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if i look back, i am lost
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he wasn't even looking at me and he found me
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I'd rather be in outer space 🛸

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@thefamiliarstrange

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Poster for the 1935 World's Fair, officially known as the Brussels International Exposition. Artwork by Leo Marfurt.
i need to read more poetry with haste and great volume
and then i spent all day getting few if any leads on my research and bought cigarette filters that are much too large. comical
24 hours anniversary of a midforties jazz singer wearing a novelty goosebumps tee shirt trying to pick me up in the grimy outdoor seating area of a bar smack dab in the middle of a residential area in suburban new england, something she did by singing dinah washington into my reticent right ear and without leaving room for jesus between the two of us. immediately after two men from inside the bar who i was hoping to mostly avoid came outside, one regaled me with information about a portugese poet who published under over seventy five personae in his lifetime while the other, a mass spectrometer operator with a heavy accent, held forth on the merits of various local bookstores with the person who i came to the bar with, who i do not know, but in whose house i am staying; it took us three long inquisitions by midforties pinwheeling types before we could get a word out to each other in earnest

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SARAH RUHL
The knife? Baby it’s edgy and Dull
hey does anyone have that poem. about the author seeing two boys cuddling on a hotel lobby couch, where he refers to it as something like an island of safe anonymity or smth. its been 5000 years my college boyfriend had it written out and pinned to his wall
THANK YOU @witchoflight it is indeed "on traveling together" by Kayleb Rae Candrilli
LMAO and Loam have the same letters. coincedence? or is this another shining truth that earth and soil is joyous and plentiful

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tired of cannibalism as a metaphor for love or sex. can we get into cannibalism as a metaphor for colonization.
1. Europeans using Egyptian mummies as medicine
2. The Delectable Negro: Human Consumption and Homoeroticism Within US Slave Culture by Vincent Woodard
3. "Abolitionists turned the tables on Europeans by accusing them of being cannibals when they ate sugar tainted with the flesh and blood of slaves."
4. Zombies (which I would class as cannibals, since they were human and need to eat humans to live) have a root in Haitian folklore and represented enslavement.
adding that, if you can find it, cannibal culture by deborah root is about exactly this. the way the white western world is a hungry, destructive force that cannibalizes non-white cultures and creates wealth and status through the cannibal colonization of those cultures.
here's the intro
i almost think there's an essay in bell hooks' black looks about this too? yes! just checked, there's an essay called "eating the other"
Love version of by Richard Scott
king
A sectional view of the New York Public Library
emailing a professor and he sent me his talk and asked for my thoughts on it.... what does it mean ?

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/ David Alan Harvey, Kids, 1975 - 1998
“The role of the artist is exactly the same role, I think, as the role of the lover. If you love somebody, you honor at least two necessities at once. One of them is to recognize something very dangerous, or very difficult. Many people cannot recognize it at all, that you may also be loved; love is like a mirror. In any case, if you do love somebody, you honor the necessity endlessly, and being at the mercy of that love, you try to correct the person whom you love. Now, that’s a two-way street. You’ve also got to be corrected. As I said, the people produce the artist, and it’s true. The artist also produces the people. And that’s a very violent and terrifying act of love. The role of the artist and the role of the lover. If I love you, I have to make you conscious of the things you don’t see. Insofar as that is true, in that effort, I become conscious of the things that I don’t see. And I will not see without you, and vice versa, you will not see without me. No one wants to see more than he sees. You have to be driven to see what you see. The only way you can get through it is to accept that two-way street which I call love. You can call it a poem, you can call it whatever you like. That’s how people grow up. An artist is here not to give you answers but to ask you questions.”
— James Baldwin, “The Black Scholar Interviews James Baldwin,” Conversations with James Baldwin (edited by Fred L. Standley and Louis H. Pratt)