#selfmedication

“The human impulse to trace one’s own presence finds its first recording in a hand stencil created 64,000 years ago in the Maltraviesco cave in Caceres, Spain. More recent iterations of these human tracings include the metaphysical “Anthropometries” of Yves Klein and the transformative, politically charged “Body Prints” of David Hammons. Richard Dupont’s “Biometry” prints and paintings have aspects that are both political and metaphysical. They extend the existential gesture into the digital age of biometrics, surveillance, and big data. Dupont’s biometric works derive not from a direct print of the body, but from a digital scan captured 17 years ago on a military base in Ohio. These works explore the social implications of 21st Century digital technologies and their physiological and psycho- logical effects” - Richard Dupont Pictured: Richard Dupont Untitled (Biometry) 2021 Monoprint on Coventry rag paper 60h x 44w in / 152.40h x 111.76w cm Richard Dupont, Untitled (Biometry), (detail), 2021 Installation view: Richard Dupont, Self Medication #richarddupont #selfmedication (at Lowell Ryan Projects) https://www.instagram.com/p/Clmbe5DyZgL/?igshid=NGJjMDIxMWI=

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Slide 4 and 5 that’s it ! Who be your babe? I be like who dey follow you play ? New music tomorrow #selfmedication #mfw #newmusic #violence https://www.instagram.com/p/Cn_r1-mMkIZ/?igshid=NGJjMDIxMWI=

A look from above at Richard Dupont’s exhibition #selfmedication 💊 on view through December 31st. Lowell Ryan Projects is pleased to present Self Medication a solo exhibition by New York-based artist Richard Dupont. Consisting of works from the artist’s “Heads” series as well as works on paper from his “Biometry” series, this is Dupont’s first solo exhibition in Los Angeles and with the gallery. In the early 2000s Dupont participated in a study where his body was digitally scanned at a military base. He has utilized that information as the foundation for his practice in the years since, producing sculpture, drawing, digital animation, painting, printmaking, and photography. While inescapably self-portraits, Dupont’s practice transcends a personal narrative into an exploration of the social implications of 21st Century digital technologies and their physiological and psychological effects. #richarddupont #selfmedication (at Lowell Ryan Projects) https://www.instagram.com/p/ClkOQfnvVV1/?igshid=NGJjMDIxMWI=

At just over two feet in height, physical perception is challenged by both scale and the refraction of light. As the artist ages, the head remains the same shape while its contents transform. A cognitive dissonance emerges in the works. They become not so much an accurate reflection of the artist himself, but the idea of the artist as a proxy, a visual depiction of a human. The works reflect the dissociation between the idea of one’s self in one’s mind and the physical implications of aging. In the case of Dupont’s “Heads,” the mind continues moving, absorbing information, casting it away, reacting to its surroundings, dreaming, creating, learning—serving as a conduit of the world and a reaction to it—all while the idea of a Richard Dupont remains the same. There is an elegant simplicity to the works in their purity of form, but also an uncanny quality in their realism. Installation views: Richard Dupont, Self Medication on view through December 31st #richarddupont #selfmedication (at Lowell Ryan Projects) https://www.instagram.com/p/CleimpKybeL/?igshid=NGJjMDIxMWI=