#writer tricks

Use The Five Senses 

As humans, we possess five senses that dictate our reactions to the world around us. When writing, it is important to use these five senses rather than just relying on what your character can see. Talk about the sound, the smell, the taste, and even the feeling. 

If your character just got burnt, talk about the sound of sizzling flesh and the slight numbness they feel. Mention the terrible smell of burnt flesh, and make your character feel dizzy with fear as their eyes finally land on the horrific wound. 

Internal bleeding makes people spit blood and taste iron and partially healed wounds feel itchy and irritant. 

There is so much more to pain than what you see, and simply talking about your character’s wounds isn’t nearly enough to make your readers wince in second-hand pain. In fact, they are more likely to skim your passages in boredom. 

Show your readers what your character is experiencing, and then go on to describe their reaction to this situation. 

Build It Up, Then Break It Down 

Pain doesn’t just suddenly come from nowhere. It starts with something small, blossoms, and then spreads. Your character won’t just suddenly get a third-degree burn the size of a baseball by leaning against a hot steel wall for the briefest of seconds. It starts with a light reddish-brown mark, then darkens, maybe even blisters. 

You can’t go from 0 to 100 in one sentence. You need to build it up and show your readers how your character’s pain was found. Then, break it down. 

Pain doesn’t come from nowhere, but it doesn’t suddenly disappear either. Show us how your character’s wound heals. Does the wound mark from where they hurt their knee turn into an ugly brown shade for a couple of weeks? Do their burns gradually fade from red to pink, or turn darker? 

It’s important to show your readers the aftermath of your character’s pain. A character who just had a bullet pulled out of their shoulder with a hot knife can’t suddenly just jump up and start firing at the enemy with perfect aim. 

You don’t need to overdo it and constantly mention their wounds during the healing stage, but something as simple as ‘her bandages uncomfortably scratched at her back every time she lifted her hand to eat’ or ‘his fingers subconsciously shifted to run over the remains of his burn mark even as his eyes remained trained on the blackboard’ will suffice. 

How Does This Affect Your Character? 

Physical pain aside, wounds can also have an effect on your character’s dynamics with others as well as your plot. 

It’s important to take into account how they got this wound, how the other characters might react to it, and internalised conflict caused by it. Maybe your character injured their fingers during a game of volleyball and now they’re staring at their final exam paper with tears of frustration brimming their waterline because it hurts too much to write.

Maybe your protagonist suffered a small burn while sneaking out to go to their friend’s house and their parent or mentor saw it. Or maybe your protagonist won against the antagonist but suffered a grave injury to their legs and now cannot fight during the next confrontation, resulting in a chaotic outbreak at their headquarters. 

Think about the internal as well as the external damage your character’s wounds can cause, and then use that as a plot device to further your book. 

Do Your Research 

It’s very important to accurately portray your character’s level of pain and consider whether or not they would realistically incur such injuries from such a wound. When writing about a character’s wound or pain consider doing some research about that type of wound. 

Here are some things you need to check when researching the wound type: 

How much blood would they loose with this type of wound? 

What are the side effects? 

Could this be fatal? 

How long will it take to heal? 

How long does it take for a wound to get to that extent? (for example, if you’re writing about a third-degree burn, research what it takes for a burn to be considered third-degree). 

What are the major veins, arteries, and other important body parts in that part of the character’s body? For example, if your character is supposed to be injured on their arm but it’s not supposed to be serious, you need to consider whether the wound could realistically have ruptured their radial artery, resulting in death. 

Will there be any scarring? What about any long-lasting wound marks? 

You could also take a look at historical events similar to the one you’re writing. For example, if you’re writing about an assassination attempt consider researching the most historically renowned assassination techniques. 

It’s also a good idea to ask your families and friends about their experiences with the type of wound you’re writing about (so long as it’s not a sensitive topic). Maybe you have a cousin who suffered a third-degree burn once or a classmate who has a scar from a graphic wound across their arm. 

I hope this blog on how to accurately describe pain in writing will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday. 

Want to learn more about me and my writing journey? Visit my social media pages under the handle @hayatheauthor where I post content about my WIP The Traitor’s Throne and life as a teenage author. 

Tip One: Pace Yourself 

It’s important to have the right pace when you describe your story’s setting. This helps ensure you give your readers an accurate mental image of your setting and characters without boring them with too many details. 

One easy way to accomplish this is by dividing your information based on the scene. 

For example, if you’re writing a scene where a new character walks into the room and find yourself info dumping their appearance, try dividing bits and pieces of their description. Start with a simple description of their general characteristics, maybe their clothes are a certain colour or their face looks worn and tired. 

Only move on to describe more details once your scene progresses. Your protagonist could maybe notice how their green eyes glint in the sunlight when they take a seat on the chair beside the window. Or they could unbutton a very expensive coat when they take a seat, with the clothing indicating their status. 

This technique can also be employed for layouts and room descriptions. Maybe your protagonist walks into a very expensive ballroom with large bay windows but only notices the breathtaking view on the other side of the glass when they take a break from their dancing. 

Tip Two: Only Mention What’s Relevant

If writers always only wrote about what was relevant to their story’s plotline, info dumping wouldn’t be a thing. It’s easy to get excited when you’re writing your WIP. After all, there are so many different things you want to show your readers to make them understand the complexities of your tale. But writers can often find themselves info dumping because of this. 

Here’s something you probably didn’t want to hear: your readers don’t need to know everything about your book. 

It’s an annoying truth, but something you need to come to terms with when writing. 

As mentioned in my previous blogs posts, it’s important to know how much of your worldbuilding should be shown in your book and when to mention which parts of your worldbuilding. 

For example, saying a new character had a tortured look in their deep grey eyes that reminded your protagonist of the rumours of their childhood might be intriguing, but it’s important to consider whether or not that little piece of information is relevant to the current scene. 

If a piece of description or information isn’t relevant to what’s going on in your current chapter then consider cutting it out to eliminate any info dumping. This is especially important during fast-paced scenes such as fights or emotional revelations. 

Tip Three: Set A (Word) Limit

If you’re really struggling with info dumping then try setting a limit to restrict how much you write. Go back to any parts of your WIP that you think have a bit of info dumping and check how many words or paragraphs that part has, then set a goal for how many words/paragraphs you want it to be. Paste that particular text into a different document and start snipping away at unnecessary information or wordy areas until you reach your desired word or paragraph count. 

You can also do this for scenes that are overly descriptive. Following the previous examples, if you have a scene where your protagonist walks into a new room or a new character makes an appearance then try cutting out bits of the initial description and relocating them to a later part of your scene in order to meet your desired word limit. 

Tip Four: Get Poetic 

Do you know when people don’t mind long descriptions? When they are poetic and paint a vivid image in their head. These types of descriptions can help immerse your reader before you move into the heart of your scene. 

It doesn’t have to be long or overly dramatic, but a good piece of description can help you set your scene without accidentally info dumping. 

However, this tip should be used sparsely throughout your book in order to ensure you don’t constantly break your reader’s immersion. It’s important to ensure your poetic descriptions actually tie into the heart of your chapter. For example, don’t go describing a character’s hair poetically if that character only showed up to tell your protagonist something. 

I hope this blog on how to set the scene without info dumping will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday. 

Want to learn more about me and my writing journey? Visit my social media pages under the handle @hayatheauthor where I post content about my WIP The Traitor’s Throne and life as a teenage author.