wäre⌠Aber naja, ich musste dann weichen, weil eine ältere mit WanderstĂścken bewaffnete Frau gern ein Foto mit dem guten Herrn haben wollte.
i love you archival work. i love you alphabetizing. i love you sorting. i love you reshelving. i love you document restoration. i love you shelf reading. i love you inventorying. i love you analysis. i love you archival work.
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fanfiction mit historischen personen schreiben ist random historische fakten zu googeln, in wikipedia artikeln oder ähnlichem zu versinken, nur um dann trotzdem den grĂśĂten irrsinn zu schreiben.
Ein Knarzen, ein Knirschen, schwaches Licht durchbricht die Schatten.
Schwere FĂźĂe auf schwerem Holz.
Die TĂźr steht offen,
begrenzt durch sie die selbstgemachte Zelle.
Rundum die Schwere der plagenden Gespenster,
die andere Grenze, das Fenster.
Der innere Konflikt ist drĂśhnend,
man ist verbannt von helfenden Händen.
Verbrannt an helfenden Händen,
die schon lange nicht mehr schĂźtzend sind.
Verlassen in der Dunkelheit,
Leben in Dauerschleife auf Ewigkeit.
Das Endstadium ist noch nicht erreicht,
noch ist das Tier nicht ausgebrochen.
Die Verwandlung unaufhaltsam,
jede Hilfe kommt zu spät.
Zweifel und Sorgen,
stetig flieĂend, ein ewiger Strom.
Die Quelle, der Trieb nach Freiheit, autonom.
Noch ist unklar was passiert,
welche Form das Biest ergreift,
wenn es dann einmal freigelassen,
nie wieder zu erfassen.Â
ursprßnglich geschrieben: 17. März 2022
Kontext unterm Bruch
Kontext: Im Deutschunterricht sollten wir folgende Aufgabe lĂśsen: "Verschaffen Sie sich einen Ăberblick Ăźber den Wohn- und Lebensraum Gregor Samsas, indem Sie anhand einer ausgewählten Textstelle eine mĂśglichst detaillierte Zeichnung/Skizze von Gregors Zimmer zu Beginn der Erzählung und eine weitere Zeichnung, die den Zustand am Ende der Erzählung zeigt, anfertigen! Diskutieren Sie, inwiefern der Veränderung des Zimmers eine symbolische Bedeutung zukommen kĂśnnte!"
Das hat meine Wenigkeit aufgrund meiner eingeschränkten zeichnerischen Fähigkeiten natßrlich zum Anlass genommen eher ein Gedicht zu schreiben, darßber wie es Gregor innerhalb seines Zimmers abgeschieden und verdammt von seiner Familie geht. Kam gut an beim Vortragen auch, wenn die Aufgabenstellung eigentlich verfehlt war... ups. Auch will ich nicht darßber reden, dass sich mein 17-jähriges Ich immer dazu verpflichtet gefßhlt hat zu reimen... wer zum Henker reimt denn autonom auf Strom???
ich finds immer noch ironisch das ich bis zum hals im schoethe fandom stecke und selbst ernannte âschiller-enthusiastinâ bin und in ner schillerstraĂe aufgewachsen bin.. da hat sich doch auch was hĂśheres gefĂźgt
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(this is only about Little Women, not including Good Wives)
finished: 25.02.26
rating: âď¸ âď¸ âď¸ âď¸ âď¸
full review below, beware spoilers:
My first introduction to Little Women by Louisa May Alcott was the 2019 movie by Greta Gerwig. I went to see it with my mother and we both thoroughly enjoyed it. Afterwards, I obviously wanted to read the book. I started it many times since 2019 but I just now got around to sitting down and reading it.
Itâs not the books fault Iâve never stuck it out to read it entirely at once, because it is a comfortable, easy and fast read. Life just has itâs means of getting in the way.
I absolutely adore Little Women and the March sisters, so this review will probably just be me gushing about them - you gotta deal with that, sorry.
I grew up with one sibling, my older brother and I never really cared for having a sister but this book makes me crave three of them. This story is such a comfortable place to set yourself in. The way Alcott describes the life they live, their feelings, emotions and the places they live in, is incredible. I could feel the comfort and the warmth of them sitting together at christmas.
The book really portraits the sisters in a beautiful, natural way. They love each other so dearly and care for each other more than anything. But they also fight, bicker and do things they will regret. I do not want to endorse the way Amy burns Joâs story or Joâs revenge by nearly letting Amy drown, itâs hurtful and cruel. But thatâs life with siblings, maybe not to such extremes, but you love them dearly while they also upset you sometimes.
Seeing the sister grow up, nearly forced to do so is managed beautifully.
Meg, seemingly only caring for riches and longing for what life had been like, when they still had more money; turns into a wonderful young woman. Realizing that life is not necessarily about riches, but about the people in your life and the care you have for them. Meg is a clear case of the oldest sister. As the first born she has to go through rough things to make life easier for her sisters, she alone has to face challenges none of them have faced yet. She tries to be strong and she knows sheâs not alone, but behind her strong caring facade, she is just a child forced to grow up faster than she can grasp.
Jo, an absolute whirlwind, learns that sometimes you cannot just play pretend but you have to make sacrifices of your own to help those around you. Joâs character is impactful, she is an outsider seemingly the unspoken protector of her sisters, but she is loved dearly and she loves with all her heart. She is introduces as the ânot like other girlsâ trope, but she is also so much more than this. By the end of the book she is still impulsive but realises that sometimes you have to think before you move. She is witty and clever, but she is also tender and kind and would sacrifice everything she has for her family. Jo is a rebel in the best and worst ways, thatâs what makes her different.
Amy, oh my dear Amy. I remember seeing the movie and not really liking her. But I was wrong. Amy dreams of growing up faster, she wants to prove herself. But at her core she is a tender artist, she wants to pursue her dreams knowing they might not be worth much. She comes off as a brat, standoffish and mean at times. But the way she grows throughout the book, learns that was is dearest to her is right there next to her is beautiful. Amy is a wonderful character and maybe the one with the most growth in the whole book.
Beth, I was so scared for her. She is the gentlest of the four sisters and by far the most precious. She is mild and seemingly fragile, but she loves wholeheartedly. No one cares more than Beth, she loves unconditionally. She is pure and itâs so scary when you remember she is only 12 in the book. She sometimes comes off as not being treated the same as her sisters because of her character, but she is tough and through her believes maybe the strongest of them all.
All of the sisters grow tremendously during the course of the book, I get it thatâs the whole point. But in my eyes itâs executed so beautifully. They are thick as thieves and seemingly nothing will get between them and their endless love for each other. They will always stand up for each other and protect eachother throughout everything.
Little Women is a comfort read, itâs beautiful, itâs well paced. I adore this book so so much. Maybe itâs because I the movie scenes in mind but you can just image them, sitting there huddle up. I would recommend this book every time.
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rating: âď¸âď¸ âď¸ âď¸ âď¸ (although iâm debating on 4.5)
full review below, beware spoilers:
Okay, so I started reading â1984â by George Orwell, because everyone always screams about it being a classic. And because my âthought-daughterâ aesthetic riddled TikTok For You page told me about its relevance for the current state of the world and that I would need to read it to become disgustingly well educated (amongst reading other books of course.). So I bought it and read it.
Before 1984 I had never read Orwell before; I had seen a friend in a theater production of âAnimal Farmâ so I was aware who he was and what else he had written. I know that people are split on his writing style but I quite enjoyed it, English isnât my first language, so books known as classics can be quite daunting. But I got through it well, only minor hiccups along the road.
Anyways I went into 1984 knowing very little. I knew about Big Brother and what Winstons job was. But thatâs about it. So I went in not really knowing what was coming and I was pleasantly surprised. I got into the plot of the book fairly quick, not struggling through unexplained exposition or word-jumbles I couldnât grasp. So the book had me in itâs hold easily.
Part I of the book was a fast read, not really much to complain about, except Wintonâs incredible show of misogyny. I understand the context of it, him being brainwashed by the Party and all, but it still isnât pleasant to read about rape fantasies of a woman much younger than him. Thatâs where I would take off the half of a star from five stars. Also I kind of ignored the age gap between them while reading, but I do find it interesting looking back on it. Also there is a debate about whether they actually loved each other or just enjoyed the thrill of it. I havenât really decided what my take on it is yet, but Iâm interested in the conversation.
Part II of the book was kind of a drag. It just kind of went on and on, and lost itself in the relationship between Winston and Julia. I know why it happens, to give you a sense of false security, at least thatâs my take on it. Together seem to be heading into a good direction, a possible future for them. They lose themselves in their romance and its secrecy. Which just kind of drags the book out, but itâs ok. Also the point of a book inside a book was ridiculous. Iâve seen a lot of people complain about it and making jokes that Orwell just wanted to write a manifesto. And yea.. I get it. But I also found it really interesting. Maybe that just my interest in political systems and stuff, but I get that people say it boring and that it drags the book out. I think it was necessary point in the book but I agree that maybe it couldâve been shorter, lol.
Part III in comparison to the other parts, was the strongest. I knew that Winston and Julia were gonna fail and get caught. And I knew that Mr. Charrington was a member of the Thought Police. I knew what was about to go down, I just didnât know how. So I genuinely felt horrified when the telescreen behind the picture was revealed. The thought of it having always been in the room with them, watching, listening, knowing, I was genuinely surprised. And then the whole brainwashing in Room 101. I think Iâve never read a book and felt so helpless. I was absolutely devastated just having to stand by and watch Winstonâs mind get recalibrated. To see him fight against it and still knowing it was a lost cause. I felt so gutted by the time they released him. I also understood that OâBrien wasnât who he seemed to be, but i was surprised that he was the one to do the procedures in Room 101.
All in all, I understand why the book is regarded as a classic. I understand its importance and I would recommend to read it. I find the debates about it online really interesting, because I do think there are many aspects to analyse and interpret differently. Overall I did enjoy reading the book and I think I really gained something from it. And that devastating feeling at the end really left its mark.