Just Bogstomper

developing the hots for ryan gosling because of project hail mary is so fucking embarrassing I swear to god. that is a conventionally attractive man. a noted hollywood heartthrob. he's even blond, are you kidding me? did he win people magazine's sexiest man alive? I don't know. I'm not going to check but it wouldn't surprise me at this point. it's such a mainstream taste. such a clichéd celebrity crush. like oh I fancy ryan gosling and my favourite drink is coca-cola and my favourite snack is ready salted crisps. jesus christ. 'b-b-but i only like him when he's in a science pun tshirt and playing a dorky-awkward loner type!' doesn't matter. he's still ryan 'ken from barbie' gosling. it's so trite. I feel like the weird nerd girl in a teen coming-of-age romcom falling for the super popular jock. don't I know that I have a reputation to uphold here? cringe.

this is from an Australian youtube channel where they go to hat tower and drop things

Water doesn’t compress very much, so once it hit it’s terminal velocity, it was basically a solid ball, not a liquid. This is why you can use water to cut things if you have a high enough pressurized jet of it.

The reverse POV of “if you’re too high, hitting the water is like hitting concrete”

Well that's not in one piece anymore

this is from an Australian youtube channel where they go to hat tower and drop things

Water doesn’t compress very much, so once it hit it’s terminal velocity, it was basically a solid ball, not a liquid. This is why you can use water to cut things if you have a high enough pressurized jet of it.

The reverse POV of “if you’re too high, hitting the water is like hitting concrete”

Well that's not in one piece anymore

okay but we can't know for sure that the loud noise and bright flash offstage—which occurred after the character who was holding the gun exited the stage with it—was a gunshot, because we didn't get to directly see it

okay but we can't know for sure that the loud noise and bright flash offstage—which occurred after the character who was holding the gun exited the stage with it—was a gunshot, because we didn't get to directly see it

#Make Racists Scared Again 2026

Share if you want people to know they should be scared to be racist around you 👊🏾

#Make Racists Scared Again 2026

Share if you want people to know they should be scared to be racist around you 👊🏾

#Make Racists Scared Again 2026

Share if you want people to know they should be scared to be racist around you 👊🏾

something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think

something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think

something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think

something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think