Basically the last few weeks I've been leaning into the vampire look, but this week and more, leaning into Tristan The Vampire Slayer vibes.
And I loooove my custom nails from Space Case Nail Labs! Long, thick, and glittery. Mmmmm! https://www.etsy.com/market/space_nails
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I’m a writer. I’m a lawyer. Those are basically my two personality traits.
I enjoy writing related tag games, so feel free to tag me—I may not get to them right away, but they are always welcome. Also, any game that I reblog is open to anyone to join; the more the merrier.
What you’ll find here:
I mostly reblog nature photos, writing prompts, random things that inspire me, tag games, and the writings of others. In terms of my writing, I like to bounce around a lot both within and between stories. My major WIPs are:
Collecting Keepers (and its continuation, Keepers Collected) - urban fantasy/action/adventure
The Other Delilah - contemporary fiction
Untitled fantasy series - you guessed it: fantasy (high fantasy, specifically), the first installment is called Under the Frozen Tides
Witcraft - sci fi (light)/speculative/crime (sorry, no blurb yet)
The Heart of Mars - what I like to call “high sci fi” because it takes place in the far off future and not on Earth (the blurb is posted but still a work in progress—trying to see if I should more obviously weave the fact it is very loosely based on Snow White)
The Memory Eater - fantasy (I thought it was going to be a short story, but it’s quickly turning into novella length)
The Poison-Fed Priestess - fantasy (right now, it’s a “sandbox wip,” meaning I don’t have a strict plot so I am just playing around with the ideas at the moment)
More in-depth story blurbs are below the cut for those interested.
Happy writing, everyone!
Collecting Keepers (and Keepers Collected)
In the rewrite stage (with the sequel in the redrafting stage)
Protagonists: Adair Knightly, Clayton “Clay” Slater, Amadeus Thatcher, Felix Ocaña
Antagonists: Cadiean Vakrinos, Sienna Satrappe
Setting: this world
Adair Knightly had no idea her necklace was anything special—that is until Amadeus Thatcher and Clayton Slater, members of a mysterious magic-based organization, sweep into her life and warn her of a grave danger. The golden triangle she wears around her neck is no ordinary trinket. It is one of the nine Deltas that, when brought together, form the most powerful object in the world. Adair is a Keeper of the Delta, and great power draws attention.
Cadiean Vakrinos has hunted these objects for over ten years, murdering Keepers to gain control of the Deltas’ power. Together, Adair, Thatcher, and Clay must traverse across the country to gather information, all while confronting an array of allies and enemies, facing magic scavengers, and uncovering the truth about the Deltas’ power. The race against the clock has long since started, for not only do they have to keep Adair and her Delta safe, they must also stop Vakrinos from collecting the remaining Keepers.
The Other Delilah, standalone
In the research phase (loose outline)
Main character: Delilah St. Clare
Setting: UCLA in the present (or the present whenever I end up writing it—honestly, the pandemic has thrown a bit of a wrench into my original plan)
An old, rich art collector has died, and while cleaning out his antique desk, his grandchildren found the letters and sketches of a previously unheard-of artist. The artist’s talent is obvious and striking, and the discovery sparks interest in the art world. Experts, however, have been able to glean little from the letters, except for the fact the artist was an eighteenth-century Dutch woman.
Delilah is a junior at UCLA double majoring in art history and chemistry. When one of her professors mentions the letters in class, she is drawn into the mystery. She finds herself studying Dutch art after the collapse of its Golden Age, pestering experts, and (attempting) to translate the letters—all while resisting her parents’ attempts to get her to apply to medical school instead of pursuing a career in art restoration. While many scholars believe that the artist’s works are simply lost to history, Delilah cannot shake her desire to peel apart the mystery and discover the truth. Together with a ragtag team of talented and sleep-deprived college students, Delilah will try to discover the hidden details of the artist’s life, the nature of her work, and why no one had heard of her until now.
Untitled Fantasy Story, three parts planned
In the worldbuilding stage
Protagonists: Taiomar, Cassika, Captain Nestall, Professor Banni, and Pagalipakiliran “Pagali”
Antagonist: Big Bad is only a placeholder title, still working on that
Setting: secondary world, also unnamed thus far
Taiomar lives in a large trading town on the edge of the sea, spending his days diving in the shallows for mussels and sweet beads, messing around with his siblings, and—secretly—longing for adventure. One day, a stranger shows up to the local tavern and challenges the patrons to a knife throwing contest. After everyone else fails, Taiomar proves himself to the stranger—a girl named Cassika—in the game of wits and skill.
As a child, Cassika was cursed by the Big Bad’s right-hand man. It’s been decades since the Big Bad was defeated, and the world has largely recovered from the wars, famines, and natural disasters that marked his reign. Still, the threat looms: the Big Bad is not dead. Unable to kill him completely, his conquerors had instead sealed him away in an impossible location. Cassika, however, is fated to bring him back. As whispers flurry and the signs portend that he is ready to rise again, Cassika resists this destiny. She is determined to find his tomb and destroy him.
The Big Bad was locked away in a series of underwater caves near the southern pole. Midwinter is approaching, where large amounts of water will be trapped as ice. The two moons will be positioned perfectly to create a dramatic low tide. Their window is narrow, their task nearly impossible. Joined by a frenetic, questionably brilliant academic, a sea captain with a thousand legends attached to her name, and a mysterious man with an onyx eye and an uncanny ability to read people’s thoughts, Cassika and Taiomar must reach the southern sea when the tides are at their lowest. If they can survive the long, treacherous swim through the sprawling caverns and freezing water, they just might be able to reach him in time—and kill the Big Bad completely.
The Heart of Mars, standalone
In the worldbuilding stage
Protagonists: Dana [Last Name], Mariposa “Mars” Neverossi
Antagonist: unnamed
Setting: non-Earth planet, unnamed thus far
For the majority of the human race, Earth is no longer home. Instead, for generations now, they have lived on a new planet called [name], (number) of lightyears away. Scientists and settlers fixed up the atmosphere, added an artificial moon, and brought Earth flora and fauna to compete with the native stock. Of course, even with every opportunity to build the world from scratch—to construct utopia—society is plagued with the standard vices: poverty, violence, greed, and widespread inequality.
Dana [last name] is a bounty hunter, hired by the often-unscrupulous clientele of society’s underworld to find people who disappear without paying their debts or settling their scores—and getting paid pennies for it. His luck turns, however, when a powerful kingpin named Neverossi offers him a fortune to find his kidnapped daughter, Mariposa.
But Mars wasn’t kidnapped. She ran away.
Mars had never left her parent’s estate before. She has been closely guarded her whole life, monitored and scrutinized and kept perfectly safe. She is too valuable an asset to be left alone. When she was a toddler, her parents had a key implanted in her heart. The key is a complex piece of machinery: the codes are fashioned by her in-the-moment biometric data, and thus the combinations are everchanging and unbreakable. Such protection is only required for what is exceptionally valuable—or extraordinarily dangerous. But at sixteen years old, Mars has no desire to be a key anymore, especially not one that paints such a heavy target on her back. When Dana finds her, he must make a choice: he can finish the job and get paid, or he can help her find a way to remove the key from her heart without killing her.
Removing a complex, deeply embedded device from a living person is no easy task, however, and [Name] is far from the only person after the heart of Mars.
This is probably the most important thing a witch can learn. defense magic is how you protect yourself. As spiritually sensitive individuals we do tend to leave ourselves open to quite a bit energetically. I don't know about you, but when I walk into a room full of people I feel EVERYTHING. and sometimes these low vibrations can affect you and your practice.
Defense magic keeps you clear of unwanted energy, outside influences, ill intended people or entities, bad energy/ bad vibes. basically just "witch street smarts". as a witch you should always be protected going out into the world.
Part 1: Cleansing- you can use smoke, sound, crystals, water, and visualization. (cleansing is a good way to clear stale bad or unwanted and negative energy) when energy doesn't have a flow it becomes stale. stir up vibrations don't let it settle. open the windows and doors and let some fresh air in. move the furniture around in a more aesthetically appealing way. get that Feng Shui going. light a candle or light some incense while cleaning. that's one of my favorites. light some dragons blood (which fun fact is very good for protection) and just go to town with a good old deep clean of my home. as I do this I visualize myself cleansing out all the bad and replacing it with new vibrant energy. makes me feel very accomplished as well.
I know some people may be unable to burn things in their apartments and homes. this is a super easy room cleansing spray
~mix half parts water
~half parts vinegar
~And a few drops of rosemary oil
put into a spray bottle to spray the mixture around the room. spirits don't like vinegar. cleansing using sage ,if you go that route, wipes out all energy. its like the equivalent of spiritual bleach. when using sage be sure to follow up with Palo Santo, cedar, sweet grass, or rosemary after cleansing to replace vacant energy with good energy!
after you cleanse your space its important to cleanse your body! tea baths are wonderful. highly highly recommend a good salt bath soaking with bath safe herbs or oils. be sure to focus and visualize all the bad energy leaving your body as you soak. also if you happen to have a vagina, a cup of apple cedar vinegar is good to put in a cleansing bath as well. I personally add a table spoon to my drinking water.
I like to do this ritual of cleansing every full moon but heck do it when you feel its needed. Remember it is ALWAYS important to cleanse before spell work. It can even be dangerous to neglect clearing out old energies, as it can interfere, influence or altar your spells. these 3 things should be the first things you master as a witch before jumping into spell work.
2: Protection- after cleansing you can use black candles for protection just be sure to state the intent before you light it. I like to put four white tea light candles on a bed of salt in the four corners of my home and say a blessing of protection. its also good to wash your windows, door frames, using a mantra or prayer of your choosing. also four thieves vinegar can be used for protection.
3: Warding- This is basically a "go away" sign. you can use things like an amulet in your home ex: statues, evil eye amulet, crosses, pentacles, statues of deities or gods. any protective statues like angels. you can use wind chimes or make your own. hang up dried rosemary or lavender at the front of your doors. garlic and onion are also really good for protection and warding off evil. I like to charm a piece of jewelry with the intent to protect me physically and spiritually. I have a hematite pendant I wear every day, some silver hoop earrings, and a moon stone ring for protection on the go.
This Deity Mini Bundle is perfect for the witch or practitioner looking to adorn their sacred space with things that embrace the mythos of ancient Greece and Rome.
This kit includes a beautiful blue vase and matching linen altar cloth, embroidered by hand, as well as an embroidered rose altar adornment. If this item is calling to you, you're meant to be! Amplify your altar to Athena, Apollo, and many more with these ritual supplies.
Do you have any opinions on the concept of sacrifice in a spiritual/pagan context? Not like animal sacrifice ofc, but in the sense of giving up things or doing things that are hard for yourself to. Specifically for mental health, where would the line be drawn between self-sabotage and spiritual self-sacrifice?
What a great question!
At the core of it, I believe most deities do not want us to harm ourselves. (The exception in my experience is, perhaps, the Wolf at times though that’s another topic, and my relationship with the Wolf is unlike any other deity I honor so we’ll set aside his exception)
Regarding sacrifices, because of my core belief that the deities I work with (like Tyr and Frigga) do not want me to hurt myself, I do not believe that any offerings that come from a place of disorder are appreciated. When in the midst of a disorder, separating healthy and unhealthy things can be difficult, but I believe it is essential to finding meaningful offerings that will be appreciated by the divine. I keep this purposefully vague, because what is healthy for one person to offer can be unhealthy for another.
Here are some examples though:
I struggle with self-harm. For me to offer blood (of any quantity) to a deity would be unhealthy because, for me, acts of blood-drawing spiral out of control and quickly become acts of self-injury. Self-injury is founded in a hatred or apathy towards the body and self. This would not please my gods.
However, another person might be able to prick their finger and offer a drop of blood in a healthy and loving manner, without the act being founded in destructive and disordered beliefs about the body and self.
In the midst of my more severely disordered eating times, I have set aside various amounts of time to go without eating. This was founded in a hatred for my body. This was not healthy, and thus not appreciated by my gods.
However, someone could choose to skip a fast for a duration of time to cleanse for spiritual reasons if there was no desire to change the body and no element of self-hatred fueling this choice.
I am able to offer alcoholic beverages and have those beverages in my home in a healthy manner. However, some people with a history of alcoholism, various allergies, or histories of trauma around alcohol, might not be able to do this in a healthy manner, and thus this same action done by them would not be appreciated by the gods.
I believe all sacrifices should be rooted in a healthy decision. That means you are not harmed mentally, emotionally, or physically by the sacrifice you make and you are not making sacrifices that are actually disorders in disguise as spirituality.
Is that difficult to determine at what is healthy sometimes? Yes, which is why I don’t recommend any sort of potentially harmful sacrifice to be taken without true introspection AND being willing and able to discuss this openly with others. I find that the desire to keep something secret is often a major signal that it is not a healthy choice. Any big sacrifices should be well planned and prepared for, which includes considering the health or disorder at the base of your desire to sacrifice this. You should 100% be able to articulate your rationale and purpose for all major sacrifices.
In general, I think most sacrifices should be small and simple, things like offering part of your meal or a drink or a small trinket or prayers. Your emotions, coping skills, and regular exercise routine can all become offerings and acts of devotion to the divine. When sacrifices are based in a love of the divine, a love of life, and an acceptance of the self, they are healthiest and well received by the gods.
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"Bruxas caminham em equilíbrio com o ritmo da lua e das marés, detêm o conhecimento antigo, e têm visão sagrada. Elas são as curandeiras, guias, protetoras e professoras. Benditas sejam as Bruxas, pois elas são criaturas mágicas.