š·made a room for my ag pets!!

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š·made a room for my ag pets!!

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This isn't new, but i love that they redressed the Whickber Street set for the sixties sequence, clearly wanting it to seem like it was taking place in another bit of soho.
Where Crowley talks to Shadwell is directly opposite the bookshop. (Between what becomes the coffee shop and the French Cafe)
Which means the lit up signs for 'striptease' are actually on/in front of the bookshop (you can see the doorway column on the far right)
(And yes, in S2 the Dirty Donkey pub where Crowley makes his plan here is opposite the shop entrance, but in S1 it wasn't)
I love this, because it's ingenious redressing of the set, but also because if you make it canon/in-universe reality, then "I work in Soho, I hear things" becomes "you are literally parked outside my shop you idiot", and "I'll give you a lift, anywhere you want to go" is an invitation to a date - for Crowley to take him out somewhere, because he obviously doesn't need to be dropped home.
L.A.ās No. One Toon Revue āWho Framed Roger Rabbitā (1988)
skekGra the Heretic - Circle of the Suns Skeksis Chair - Jim Henson Company 70th Anniversary Auction on Julien's Auctions, sold for $2,560 - Lot 100
I almost missed one of my favorite props, since I forgot to bookmark it! But fret not, here it is, very late, Lot 100!
"A Skeksis chair from the Circle of Suns where cast-out Skeksis, skekGra the Heretic (performed by Damian Farrell and voiced by Andy Samberg), resided in the prequel seriesĀ The Dark Crystal: Age of ResistanceĀ (Netflix, 2019).
The chair is comprised of carved rigid foam with a cast resin outer coating that features hand-painted detailing. It is designed in the instantly recognizable Skeksis style known as "Garthic," which was created by skekEkt the OrnamentalistĀ and features characteristics such asĀ "emerging skeleton imagery" that make it so distinguishable.
It contains ornate detailing throughout including carved patterns on the base and hand/claw-shaped arms, winged blade protrusions as a headboard, leather strips wrapped around multiple components of the chair including some containing faux-bones tied to them, and multiple pieces of multi-fabric throw blanket decorations. The chair does not contain a full seat.
The chair features wear throughout consistent with heavy production usage. This wear includes, but is not limited to, scuffing and scratch marks, chipping, and outer coating peeling. Other specific wear includes both of the arms being loose from the lower half ofĀ the chair, a section of one of the back protrusions not being present which allows the foam to be seen, and both of the faux-bones have become separated from their other halves tied to the leather straps.
This chair can be seen when the Gelfling heroes of the series visit the Circle of the Suns where they encounter skekGra and urGohĀ the Wanderer (performed by Olly Taylor and voiced by Bill Hader).
Dimensions:Ā 72 x 53 x 34.5 inches"
I have seen people theorize about this chair and its implications regarding the lore, and I would like to add to the conversation. I do personally enjoy the idea of SkekGra leaving the castle with his chair, quite possibly using it as a weapon to fend off other skeksis? But we will not know for a little while. Regardless, this chair almost certainly came from the castle, but it isn't the same as every other castle chair, is it?
For starters, it has claws! These claws are absent on the modern chairs, but would make sense for a much older garthic style! The halo on the headrest also features interesting interlocking patterns, which we can see carven into the walls in the castle in some areas. The base of the chair has a very flowing and curly look to it, resembling something of an art nouveau style, which we also see hints of throughout the castle in permanent features, such as around doorframes and on chandeliers. I suggest that the garthic style has evolved greatly, even in the last few hundred years while SkekGra has been exiled, and that all of the chairs had resembled this, but have since been replaced.
SkekGra and UrGoh clearly has also altered the chair, adding fabrics for cushioning, and interesting hanging charms and bells. I find it very interesting and almost symbolic, seeing how SkekGra not only took a piece of home with him, but made it his own-- but even still, his 'home' has changed so much since he left, that it hardly even resembles home at all.
Do we have anyone who knows about wine? š·
Because I think Iāve got it down to this Bordeaux (presumably no later than 2017?) but, as I know literally nothing, I canāt comment any further on what it means for Taverner as a character and I know it has to mean something because theyāre so good at these details on Slow Horsesā¦
Stills of Taverner with it in her pristine kitchen (until she lets you know who in, anyway) available in @ilysmkstās post.

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I'm currently working on an animatic, with a few locations that doesn't appear in the series. so, I took the chance to practice set-dressing.
When you think of a futuristic sci-fi aesthetic, what's your favorite interpretation?
steel and concrete megastructures
gleaming bare chrome and steel
battered tech that's been repaired and recycled for ages
white plastic and curves
an alien world / society, or close enough
wire frame viewscreens everywhere
3d holograms everywhere
the advertisements know your name
tent shelters and stretched resources
the modern world but bump the dystopia slider
a plant breaking through concrete
my favorite is [tag] but I don't think it fits these categories
Oh nooooo...!!!
(LOL)
Looks like Enid's got a GIRL on her wardrobe held up by a HEART STICKER! Ooooo, Wednesday's gonna be so pissed!
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