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I write James as the OG James with a sprinkle of what I know about rmk James but mostly OG - if anyone ever read my fics, that's an important detail for them lol
Mmmm, maybe a Frankenstein at this point: the quiet and exhausted man of the rmk (that I've seen in some videos) + the soft speaking/spoken, warmly dorkish and wildly reactive man (at facing uncomfortable truths) of the OG.
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You may not understand the profound desire/impulse of a cat to be chaotic and to unleash their emotions on things...Until you are playing as a cat, and you can't help unleashing your claws onto every surface which will resist enough for you to keep going.
Plus dropping everything you possibly can because YOU CAN and it is not your shit and nobody really cares - there is no punishment in the game.
1st print -
Like.....JAMES, why do you think a (dead) butterfly is of interest at all? Did you like biology that much? Did Mary? Why is this important???
2nd print -
Another screenshot proving my past (and present) of poverty and that's why I have so many bullets (I save everything).
3rd print -
Have you ever noticed how BIG that goddamn can is? It took me some time to realize it was that big;
Are you threating to drop that baby-doll into some dark hole? Like those cartoons where smiling women throw babies in the air? Is that what are you trying to do here, my man?
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In my experience, people talk a lot about the noose symbolism of this game. One of James' most famous image being him pulling one in front of himself to the point it looks like he is actively pulling one for himslef.
But the closed bars symbolism is just as present.
The first one here is not the bars of a prison cell, but could be seeing as the wire grid fence of an entire prison facility (especially considering he can't leave town, not before paying the price for his crime):
This whole town is our special place is my maximum security prison!
It shows up right in the beginning in the road to Silent Hill, while the other is literally in a jail cell in Toluka Prison as he got stuck in there (after walking in it voluntarily) and you need to click on it a few times for the cell to open again.
There are also iron bars in the TP where James remeets Maria which had been said to have been shot in a speficic way to look like James as the one behind bars.
I think a better way to advertise and inform readers about your reader inserts is...to make, get (yourself) aware and inform others what this reader will be like, because there is no way everybody will identify with the "reader" and feel comfortable going on reading the work.
I think it's more respectful to be upfront about it.
Like when people write teasing-provocative!readers and tag their works with how much teasing (to the point of insulting) will be involved in the fic, or if the reader will be envisioned as talkativa-extroverted or shy-introverted or anything else. Those are examples of being considerate.
I mostly write from a shy-introverted point of view, I aim to write (most of the time) comfort pieces to people sort of like me, especially because for some characters, you will only see the opposite - talkative, provocative, immature even readers.
(Obviously not all talkative readers are immature...)
And I want to read, when reading self-insert, something more like that, although not just "passive" readers that accept anything, either.
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The problems in/of SH3 and SH4 could arguably be all related and a result of the fact that the devs had less time and less than half of the human resources of the previous game (remembering, the Team Silent was divided in two and the games were developed at the same time). Like how in SH3, Heather often stops us from exploring the SH map (James only does that at the start or when he isn't done with a building), or how SH4 doesn't have joke endings.
ä¼č¤ę¢é/Masahiro Ito no X: "Silent Hill 3 was supposed to be an arcade spin off/a rail shooter, not a direct sequel to SH1. Was a terrible plan. The sales of SH2 was really not good start. So I guess it was one of the causes of that. Also that plan wasted much time & some budgets of SH3. It wasn't SH:Arcade" / X
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: Silent Hill (Video Game Series)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Maria & Mary Shepherd-Sunderland
Characters: Maria (Silent Hill), Mary Shepherd-Sunderland
Additional Tags: Missing Scene, Doppelganger, Angst, Right After the Born from a Wish DLC
Series: Part 13 of Building A Silent Hill Universe of My Own
Summary:
Between James' arrival and his meeting with her, Maria meets a stranger who feels too familiar for comfort - and yet...
Maybe it's the only moment she wouldn't have needed to ask for it.
Maria is leaned over the rail to the lake in the park.
Her mind is fogged with strange, unsettlingly familiar and yet unknown - to her - thoughts.
She only knows she should be here, for something.
The cold and humidity almost a insignificant detail while Maria keeps on trying to figure out what are those thoughts (memories?) about and if theyā¦mean something to her. If they have something to do with her.
She doesn't understand why but she barely moves when she hears the footsteps.
It's so, they are soā¦comfortably familiar in a way. But alsoā¦uncomfortable, just⦠a little bit.
They distantly remind Maria of the monsters, but just distantly; if it were them, the footsteps wouldnāt come alone.
She doesnāt turn right away, though, her gaze sliding over the fog floating over the still water - oddly enough, she can hear it moving. Her mind feels comfortably sluggish, even when something feelsā¦wrong, like a chill wind brushing across an open wound.
A shift on the ground, like a footwear scuffing across the concrete makes Mariaās breath catch in her throat.
Slowly, she loosens up again, sighing deeply before turning.
Maria just tilts her head to the side, though, turning her face to the newcomer.
The woman stops beside her.
She looks sick as if she was about dying. But her posture was somewhatā¦firm enough.
Like some sort of out of body experience. As if in the latency period of her illness before things got worse.
Maria keeps watching the other just breathing, her delicate hands curled around the rails.
Something like a sceneā¦from aā¦movie? Pops in her head, a flimsy image.
Maria blinks, confused, retreating her upper body a little.
The other woman turns to her.
āIt's confusing, isnāt it?ā She frowns slightly, eyes distant. Hands tightening around the bars.
Then back at Maria.
Maria raises an eyebrow.
āWhoā¦?ā She lets out, defensively, stepping back, just one foot, the heel of her boot scraping the concrete, a startle reminder of her physicality, just a slight move away before nodding, slowly, as if something dawns on her. āYeah, I guessā¦it isā¦ā
The other woman nods as slowly, but her eyes shift again, slowly back to the horizon.
The brunette still watching ahead says:
āPlease, don't let love guide you wherever it demandsā¦ā she says it very quietly, voice cracking at the word love, the words turning small, a soft vibration of air. āMaybe notā¦love, butā¦the desire to be loved atā¦whatever costs.ā
The woman is staring at her scarred hands, as if talking by experience, by experienced pain.
Maria doesn't understand any of it. Doesnāt know what the woman is talking about but nods at the words, at the woman.
Something about itā¦feels like wisdom.
Like a real teaching. No matter how her body feels like refusing that with every fiber of it.
The woman turns to her once more, smiling sadly, a barely there smile, a twitch of the side of her lips.
She raises her hand once, weakly, as if to touch, to comfort, in the direction of Maria's face, even though it didnāt surpassed the line of her waist, but it falls like weary resignation.
āIām sorry you have toā¦ā the woman says, pressing her lips, her eyebrows digging in pity or compassion before she looks away, her thin legs in floral, dusty pijamas dragging her away.
Maria swallows hard, stepping forward to follow, pressing her lips in apprehension and anxiety but she only raises her arm while the woman disappears in a fogged corner.
It feels asphyticating, this experience, like watching a mirrorā¦of your self of years ago, of a lifetime ago.
Like one self that isnāt your self anymore.
Maria takes a deep breath of the freezing cold fog, her lungs hurting a little.
What was she doing?
She looks at the fog over the lake.
Ah.
āJamesā¦ā
She practically forgets everything else as she comes back to her spot, bent over the rail.
Heās coming.
Heās coming for her.
Notes:
Just in case it is a dispute or ambiguous: the lost cause is not Maria, but trying to dissuade her from her role of being James' instigator.