@lotrweek 2024 — Day II: Histories and Legacies ↳ Silmarillion References in The Lord of the Rings Film Trilogy
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@lotrweek 2024 — Day II: Histories and Legacies ↳ Silmarillion References in The Lord of the Rings Film Trilogy

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We see that Sauron is emotional in that scene — killing Celebrimbor is not easy for him. What does that tell us about his character?
It’s funny, it’s one of those things where I did the scene and I wasn’t expecting to get emotional. It’s not like it was a planned thing. It just happened. And then when you talk about it, you have to go back and try and unpack why, and sometimes there is no explanation for these things. But in thinking about why he might have been feeling like that, there’s a lot of different things. I think you do see him kill people in this show, and he often kills them quite matter of factly, let’s say. It’s different with Celebrimbor because he has been a partner in crime and someone [Sauron] really respects and someone he could have used.
There’s also this huge anger in himself in this moment that he’s been defeated because Celebrimbor has hidden these rings. Sauron needs the rings, yet Celebrimbor wants to die before he tells Sauron where these rings are. And Sauron says, “There are many ways of keeping you alive,” something like that. So he clearly wants to torture him until he finds out, but it’s just like the way Celebrimbor tells him that he’s now a slave to these creations. I think it probably hits home for Sauron, and he loses control and kills him. And I think that makes him really angry and upset, because it’s so un-Sauron to be out of control. It is more interesting to watch than him just dispatching everyone.
...recalling Lúthien dancing fair / with wild white roses in her hair, / remembering her elven voice that rung / while stars in twilight round her hung.”
The Silmarillion as a Cdrama [7/?]: Númenor
“Then suddenly fire burst from the Meneltarma, and there came a mighty wind and a tumult of the earth, and the sky reeled, and the hills slid, and Númenor went down into the sea, with all its children and its wives and its maidens and its ladies proud; and all its gardens and its halls and its towers, its tombs and its riches, and its jewels and its webs and its things painted and carven, and its laughter and its mirth and its music, its wisdom and its lore: they vanished for ever. And last of all the mounting wave, green and cold and plumed with foam, climbing over the land, took to its bosom Tar-Míriel the Queen, fairer than silver or ivory or pearls. Too late she strove to ascend the steep ways of the Meneltarma to the holy place; for the waters overtook her, and her cry was lost in the roaring of the wind.”
(GIFs from Novoland: Eagle Flag, The Advisors Alliance, Once Upon a Time 2017)
— The Silmarillion
Paintings by Jenny Dolfen

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The taking of Ossë // The judgement of Mandos
CELEBRIMBOR ☆ the last of the line of fëanor. lord of eregion.
for @lyndeth-halfelven 🤍
Manó of Mandos
- The Blue Istari
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ShaliniZhara | Sori | Graphics | Semi-Active | #shalinizhara graphics | #soriyaa graphics