Brian Eno
Not today Justin
$LAYYYTER
wallacepolsom

祝日 / Permanent Vacation

Love Begins
we're not kids anymore.
RMH
🪼
cherry valley forever
noise dept.

★

Kiana Khansmith
Jules of Nature
todays bird
Claire Keane
Misplaced Lens Cap
occasionally subtle
Peter Solarz

seen from United Kingdom

seen from Singapore

seen from United States
seen from United States

seen from United States
seen from Iraq

seen from United States
seen from Türkiye
seen from United States
seen from Germany

seen from Malaysia
seen from United States

seen from Türkiye

seen from Poland
seen from Poland

seen from United States

seen from Italy

seen from Türkiye
seen from United States

seen from United States
@tapecase-space
Brian Eno

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david alan harvey, backstage at tropicana nightclub. havana, cuba. 1999
Untitled, 2026
Arezzo, Italy
Lydia Roberts
Pale Canopy
Photography by Xuebing Du
Paola Pivi, installation view of “A girl loved pearls so much she left engineering, strung them off the wall, and made art” at MASSIMODECARLO, 2026. Courtesy of MASSIMODECARLO.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“ya-in” 1/2 handmade collage + painting
Chantal Akerman
meet Aki
Ittah Yoda

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Artemisia Viscoli (1937 - 2022) - Forma spaziale
Midori
Listen to tapecase radio on BFF.fm. BFF.fm is a network of independent and emerging podcast creators whose content uplifts Bay Area music, c

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Maurizio Cattelan
Mother, 1999
digital c-print, 62 x 50 1/2 inches
For the Venice Biennale in 1999 Cattelan produced a performance of a rare dramatic power. Numerous times during the three opening days, a fakir allowed himself to be completely buried beneath some sand. Only his hands remained visible, poking out, immobile and clasped. The fakir was merely replicating something that is a common practice for his native land, within a setting utterly different from its original context.