/ Lou Bernstein, Man in Suit, Panama Hat, Sleeping on Beach, 1957
hello vonnie
sheepfilms
occasionally subtle

Love Begins
The Bright Sessions

roma★
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess
RMH

Origami Around
noise dept.
Fieri Frames
h
Not today Justin
Claire Keane
Doug Jones
PUT YOUR BEARD IN MY MOUTH
TMBGareOK. The Official They Might Be Giants tumblr
untitled

Product Placement
seen from France
seen from United Kingdom
seen from United States

seen from United States

seen from Italy

seen from Germany
seen from Brazil
seen from Greece
seen from United States

seen from United States
seen from France
seen from Japan

seen from New Zealand
seen from United States

seen from Malaysia
seen from Colombia

seen from Japan
seen from Türkiye

seen from Vietnam

seen from Türkiye
@last-picture-show
/ Lou Bernstein, Man in Suit, Panama Hat, Sleeping on Beach, 1957

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Nikos Economopoulos, Children diving in the Harbour, Kastro Village, 1998
Pierre Jahan, Workers at The Louvre, Paris, 1947
Egon Schiele, Häuser am Fluss ( Die alte Stadt), Houses on the River (The old City), 1914
/ Alexander Rodchenko, Portrait au Flacon, 1930
We don’t see, what we observe. We don’t see, what we look at. We don’t see the extraordinary perspectives and the shortenings of objects. We, who have been taught to see ordinary and educated, we need to rediscover the world of visibility. We need to revolutionise our optical cognition. We need to tear off the veil in front of our eyes, which is called from the navel. - Alexander Rodchenko

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Franz Marc, Postcards:
- Two Foxes, To Albert Bloch in Munich, 4 February 1913
- Two Sheep, To Wassily Kaninsky in Murnau, 1 May 1913
- Two Lying Black Cats, To Erich Heckel without Date
- The Tower Of Blue Horses, To Else Lasker-Schüler, December 2012
- Black Cow Behind A Tree, To Elisabeth Marc, 21 May 1913
- Three Horses in Landscape with Houses, To Paul Klee, 8 November 1913
- Two Cats, To Lily Klee in Munich, 6 March 1913
- Four Foxes, To Wassily Kandinsky in Munich, 4 February 1913
Chip Willis, Kelsey Dylan
/ Marcel Duchamp, Minotaure No. 6, 1934
/ René Burri, Souvenirs, The Acropolis, Athens, 1957
Egon Schiele, Street in Krumau, 1917

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/ Lisa Larsen, Manhattan, 1951
Literature is the most agreeable way of ignoring life. - Fernando Pessoa
Wassily Kandinsky, Black Circle, 1924
Herbert Tobias, Paris, 1952
Brassai, Le Chat, Paris de Jour, 1945
National Association of Audubon Societies for the Protection of Wild Birds and Animals Audubon Society, Bird Lore, 1899

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Vilhelm Hammershoi, Interior of Courtyard, Strandgade 30, 1899
Ralph Gibson, Syntax, 1974