Wait i just saw a fanart of Cyclonus and now im wondering if im just stupid or if i didnt read enough of MTMTE dialogues cuz of my poor English understanding
Is he carrying the same type of Great Sword than the Knight of the Circle of Light, so than Drift and Wing ???? I have the feeling it happened in the comic but i cant remember ????? GUYS HELP ME WHY NOBODY IS TALKING ABOUT IT MORE ???? Is he a Spectralist ? Does this add to the beef between him and Drift ???
Also i had a second interrogation. Am i the only one that thought Drift was a Cityspeaker when he came back from his exil because of his facial markings ???
Later we learn that it is Spectralism markings. Why is it so similar to Cityspeakers/Camiens markings ? Is the ability to see auras somehow similar to speaking with a Titan ?? Does the Knights-Spectralist came somehow from Caminus ? Is Dai Atlas Camien ??
The lore THE LORE I NEED THE LORE BEHIND THOSE MARKINGS. Im fascinated by Transformers mythology and religion despite being myself the biggest non believer ever....
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Spectralism is a type of composition that is organized by taking as its basis aspects of the harmonic series, or the overtones resulting from a sounding pitch. From the 1970s onward, composers, many of them residing in France or Romania, have looked at spectrograms of sounds to plot out the harmonies that they will deploy over time in a piece. This may sound rarified, but it is also one of the oldest traditions in music. Early humans listened for resonances, particularly in caves, some even using conch shells (brought in from many miles away) to create loud enough sounds to hear lots of reverberating overtones. Throat singers manipulate their voices to sound more than a single pitch at a time. If you have ever heard a bunch of higher sounds chiming after you sing a phrase in the shower, you too have been creating overtones.
Costin Miereanu (b. 1943) is both a spectral composer and an early adopter of synthesizers. He combined these two interests to make music distributed on a series of self-released cassettes and LP. As you can imagine, these are now collectors’ items that can blow up a bidding war on eBay and get big bucks on Discogs. Now, the labels Metaphon and Auryfa have brought together a bunch of Miereanu’s recordings from the mid 1970s to the early 1980s in a six CD boxed set with a generous program booklet.
Finis-Terre (“End of the Earth,’ 1978) is a good example of Miereanu’s spectralism, with resounding drones that correspond to a fundamental pitch and distinct overtones thereof that are allowed to ring out for its side length duration. There are dynamic shifts, with various swells and decrescendos providing variety. The timbre of each overtone is distinct, some noisy or pulsating, while others are purer in tone. A companion piece, Terre de Feu (“Land of Fire,” 1976) brings the bass, with sepulchral tones rumbling and oscillating higher octaves punctuating the proceedings.
While his interest in the postwar European avant-garde was important, Miereanu also looked to burgeoning trends in the United States for inspiration. Minimalism was in ascent, and he decided that, bona fides be damned, he would try it out in an ambitious piece that addressed climate change before we moved to the climate disaster phase. Musique Climatique (“Climate Music,’ 1979) has overlapping piano ostinatos, in a spectral pattern but constantly repeating, as well as spoken word passages describing weather and travel en francais and in accented English. Musique Climatique leads with minimalism, but the spoken passages are also reminiscent of multimedia pieces by Alvin Lucier, Meredith Monk, and Robert Ashley. There’s also more than a touch of the Philip Glass opera Einstein on the Beach, with its intoning of the title character’s musings,in the inflections of the voices in Musique Climatique. One wonders what éminences grises of the avant-garde like Pierre Boulez, Iannis Xenakis, and Karlheinz Stockhausen thought of the catholicity of Miereanu’s tastes. No matter, it makes a deep dive into this boxed set surprising and delightful.
Disclaimer ; This is NOT a fult (faux cult) or anything similar to that . Fultists DNI !!
Spectralism is a religion from the Transformers comic series "More Than Meets The Eye." It is a Cybertronian religious movement that places a great importance on colors and their meanings. You may practice it in any way that feels natural for you , or in any way that resonates with how you feel about it .
You can have any beliefs about certain colors with this !! Below , I am simply providing information in case you wish to begin practicing Spectralism with the information presented in the comics !!
The only official information truly known about Spectralist beliefs ;
The color magenta displays discomfort and awkwardness .
The combination of blue and purple can either signify mourning a death or a loss , and/or determination for revenge ; especially if the target of your revenge took the life of one you are mourning .
Do Cybertronians attach much importance to paintjob, as part of the 'self'? Is changing a paintjob ever used as a disguise?
Dear Chromatic Champion,
Some Cybertronians attribute great importance to their paintjobs—perhaps most notably, adherents of Spectralism may repaint their bodies based on significant events in their life. During wartime, Autobots and Decepticons operating in unusual terrain have taken on camouflage that allow them to blend in with their surroundings: for instance, the Decepticon Predators took on unique color schemes while operating in the colorful nebulas of the Skomiloch Territories, while Optimus Prime’s group of Autobots adopted white paint jobs while searching for Polarclaw in the high Arctic. Some Cybertronians such as Wasp and Shockwave have used electronic paintjobs to augment their disguises or even pass themselves off as Cybertronians who share the same body frame.
And, of course, there are those conceited Cybertronians such as Knock Out who attach great importance to their paintjobs—not out of any kind of utility, of course, but merely as a tribute to their own vanity.
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Did someone ask for more humanformers designs? Here’s Drift, one of my personal favorites to draw! An underground leader in disguise, Drift acts as a florist! His group particularly focuses on helping marginalized communities and underfunded neighborhoods. However, he can still cut off a few appendages if someone gets too close. He is happily married to Ratchet!
