#talking bad

A Fresh and Clear Attitude to Television

I prefer the filmic approach that they take to make Breaking Bad the programme that it is. My favourite part of watching this was something that I came to realize around the middle of the second season. It hit me that this show hasn't, at any point, treated me like an idiot. What you see is exactly what you get with Breaking Bad and it's one of the few times where you can view that phrase as a positive.

All the tension, the comedy, the drama, the tragedy; it is created organically. There is no manipulation of the audience with obnoxious editing and garish music. Sure, there are musical cues but the purpose is to punctuate moments not to carry the weight of them. Even then, score is used very sparingly in favour of a perfect, hand-picked soundtrack. The outcome of these creative decisions is the feeling that you're actually watching a movie, not a TV show.

The shots and the settings they use are tremendous for building the universe. Especially, the shots in the Navajo canyons and deserts. Junk food for the eyes.

It doesn't over-explain anything either. You don't have to be told every little detail about a story and it doesn't have to show absolutely everything if it isn't essential to the viewing experience. That sums up why I love the directorial style so much. It's utterly economical in it's delivery which adds to the rawness of the telling.

The Neverending Tragedy of Jesse Pinkman

They are so brilliant at forging this fantastic, pitiful loser because it isn't enough to have him simply exist. He is unwittingly way out of his depth so often that you feel sorry for him. A lot of what happens to him is not his fault which compounds his self-destructive behaviour. The changes that character goes through is the most intriguing in the series for my money because Walter White's perception to begin with is essentially our perception because we have little else to go off of. We see him as a meth-dealing lowlife who takes the shortcut through everything but as the show moves forward, it becomes apparent that all he needed was a push in the right direction.

The way they execute Walter White's manipulation of Jesse makes for a delicious kind of dramatic irony that I certainly haven't seen before. Dramatic irony is usually used for creating an air of igorance around the main character to then be instrumental in their downfall. Traditionally Shakespearean, it is used theatrically to create alienation. What sets this show aside from the traditional tropes is that they treat violence and murder with weight and attention. It's not entertainment. It's damaging the main characters, especially one Jesse Pinkman. I loved the gravity that comes with Jesse finally realizing that he's being manipulated and to do the right thing for once in his life. If we're talking theatrical theory, that's his carthasis: survival.

I found that I became frustrated with Walter from the get-go because he was already using him and wouldn't give him the time of day. The moments in "Fly" and "Bug" when Jesse gets his own back on him are incredibly satisfying and he literally has the last laugh in the final episode after years of pain and suffering.

My favourite scenes are the introspective recovery meetings because it's the only time that Jesse questions himself and his place on Earth. The rest of the time, he is being used by Walter White and made to do incredibly immoral and illegal things in the face of his evident moral compass. That's the perfect brew for making a tragic character because the end result is the audience not really knowing what to make of him saving his own skin when it means he is unsuccessful with nowhere to turn. The universe and the cosmos views him as expendable and his fighting of a losing battle makes for fantastic tragedy.

I Hated the Season 2 Finale: The Wayfairer 515 Disaster

This was where things started getting rocky for me and I think the problem is how they built up to it. There all these mysterious teasers in the episodes "Seven Thirty Seven", "Down", "Over", "ABQ" so there is a certain degree of expectation piled on what the meaning of said teasers are. They're all super moody in their atmosphere by playing on your senses. The image of a fire-damaged pink teddy in a swimming pool, the presence of hazmats and contamination connotations create the unsettling, uncomfortable feeling. The mystery is further explored upon when we see Walter's car windshield smashed open and the two bodybags.

When the monochrome filter disappears and reveals the colour and the widespread damage of whatever this mystery has caused, you're fastening your seatbelts because you know it's going to be revealed. You're waiting for it all episode, all season. Then what happens?

Two planes crash into each other in the air, the bear drops in Walter's swimming pool and the episode ends.

Irrespective of the likelihood of the actual moment (which, upon reading, is exceptionally unlikely), it just fell flat and I know what they are trying to illustrate with this. Walter letting this man's daughter die and he returns back to work, ill-prepared and his lapse of concentration causes this crash. My problem with that angle is that it isn't really Walter's fault necessarily. Someone in that important of a job shouldn't be returning to work so soon and if they want to get the impact of the deaths caused across to the audience, then do that.

They didn't. It just happens and it's done. Aside from a few instances where it's referenced in the following series, the actual impact of this supposed huge tragedy isn't touched upon nor does it have any bearing. My point is this: They didn't execute the actual event with enough punch. I don't feel sorry for Donald Margolis because I barely know him. I feel sorry for him that his daughter died and that whole scene is done expertly but him crashing the plane? I've only just this minute found out that he's a traffic controller.

I might get flak for this but whilst credit where credit is due, criticism is where criticism is due. This moment in the series sticks out like a sore thumb. I just wish it wasn't here. I can tell that they want to try and do something a bit different and bit unexpected because the obvious thing to do would be to show Donald angry, a loose cannon, trying to kill Jesse etc. Instead, his reaction is more true to life at the end of the day. The only plane crash-related moments I liked is how Saul Goodman is constantly trying to capitalize on the disaster in the background, long after it's actually happened.

I'll talk more about Saul Goodman when I've finished Better Call Saul.

Gustavo Fring: An All-Time Great Villain

I love, love, love this character. I cannot get enough of Gustavo Fring. The writing of him, the acting by Giancarlo Esposito, the painting of his backstory. All of it is pure genius. Easily the greatest part of Breaking Bad. The best villains are the ones with very good reasons for their actions, ones that create conflict in the minds of the audience. Fring is vindictive, calculated, intelligent and he is one of those characters where you feel that something important could happen at any time whenever he is on screen.

I could gush about how much I loved this character and talk about how they made him a wonderful example of Machiavellian evil but I'll be here all day. So instead, in no particular order, my favourite scenes and moments featuring Gus.

I thoroughly enjoyed Gus' behaviour when he is shown to be working at Los Pollos Hermanos and hiding in plain sight. The best example of this is when Walter is told by Hank to put a tracking device on Gus' car when Mike is clearly watching and Walter is struggling for a reason not to do it. The scene itself manages to be both tense and comedic at the same time somehow but what makes it is when Walt goes inside to see Gus to inform him about what's happening. Fring calmly tells him to "Do it" with a smile and a cursory nod. Like in every scene, all the actors do a wonderful job at portraying human reaction to ridiculous situations but Esposito's malicious smugness is just gorgeous.

Fring's revenge on the cartel is beautifully done but his interactions with the empire undoubtedly reaches a peak when he steps out of the laundromat to face the music with his arms in the air. You cannot help but think that he's cool when he walks through those sniper shots and looks directly down the scope. That's something else about his state as an antagonist, he is frustratingly likeable because of how brilliant he is.

Gus is so good that I feel silly even writing this much about him because it's so obvious that he's a brilliant character. You get the picture. I can't get enough of Gustavo Fring and he is sorely missed in the fifth season.

Hank Schrader: A Study of Post-Traumatic Stress Disorder

I was pleasantly surprised with the direction that they took Hank Schrader's character. Not only does it differ massively from the regular outlandish cop going against the grain of the police force trope but it subverts your expectations of who Hank is to begin with. I feel like the show really, properly analyses the comparitive realities for the kind of person Hank is presented as in the office, particularly in the first episode. As a result of things that he's seen and done, he changes and evolves beyond just being a policeman with a glock who busts drug dens and batters minorities. The "Not the man I thought I was" monologue with Marie in the bedroom perfects the character they're aiming for and the stark differences between who he's around dictates his behaviour and actions. The outcome of discovering who he is really hiding behind his boardy exterior is beautiful.

I love that he goes well beyond the bog-standard comic relief character and that he is actually a brilliant deducer when it comes down to it. My favourite part of his character arc is the realistic nature in which he questions the clues and the hints presented to the DEA to throw him off the scent. I feel as though the progression is natural. The game of cat and mouse doesn't go in to the staggered, drawn-out territory nor does it venture into ridiculous. Hank isn't a clever individual but a committed and experienced one.

The actual catching of said mouse, I'll go into more detail in my next point. How the fifth season plays out and my reaction to it factors in ASAC Schrader amongst other things.

My Strange Feelings about The Final Season

I'm just going to come right out and say it. This was a fucking weird season in the grand scheme of things. IN MY OPINION.

The first part struck me as especially odd, pacing-wise. The first few episodes struck me as a dwindling. Random characters and elements of the scenario are being stuck on to the end of the previous season which I feel has a pretty satisfying conclusion. Now I get it; Hank needs to catch Walter, Walter needs to become like Gus, Jesse needs to conquer Walter's manipulation and get his comeuppance. Walter ends the series by saying outright that he "won" and I was comfortable with that.

However, there's all this rigmarole with the extremely irritating Lydia, the exceptionally bland Todd and his army of Nazi biker dickheads, something about Mike needing money to pay off imprisoned people in the know. It just felt glued on to the fourth season as a way of continuation, for the sake of Hank finding Walter. I get the point that Walter seeking out this kingpin, empire lifestyle that Gus had isn't all that it's cracked up to be. It isn't that easy to be Gus and I liked that they tried to get across that Walter wasn't realizing that he was trying to become like him. Gus worked for this empire and influence his whole life and Walter is never satisfied with money he's earning.

I also find that everyone in this season is acting incredibly weirdly and out-of-character and I have reasoned with myself that Walter's actions have changed those around him as well as himself. But it still strikes me as odd that everyone in the story is so keen to dismiss this man that they've known their entire lives because he has meddled in the drug industry. I feel as though the only one with real solid reasons for complaints are Skyler because of the danger he's put his family in. But Marie is supposedly angry because she has blamed Walter for Hank's troubles when there isn't really concrete evidence that he had anything to do with Hank being shot. I get that she is supposed to be an irrational person. I get that Hank has been after Heisenberg the whole time and is driving himself stir-crazy with it.

But I find that Hank becomes pretty unlikeable in this season because he seems to only be angry on deadset on catching Walter because it will be good for him. He isn't really bothered about all the damage he's done and all the people he's killed despite him listing all of it off in a confrontation with him. It comes across like he's miffed that Walt lied to him. At no point does anyone in the story go "Can we just hear Walter out? Maybe he has some kind of explanation?" but they don't and it's incredibly infuriating to sit through.

I have to reason that this is the point, however. Conquering. Comeuppance. Consequences. Conclusion etc, etc, etc. Total alienation is reached. As an audience member, not only do you not know who Walter is anymore but you don't really know anybody. The unconscious evil has to be met with unconscious good to be conquered. You're just watching a car crash happen at this point. Post Mike's death, it's almost feverish chaos. The only one you have left to root for is Jesse and that's famously snuffed out in "Ozymandias" - the prime example of narrative alienation. All that being said, it still makes for an unpleasant watching experience.

Walter White's Ending

"Granite State" and "Felina" almost feel seperate from the final season. It's a redemption arc or an epilogue. A full stop to a journey and I loved both of the episodes. Controversially, I preferred the former episode to the much lauded "Ozymandias" - the only episode that I knew the title of before watching because of how famous it is. It's not that I didn't like it or even love it;- Maybe expectations were too high, I don't know.

Anyway, I thought that despite my grievances about the last season, Walter White's conclusion was done expertly. There aren't many finalés you can say that about. TV shows rarely end with unanimous agreement. The cartharsis of him finally admitting that after all this time, he did all this for himself. He just wanted to live a little and any excuse will do to make money. It wasn't that it became clear throughout the show that he was finding reasons to keep going further and further to the point where money had nothing to do with it. It's not enough to just want money and to do anything to get more of it, it's to have an insatiable greed that makes evil.

The cerebral nature of Walter's actions remains present throughout the shooting of the nazis and the threatening of the Schwartzes and that works so much better than White giving up and turning himself in or going out in a blaze of glory. The reason being is that he knows that he has done so many wrongs that righting them is herculean task. The least he can do his enact poetic justice on those who have it coming to them and finally allow Jesse to run free of his own authority and agency.

It was perfect.

Conclusion

To say I was pleasantly surprised by Breaking Bad would be an understatement. Without hyperbole, it has restored my faith in television. Truth be told, I find myself to very skeptical and outright cynical about the medium. My general view of TV is of endless, disappointing monotony of an exploited, decaying premise. All shows die on their feet before they're firmly in the coffin and six feet under. I've started many, many shows but never, ever come close to finishing them. You can only borrow so much of my time. Part of why I tend to write about animé and video games is because there is an ending. Even if you don't complete a game to it's entirety, you still feel like you've experienced enough to put the controller down and still feel positive about it. What I enjoy about animé is that often, there are only one or two seasons of them. Short and sweet. If it's too much, then I won't bother.

Breaking Bad opposes every complaint I just had. It is NEVER boring, it is NEVER disappointing, it is NEVER monotonous. It ENDS. The seasons aren't chocked full of episodes that are a thousand hours long, written by a million people. It starts and it ends. That's it. There is something to be said for concluding.

Favourite Episodes:

Season 1

Most Favourite: Crazy Handful of Nothin'

Least Favourite: Cancer Man

Season 2

Most Favourite: Peekaboo

Least Favourite: ABQ

Season 3

Most Favourite: Half Measures

Least Favourite: Green Light

Season 4

Most Favourite: Salud

Least Favourite: Bullet Points

Season 5 (Part One)

Most Favourite: Dead Freight

Least Favourite: Madrigal

Season 5 (Part Two)

Most Favourite: Granite State

Least Favourite: Buried